scholarly journals Trazas del mito y la tradición clásica en la cantiga profana gallego-portuguesa

2020 ◽  
pp. 27-48
Author(s):  
Rafael J. Gallé Cejudo ◽  
Keyword(s):  
Literary Tradition ◽  
Greco Roman ◽  
Moral Perspective ◽  
Classical Myths ◽  
Love Lyric

This article goes through some of the coincidences between the classical literary tradition and the Galician-Portuguese lyric, which provide sometimes a new signification to the Greco-Roman mythical tradition. In this sense, certain classical myths are reworked from a moral perspective. Additionally, the resource to erotic topics from the Greco-Roman tradition in the Galician-Portuguese love lyric is exemplified, such as the love at first sight, the madness of love, the judgment loss, the evasive lover, irrisor amoris and servitium amoris

Shaping History in the 1st and 2nd Centuries CE in Its Literary Culture

2017 ◽  
Author(s):  
Eve-Marie Becker
Keyword(s):  
Literary Culture ◽  
Literary Tradition ◽  
Substantial Contribution ◽  
Literary Canon ◽  
History Writing ◽  
Western History ◽  
Roman World ◽  
Greco Roman ◽  
The Subject ◽  
Literary Phenomenon

This chapter studies the interrelation of history-writing and literary culture. It considers the function of history-writing within the context of Hellenistic literary culture, as historiography at the time can be seen as a literary phenomenon. History-writing represents a substantial contribution to ancient literature; it circulates within the sphere of the ancient literary canon. Chronologically speaking, Mark and Luke follow in the literary tradition set by the earliest in Western history-writing, yet literary tradition among the earliest Christian authors also differs from the Greco-Roman world. Where historiographical topics and concepts vary significantly from one author to the next, in Mark and Luke, the subject of the narrative, namely, the gospel, remains surprisingly constant.

The Greco-Roman Revival

2018 ◽  
Author(s):  
Nicholas Halmi
Keyword(s):  
Eighteenth Century ◽  
Classical Tradition ◽  
Visual Arts ◽  
Classical Antiquity ◽  
Traditional Notion ◽  
Greco Roman ◽  
Romantic Poetry ◽  
Classical Myths ◽  
Modern Greece

During the eighteenth century an emergent historicism, which differentiated modernity radically from past ages, questioned the traditional notion of a ‘classical tradition’ of timeless values exemplified in Greek and Roman works. Classical antiquity began to be understood as a repository of historical artefacts associated, in part nostalgically, with ‘primitive’ ways of thought. Such recognition of the distance between modernity and antiquity paradoxically encouraged identification with the latter, since antiquarian research permitted increasingly accurate imitation of classical forms in the visual arts from the 1750s, while anthropological reflection on myth stimulated a revival of mythological poetry from the 1810s. Yet British Romantic poetry, whether describing classical artworks or appropriating classical myths, engaged with classical antiquity ambivalently, often ironically. While espousing the Philhellenist cause of Greek independence from Ottoman rule, Byron and Shelley remained very conscious of the disparities between ancient and modern Greece.

Athenagoras'sEmbassy: A Literary Fiction

1996 ◽  
Vol 89 (3) ◽  
pp. 209-226 ◽  
Author(s):  
P. Lorraine Buck
Keyword(s):  
Good Reason ◽  
Literary Tradition ◽  
Alternative Interpretation ◽  
Literary Form ◽  
Early Church ◽  
Literary Fiction ◽  
Third Century ◽  
The Third ◽  
Greco Roman ◽  
Literary Character

In his 1989 article entitled “Apologetic Literature and Ambassadorial Activities,” William R. Schoedel considers “aspects of the form of apologetic literature in the early church and Judaism.” More specifically, he attempts to discover possible models for the literary character of the Christian apologies, and in particular theEmbassyof Athenagoras, in the various kinds of addresses that ambassadors delivered before the emperor when presenting appeals and requests. Examples of such addresses include the ambassadorial speech discussed by the third-century rhetorician Menander Rhetor, the legal oration as exemplified by Philostratus in his treatment of the trial of Apollonius of Tyana, and the imperiallibellusor petition. Schoedel draws two clear conclusions from this investigation. The first is that the literary form of Athenagoras'sEmbassyis an “apologetically grounded petition,” that is, a “mixed form that as such appears to have no real precedent in the Greco-Roman literary tradition.” The second is that “there is good reason to think that [it] was written to be presented to the emperor or delivered before him.” The present article will explore the ideas and arguments that led Schoedel to each of his conclusions and will offer an alternative interpretation of the evidence in each case.

