scholarly journals Ideas of Homeland and Politics of Space: A Study of ‘Muslim Localities’ of Delhi

2021 ◽  
Author(s):  
◽  
Nazima Parveen

<p>The thesis investigates community-space relationship in colonial and post-colonial Delhi. Examining the process of identification, demarcation, organization and/or re-organization of space on the basis of religious demographics, the study questions the dominant imagination of ‘Muslim space’ as an objective, homogenous and permanent category. The research relies on extensive use of archival sources from national and local government, Urdu, Hindi and English-language newspaper reports and oral history interviews. The thesis particularly focuses on Shahjahanabad, that later became Old Delhi, to trace the story of the gradual transformation of caste/craft based shared community spaces into religion based ‘segregated’ pockets during the period of 1940-1977.  The study argues that the notion of communal space in Delhi is a product of a long historical process. The discourse of homeland and the realities of Partition not only demarcated space on religious lines but also established the notion of ‘Muslim dominated areas’ as being ‘exclusionary’ and ‘contested’ zones. These localities turned out to be those pockets where the dominant ideas of nation had to be engineered, materialized and practiced. Consequently, these localities were looked at differently over the period: in the 1940s, as ‘Muslim dominated’ areas that were to be administered for the sake of communal peace; in the 1950s, as ‘Muslim zones’ that needed to be ‘protected’; in the 1960s, as ‘isolated’ unhygienic cultural pockets that were to be cleaned and Indianized; and in the 1970s, as locations of ‘internal threat’ – the ‘Mini Pakistan(s)’ - that were to be dismantled.  The thesis starts with colonial Delhi where codification of cow slaughter practices; the demarcation of routes of religious processions; and the sectarian identification of residential wards, defined residential space and more specifically the electoral constituencies as ‘Hindu dominated’, ‘Muslim dominated’ or ‘mixed’ areas. The legal and administrative vocabulary that was deployed to establish such community-centric claims and counter-claims on urban space by political elite in the 1940s illuminates the ways in which a discourse of ‘homeland’ was gradually emerging in colonial and early post-colonial periods.  The thesis then moves on to the post-Partition period and explains the ways in which parallel imaginations of homeland, specifically the reconfigured idea of ‘Pakistan’, produced new imageries of communal space. It discusses the debates around ‘Muslim zones’, Muslim ‘refugee camps’ and ‘evacuee’ properties to unpack the issues of belongingness and identity of Delhi’s Muslims that termed Muslim dominated areas as ‘communally sensitive’ in the 1950s.  The thesis then explores the controversies around meat practice (its production, sale and consumption) in the 1960s -– to understand how an economic activity of slaughtering animals was turned into a ‘Muslim’ practice and placed in a binary opposition to selective Brahmanical vegetarianism claimed to be ‘Hindu’/ ‘Indian’ sensibilities. The consequent politics of space around Idgah slaughter-house, meat shops and the locality of Qasabpura is investigated to make sense of the contest over Muslim localities.  Finally, the ‘operation urbanization’ of the 1970s focusing on the re-organization of city space and communities through redevelopment, resettlement and population control is scrutinized. The thesis examines local politics and administrative policies to see how the authorities zeroed in to end Muslim ‘segregation’ through forced clearance and sterilization in Jama Masjid and Turkman Gate areas during the National Emergency (1975-77).  The study thus seeks to show that ‘Muslim localities’ are discursively constituted political entities that may or may not correspond to the actual demographic configuration of any administrative urban unit.</p>

