scholarly journals In Victory, Defeat: Olivia Manning’s Balkan and Levant Trilogies and  Evelyn Waugh’s Sword of Honour

2021 ◽  
Author(s):  
◽  
Frank Hawcroft

<p>Olivia Manning's Balkan and Levant trilogies (1960-65, 1977-80) and Evelyn Waugh’s Sword of Honour trilogy (1952-61) are sequences of historical novels set during the Second World War. This thesis compares and contrasts these sequences as conservative fictional voices from a period of social and literary transition. My first chapter discusses how ideas of heroism and sacrifice prove outmoded and unsupported by institutions during the war. Particularly in Waugh's trilogy, but to a lesser extent also in Manning's sequence, models of heroism taken from past texts—such as colonial adventure stories—are shown to be inadequate. Heroism is only possible on a small scale and involves moral compromises. The second chapter considers the treatment of being English outside England. Depictions of foreign countries are considered in the context of the fading of the British Empire and British global power. Colonial life is attractive in a nostalgic sense but is problematic in the present. Episodes about Jewish refugees in both sequences are discussed as symbolising defiance of the entropy of imperial decay as well as attempts to find post-imperial models for intervention. The third and final chapter examines the uses of literature and culture in the novels and how they hint at ways out of the historical binds discussed in the first two chapters. Literature and the teaching of literature have a propagandistic function but also subvert this function by offering escape from the realities of wartime. I also touch on the connection between literary creativity and the subversion of gender roles. I argue that while these sequences construct a generally negative perspective on social changes during the war, this is not unchallenged by subversive undercurrents such as these. The conservative Catholic morality of Waugh's trilogy contrasts with Manning's willingness to raise questions about gender, class and colonialism, but in both authors' works the war is presented as a time in which initially optimistic ideals and hopes are disappointed, while the validity of these ideals in the first place is also questioned.</p>

2021 ◽  
Author(s):  
◽  
Frank Hawcroft

<p>Olivia Manning's Balkan and Levant trilogies (1960-65, 1977-80) and Evelyn Waugh’s Sword of Honour trilogy (1952-61) are sequences of historical novels set during the Second World War. This thesis compares and contrasts these sequences as conservative fictional voices from a period of social and literary transition. My first chapter discusses how ideas of heroism and sacrifice prove outmoded and unsupported by institutions during the war. Particularly in Waugh's trilogy, but to a lesser extent also in Manning's sequence, models of heroism taken from past texts—such as colonial adventure stories—are shown to be inadequate. Heroism is only possible on a small scale and involves moral compromises. The second chapter considers the treatment of being English outside England. Depictions of foreign countries are considered in the context of the fading of the British Empire and British global power. Colonial life is attractive in a nostalgic sense but is problematic in the present. Episodes about Jewish refugees in both sequences are discussed as symbolising defiance of the entropy of imperial decay as well as attempts to find post-imperial models for intervention. The third and final chapter examines the uses of literature and culture in the novels and how they hint at ways out of the historical binds discussed in the first two chapters. Literature and the teaching of literature have a propagandistic function but also subvert this function by offering escape from the realities of wartime. I also touch on the connection between literary creativity and the subversion of gender roles. I argue that while these sequences construct a generally negative perspective on social changes during the war, this is not unchallenged by subversive undercurrents such as these. The conservative Catholic morality of Waugh's trilogy contrasts with Manning's willingness to raise questions about gender, class and colonialism, but in both authors' works the war is presented as a time in which initially optimistic ideals and hopes are disappointed, while the validity of these ideals in the first place is also questioned.</p>


