scholarly journals Nuevos datos para la biografía de Juan de Ochoa, maestro cantero cordobés del Quinientos

Author(s):  
Juan Luque Carrillo ◽  

"Juan de Ochoa Méndez was a prominent Cordovan architect who worked in the second half of the 16th Century. His style and particular constructive language fall within the Spanish classicist current of the late 1500s, according to the maniera italiana, which refined the Renaissance tradition and set the foundations for the future baroque style during the first years of the 17th Century. His prolific professional career at the service of the main religious and civil institutions of Córdoba at the time, has recently been reconstructed thanks to the numerous references and documentary data extracted from the main Cordovan archives and particularly the Historical-Provincial Archive."

Moreana ◽  
2013 ◽  
Vol 50 (Number 193- (3-4) ◽  
pp. 54-73
Author(s):  
Nicolas Tenaillon

As a renowned jurist first and then as a top politician, Thomas More has never given up researching about a judicial system where all the fields of justice would be harmonized around a comprehensive logic. From criminal law to divine providence, Utopia, despite its eccentricities, proposes a coherent model of Christian-inspired collective living, based on a concern for social justice, something that was terribly neglected during the early 16th century English monarchy. Not only did History prove many of More’s intuitions right, but above all, it gave legitimacy to the utopian genre in its task of imagining the future progress of human justice and of contributing to its coming.


2020 ◽  
Vol 3 (1) ◽  
pp. 456-466
Author(s):  
Kateryna Kolesnikova ◽  
Dmytro Lukianov ◽  
Tatyana Olekh

Author(s):  
Anna Strode

Soon after the Protestant Reformation took place in Livonia in the 16th century, the currents of European humanism came to Livonia. As a result of the historical and religious impact, the level of education increased, enabling an environment for the development of the literature. Soon various Latin poetry texts int. al. 17th-century occasional poetry written by the humanists of Riga started to appear. The aim of the article is to bring to light the components of nuptial (epithalamium, ὑμέναιος/hymenaeus, carmen nuptialis, etc.) poetry written in Riga in the 17th century, as well as by exploring the specific features of occasional poetry to capture readers’ and researchers’ interest in the previously undiscovered cultural heritage. At the beginning of the article, the tradition of nuptial poetry is explained. Then, by examining the basic principles one must take into account in composing occasional poetry based on works of the ancient rhetors – Menander (Μένανδρος Ῥήτωρ, c. 3rd century), pseudo-Dionysius (pseudo-Dionysius/Διονύσιος), Himerius (Ἱμέριος, c. 315–c. 386) and the book “Seven Books on Poetry” (Poetices libri septem, 1561) written by Italian humanist Julius Caesar Scaliger (1484–1558) – a table of the most used topics in nuptial poetry is formed. Afterwards, the poetry written in Riga and its most typical components (didactics, laudation, inducement, foresight, wishes/congratulations and prayers) is compared to the topics offered by previously mentioned theoreticians. Fragments of Latin nuptial poetry written in Riga are included to portray the components of poetry more clearly. All translations of poetry included in the article are made by the author of the article.


2020 ◽  
Vol 147 (2) ◽  
pp. 153-163
Author(s):  
Kirsten Dzwiza

SummaryThere are only a few sequences of ancient magic signs known to us today that have been preserved on multiple artefacts. A previously unnoticed sequence of 17 signs on a gem in the Museum of Fine Arts in Vienna occurs with minor but significant variations on two other gems in the State Museum of Egyptian Art in Munich. The Viennese gem is dated to the 16th century and is documented as a drawing in a 17th century publication. The first Munich gem has been assigned to the Graeco-Roman period. The second gem, which, according to the inventory card of the museum, also belongs to the Graeco-Roman period, is published here for the first time. A comparative study of the three gems and the drawing has lead to a number of new findings, including the re-dating of the Munich gems.


2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.


Author(s):  
Л.А. Беляев ◽  
С.И. Баранова

Задача статьи – понять, где, сколько и каких сохранилось археологических материалов по истории наиболее известного из гражданских дворцовых соо­ружений, срубленных из дерева, – дворца в Коломенском. Дворец использовался как летняя государственная резиденция в основном царем Алексеем Михайловичем и его сыновьями, Федором и Петром I (в юности), а позже эпизодически правительницами России XVIII в. После разборки в 1760-х гг. от него сохранились описания, обмеры и даже модели. За столетие (с 1920-х гг.) остатки усадьбы не раз исследовались археологически, материалы фиксации отложились в ряде архивов и музеев, в основном московских. На будущее ставится задача свести эти материалы воедино и заново проанализировать их вместе с другими видами источников. The paper is aimed at shaping a clear idea on what, where, and how much of archaeological materials on the history of the Kolomenskoye Palace, which is the most famous civil palace construction made from logs, has been preserved. The palace was used as a summer state residence, mostly, by tsar Aleksey Mikhailovich and his sons – Fyodor and Peter I (in his childhood), and in the subsequent period in the 18th century from time to time by female rulers of Russia. In the 1760s the palace was dismantled; its descriptions, measurements and even models were preserved. Over a hundred years (since the 1920s), the remains of this estate have been repeatedly excavated, and the records have been stored in a number of archives and museums, mostly, in Moscow. The future task is to consolidate these materials and analyze them along with other types of sources.


2020 ◽  
Vol 26 ◽  
pp. 11-41
Author(s):  
Maciej Ziemierski

17th century testaments of the Królik family from Krakow The article is dedicated to the Królik family from Krakow, who lived in the town from the late 16th century until the first years of the 18th century. The family members initially worked as tailors, later reinforcing the group of Krakow merchants in the third generation (Maciej Królik). Wojciech Królik – from the fourth generation – was a miner in Olkusz. The text omits the most distinguished member of the family, Wojciech’s oldest brother, the Krakow councillor Mikołaj Królik, whose figure has been covered in a separate work. The work shows the complicated religious relations in the family of non-Catholics, initially highly engaged in the life of the Krakow Congregation, but whose members gradually converted from Evangelism to Catholicism. As a result, Wojciech Królik and his siblings became Catholics. This work is complemented by four testaments of family members, with the first, Jakub Królik’s, being written in 1626 and the last one, Wojciech Królik’s, written in 1691.


Author(s):  
Elwira Buszewicz

The main aim of this paper is to analyze several early-modern Neo-Latin poems written by Polish authors; the poems deal (in different ways) with old age. The poets undertake a kind of intertextual game with the reader, applying various stereotypes and clichés. On can speak about a “semiotic landscape” of old age. The authors taken into consideration are Jan Kochanowski, Grzegorz of Sambor, Thomas Treter (16th century) and Maciej Kazimierz Sarbiewski, Albert Ines (17th century).


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