2021 ◽  
Author(s):  
◽  
Nazima Parveen

<p>The thesis investigates community-space relationship in colonial and post-colonial Delhi. Examining the process of identification, demarcation, organization and/or re-organization of space on the basis of religious demographics, the study questions the dominant imagination of ‘Muslim space’ as an objective, homogenous and permanent category. The research relies on extensive use of archival sources from national and local government, Urdu, Hindi and English-language newspaper reports and oral history interviews. The thesis particularly focuses on Shahjahanabad, that later became Old Delhi, to trace the story of the gradual transformation of caste/craft based shared community spaces into religion based ‘segregated’ pockets during the period of 1940-1977.  The study argues that the notion of communal space in Delhi is a product of a long historical process. The discourse of homeland and the realities of Partition not only demarcated space on religious lines but also established the notion of ‘Muslim dominated areas’ as being ‘exclusionary’ and ‘contested’ zones. These localities turned out to be those pockets where the dominant ideas of nation had to be engineered, materialized and practiced. Consequently, these localities were looked at differently over the period: in the 1940s, as ‘Muslim dominated’ areas that were to be administered for the sake of communal peace; in the 1950s, as ‘Muslim zones’ that needed to be ‘protected’; in the 1960s, as ‘isolated’ unhygienic cultural pockets that were to be cleaned and Indianized; and in the 1970s, as locations of ‘internal threat’ – the ‘Mini Pakistan(s)’ - that were to be dismantled.  The thesis starts with colonial Delhi where codification of cow slaughter practices; the demarcation of routes of religious processions; and the sectarian identification of residential wards, defined residential space and more specifically the electoral constituencies as ‘Hindu dominated’, ‘Muslim dominated’ or ‘mixed’ areas. The legal and administrative vocabulary that was deployed to establish such community-centric claims and counter-claims on urban space by political elite in the 1940s illuminates the ways in which a discourse of ‘homeland’ was gradually emerging in colonial and early post-colonial periods.  The thesis then moves on to the post-Partition period and explains the ways in which parallel imaginations of homeland, specifically the reconfigured idea of ‘Pakistan’, produced new imageries of communal space. It discusses the debates around ‘Muslim zones’, Muslim ‘refugee camps’ and ‘evacuee’ properties to unpack the issues of belongingness and identity of Delhi’s Muslims that termed Muslim dominated areas as ‘communally sensitive’ in the 1950s.  The thesis then explores the controversies around meat practice (its production, sale and consumption) in the 1960s -– to understand how an economic activity of slaughtering animals was turned into a ‘Muslim’ practice and placed in a binary opposition to selective Brahmanical vegetarianism claimed to be ‘Hindu’/ ‘Indian’ sensibilities. The consequent politics of space around Idgah slaughter-house, meat shops and the locality of Qasabpura is investigated to make sense of the contest over Muslim localities.  Finally, the ‘operation urbanization’ of the 1970s focusing on the re-organization of city space and communities through redevelopment, resettlement and population control is scrutinized. The thesis examines local politics and administrative policies to see how the authorities zeroed in to end Muslim ‘segregation’ through forced clearance and sterilization in Jama Masjid and Turkman Gate areas during the National Emergency (1975-77).  The study thus seeks to show that ‘Muslim localities’ are discursively constituted political entities that may or may not correspond to the actual demographic configuration of any administrative urban unit.</p>


Author(s):  
William Bruneau

Religion and local politics have always weighed on secondary education in rural Saskatchewan but so have the brute facts of regional economic history. Isolation and near-poverty helped to ensure low completion rates in the 1950s, and especially in the south-western section of the province. In this memoir the author details educational practice just when prosperity was about to strike the system and the region in the 1960s and 1970s.


2021 ◽  
Vol 13 (16) ◽  
pp. 8904
Author(s):  
Mesut Dinler

Cultural heritage has a central role in sustainable development, and it has the potential to re-imagine more democratic cities. Yet, critical theory has framed cultural heritage not only as the material remains of the past, but also as a dynamic interaction of humans with their past that encompasses tangible and intangible entities. Thus, it is necessary to research these dynamics to understand the role of cultural heritage as a resource for sustainable development. In this context, the main research question of this article is: “How does heritage is shaped and managed by the ‘present’? Can we understand this process through the opportunities of digital humanities?”. To confront this question, the research adapts the counter-mapping methodology with the digital humanities perspective focusing on the urban protest movements that took place in the historic areas of Istanbul throughout the 1960s. It is seen that the spatial pattern of these movements was the result of the urban operations of the 1950s. In the 1950s, an autocratic government shaped the urban space and redefined the urban heritage to concentrate more power. However, in the 1960s, workers and students used the very same spaces and again redefined the urban heritage by exercising their social rights. Based on these results, the main conclusion is that for revealing the full potential of cultural heritage in sustainable development, it is necessary to deepen our knowledge on how heritage operates in a society, considering that heritage changes meaning depending on the socio-political context of the period.


