Bentuk dan Fungsi Musik Dol pada Masyarakat Kota Bengkulu

2020 ◽  
Vol 5 (1) ◽  
Author(s):  
Irfan Kurniawan ◽  
Zelly Marissa Haque
Keyword(s):  
Community Integration ◽  
Music Performance ◽  
Social Institutions ◽  
Emotional Disclosure ◽  
Cultural Continuity ◽  
Form And Function ◽  
The People ◽  
And Function ◽  
The City

<p align="center"><strong>Abstract</strong></p><p><em>This article discusses the form and function of Dol music in Bengkulu city society. This study uses qualitative methods, data collection is done by observation, interviews, and documentation. </em><em>The results of this study indicate that Dol music is an important element integrated in the Tabot ritual procession in the city of Bengkulu. 3 Dol music reporters in carrying out Tabot rituals, namely tamatam, swena, and sweri. The role of Dol music in the procession is to express the musical spirit of ritua tabot namely struggle, war and sadness. The existence of Dol music performance both in the context of Tabot rituals, as well as its development outside the Tabot event contest, has important values and functions for the community namely; 1) Functioning as entertainment for the community, 2) The function of emotional disclosure, seen from the emotional overflow of players in the </em><em>“beruji Dol” 3) functions as a ratification of social institutions, in this case Dol music is an important requirement in the Tabot ceremony, 4) symbolic function, as a symbol manifested through musical aspects expressing sadness or the spirit of warfare, 5) the function of community integration, uniting the community in togetherness and being involved in the wisdom of the Tabot ceremony, and 6) the function of cultural continuity; the existence of Dol music as a form of effort to preserve and strengthen the cultural identity of the people of Bengkulu city.</em></p><p><strong><em>Keywords : </em></strong><em>Dol music, Tabot </em><em>Rital, Form, Function</em></p><p class="SammaryHeader" align="center"><strong>Abstract</strong></p><p><em>Artikel ini membahas tentang bentuk dan fungsi musik Dol dalam kehidupan masyarakat kota Bengkulu. Penelitian ini menggunakan metode kualitatif, pengumpulan data dilakukan dengan teknik observasi, wawancara, dan dokumentasi. Permasalahan dibahas melalui deskriptif analisis. Hasil penelitian ini menunjukan bahwa musik Dol merupakan unsur penting yang terintegrasi dalam prosesi upacara Tabot di kota Bengkulu. Terdapat 3 reportoar musik Dol dalam pelaksanaan upacara Tabot yakni tamatam, swena, dan sweri. Adapun  peran musik Dol pada prosesi tersebut adalah mengekspresikan secara musikal </em><em>spirit</em><em> dari upacara yakni perjuangan,</em><em> perperangan </em><em>dan </em><em>kesedihan</em><em>.</em><em> Keberadaan seni pertunjukan musik Dol baik dalam konteks ritual Tabot, maupun perkembangnganya diluar kontes uapacara Tabot, memiliki nilai dan fungsi penting bagi masyarakatnya yakni; 1) Berfungsi Sebagai hiburan bagi masyarakat, 2)Fungsi pengungkapan emosional, terlihat dari peluapan emosional pemain pada prosesi “beruji Dol” 3) berfungsi sebagai pengesah lembaga sosial, dalam hal ini musik Dol merupakan syarat penting dalam upacara Tabot, 4) fungsi perlambangan, sebagai simbol yang diwujudkan melalui aspek musikal yang mengekspresikan kesedihan ataupun spirit perperangan, 5) fungsi pengintegrasian masyarakat, menyatukan masyarakat dalam kebersamaan dan terlibat dalam hikmatnya upacara Tabot, dan 6) fungsi kesenambungan budaya; eksistensi musik Dol sebagai bentuk usaha pelestarian dan penguatan idenitas budaya masyarakat kota Bengkulu.</em></p><strong><em>Kata kunci : </em></strong><em>Musik Dol, upacara Tabot, Bentuk, Fungsi</em>

scholarly journals Bentuk dan Fungsi Musik Dol pada Masyarakat Kota Bengkulu

2021 ◽  
Vol 5 (1) ◽  
Author(s):  
Irfan Kurniawan ◽  
Zelly Marissa Haque
Keyword(s):  
Community Integration ◽  
Music Performance ◽  
Social Institutions ◽  
Emotional Disclosure ◽  
Cultural Continuity ◽  
Form And Function ◽  
The People ◽  
And Function ◽  
The City

