On Becoming Food

2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Lauren Paremoer

This essay reflects on pregnancy as a process through which women are encouraged to become “good mothers” by “eating well”. It uses nutritional guidelines for pregnant women to explore the way in which pregnant bodies are conceptualised as filtration systems that, through self-discipline, can prevent pollutants in food from reaching the foetus – thereby ensuring foetal health, and ultimately population health. This process risks taming or domesticating the political agency of women under the guise of celebrating them as good mothers.

2019 ◽  
Vol 15 (4) ◽  
pp. 340-348
Author(s):  
Jukka Nyyssönen

How has Sámi cultural heritage been incorporated into the national histories of Finland? How have the national and academic discourses constrained and enabled ways of writing about the Sámi in this genre? A complete change from a hierarchizing and at worst racializing perspective to a more matter-of-fact approach is detectable quite late on, from the 1980s onwards. The Sámi have remained on the periphery of Finnish historiography, but they have become integrated into the national history, even though they still serve to illustrate Finnish nation-building in this genre. The amount of updated archaeological and historical knowledge has increased, but the approach still under-communicates the political agency of the Sámi. The inherent methodological and history-political conservativism stunts the way the Sámi are dealt with so that the Sámi histories remain mostly uncommunicated.


2009 ◽  
Vol 29 (2) ◽  
pp. 5-19
Author(s):  
Donald Beecher

This is a study of a Renaissance artist and his patrons, but with an added complication, insofar as Leone de' Sommi, the gifted academician and playwright in the employ of the dukes of Mantua in the second half of the sixteenth century, was Jewish and a lifelong promoter and protector of his community. The article deals with the complex relationship between the court and the Jewish "università" concerning the drama and the way in which dramatic performances also became part of the political, judicial and social negotiations between the two parties, as well as a study of Leone's role as playwright and negotiator during a period that was arguably one of the best of times for the Jews of Mantua.


2017 ◽  
Vol 24 (1) ◽  
pp. 22-45
Author(s):  
Akihiko Shimizu

This essay explores the discourse of law that constitutes the controversial apprehension of Cicero's issuing of the ultimate decree of the Senate (senatus consultum ultimum) in Catiline. The play juxtaposes the struggle of Cicero, whose moral character and legitimacy are at stake in regards to the extra-legal uses of espionage, with the supposedly mischievous Catilinarians who appear to observe legal procedures more carefully throughout their plot. To mitigate this ambivalence, the play defends Cicero's actions by depicting the way in which Cicero establishes the rhetoric of public counsel to convince the citizens of his legitimacy in his unprecedented dealing with Catiline. To understand the contemporaneousness of Catiline, I will explore the way the play integrates the early modern discourses of counsel and the legal maxim of ‘better to suffer an inconvenience than mischief,’ suggesting Jonson's subtle sensibility towards King James's legal reformation which aimed to establish and deploy monarchical authority in the state of emergency (such as the Gunpowder Plot of 1605). The play's climactic trial scene highlights the display of the collected evidence, such as hand-written letters and the testimonies obtained through Cicero's spies, the Allbroges, as proof of Catiline's mischievous character. I argue that the tactical negotiating skills of the virtuous and vicious characters rely heavily on the effective use of rhetoric exemplified by both the political discourse of classical Rome and the legal discourse of Tudor and Jacobean England.


Author(s):  
Saitya Brata Das

This book rigorously examines the theologico-political works of Friedrich Wilhelm Joseph von Schelling, setting his thought against Hegel's and showing how he prepared the way for the post-metaphysical philosophy of Martin Heidegger, Franz Rosenzweig and Jacques Derrida.


