Kaminsky, Amy K. The Other/Argentina: Jews, Gender, and Sexuality in the Making of a Modern Nation

2022 ◽  
Vol 1 (1) ◽  
pp. 61-64
Author(s):  
Darrell B. Lockhart
2018 ◽  
Vol 14 (1) ◽  
pp. 114-137
Author(s):  
Marta Olasik

The main objective of this article is to provide a multi-faceted and spatially-sensitive reflection on sex work. Taking as a point of departure subversive feminist politics on the one hand and the much contingent notion of citizenship on the other, I intend to present various forms of prostitution as potentially positive and empowering modes of sexual and emotional auto-creation. Informed by the leading research of the subject, as well as inspired and educated by Australia-based Dr Elizabeth Smith from La Trobe University in Melbourne, who had researched and presented female sex workers as self-caring and subversive subjects who make own choices and derive satisfaction from their occupation, I wish to seek academic justice for all those women (and men or trans people, for that matter) in the sex industry who feel stigmatized by political pressure and ultra-feminist circles across Europe. Translating Dr Smith’s significant research into European (and Polish) social realities would be a valuable contribution to the local discussions on gender and sexuality, and axes they intersect with. More importantly, however, a framework of a conceptual interdisciplinary approach needs to be adopted—one in which a specific queer form of lesbian feminist reflection is combined with human geography, both of which have much to offer to various strands of sociological theory and practice. Therefore, as a queer lesbian scholar based in Poland, I would like to diverge a bit from my usual topic in order to pay an academic and activist tribute to the much neglected strand of sociology of sex work. However, my multi-faceted and interdisciplinary academic activity allows me to combine the matter in question with the field of lesbian studies. Both a female sex worker and a lesbian have been culturally positioned through the lens of what so-called femininity is, without a possibility to establish control over their own subjectivities. Hence, on the one hand the article is going to be an academic re-interpretation of sex work as such, but on the other, methodological possibilities of acknowledging and researching lesbian sex workers will be additionally considered with special attention to feminist epistemologies and praxis. While a sensitivity to a given locality is of utmost importance when dealing with gender and sexuality issues, I would like to suggest a somewhat overall approach to investigating both female empowerment through sex work and lesbian studies inclusive of sex workers. Importantly, the more common understandings of the sex industry need to be de-constructed in order for a diversity of transgressive discourses to emerge.


Author(s):  
Emily Van Buskirk

This chapter undertakes a treatment of the rhetoric of personal pronouns in Ginzburg's writings on love and sexuality, drawing on Michael Lucey's study of the first person in twentieth-century French literature about love. It brings together questions of genre and narrative, on the one hand, and gender and sexuality, on the other. The chapter is divided into two sections, treating writings from two different periods on two kinds of love Ginzburg thought typical of intellectuals: in “First Love,” it discusses the unrequited and tragic love depicted in Ginzburg's teenage diaries (1920–23); in “Second Love,” it analyzes the love that is realized but in the end equally tragic, depicted in drafts related to Home and the World (1930s). The chapter examines the models the author sought in literary, psychological, and philosophical texts (Weininger, Kraft-Ebbing, Blok, Shklovsky, Oleinikov, Hemingway, and Proust).


2021 ◽  
pp. 77-96
Author(s):  
James Brassett

This chapter deals with the rise of irony and questions an essential ambiguity that emerges in comedy of this period. On the one hand, new satires advance a set of post- structural concerns with the mediatization of politics and the loss of a coherent subject. On the other hand, the apparent return of reactionary subjects of race, gender and sexuality suggests that irony plays an important role in the accommodation (recuperation?) of significant political dilemmas. This dilemma yields an important perspective on the emerging social democratic consensus over globalization.


2019 ◽  
pp. 45-105
Author(s):  
Angma Dey Jhala

This chapter critiques the voluminous published and unpublished writings of Thomas H. Lewin, the first British deputy commissioner and would-be ethnographer of the CHT during the 1860s and 1870s. He had complex and, at times quixotic, views on indigenous history and the limits and nature of colonial intervention. In particular, this chapter interprets Lewin’s writings through the lens of gender and sexuality, by analyzing his interactions with both indigenous hill and British women. In particular, it examines his contentious relationship with the Chakma regent queen Rani Kalindi as well as his close epistolary relationship with his mother in London. Lewin’s record is a fascinating account of a (male) colonial administrator who was strongly influenced and jostled by two maternal figures: one indigenous and the other British. The chapter also examines the way he frames the geography and landscape itself in gendered language.


