'Free to the People': The Design and Function of Aotearoa New Zealand's Carnegie Libraries

2021 ◽  
Author(s):  
◽  
Natalie Marshall

<p><b>Libraries have formed an inherent part of Aotearoa New Zealand’s communities since the beginning of organised European settlement. Through the case study of New Zealand’s participation in the international Carnegie library programme, this thesis considers the intersection of library architecture and librarianship. It is asserted that libraries have made a significant contribution to New Zealand’s regional civic culture but, despite their social importance, have sat outside most architectural historical surveys. The study explores how a critical analysis of the design and function of purpose-built Carnegie library buildings provides a deeper understanding of these central social institutions.</b></p> <p>Despite the prevalence and value of libraries, very little has been published on the history of library architecture in New Zealand. Only a small amount of research in this country’s library and information studies field addresses library architecture, and architectural writing on libraries is similarly scarce. This research addresses the gap in the literature by employing an interdisciplinary and multi-method approach based on historical and archival research, and site visits. Two key areas of investigation are examined through the case study. Firstly, the form of New Zealand’s Carnegie libraries is analysed in order to determine the principal elements of the buildings and to trace the influences on their design. Secondly, the function of the buildings is investigated, with a focus on the developing library profession and the service provided to the only two groups allocated dedicated space: women and children.</p> <p>This thesis argues that New Zealand’s participation in the Carnegie library programme occurred at a significant time in the development of library architecture and librarianship, and the libraries reflect the profound shifts that were taking place. The findings demonstrate that these library buildings serve as physical evidence of a local interpretation of the major trends in early twentieth-century librarianship and the wider social context of that developing professional practice. Moreover, it shows that a more fulsome understanding of library architecture furthers the appreciation of the part libraries have played in New Zealand social and cultural history, and adds to the field of heritage and museum studies by broadening the understanding and recognition of related cultural institutions. Due to the international nature of the Carnegie library programme and continued importance of libraries, the results of this study are not solely of benefit on local and national levels; they have transnational value.</p>

2021 ◽  
Author(s):  
◽  
Natalie Marshall

<p><b>Libraries have formed an inherent part of Aotearoa New Zealand’s communities since the beginning of organised European settlement. Through the case study of New Zealand’s participation in the international Carnegie library programme, this thesis considers the intersection of library architecture and librarianship. It is asserted that libraries have made a significant contribution to New Zealand’s regional civic culture but, despite their social importance, have sat outside most architectural historical surveys. The study explores how a critical analysis of the design and function of purpose-built Carnegie library buildings provides a deeper understanding of these central social institutions.</b></p> <p>Despite the prevalence and value of libraries, very little has been published on the history of library architecture in New Zealand. Only a small amount of research in this country’s library and information studies field addresses library architecture, and architectural writing on libraries is similarly scarce. This research addresses the gap in the literature by employing an interdisciplinary and multi-method approach based on historical and archival research, and site visits. Two key areas of investigation are examined through the case study. Firstly, the form of New Zealand’s Carnegie libraries is analysed in order to determine the principal elements of the buildings and to trace the influences on their design. Secondly, the function of the buildings is investigated, with a focus on the developing library profession and the service provided to the only two groups allocated dedicated space: women and children.</p> <p>This thesis argues that New Zealand’s participation in the Carnegie library programme occurred at a significant time in the development of library architecture and librarianship, and the libraries reflect the profound shifts that were taking place. The findings demonstrate that these library buildings serve as physical evidence of a local interpretation of the major trends in early twentieth-century librarianship and the wider social context of that developing professional practice. Moreover, it shows that a more fulsome understanding of library architecture furthers the appreciation of the part libraries have played in New Zealand social and cultural history, and adds to the field of heritage and museum studies by broadening the understanding and recognition of related cultural institutions. Due to the international nature of the Carnegie library programme and continued importance of libraries, the results of this study are not solely of benefit on local and national levels; they have transnational value.</p>


Urban Studies ◽  
2018 ◽  
Vol 56 (5) ◽  
pp. 1042-1060 ◽  
Author(s):  
Cameron Johnson ◽  
Tom Baker ◽  
Francis L Collins

Imaginative practices are central to ongoing transformations in the form and function of suburbia. In recent years, urban scholars have focused increasing attention on the concept and process of ‘post-suburbanisation’ to understand contemporary suburbs, yet imaginaries and imaginative practices have been largely absent in their analyses. This paper examines the role of imaginative practices in post-suburban change. Through a case study of Auckland, New Zealand, the paper examines three key domains of imaginative practice – visions, problems and trajectories – implicated in the production of post-suburbia. It argues that understandings of post-suburbanisation will be enhanced by an appreciation of both the material and imaginative dimensions of suburban transformation.


