scholarly journals Parody film as a postmodernist deconstruction in cinematography

Author(s):  
Vladimir Nikolaevich Bedenko

Lately, the research of Parody film as a part of film discourse have reached its peak in the history and philosophy of science. The polycode essence of the concept of film discourse prompts changes and modifications in the interpretation of Parody film. Therefore, the subject of this analysis is Parody film. The goal of this research consists in examination of the peculiarities, meaning, and role of the concept of “parody film”, which is a creative work intended to ridicule the plot through satirical or ironic imitation. Research methodology is based on the method of analytical study of sources for clarification of the logic and content of the concepts of “parody”, “parody film”, and “film discourse”, as well for revealing the essence of parody film as a postmodernist deconstruction in cinematography. The article also employs the methods of comparative analysis and the concept of local cultures. The scientific novelty of this research consists in systematization of the existing knowledge on parody film in the light of film discourse, which being the phenomenon at the intersection of multiple disciplines is in the epicenter of scientific inquiries in linguistics, literary studies, sociolinguistics, philosophy of semiotics and film semiotics, critical discourse analysis, and theory of cinematography. The theoretical importance lies in characterization of the concepts of “parody”, “parody film”, “comedy”, “comedy film” in the context of modern knowledge of moviemaking and cinematography. The acquired results give a better perspective on the role of parody film in art and life of the society. The Interpreters fight for cinema, on the one hand adoring it as the art with unlimited capabilities, while on the other – neglecting the fact that it should need the unpretentious demands of the audience. The author claims that in a broad context, the parody film of the XXI century is not aimed at parodying a literary text. The filmmakers rather consider and use parody film as a means for drawing attention of various life circumstances.

2019 ◽  
Vol 7 (1) ◽  
pp. 94
Author(s):  
Andromeda Nova Hartavi ◽  
Sarwiji Suwandi ◽  
Sri Hastuti

<em>This research aims to describe and explain the role of sarcasm, the value of character education in the collection of poetry Mencari Tanah Lapang by Wiji Thukul, and the relevance the role of sarcasm and the value of character education in the collection of poetry Mencari Tanah Lapang by Wiji Thukul on the teaching of literature in universities. Technique of subject sampling is purposive sampling. Data collection techniques used are document analysis and interviews. The validity of data in this study is done by using critical discourse analysis techniques. The results of this research are: (1) there are 62 sarcasm in the collection of poetry Mencari Tanah Lapang that serve as satirical of rules, satire of politics, satire of development, satire of education, satire of social inequality, and satire world health; (2)  the value of character education contained in the collection of poetry Mencari Tanah Lapang is religious values, honesty, tolerance, hard work, democracy, reading, and social care;(3) the role of sarcasm majors and the value of character education contained in the collection of poetry Mencari Tanah Lapang can be used as a literary teaching material with the subject of poetry in the study program of Indonesian literature.</em>


1990 ◽  
Vol 11 ◽  
pp. 84-99 ◽  
Author(s):  
Gunther Kress

The label Critical Discourse Analysis (CDA) is used by a significant number of scholars with a diverse set of concerns in a number of disciplines. It is well-exemplified by the editorial statement of the journal Discourse and Society, which defines its envisaged domain of enquiry as follows: “the reproduction of sexism and racism through discourse; the legitimation of power; the manufacture of consent; the role of politics, education and the media; the discursive reproduction of dominance relation between groups; the imbalances in international communication and information.” While some practitioners of Critical Discourse Analysis might want to amend this list here or there, the set of concerns sketched here well describes the field of CDA. The only comment I would make, a comment crucial for many practitioners of CDA, is to insist that these phenomena are to be found in the most unremarkable and everyday of texts—and not only in texts which declare their special status in some way. This scope, and the overtly political agenda, serves to set CDA off on the one hand from other kinds of discourse analysis, and from textlinguistics (as well as from pragmatics and sociolinguistics) on the other.


2019 ◽  
pp. 121-136
Author(s):  
Magdalena Borysławska

The article deals with a linguistic approach to the subject of interpersonal interactions and the use of metaphors as a rhetorical techniques in the scientific register. The aim of this text is to describe the role of conceptual metaphors in scientific texts dealing with the theory of interactionism. Within the analysis of the linguistic and stylistic layer of theoretical studies of interactionism, the author will identify analogies between the particular aspects of interactions and source domains, which affect the constitution of certain forms of social cognition and thus the construction of knowledge. The study follows the methodological approach of Critical Discourse Analysis (CDA).