This research article highlights the temperament, inference, scope, and motives of code-mixing in Pakistani English works. One novel from Pakistani English novels namely, An American Brat by Bapsi Sidhwa, and one short story namely, The Escape by Qaisra Shehraz are being selected as an illustration of this reading. In this novel and short story, the writers have already dealt with the characteristics of postcolonialism. English language and literature pierced into the privileged civilizations of the sub-continent, after the end of British Imperialism. Pakistani writers in English are the best interpreter of the post-colonial communal language. In this study, I have hit upon code-mixing in English works written by Pakistani authors to a bigger echelon. These works are paragons of arts and the unbelievable mixture of rhetorical and fictitious study. In these works, the writers have not abased the confined diversities. They have tinted the value of Pakistani English in order to achieve the chatty desires of native people. These borrowings from the native languages are used to fill the lexical fissures of ideological thoughts. The reason of these borrowings is not to represent the English as a substandard assortment. Through the utilization of native words, we conclude that the significance of native languages has been tinted to question mark the dialect as well. The words of daily use also have an area of research for English people without having any substitute in English. That’s why in English literature innovative practices and ideas of code-mixing have been employed.


This research article highlights the temperament, inference, scope, and motives of code-mixing in Pakistani English works. One novel from Pakistani English novels namely, An American Brat by Bapsi Sidhwa, and one short story namely, The Escape by Qaisra Shehraz are being selected as an illustration of this reading. In this novel and short story, the writers have already dealt with the characteristics of postcolonialism. English language and literature pierced into the privileged civilizations of the sub-continent, after the end of British Imperialism. Pakistani writers in English are the best interpreter of the post-colonial communal language. In this study, I have hit upon code-mixing in English works written by Pakistani authors to a bigger echelon. These works are paragons of arts and the unbelievable mixture of rhetorical and fictitious study. In these works, the writers have not abased the confined diversities. They have tinted the value of Pakistani English in order to achieve the chatty desires of native people. These borrowings from the native languages are used to fill the lexical fissures of ideological thoughts. The reason for these borrowings is not to represent the English as a substandard assortment. Through the utilization of native words, we conclude that the significance of native languages has been tinted to question mark the dialect as well. The words of daily use also have an area of research for English people without having any substitute in English. That’s why in English literature innovative practices and ideas of code-mixing have been employed.


Author(s):  
Nancy Woloch

This chapter traces the changes in federal and state protective policies from the New Deal through the 1950s. In contrast to the setbacks of the 1920s, the New Deal revived the prospects of protective laws and of their proponents. The victory of the minimum wage for women workers in federal court in 1937 and the passage in 1938 of the Fair Labor Standards Act (FLSA), which extended labor standards to men, represented a peak of protectionist achievement. This achievement rested firmly on the precedent of single-sex labor laws for which social feminists—led by the NCL—had long campaigned. However, “equal rights” gained momentum in the postwar years, 1945–60. By the start of the 1960s, single-sex protective laws had resumed their role as a focus of contention in the women's movement.


Transfers ◽  
2013 ◽  
Vol 3 (2) ◽  
pp. 24-46 ◽  
Author(s):  
Franziska Torma

This article deals with the history of underwater film and the role that increased mobility plays in the exploration of nature. Drawing on research on the exploration of the ocean, it analyzes the production of popular images of the sea. The entry of humans into the depths of the oceans in the twentieth century did not revitalize myths of mermaids but rather retold oceanic myths in a modern fashion. Three stages stand out in this evolution of diving mobility. In the 1920s and 1930s, scenes of divers walking under water were the dominant motif. From the 1940s to the 1960s, use of autonomous diving equipment led to a modern incarnation of the “mermen“ myth. From the 1950s to the 1970s, cinematic technology was able to create visions of entire oceanic ecosystems. Underwater films contributed to the period of machine-age exploration in a very particular way: they made virtual voyages of the ocean possible and thus helped to shape the current understanding of the oceans as part of Planet Earth.


1996 ◽  
Vol 23 (1) ◽  
pp. 25-49 ◽  
Author(s):  
Gloria Vollmers

How best to provide management with useful information about the underutilization of factory and machinery are old cost accounting questions. The literature from the turn of the century up through the 1950s reveals that the topic interested many. This paper resurrects those historical discussions. The objective is twofold, to demonstrate the sophistication and innovation of early writers emphasizing why they thought the topic important, and, to explore some theories about why this interest dissipated within the accounting literature. The possibilities include the effect of the great depression, wartime regulations, the withdrawal of the industrial engineer from costing and the growing importance of income measurement. This research ends in the 1960s, by which time idle capacity as an independent topic has largely disappeared.


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