scholarly journals INTERPRETASI KARAKTER HEWAN DALAM FABEL: KAJIAN HERMENEUTIKA

2021 ◽  
Vol 16 (2) ◽  
pp. 110
Author(s):  
Hasnawati Nasution

AbstrakFabel merupakan cerita yang diperankan oleh hewan, tetapi karakteristik hewan tersebut adalah sifat manusia. Cerita fabel sering juga disebut cerita moral karena pesan yang ada di dalam cerita fabel berkaitan erat dengan moral. Sifat hewan tesebut juga berkaitan dengan bentuk fisik dan sifat hewan tersebut di alamnya. Penelitian ini bertujuan mengiterpretasikan karakter yang diperankan hewan dalam fabel dengan sifat sesungguhnya pada hewan tesebut. Kajian interpretasi pada fabel ini menggunakan toeri hermeneutika Gadamer yang menggabungkan dialektis dan histori. Berdasarkan analisis yang dilakukan dapat dismpulkan bahwa ada hubungan dan persamaan antara karakter hewan di dalam fabel dengan sifat manusia yang diperankannya dalam cerita tersebut. Hewan buas memerankan karakter manusia yang kuat dan berkuasa bahkan terkadang menyakiti hewan yang lemah. Hewan kecil seperti kancil memerankan sifat dan karakter manusia yang cerdik yang terkadang sifat cerdiknya yang dapat mengalahkan hewan yang kuat. Oleh karena itu, karakter hewan disesuaikan dengan karakter manusia yang diperankannya. Hewan buas sebagai metafor manusia yang jahat dan hewan kecil dan cerdik sebagai metafor masyarakat biasa yang cerdas. AbstractFables are stories that are played by animals, but the characteristics of these animals are human nature. Fable stories are often called moral stories because the messages in fable stories are closely related to morals. The nature of the animal is also related to the physical form and nature of the animal in its nature. This study aims to interpret the characters played by animals in the fable with the real characteristics of these animals. The interpretation of this fable uses Gadamer's hermeneutic theory which combines dialectical and historical. Based on the analysis carried out, it can be concluded that there are relationships and similarities between the animal characters in the fable and the human nature they play in the story. Wild animals portray human characters who are strong and powerful, sometimes even hurting weak animals. Small animals such as the mouse deer portray the nature and character of a clever human who sometimes can beat strong animals.  

2021 ◽  
Vol 5 (3) ◽  
pp. 251
Author(s):  
Agung Dwi Laksono ◽  
Ratna Dwi Wulandari

ABSTRACT Background: Food for the Muyu tribe was an actualization of daily life over the belief in the religious dimension that is adopted and lived. This study aims to explore the food taboo among the Muyu tribe in Indonesia.Methods: The authors conducted the case study in Mindiptana, Boven Digoel, Papua. The study carried out data collection by participatory observation, in-depth interviews, and document searches. The authors carried out the report using an ethnographic approach an emically perspective.Results: Belief in the lord of wild animals, the lord of fruits and plants, and the lord of sago, was so thick that many spells appear to hunt and search for food in the forest, which was a form of recognition of the power of these. The Muyu tribe had restrictions on several types of food. Food can be taboo based on its physical form; meanwhile, because of Muyu people's belief that there was a bad quality inherent in these food ingredients. It was especially closely related to ritual practice for men as a process of undergoing initiation as a big man. The Muyu intended women taboo for mothers who are pregnant and breastfeeding. Abstinence for pregnant Muyu women was often related to the fetus in the womb. For children, especially for boys, it was almost the same as abstinence for adult Muyu men. This abstinence applies to boys who were prepared to be tómkót, especially when undergoing the initiation process.Conclusions: The food taboo applies to all Muyu people, both men, women, and children.