Daphnis ◽  
2013 ◽  
Vol 42 (2) ◽  
pp. 427-466
Author(s):  
Stefan Anders

This paper presents a joint project of the Institute for Early Modern Cultural History and the Research Library in Gotha, which is digitizing and making accessible about 8000 printed documents from the 16th to the 18th century. These documents were created on the occasion of such personal events as birth, marriage or death. During this process, numerous names of the people mentioned in these occasional documents are being identified and consolidated in a consistent format. The short biographies generated contain essential personal data, originating mostly from these documents but supplemented by information taken from reference books and other biographical resources. The huge potential of these occasional documents for the biographical reconstruction of persons of the early modern period is then demonstrated by a case study, which demonstrates the reliability of the collected data.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Loïc Le Dé ◽  
Karl Wairama ◽  
Monynna Sath ◽  
Anthony Petera

PurposeResilience has become a priority of most agendas for disaster risk reduction at different scales leading to an increase demand for measurement of resilience. However, resilience is mostly defined, assessed and measured by outsider experts rather than by those primarily concerned – local people. This article presents the development of people-centred indicators of resilience in New Zealand. It details both the process and outcomes of these indicators.Design/methodology/approachThe study draws from participatory methods to develop a six-step tool kit for people-centred indicators of resilience. The people-centred indicators were implemented with four communities in New Zealand in 2019 and 2020.FindingsThe paper highlights that people are capable at defining and assessing their own resilience. The indicators enabled people identify and measure areas of low resilience and foster dialogue between locals and practitioners to strengthen it.Research limitations/implicationsPeople-centred indicators also have limitations and pose challenges. Their development requires strong facilitation skills; it limitedly enables comparison across communities and implies downward accountability.Practical implicationsThe findings should stimulate discussions about who should measure resilience and for whom such measurement is it for. It provides a tool kit that can be used by practitioners and policy makers to measure and strengthen community resilience.Originality/valueMost resilience indicators is outsider-driven and limitedly involves local people. This study uses a radically different approach placing people at the centre of resilience measurement.


2020 ◽  
Vol 5 (1) ◽  
Author(s):  
Irfan Kurniawan ◽  
Zelly Marissa Haque

<p align="center"><strong>Abstract</strong></p><p><em>This article discusses the form and function of Dol music in Bengkulu city society. This study uses qualitative methods, data collection is done by observation, interviews, and documentation. </em><em>The results of this study indicate that Dol music is an important element integrated in the Tabot ritual procession in the city of Bengkulu. 3 Dol music reporters in carrying out Tabot rituals, namely tamatam, swena, and sweri. The role of Dol music in the procession is to express the musical spirit of ritua tabot namely struggle, war and sadness. The existence of Dol music performance both in the context of Tabot rituals, as well as its development outside the Tabot event contest, has important values and functions for the community namely; 1) Functioning as entertainment for the community, 2) The function of emotional disclosure, seen from the emotional overflow of players in the </em><em>“beruji Dol” 3) functions as a ratification of social institutions, in this case Dol music is an important requirement in the Tabot ceremony, 4) symbolic function, as a symbol manifested through musical aspects expressing sadness or the spirit of warfare, 5) the function of community integration, uniting the community in togetherness and being involved in the wisdom of the Tabot ceremony, and 6) the function of cultural continuity; the existence of Dol music as a form of effort to preserve and strengthen the cultural identity of the people of Bengkulu city.</em></p><p><strong><em>Keywords : </em></strong><em>Dol music, Tabot </em><em>Rital, Form, Function</em></p><p class="SammaryHeader" align="center"><strong>Abstract</strong></p><p><em>Artikel ini membahas tentang bentuk dan fungsi musik Dol dalam kehidupan masyarakat kota Bengkulu. Penelitian ini menggunakan metode kualitatif, pengumpulan data dilakukan dengan teknik observasi, wawancara, dan dokumentasi. Permasalahan dibahas melalui deskriptif analisis. Hasil penelitian ini menunjukan bahwa musik Dol merupakan unsur penting yang terintegrasi dalam prosesi upacara Tabot di kota Bengkulu. Terdapat 3 reportoar musik Dol dalam pelaksanaan upacara Tabot yakni tamatam, swena, dan sweri. Adapun  peran musik Dol pada prosesi tersebut adalah mengekspresikan secara musikal </em><em>spirit</em><em> dari upacara yakni perjuangan,</em><em> perperangan </em><em>dan </em><em>kesedihan</em><em>.</em><em> Keberadaan seni pertunjukan musik Dol baik dalam konteks ritual Tabot, maupun perkembangnganya diluar kontes uapacara Tabot, memiliki nilai dan fungsi penting bagi masyarakatnya yakni; 1) Berfungsi Sebagai hiburan bagi masyarakat, 2)Fungsi pengungkapan emosional, terlihat dari peluapan emosional pemain pada prosesi “beruji Dol” 3) berfungsi sebagai pengesah lembaga sosial, dalam hal ini musik Dol merupakan syarat penting dalam upacara Tabot, 4) fungsi perlambangan, sebagai simbol yang diwujudkan melalui aspek musikal yang mengekspresikan kesedihan ataupun spirit perperangan, 5) fungsi pengintegrasian masyarakat, menyatukan masyarakat dalam kebersamaan dan terlibat dalam hikmatnya upacara Tabot, dan 6) fungsi kesenambungan budaya; eksistensi musik Dol sebagai bentuk usaha pelestarian dan penguatan idenitas budaya masyarakat kota Bengkulu.</em></p><strong><em>Kata kunci : </em></strong><em>Musik Dol, upacara Tabot, Bentuk, Fungsi</em>