2003 ◽  
Vol 37 (2) ◽  
pp. 407-427 ◽  
Author(s):  
D. C. R. A. Goonetilleke

. . . There had always been some corner of the Empire where His Majesty's subjects were causing trouble . . .J. G. Farrell, Troubles (London: Cape, 1990) p. 215.J. G. Farrell has, in common with Paul Scott, an admiration for Joseph Conrad (obvious in their use of symbolism, topographical and otherwise), a fascination with the decline of Empire as a subject for fiction; a reputation that rests on a series of historical novels on this subject. Farrell died at the age of 44 whereas Paul Scott did so at 58; therefore it is not fair to compare their overall achievement. Yet it is necessary to observe that, whereas Scott portrayed one country during a single short period in his major work, Farrell's view was global and spanned virtually a century, lighting upon three important crises in three different countries during three different periods: Troubles (1970), set in the context of the Irish disturbances of 1919-21; The Siege of Krishnapur (1973), located during the 1857 ‘Mutiny’ in India; The Singapore Grip (1978), focusing on the period leading up to the surrender of Singapore to the Japanese during the Second World War, the first signal defeat of the might of the British Empire by an Asian power.


Author(s):  
Matthew A. Shadle

After the Second World War, Western Europeans had to rebuild their nations’ economies. This chapter describes the varieties of capitalism they adopted: social democratic, organicist, and social market. The chapter looks at how these economies differed in terms of property rights, government planning, labor relations, and social welfare. It illustrates a key insight of institutional economics: that there are a variety of capitalisms dependent on different institutional arrangements. The chapter also looks at important social changes, such as the increasing affluence of European society and the early stages of European integration. All these developments set the stage for postwar Catholic thinking about the economy.


Author(s):  
Douglas E. Delaney

How did British authorities manage to secure the commitment of large dominion and Indian armies that could plan, fight, shoot, communicate, and sustain themselves, in concert with the British Army and with each other, during the era of the two world wars? This is the primary line of inquiry for this study, which begs a couple of supporting questions. What did the British want from the dominion and Indian armies and how did they go about trying to get it? How successful were they in the end? Answering these questions requires a long-term perspective—one that begins with efforts to fix the armies of the British Empire in the aftermath of their desultory performance in South Africa (1899–1903) and follows through to the high point of imperial military cooperation during the Second World War. Based on multi-archival research conducted in six different countries on four continents, Douglas E. Delaney argues that the military compatibility of the British Empire armies was the product of a deliberate and enduring imperial army project, one that aimed at ‘Lego-piecing’ the armies of the empire, while, at the same time, accommodating the burgeoning autonomy of the dominions and even India. At its core, this book is really about how a military coalition worked.


2005 ◽  
Vol 14 (1) ◽  
pp. 1-21 ◽  
Author(s):  
PERTTI AHONEN

This article analyses the process through which the dangers posed by millions of forced migrants were defused in continental Europe after the Second World War. Drawing on three countries – West Germany, East Germany and Finland – it argues that broad, transnational factors – the cold war, economic growth and accompanying social changes – were crucial in the process. But it also contends that bloc-level and national decisions, particularly those concerning the level of autonomous organisational activity and the degree and type of political and administrative inclusion allowed for the refugees, affected the integration process in significant ways and helped to produce divergent national outcomes.


2021 ◽  
pp. 133-149
Author(s):  
I. Vietrynskyi

The paper focuses on the initial stage of the formation of the Commonwealth of Australia, and the process of its establishing as an independent State. The international political context for the development of the country, from the period of creation of the Federation to the beginning of the Second World War, is primarily viewed. The Commonwealth’s international position, its place and role in the regional and global geopolitical processes of the early XX century, in particular in the context of its relations with Great Britain, are analyzed. The features of the transformation of British colonial policies on the eve of the First World War are examined. The specifics of the UK system of relations with Australia, as well as other dominions, are being examined. The features of status of the dominions in the British Empire system are shown. The role of the dominions and, in particular, the Commonwealth of Australia in the preparatory process for the First World War, as well as the peculiarities of its participation in hostilities, is analyzed. The significance of the actions of the First World War on the domestic political situation in Australia, as well as its impact on dominions relations with the British Empire, is revealed. The history of the foundation of the Australian-New Zealand Army Corps (ANZAC) and its participation in imperial forces on the frontline of the First World War is analyzed. The success and failure of its fighters, as well as the role of ANZAC, in the process of formation an Australian political nation are analyzed. The economic, humanitarian and international political consequences of the First World War for the Commonwealth of Australia are examined, as well as the influence of these consequences on the structure of relations between the dominions and the British Empire. The socio-economic situation of the Commonwealth of Australia on the eve of World War II, in particular the impact of the Great depression on the development of the country as a whole and its internal political situation in particular, is analyzed. The ideological, military-strategic and international political prerequisites for Australia’s entry into the Second World War are being considered.