2016 ◽  
Vol 13 (1) ◽  
pp. 1629 ◽  
Author(s):  
Aykut Töngür ◽  
Hakan Batirhan Kara

Today, combating terrorism is accepted as an international issue. Turkey has struggled with this problem for years. Combating terrorism is not only a matter for the state or government to address, but nongovernmental organizations must be contribute to the process of developing strategies and policies against terrorism. Media organs may have contribution in fighting against terrorism and newspapers which can be tools to combat terrorism are the subject of this study. Three newspapers were selected as samples of this study and news reports relating to terror and terrorism in these newspapers were analyzed according to Van Dijk’s Critical Discourse Analysis. As a result of the findings of this study, it is seen that media organs are not free from biases and ruling ideology and political view effects newspapers, magazines or televisions while presenting terror news. At the end of the study, some suggestions were developed especially for the stakeholders in the fight against terrorism.


Author(s):  
Marwah Kareem Ali ◽  
Anne Althea Christopher ◽  
Munif Zarirruddin Fikri B. Nordin

It is a fact that the role of pronouns, especially personal pronouns, in representing socio-political ideologies is not new as it has been studied extensively in relation to political discourse. However, this role needs to be examined in the newspaper discourse. Consequently, the current paper intends to examine personal and possessive pronouns used in newspaper articles to represent socio-political ideologies. Such a study requires a critical discourse analysis (CDA) to analyse excerpts from news articles in Iraqi English newspaper, known as the Kurdish Globe (henceforth, KG), on the event of American military forces’ (henceforth, AMFs’) withdrawal from Iraq. Using a qualitative content analysis, the excerpts are categorized thematically in relation to the ideological values found in them. It is revealed that the KG newspaper made use of direct quotation of American politicians’ statements which contain plural personal and possessive pronouns when referring to their actions. This has served two aspects; firstly, it showed its objectivity in conveying the news event using quotations of newsworthy value. Secondly, it enhanced its socio-political ideologies through the direct quotations of American politicians whose government has a powerful authority over Iraq. On the one hand, the KG newspaper used personal and possessive pronouns associated with the positive representation of the U.S. government and its forces to show its trust in them. On the other hand, personal and possessive pronouns related to the Iraqi politicians were associated with negative representation to enhance its distrust in the Iraqi government. 


Author(s):  
H. A. Chernenko

The article is devoted to the discursive projections of the discussion about President of Ukraine Volodymyr Zelensky and his peace initiatives. The articles about these initiatives published in the internetnewspaper «Ukrainska Pravda» were analyzed. It was selected for investigating the preparing for the Paris Summit on 9th December 2020 and reactions to its results. This discourse attracts attention due to the huge number of negative evaluations given to the traditionally positive value PEACE and to the actions directed towards gaining of it. The research has been carried out in the cognitive discoursive paradigm and critical discourse analysis. Those are approaches which let us open the meanings input by a speaker in the text sometimes unconsciously. It should be noted that investigation of hybrid wars highlights the great role of hided meanings in it. The original method of axiological dynamic modeling has been used to open these meanings. With its help, process and results of axiological categorization can be presented as an axiological propositional structure. Thus, the denoted situation «Peace initiatives by President of Ukraine Zelensky at the Paris Summit 2019» has been modeled with the propositional axiological frame. This frame contains such structural components: the subject of evaluation – Ukrainians, whose articles or comments were published in the internet-newspaper «Ukrainska Pravda»; the predicate of evaluation – «I think that my opinion is reliable and socially acceptable enough to become public»; the object of evaluation – President of Ukraine Volodymyr Zelensky, his political power and party, his peace initiatives and the value Peace as such; the predicate of evaluation: (1) positive and negative valences for the same objects, that give the reasons to say about axiological conflict; (2) criteria of evaluation – ACKNOWLEDGMENT, DEMOCRACY, JUSTICE, PATRIOTISM, POWER (SOCIAL STATUS), RESULT, SECURITY. As far as criteria of evaluation correlate with the value concepts of a speaker, one can say that those are the value concepts which become the basis for categorization of this situation. As regards the reason of the conflict, its sources can be such: (1) participants of the conflict share similar values but put them on different places in their hierarchical value systems; (2) different opinions about denotative meanings of mentioned values, first of all about meanings of the concepts SECURITY and PEACE.