2016 ◽  
Vol 3 (2) ◽  
pp. 64-72
Author(s):  
Lopiana Margaretha Panjaitan ◽  
Dadang Sundawa

Penelitian ini bertujuan untuk memahami pelestarian nilai-nilai civic culture dalam memperkuat identitas budaya masyarakat Batak Toba melalui makna simbolik ulos dalam pelaksanaan upacara perkawinan. Fokus penelitian ini adalah upaya yang dilakukan oleh masyarakat dalam melestarikan nilai-nilai civic culture, dan mengapa masyarakat Batak Toba perlu untuk melestarikan nilai-nilai civic culture tersebut. Desain penelitian yang digunakan adalah kualitatif dengan metode studi kasus. Teknik pengumpulan data dilakukan dengan wawancara, observasi, dokumentasi, dan partisipasi langsung. Hasil penelitian menunjukkan bahwa: (1) ulos tidak bisa lepas dari kehidupann orang Batak Toba karena merupakan warisan nenek moyang sejak dahulu kala, ulos juga sebagai simbol kasih sayang di antara keluarga, yaitu antara orang tua dan anak, dan juga antar sesama anggota masyarakat; (2) upaya yang dilakukan oleh masyarakat dan pemerintah dalam melestarikan nilai-nilai civic culture tersebut adalah dengan cara memberikan pemahaman dan penjelasan kepada generasi muda dan membangun sebuah cagar budaya; (3) alasan mengapa masyarakat Batak Toba perlu melestarikan nilai-nilai civic culture tersebut adalah agar warisan nenek moyang tetap terjaga karena di dalam makna simbolik ulos tersebut terdapat nilai-nilai luhur Pancasila, seperti nilai ketuhanan, kemanusiaan, persatuan, kerakyatan, dan keadilan.  Preservation of The Value of Civic Culture in Strengthening The Cultural Identity of The Community: Case Study on The Symbolic Meaning of Marriage of Ulos in The Implementation of Batak Toba Society in Sitorang). This reseach aims to understand the preservation the value of civic culture in strengthening the cultural identity of Batak Toba society through the symbolic meaning of ulos in the implementation of the marriage. This research focuses to have the efforts made by the community in preserving the value of civic culture, and to find out why the people of Batak Toba need to preserve the value of the civic culture. The study uses a qualitative case study method. The techniques of data collection are done through interviews, observation, documentation, and direct participation. The reseach results show that: (1) Ulos is not separated from the life of Batak Toba, because it is a heritage since a very long time ago, ulos is also as a symbol of affection among family,between parents and children, as well as among members of society; (2) The effort made by the public and the government in prevising the value of the civic culture is to provide an understanding and explanation to the younger generation and build a cultural heritage; (3) Reasons why people of Batak Toba need to preserve the value of the civic culture is that the heritage is maintained, because the noble values of Pancasila can be found in the symbolic meanings of ulos, as the value of divinity, humanity, unity, democracy, and justice.