Author(s):  
Nicola Martinelli ◽  
Giovanna Mangialardi

Might it be meaningful to think that an urban model such as the orthogonal grid layout, which has been a feature of cities for millennia, could still constitute a valid and practicable model today in the planning of contemporary cities? The authors believe that this reflection on the grid model might respond positively to earlier propositions, and these notes aim to supply a synthetic contribution to the book in that direction. In detail, in the first part of the chapter, an attempt is made to overcome a critical judgement as widespread as it is superficial that is traditionally applied to grid plan cities. The reflection is as follows: relationships between the physical form of the urban grid model and its evolutionary processes, its capacity of adhering to places and flexibility, its experimentations for a theory of special equality. In the second part of the chapter, setting out from the performance features of the model, the real conditions of the topicality of the grid plan are observed in contemporary experimentations of city planning.


1979 ◽  
Vol 48 (4) ◽  
pp. 416-430 ◽  
Author(s):  
James H. Moorhead

It is a commonplace of antebellum historiography that the numerous reforms of the age often bore an intimate connection with Protestant evangelicalism, and Charles Grandison Finney is often portrayed as a symbol of this link. In addition to endorsing such causes as antislavery and temperance, the great evangelist inspired numerous converts to work out their salvation through useful service, including reform; and the areas swept by his revivals provided fertile soil for every manner of ultraism. Both as theological innovator and religious activist, he seemed to epitomize a tide of perfectionist optimism surging with great force against institutional restraints.Yet there was a very cautious side to Finney. He seldom committed himself unreservedly to any cause other than revivalism and generally eschewed the most controversial approaches to reform. Viewing this aspect of his career, one scholar has recently argued that “the basic thrust of Finney's thought and activity was conservative, status conscious, and pessimistic about human nature.” Because of these two faces, the historian is tempted to fix on one or the other as the “real” Finney, but it is more profitable to probe his ambiguities than to mitigate them. An examination of Finney offers fruitful insight into nineteenth-century evangelicalism's explosive potential for reform and its equally powerful tendency to limit and contain that impulse.


Oryx ◽  
1970 ◽  
Vol 10 (4) ◽  
pp. 244-248 ◽  
Author(s):  
R. M. Lawton ◽  
Mary Gough

Is it always necessary to cull large populations of wild animals such as elephants and hippos, when they appear to be destroying their habitat? In ORYX May 1969, C. A. R. Savory argued the case for doing so in Rhodesia, and the question of whether to crop elephants in parks such as the Tsavo and the Kruger has caused heated controversy. In this article the authors, drawing on their experience of the Luangwa Valley in Zambia, where a cropping scheme was started in 1966, suggest that what appears to be destruction there may not necessarily be so, and that the real vegetation killer is fire in the dry season. R. M. Lawton is an ecologist with the Land Resources Division of the British Directorate of Overseas Surveys, and Mrs Gough is a skilled observer of animal behaviour with considerable experience in Zambia.


Author(s):  
Paolo Beneventi

As referenced in the chapter title, the Children’s Virtual Museum of Small Animals is a website where multimedia documents are collected, based on the real experience of groups of children from many parts of the world. There, people can find photos and videos of insects and spiders, with scientific names and classification, place and date of discovery, and age of the class, group, or single kid who found it. There are also drawings, texts, and other things related to the real, possible, or fantastic meeting between children and small animals: voices from actual experiences, slide shows about “watching details,” pictures of creations by artists close to kids’ imagination, suggestions on how to use technical tools. Children there can act as protagonists in producing and sharing information, just like usually scientists, journalists, photographers, and video makers do, through the global information society. It is also the “extension” of a method, a way to address scientific issues with children, which has given regular, excellent results with hundreds of groups during many years. The author presents it as a work in progress, calling others to meet and exchange, suggest, and propose additions, also from different experiences and points of view. Digital means are proposed to show the “objects” of the study as well as the “process of studying” by children, with all their enthusiasm and surprise, as is evidenced particularly from their voices. Other children visiting the virtual Museum should be called to come and take part in it from their usual real life environment, making new discoveries and sending documents, sharing experiences and ideas, worldwide.