The fruit of truth is sown by the creators of peace

1998 ◽  
pp. 43-44
Author(s):  
Anatolii M. Kolodnyi
Keyword(s):  
Roman Catholic ◽  
Christian Churches ◽  
Greco Roman

At the All-Ukrainian Christian Forum "The Fruit of Truth is Sacrified by the Creators of Peace", which took place in Kyiv in May, a section on the role of Christianity in the development of morality and spirituality worked. The section involved scientists, as well as theologians and teachers of eight Christian churches - three Orthodox, Greco-Roman Catholic, as well as Baptist, Adventist, and Pentecostal. At the session of the section were heard 20 reports and messages.

Dynamical Peculiarities of Concatenational Changes in Functional Cardiovascular Parameters

2018 ◽  
Vol 3 (82) ◽  
Author(s):  
Eurelija Venskaitytė ◽  
Jonas Poderys ◽  
Tadas Česnaitis
Keyword(s):  
Time Series ◽  
Time Series Analysis ◽  
Functional State ◽  
The Body ◽  
Functional Changes ◽  
High Intensity Training ◽  
Series Analysis ◽  
Greco Roman ◽  
St Segment ◽  
Standard Lead

Research  background  and  hypothesis.  Traditional  time  series  analysis  techniques,  which  are  also  used  for the analysis of cardiovascular signals, do not reveal the relationship between the  changes in the indices recorded associated with the multiscale and chaotic structure of the tested object, which allows establishing short-and long-term structural and functional changes.Research aim was to reveal the dynamical peculiarities of interactions of cardiovascular system indices while evaluating the functional state of track-and-field athletes and Greco-Roman wrestlers.Research methods. Twenty two subjects participated in the study, their average age of 23.5 ± 1.7 years. During the study standard 12 lead electrocardiograms (ECG) were recorded. The following ECG parameters were used in the study: duration of RR interval taken from the II standard lead, duration of QRS complex, duration of JT interval and amplitude of ST segment taken from the V standard lead.Research  results.  Significant  differences  were  found  between  inter-parametric  connections  of  ST  segment amplitude and JT interval duration at the pre and post-training testing. Observed changes at different hierarchical levels of the body systems revealed inadequate cardiac metabolic processes, leading to changes in the metabolic rate of the myocardium and reflected in the dynamics of all investigated interactions.Discussion and conclusions. It has been found that peculiarities of the interactions of ECG indices interactions show the exposure of the  functional changes in the body at the onset of the workload. The alterations of the functional state of the body and the signs of fatigue, after athletes performed two high intensity training sessions per day, can be assessed using the approach of the evaluation of interactions between functional variables. Therefore the evaluation of the interactions of physiological signals by using time series analysis methods is suitable for the observation of these processes and the functional state of the body.Keywords: electrocardiogram, time series, functional state.

“All in a Garden Green”: Shakespeare's Staging of Garden Imagery

2019 ◽  
Vol 26 (2) ◽  
pp. 227-252
Author(s):  
Deborah Solomon
Keyword(s):  
Early Modern ◽  
Literary Tradition ◽  
The Public ◽  
The World ◽  
Audience Interaction ◽  
The Many ◽  
Green World

This essay draws attention to the surprising lack of scholarship on the staging of garden scenes in Shakespeare's oeuvre. In particular, it explores how garden scenes promote collaborative acts of audience agency and present new renditions of the familiar early modern contrast between the public and the private. Too often the mention of Shakespeare's gardens calls to mind literal rather than literary interpretations: the work of garden enthusiasts like Henry Ellacombe, Eleanour Sinclair Rohde, and Caroline Spurgeon, who present their copious gatherings of plant and flower references as proof that Shakespeare was a garden lover, or the many “Shakespeare Gardens” around the world, bringing to life such lists of plant references. This essay instead seeks to locate Shakespeare's garden imagery within a literary tradition more complex than these literalizations of Shakespeare's “flowers” would suggest. To stage a garden during the sixteenth and seventeenth centuries signified much more than a personal affinity for the green world; it served as a way of engaging time-honored literary comparisons between poetic forms, methods of audience interaction, and types of media. Through its metaphoric evocation of the commonplace tradition, in which flowers double as textual cuttings to be picked, revised, judged, and displayed, the staged garden offered a way to dramatize the tensions produced by creative practices involving collaborative composition and audience agency.

The Pornographer and McGahern's Allusive Practice

2017 ◽  
Vol 47 (2) ◽  
pp. 281-297
Author(s):  
Tom Walker
Keyword(s):  
Social Practice ◽  
Literary Tradition ◽  
The Novel ◽  
Present Value ◽  
The Past

Allusions to other texts abound in John McGahern's fiction. His works repeatedly, though diffidently, refer to literary tradition. Yet the nature of such allusiveness is still unclear. This article focuses on how allusion in The Pornographer (1979) is depicted as an intellectual and social practice, embodying particular attitudes towards the function of texts and the knowledge they represent. Moreover, the critique of the practice of allusion that the novel undertakes is shown to have broader significance in terms of McGahern's whole oeuvre and its evolving attempts to salvage something of present value from the literature of the past.

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