2019 ◽  
Vol 5 (2) ◽  
pp. 220-246
Author(s):  
Tadd Graham Fernée

This article comparatively examines French and English literature based on two novels published in 1947, Malcolm Lowry’s Under the Volcano and Jean-Louis Curtis’ The Forests of Night. Both novels employ the mythic device to construct narratives on the twilight of the British Empire and the German occupied French Vichy regime, respectively, depicting experiences of resistance and collaboration on the eve of and during the Second World War. Both invent a system of symbolic imagery modelled on the Surrealist template in Jean Cocteau’s The Infernal Machine, that turns the classical mythic device still prevalent in the early 20th century (i.e. in Joyce or Eliot) upside down. The revolution in Mythic Imagination follows the Structuralist Revolution initiated by Durkheim, Saussure and Bachelard, evacuating fixed ontological architecture to portray relational interdependency without essence. These novels pursue overlapping ethical investigations, on “non-interventionism” in Lowry and “fraternity” in Curtis. The novels raise questions about the relation between colonialism and fascism and the impact of non-Western mythic universes (i.e. Hinduism) upon the Mythic Imagination. They have implications for our understanding of gender relations, as well as the value of political activism and progress.


Author(s):  
E. V. Khakhalkina

The “Diary” of the Soviet diplomat I. M. Maisky, who worked in London for more than ten years first as a messenger, then as the Soviet ambassador to the UK, is one of the valuable sources for the interwar period and the Second World War. The “Diary” contains records of Maisky’s conversations with the leading British politicians and public figures and his own thoughts on a wide range of issues, including the problems of the British Empire. The author of the paper analyzes the views of the Tories on the prospects for the British Empire and the Commonwealth of the postwar period and reveals the plans for the reconstruction of the Empire and its transformation while maintaining the dominant position of Britain in the format of a new relationship with the dominions and colonies. The paper shows that within the British political establishment there was no consensus on the future of the empire and, as the materials of the “Diary of diplomat” evidence, the problem of the evolution of the Empire had a close relationship with other areas of foreign and domestic policy.


Author(s):  
Emily Ridge

The final chapter of the book directs attention to questions of identity and selfhood. If modernism witnessed the rise of a culture of portability, what did this mean for understandings of literary character, and how did such understandings alter over the course of the interwar period? This chapter documents the development of late modernist suspicion of portable otherness as this is conveyed through interrogative appraisals of portable property. Such a development coincides with the sudden pervasiveness of the literary figure of the customs official from the late 1920s. This is a figure shown to share the psychoanalyst’s eye for the repressed contraband: ‘Have you anything to declare?’ As the chapter shows, this question of self-declaration becomes a critical one in conceptions and re-conceptions of character from modernism to late modernism. The chapter culminates with a reading of Henry Green’s autobiographical Pack My Bag (1940) in conjunction with his fictional Party Going (1939), both published around the outbreak of the Second World War.


Author(s):  
Tony Kushner

This is the first of two chapters exploring female migrant domestic work and it starts by considering which refugee stories are remembered and why asking why the women who came to Britain during and after the Nazi era have been especially neglected and forgotten. It then explores whether the voices of neglected migrants and minorities can be successfully recovered, utilising the work of Gayatri Spivak and subaltern studies. As its first case study is analyses the involvement in Jewish migrant women in the ‘white slave trade’ or organised prostitution from the 1880s through to the 1920s. It then explores how female Jewish refugees wrote about their experiences as domestic servants in Britain from the 1930s through to the end of the Second World War from placing adverts through to correspondence and other early narratives.


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