Author(s):  
Peter Burleigh

What is a photograph? What a spurious, redundant start! After all, a photograph is clearly an image, a technical image of something. What a photograph is – such a stupid question! Yet, the casual announcement of the photograph as signification relies on an a priori truth that orients our thinking, our identities, our institutions. For it is “in terms of this self-apparent image of thought that everybody knows and is presumed to know what it means to think.” Collaging Deleuze and Bergson, intuition teaches us that an image is a nexus of force in itself, or as Anne Sauvagnargues suggests, what is crucial to images is how they cut into the world. As real enfoldings of the virtual and actual, photographs are the territories of a multiplicity of sensations – a genesis, the real actual of a diagrammatic structuring of the world in registers of time and space. Roger Fenton’s The Queen’s Target made at Queen Victoria’s opening of the first Rifle Association in 1860 is an entry point to thinking deeper signalisation in photographs. While the 3-D work by Andreas Angelidakis indicates photogenetic zones of intensity, temporal dislodgment, and the event of photogenesis actualized in physical form. Keywords: photogenesis, virtual, photography and event, ontology of the image, photography and information, philosophy of photography


2007 ◽  
Vol 24 (2) ◽  
pp. 1-20 ◽  
Author(s):  
C. C. W. Taylor

This essay explores the treatment of the relation between nature (phusis) and norm or convention (nomos) in Democritus and in certain Platonic dialogues. In his physical theory Democritus draws a sharp contrast between the real nature of things and their representation via human conventions, but in his political and ethical theory he maintains that moral conventions are grounded in the reality of human nature. Plato builds on that insight in the account of the nature of morality in the myth in the Protagoras. That provides material for a defense of morality against the attacks by Callicles in the Gorgias and Thrasymachus and Glaucon in the Republic, all of whom seek to use the nature-convention contrast to devalue morality.


Religions ◽  
2021 ◽  
Vol 12 (10) ◽  
pp. 809
Author(s):  
Arkadiusz Gudaniec

I intend to reflect on three phenomena that are revealed in the personal experience of hope: (1) hope distinguishes a person from the natural context, but it does so through nature, i.e., based on desires rooted in human nature; (2) hope is not only inscribed in the existential situation of human being, but also expresses the very meaning of human transcendence: the person transcends themself, because they live the hope of fulfillment in the transcendent reality; hope is a foretaste of a higher, more perfect life; (3) hope is a person’s deeply experienced expectation of love, that is, of someone who loves. The above phenomena require a justification, which is the answer to the question “what is the reason for experiencing hope?”. Carrying out analyses on the basis of the modernized metaphysics of the person, I refer primarily to the concept of personal acts, to the concept of religiosity as an essential property of the person and to elements of the concept of love. The conclusions of these analyses indicate the necessity of accepting the real existence of the object of human hope, since personal life essentially goes beyond contingency, towards wholeness in the form of union with Someone who loves.


Author(s):  
Zhiwei CHEN

LANGUAGE NOTE | Document text in Chinese; abstract also in English. Superhumanism or posthumanism has become our reality. To deal with the resulting humanitarian dilemma, we can consult the abundant theoretical resources provided by Confucianism. Confucius's “The Gentleman is No Vessel”, Zengzi's important concept of filial piety, and Mencius' understanding of human nature contribute valuable theoretical perspectives for reflection on the real-world consequences of transhumanism.


Author(s):  
Craig Smith

This chapter outlines Ferguson’s commitment to an empirical, observation based, form of moral science. It begins by looking at Ferguson’s critique of the philosophical vices of existing schools of thought. Ferguson criticises these as being excessively abstract, imprecise in the use of language and overly complex, or subtle, in their arguments. The chapter argues that Ferguson sought to create a practical philosophy for use in the real world and was in the mainstream of the Scottish Enlightenment’s attempts to use history as data for social theory. The chapter then discusses the various underlying universals of human nature and social life that form the basis of Ferguson’s moral science. A central claim is that Ferguson believed it to be a fact that all humans are censorial creatures who pass judgement on each other leading to the claim that morality is a human universal even while humans disagree on its content.


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