2018 ◽  
Vol 23 (3) ◽  
pp. 7
Author(s):  
Vincenzo Cammarata

Resumo: O objetivo deste artigo é refletir sobre o processo de descolonização literária na obra de Ana Paula Tavares através do uso do discurso religioso e do papel da mulher na ancestralidade de matriz banta, fazendo uma análise crítica do discurso da crônica “A cabeça de Salomé” (2004). Pretende-se demonstrar que as referências culturais a certas formas de expressão comunicativas da narrativa oral e das crenças de origem cabinda e quioca conseguem criar uma nova forma de reescrever a identidade angolana, criando uma contramemória que se contrapõe à memória dominante, imposta pelos colonizadores portugueses ao longo da história. Desta forma, a figura bíblica de Salomé toma uma conotação diferente com respeito ao Evangelho, adaptando-se às necessidades narrativas da autora que quer enfatizar o legado banto para subverter as imagens pré-estabelecidas das convenções culturais ocidentais, que têm afetado dramaticamente o país angolano e a sua identidade nacional.Palavras-chave: Ana Paula Tavares; literatura angolana; espiritualismo banto; análise crítica do discurso.Abstract: By carrying out a critical discourse analysis of the chronicle “A cabeça de Salomé” (2004) by Ana Paula Tavares, the purpose of the present article is to reflect on the process of literary decolonisation, occurring through the development of a religious discourse and the emphasis given to the role of women in Bantu ancestry. This paper aims to demonstrate that the cultural references related to certain forms of expression belonging to the oral tradition, as well as the Cabinda and Tshokwe beliefs evoked by the author, create a new way of re-defining the Angolan identity, by developing an anti-memory as opposed to the dominant memory, which had been imposed by the Portuguese colonisers over the centuries. This way, the biblical figure of Salomé assumes a different connotation compared to the one depicted in the Gospel, as a result of the adaptation to the narrative needs of the author, who wants to emphasise the Bantu legacy in order to subvert the pre-established western cultural conventions that have affected dramatically the Angolan country and its national identity.Keywords: Ana Paula Tavares; Angolan Literature; Bantu Spiritualism; Critical Discourse Analysis.


Author(s):  
Iryna Rusnak

The author of the article analyses the problem of the female emancipation in the little-known feuilleton “Amazonia: A Very Inept Story” (1924) by Mykola Chirsky. The author determines the genre affiliation of the work and examines its compositional structure. Three parts are distinguished in the architectonics of associative feuilleton: associative conception; deployment of a “small” topic; conclusion. The author of the article clarifies the role of intertextual elements and the method of constantly switching the tone from serious to comic to reveal the thematic direction of the work. Mykola Chirsky’s interest in the problem of female emancipation is corresponded to the general mood of the era. The subject of ridicule in provocative feuilleton is the woman’s radical metamorphoses, since repulsive manifestations of emancipation becomes commonplace. At the same time, the writer shows respect for the woman, appreciates her femininity, internal and external beauty, personality. He associates the positive in women with the functions of a faithful wife, a caring mother, and a skilled housewife. In feuilleton, the writer does not bypass the problem of the modern man role in a family, but analyses the value and moral and ethical guidelines of his character. The husband’s bad habits receive a caricatured interpretation in the strange behaviour of relatives. On the one hand, the writer does not perceive the extremes brought by female emancipation, and on the other, he mercilessly criticises the male “virtues” of contemporaries far from the standard. The artistic heritage of Mykola Chirsky remains little studied. The urgent task of modern literary studies is the introduction of Mykola Chirsky’s unknown works into the scientific circulation and their thorough scientific understanding.


Author(s):  
Alexandra-Niculina Babii

The digital era has determined a very easy creation and propagation of fake news. As a consequence, it has become harder for people to fight this malicious phenomenon. However, the only weapon that can have results in this informational war is critical thinking. But who should use it? The creators of fake news that do this for different reasons? The social platforms that allow the circulation of fake news with ease? Mass media which does not always verify with much attention and rigour the information they spread? The Governments that should apply legal sanctions? Or the consumer that receives all the fake news, him being the final target? Even if critical thinking would be useful for every actor on fake news’ stage, the one who needs it the most is the consumer. This comes together with the big responsibility placed on his shoulders. Even if others are creating and spreading disinformation, the consumer must be aware and be careful with the information he encounters on a daily basis. He should use his reasoning and he should not believe everything just because it is on the Internet. How can he do that? Critical thinking seems to be a quite difficult tool to use, especially for non-specialized individuals. This paper’s aim is to propose a simplified model of critical thinking that can contribute to detecting fake news with the help of people’s self judgement. The model is based on theories from Informal Logic considering the structure of arguments and on Critical Discourse Analysis theories concerning the patterns found in the content of the information.


2021 ◽  
Vol 2 (2) ◽  
pp. 10-38
Author(s):  
Phillip Joy ◽  
Matthew Numer ◽  
Sara F. L. Kirk ◽  
Megan Aston

The construction of masculinities is an important component of the bodies and lives of gay men. The role of gay culture on body standards, body dissatisfaction, and the health of gay men was explored using poststructuralism and queer theory within an arts-based framework. Nine gay men were recruited within the city of Halifax, Nova Scotia, Canada. Participants were asked to photograph their beliefs, values, and practices relating to their bodies and food. Semi-structured interviews were conducted, using the photographs as guides. Data were analyzed by critical discourse analysis and resulted in three overarching threads of discourse including: (1) Muscles: The Bigger the Better, (2) The Silence of Hegemonic Masculinity, and (3) Embracing a New Day. Participants believed that challenging hegemonic masculinity was a way to work through body image tension.


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