This article discusses the form and function of Dol music in Bengkulu city society. This study uses qualitative methods, data collection is done by observation, interviews, and documentation. The results of this study indicate that Dol music is an important element integrated in the Tabot ritual procession in the city of Bengkulu. 3 Dol music reporters in carrying out Tabot rituals, namely tamatam, swena, and sweri. The role of Dol music in the procession is to express the musical spirit of ritua tabot namely struggle, war and sadness. The existence of Dol music performance both in the context of Tabot rituals, as well as its development outside the Tabot event contest, has important values and functions for the community namely; 1) Functioning as entertainment for the community, 2) The function of emotional disclosure, seen from the emotional overflow of players in the “beruji Dol” 3) functions as a ratification of social institutions, in this case Dol music is an important requirement in the Tabot ceremony, 4) symbolic function, as a symbol manifested through musical aspects expressing sadness or the spirit of warfare, 5) the function of community integration, uniting the community in togetherness and being involved in the wisdom of the Tabot ceremony, and 6) the function of cultural continuity; the existence of Dol music as a form of effort to preserve and strengthen the cultural identity of the people of Bengkulu city.

scholarly journals Fungsi Musik dalam Ritual Tiban di Desa Purwokerto Kecamatan Ngadiluwih Kabupaten Kediri

2021 ◽  
Vol 20 (1) ◽  
pp. 14-28
Author(s):  
Viesta Agustina ◽  
Muhammad Nur Salim
Keyword(s):  
Emotional Expression ◽  
Community Integration ◽  
Music Performance ◽  
Social Institutions ◽  
Dry Season ◽  
Ritual Music ◽  
Cultural Sustainability ◽  
The People ◽  
Physical Reaction

The article entitled "The Function of Music in Tiban Rituals in Purwokerto Village, Ngadiluwih District, Kediri Regency" focused on the issue of Tiban ritual forms, Tiban ritual music performance and the function of Tiban ritual music. The results showed that the Tiban ritual was held during the long dry season with the aim for asking for rain through whipping by the perpetrators or what is called petiban. The people believe that the Tiban ritual can bring rain by means of media of blood dripping on the ground. Tiban music has several motifs in the wasp structure that characterizes it. Tiban music has an important function in Tiban rituals. The functions of music include the function of emotional expression, aesthetics, communication, physical reaction, legalization of social institutions and religious ceremonies, cultural sustainability, and community integration.

scholarly journals Film Intervention in Public Space. A Phylogenetic Spatial Change

2020 ◽  
pp. 107-122
Author(s):  
Taher Abdel-Ghani
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Social Agent ◽  
The Public ◽  
Form And Function ◽  
The Social ◽  
The Right ◽  
And Function ◽  
The City

Cinema has taken up the role of a social agent that introduced a variety of images and events to the public during critical times. This paper proposes the idea of using films as a tool to reclaim public space where a sense of belonging and dialogue restore to a meaningful place. During the January 2011 protests in Egypt, Tahrir Cinema, an independent revolutionary project composed of filmmakers and other artists, offered a space in Downtown Cairo and screened archival footage of the ongoing events to the protestors igniting civic debate and discussions. The traditional public space has undergone what Karl Kropf refers to as the phylogenetic change, i.e. form and function that is agreed upon by society and represents a common conception of certain spatial elements. Hence, the framework that this research will follow is a two-layer discourse, the existence of cinema in public spaces, and the existence of public spaces in cinema. Eventually, the paper seeks to enhance the social relationship between society, spaces, and cinematic narration – a vital tool to raise awareness about the right to the city.

scholarly journals PLACE ATTACHMENT BASED URBAN REFORM AS TOURISM POTENTIAL OF KAMPONG SEMUT

2020 ◽  
Vol 7 (2) ◽  
pp. 48-55
Author(s):  
Putu Bulan Ratna Anggraeni ◽  
Fery Asta Wibowo
Keyword(s):  
Large Scale ◽  
Public Understanding ◽  
Community Attachment ◽  
Form And Function ◽  
The People ◽  
History Of ◽  
Tourism Potential ◽  
And Function ◽  
The Village ◽  
The City