2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Irfan Kurniawan ◽  
Zelly Marissa Haque

This article discusses the form and function of Dol music in Bengkulu city society. This study uses qualitative methods, data collection is done by observation, interviews, and documentation. The results of this study indicate that Dol music is an important element integrated in the Tabot ritual procession in the city of Bengkulu. 3 Dol music reporters in carrying out Tabot rituals, namely tamatam, swena, and sweri. The role of Dol music in the procession is to express the musical spirit of ritua tabot namely struggle, war and sadness. The existence of Dol music performance both in the context of Tabot rituals, as well as its development outside the Tabot event contest, has important values and functions for the community namely; 1) Functioning as entertainment for the community, 2) The function of emotional disclosure, seen from the emotional overflow of players in the “beruji Dol” 3) functions as a ratification of social institutions, in this case Dol music is an important requirement in the Tabot ceremony, 4) symbolic function, as a symbol manifested through musical aspects expressing sadness or the spirit of warfare, 5) the function of community integration, uniting the community in togetherness and being involved in the wisdom of the Tabot ceremony, and 6) the function of cultural continuity; the existence of Dol music as a form of effort to preserve and strengthen the cultural identity of the people of Bengkulu city.


2003 ◽  
Vol 20 (3-4) ◽  
pp. 196-198
Author(s):  
Sophie Gilliat-Ray

The Muslim diaspora, which has become established as a significant areaof publishing in the past 2 to 3 decades, is being charted by a number ofbooks and journals. This edited collection is a valuable addition to the literature,although specialists in the field will notice some degree of overlapwith existing sources.The book is divided into three sections exploring the Muslim experiencein America (seven chapters), Europe (three chapters covering France,Germany, and Norway), and areas of European settlement (five chapterscovering Australia, New Zealand, South Africa, and the Caribbean). Thebest way to view this book is to consider it a series of case studies examininghow Muslims in different contexts have moved from being tempo­rary and peripheral individual sojourners to being, within their adoptedsocieties, generally well-established communities that have largely overcometheir internal differences and external structural barriers in order tobe publicly recognized as a part of multicultural and multi faith communitiesand societies. Many of the contributors believe that Muslim minoritiesare growing, dynamic, confident, and demographically "young" in most oftheir new societies, and that wherever they have established themselves,they have sustained their presence and thrived, sometimes in the face ofextreme hostility.This case study character has advantages and disadvantages. On theone hand, this reviewer found it extremely valuable to learn more aboutthe experience of some very specific minority groups, such as Sahelians inFrance, who are usually ignored and overshadowed in the literature by theoverwhelming Algerian-Moroccan presence in France. Likewise, with relativelylittle academic material available on Muslims in New Zealand, forexample, this book fills many of the academic gaps in the literature. Thefirst-hand accounts from previously unpublished sources were similarlyvaluable, and the chapter on establishing the Islamic Party in NorthAmerica constitutes an important documentary record. On the other hand,some chapters went over well-established ground, such as Turks inGermany. Specialists on Muslim minorities will find that some chaptersrepeat already well-known data and profiles oflslam in these contexts ...


2020 ◽  
Vol 36 (1) ◽  
pp. 250-258
Author(s):  
Ahmad Fanani ◽  
Norhazlin Muhammad

Waqf has an important role in improving social life, economy, welfare, education, and creating zero hunger as stated in the Sustainable Development Goals in 2015. However, many Muslims still do not know the definition and function of waqf. Even though Indonesia is known as Muslim Country Population (WCP), it still has constraints in the economy and welfare of its population. University of Darussalam (UNIDA) Gontor in collaboration with the Central Bank of Indonesia establish International Center of Awqaf Studies (ICAST) as a place of creating successor on waqf specialization through various programs that expected to enhance waqf understanding and formulate the experimental cases of waqf in Gontor Indonesia that existed since 1958 till now. This research aims to disseminate waqf to the people of Indonesia until waqf accepted and implemented easily. This research uses descriptive qualitative method with a case study in the ICAST. The conclusion of this research is ICAST disseminating waqf understanding to many levels of society through several programs, such as the establishment of master in waqf economics, research and publications, nazir waqf certification, seminars, and workshops


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