2019 ◽  
pp. 53-73
Author(s):  
Laura E. Pérez

As a US woman of color and queer-centered critique, this chapter analyses coalitionary attempts that merely list oppressions yet reproduce them in their own failure to seriously engage the thought emanating from marginalized intellectuals, even within Third World and US people-of-color communities. To take seriously knowledge from negatively racialized and gendered US women of color is to engage that important bibliography/body of thought but also to examine and transform oneself. The essay specifically argues for recognition of the historic decolonial analyses of double, triple, and multiple oppressions and the “simultaneity of oppressions” theorized by US women of color in the late 1960s and throughout the 1970s critiquing discourses privileging a single “key” contradiction rather than the complex “simultaneity of oppressions” that render class, “racial,” gender, and sexuality analyses more appropriately complex and useful. I also argue for a profound solidarity based on a politics of identification with the otherness of the other as an imbricated, interdependent part of our own selves and being even as it is a recognition of the irreducible difference of the other as such.


2015 ◽  
Vol 4 (2) ◽  
pp. 254-271 ◽  
Author(s):  
Veronika Koller

This paper addresses the question of what potential queer pornography has to subvert hegemonic discourses of gender and sexuality. In particular, it engages in the analysis of transitivity and metaphor in an example of queer written online pornography and links this textual analysis to a discussion of the role of text distribution and consumption in realising any subversive potential. The analysis shows that in terms of participant representation, the text reinforces rather than challenges hegemonic discourses of gender and sexuality: Although the main protagonists are both ambiguously sexed, patterns of transitivity and use of metaphor construct largely binary gender identities for them, allocating sexual activity to the first-person narrator while casting the Other as passively desiring. In terms of its distribution and consumption, however, the text maintains its subversive potential as it sexualises a public online space and can turn offline public space into a sexual place.


Author(s):  
Suzanne Staggenborg ◽  
Marie B. Skoczylas

This chapter examines the history of feminist struggles for abortion and reproductive rights in the United States. It analyzes why these issues continue to mobilize participants in opposing movements. Symbolic politics are an important reason for the longevity of the conflict, and issues of abortion and reproduction are connected to concerns about gender and sexuality. Movement/countermovement dynamics also help to keep the conflict alive; when one side wins a victory, the other side gains impetus for mobilization, and the opposing movements follow one another into new arenas. Feminist strategies and frames have continued to adapt to changes in the political and cultural climate. As different constituents organize, including young women and women of color, they contribute new frames and tactics to the struggle for abortion and reproductive rights.


2015 ◽  
Vol 14 (2) ◽  
pp. 173-193
Author(s):  
David Monod

AbstractDouble-voiced singing was a popular form of variety show entertainment from the 1860s through to the 1920s. Double-voiced performers were able, through intonation and tone, to sound as though they had at least two separate and distinct “voices,” generally one soprano and one baritone. But as Claire Rochester, a double-voiced singer of the early twentieth century made clear, their act was more than just a matter of a woman singing low notes or a man singing high ones; it was all about a performer adopting the “voice” of the other sex. The unusual practice of these singers was to sing duets (and sometimes as much as quartets) to themselves and by themselves, flipping back and forth between their male to female “voices.” I place this strange form of entertainment in the context of changing attitudes to gender and sexuality and suggests that conventional interpretations of “freak” performances as “transgressive” fail to account for these vocal wonders. Double-voiced singers shunned the “transgressive” billing, especially when their own sexual identity was called into question. In making this argument, I suggest that we need to widen our understanding of “freakery,” imposture and the meaning of “nature” and “truth,” as they were revealed both on stage and off.


2017 ◽  
Vol 8 (3) ◽  
pp. 284-305 ◽  
Author(s):  
Mona Lilja ◽  
Cathrin Wasshede

This article deals with questions about the performative power of cultural products that travel the world. The Japanese manga genre Boys’ Love and Yaoi has gained a broad readership outside of Japan during recent decades. This has cultivated an image of Japan as sexually radical and ‘as more than Japan’, something which has produced alternative subject positions and practises regarding gender and sexuality among Swedish Boys’ Love/Yaoi followers. With the help of the concept hyperreality and elaborations on materiality within feminist theories, this article discusses: Which images of Japan and Sweden are produced as manga Boys’ Love/Yaoi – as cultural products – travel from Japan to Sweden? Which subject positions and forms of desires emerge? In order to understand how cultural products create new subjectivities, images and desires, we also ask: What can a sharper focus on materiality and the agency of matter add to the understanding of the concept of hyperreality and the construction of new realities? We argue that embodied experiences of certain subject positions and desires challenge the idea of the hyperreal as a surface phenomenon. Further, the article shows how the image of “Japan” is often coloured by the desires that West cultivates about the ‘other’.


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