2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Eko Wahyono ◽  
Rizka Amalia ◽  
Ikma Citra Ranteallo

This research further examines the video entitled “what is the truth about post-factual politics?” about the case in the United States related to Trump and in the UK related to Brexit. The phenomenon of Post truth/post factual also occurs in Indonesia as seen in the political struggle experienced by Ahok in the governor election (DKI Jakarta). Through Michel Foucault's approach to post truth with assertive logic, the mass media is constructed for the interested parties and ignores the real reality. The conclusion of this study indicates that new media was able to spread various discourses ranging from influencing the way of thoughts, behavior of society to the ideology adopted by a society.Keywords: Post factual, post truth, new media


Theoria ◽  
2020 ◽  
Vol 67 (165) ◽  
pp. 92-117
Author(s):  
Bronwyn Leebaw

What kinds of lessons can be learned from stories of those who resisted past abuses and injustices? How should such stories be recovered, and what do they have to teach us about present day struggles for justice and accountability? This paper investigates how Levi, Broz, and Arendt formulate the political role of storytelling as response to distinctive challenges associated with efforts to resist systematic forms of abuse and injustice. It focuses on how these thinkers reflected on such themes as witnesses, who were personally affected, to varying degrees, by atrocities under investigation. Despite their differences, these thinkers share a common concern with the way that organised atrocities are associated with systemic logics and grey zones that make people feel that it would be meaningless or futile to resist. To confront such challenges, Levi, Arendt and Broz all suggest, it is important to recover stories of resistance that are not usually heard or told in ways that defy the expectations of public audiences. Their distinctive storytelling strategies are not rooted in clashing theories of resistance, but rather reflect different perspectives on what is needed to make resistance meaningful in contexts where the failure of resistance is intolerable.


2020 ◽  
Vol 26 (39) ◽  
pp. 55-65
Author(s):  
Angélica Adverse

O artigo aborda o agenciamento das roupas no trabalho do artista Christian Boltanski. Partindo da dimensão do poder dos corpos têxteis, analisaremos como as roupas investem-se das palavras emudecidas dos corpos ausentes, constituindo-se como alegoria do testemunho e do documento histórico. A ideia central é pensar como as roupas explicitam a aniquilação humana provocada pelos regimes políticos totalitários. Analisaremos como as instalações Prendre la Parole (2005) e Personnes(2010) desvelam a presença-ausência da vida-morte na experiência política do discurso têxtil.  Palavras-chave: Roupas; Corpos; Agenciamento; Política; Memória.AbstractThe article addresses the agency of clothes in the work of the artist Christian Boltanski. Starting from the dimension of the power of the textile bodies, we will analyze how the clothes invest themselves with the muted words of the absent bodies, constituting themselves as an allegory of the testimony and of the historical document. The central idea is to think about how clothes make explicit human annihilation brought about by totalitarian political regimes. We will analyze how the installations Prendre la Parole (2005) and Personnes (2010) reveal the presence-absence of life-death in the political experience of textile discourse.Keywords: Clothes; Bodies; Agency; Politics; Memory. 


Public Voices ◽  
2017 ◽  
Vol 9 (1) ◽  
pp. 58
Author(s):  
John Anderson

This paper explores the way in which the music of John Adams responds to terrorism and looks at some of the controversies surrounding his work. It represents a reflection on how the musical and the political can interact in the modern world, engaging his work on the level of political dialogue.


Author(s):  
Jane F. Fulcher

This chapter focuses on the cultural association called Jeune France, on Pierre Schaeffer’s initial relation to Vichy, and the goals that he believed they shared. It then traces the way in which his perceptions of the regime slowly changed as he became aware of the political and cultural limits of its vision of a “new France.” While at first idealistically supporting Vichy, he later turned against it from within its own institutions. For he had sought to reinscribe the classics as well as traditional folk culture, but in a manner that opened up a progressive vision of the French community, one distant from that which would emerge under Darlan. This chapter analyzes not just the themes and texts of Schaeffer’s productions but also how he transmitted and inscribed such works, creatively presented new ones, and developed new insights into the power of sound technology and manipulation.


Author(s):  
Hazel Gray

This chapter contrasts the way that the political settlement in both countries shaped the pattern of redistribution, reform, and corruption within public finance and the implications that this had for economic transformation. Differences in the impact of corruption on economic transformation can be explained by the way that their political settlements generated distinct patterns of competition and collaboration between economic and political actors. In Vietnam corrupt activities led to investments that were frequently not productive; however, the greater financial discipline imposed by lower-level organizations led to a higher degree of investment overall in Vietnam that supported a more rapid economic transformation under liberalization than in Tanzania. Individuals or small factional networks within the VCP at the local level were, therefore, probably less able to engage in forms of corruption that simply led to capital flight as happened in Tanzania, where local level organizations were significantly weaker.


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