Tourism activities can never be separated from the history of a city and the influence of the development of the city itself. Aspects of tourism are very dependent on culture and public understanding of a tourist attraction in a city. Kampong Semut is one of the historical relics of the city of Surabaya which has the potential to become a tourist facility. The potential is due to the fact that Kampong Semut has a potential in the form of community attachment to the location. The community's attachment to a Kampong Semut, changing the form and function of the village itself from a large-scale activity center to an urban village that is not conserved. The purpose of this study is to understand more deeply the place attachments that exist in Kampong Semut and see what potential can be developed back into a tourism potential to be able to return the Kampong Semut to its former glory. This study uses an urban analysis method to see the shape of the city and the layers of the city in Kampong Semut to see the changes brought by the people in Kampong Semut to the place attachments.

scholarly journals The People and the Poster: Theorizing the Soviet Viewer, 1920–1931

Slavic Review ◽  
2019 ◽  
Vol 78 (3) ◽  
pp. 717-737
Author(s):  
Mollie Arbuthnot
Keyword(s):  
Political Art ◽  
Political Messages ◽  
Form And Function ◽  
Modern Subject ◽  
The People ◽  
Intellectual Context ◽  
The Individual ◽  
And Function ◽  
The Relationship

The relationship between political posters and their intended viewers was the focus of numerous texts in the 1920s; this article analyzes the ways in which Soviet theorists sought to understand this relationship. They operated in an intellectual context that tried to conceive the modern subject as an active consumer and co-creator, rather than a passive audience. Their study of the contexts of viewing, of display practices and of the role of the viewer as an active participant in the creation of meaning, caused concern about the risk of misunderstandings and led to calls for images to address specific audiences with greater clarity. Many imagined that audiences and producers of images were in dialogue with one another, negotiating over the content, form, and function of political art. The image would thus mediate the relationship between individual and state, integrating political messages into everyday life, and aiming to integrate the individual into the process and practice of propaganda.

Cities-Before-Cities

2017 ◽  
Author(s):  
Daniel W. Berman
Keyword(s):  
Crucial Role ◽  
The West ◽  
Central Greece ◽  
Form And Function ◽  
South Italy ◽  
Crucial Component ◽  
And Function ◽  
The City

Foundation myths are a crucial component of many Greek cities’ identities. But the mythic tradition also represents many cities and their spaces before they were cities at all. This study examines three of these ‘prefoundational’ narratives: stories of cities-before-cities that prepare, configure, or reconfigure, in a conceptual sense, the mythic ground for foundation. ‘Prefoundational’ myths vary in both form and function. Thebes, before it was Thebes, is represented as a trackless and unfortified backwater. Croton, like many Greek cities in south Italy, credited Heracles with a kind of ‘prefounding’, accomplished on his journey from the West back to central Greece. And the Athenian acropolis was the object of a quarrel between Athena and Poseidon, the results of which gave the city its name and permanently marked its topography. In each case, ‘prefoundational’ myth plays a crucial role in representing ideology, identity, and civic topography.

scholarly journals Plered Ceramic Production by Innovation in Products

2021 ◽  
Vol 8 (9) ◽  
pp. 120
Author(s):  
Yuliarni Yuliarni ◽  
Rustopo Rustopo ◽  
Guntur Guntur ◽  
Timbul Raharjo
Keyword(s):  
Product Innovation ◽  
Ceramic Production ◽  
Innovation Development ◽  
Form And Function ◽  
Type Form ◽  
Production Techniques ◽  
Product And Process ◽  
And Function ◽  
Process Product

This article explores the production, in particular innovation, of Plered ceramics. Innovation development seeks to recognize innovations and improvements, as well as the role of institutions in the ceramic industry at Plered. The analysis approach used is qualitative, through observation, interviews, literature review data sources are collected.The results showed that the development of Plered ceramics was carried out in terms of product and process. Product innovation occurs in aspects of type, form and function, while process innovation occurs in aspects of ideas, materials and production techniques. The roles of government, academics, entrepreneurs and consumers who work together are very supportive of the development of Plered ceramics.

scholarly journals TARI TOPENG IRENG BANDUNGREJO, NGABLAK, MAGELANG

2018 ◽  
Vol 15 (2) ◽  
Author(s):  
Budi Setyastuti
Keyword(s):  
Local Community ◽  
Social Institutions ◽  
Active Role ◽  
Research Report ◽  
Data Presentation ◽  
Form And Function ◽  
Qualitative Approaches ◽  
Inhibiting Factors ◽  
And Function ◽  
Surrounding Village

<p>Penelitian bertujuan menggali bentuk dan fungsi sosial seni dalam adat budaya Bandungrejo. Penelitian menggunakan pendekatan kualitatif yang bersifat deskriptif. Metode pengumpulan data yang digunakan meliputi observasi, wawancara, dokumentasi dan studi pustaka. Teknik analisis data menggunakan deskriptif interpretatif. Penarikan simpulan melalui verifikasi, yang aktifitas terdiri dari reduksi data, sajian data dan laporan hasil penelitian. Hasil yang dicapai Topeng Ireng memiliki makna penting bagi kehidupan masyarakat Bandungrejo. Banyak fungsi yang berperan aktif kesenian rakyat Topeng Ireng bagi masyarakat di antaranya fungsi estetis, hiburan, perlambang, pengesahan lembaga sosial dan ritus kehidupan, pengintegrasian masyarakat, ritual, dan pendidikan. Faktor-faktor pendukung dan penghambat baik secara intern dan ekstern meliputi kondisi dan situasi masyarakat setempat dan kehadiran masyarakat desa sekitar.</p><p>Kata kunci: topeng ireng, upacara adat, fungsi, faktor pendukung dan penghambat.</p><p> </p><p><br />The research aims to explore the form and function of social arts in Bandungrejo cultural customs. The Research uses qualitative approaches that are descriptive. The method of collecting data used includes observations, interviews, documentation and literature review. The data analysis uses descriptive and interpretive. Conclusion withdrawal through verification, the activity consists of data reduction, data presentation and research report results. The results achieved by Topeng Ireng have an important meaning for the life of Bandungrejo. Many functions that play an active role in the folk art of Topeng Ireng are among others aesthetic functions, entertainment, symbolism, ratification of social institutions and rites of life, integration of society, rituals, and education. Supporting and inhibiting factors both internally and externally include the conditions and situation of the local community and the presence of the surrounding village community.</p><p>Keywords: ireng mask, traditional ceremony, function, supporting and inhibiting factors.</p>

scholarly journals The City is a Stage: Innovation beyond the Theatre Space

2021 ◽  
Author(s):  
◽  
Sarah Courtney
Keyword(s):  
Urban Spaces ◽  
Public Realm ◽  
Adaptive Performance ◽  
Live Performance ◽  
Central Cities ◽  
Theatre Design ◽  
Form And Function ◽  
Performance Space ◽  
And Function ◽  
The City

<p>"[The] product of architecture can at least partly be understood as an endless live performance" (Van Berkel & Bos, 2008 , p. 135). As central cities such as Wellington become more event orientated, there is a greater need for a network of innovative performance venues (temporary or permanent) to meet public demand. The existing theatre spaces within Wellington are currently limited in size and the spaces are difficult to adapt to meet the needs of different performances. The thesis investigates this problem. The thesis proposes to develop a network of multifunctional performance spaces outside traditional theatre spaces in areas which are generally used as high activity public spaces and thoroughfares. This will result in not only new opportunities for theatre design and new types of adaptive performance, but, as performance is removed from a traditionally controlled environment, it will create urban spaces that are multi-functional and a better fit for a variety of experiences and uses. Several precedents are analysed with regard to the creation of new boundaries and multiple functionalities in a more contemporary setting. Public realm typologies are also explored for their capacity to be blended in form and function to create hybrid, multi-functional spaces. The resulting design strategy is applied in a series of design experiments to the selected subject site on Wellington’s waterfront. The experiments are then evaluated to aid in the development of an appropriate outdoor theatre network that will enliven the city and encourage performers to create a new style of theatre. The proposed design is developed from and through the research, and will benefit Wellington for many reasons. Firstly, the design will produce greater adaptability and permeability of the performance space in Wellington. Secondly, because theatres in Wellington are currently disengaged from their surrounding context, the proposed building will have a strong indoor/outdoor connection that encourages the use of diverse performance in and around the building. Thirdly, by placing the building in or near circulation paths, it will provide an interactive and engaging space for audiences.</p>

scholarly journals Gondang Hasapi in Holding Ritual Parmalim Si Pahasada (Study of the Shapes of Gondang and its Functions)

2019 ◽  
Vol 2 (1) ◽  
pp. 138-144
Author(s):  
Esra P.T Siburian
Keyword(s):  
Response Function ◽  
Subject Matter ◽  
Qualitative Method ◽  
Community Integration ◽  
Social Institutions ◽  
Cultural Continuity ◽  
Religious Ritual ◽  
Physical Response ◽  
The Subject ◽  
North Sumatra

This paper aims to discuss the existence of a form of gondang at the ritual ceremony of Si Pahasada, and how its function at the ritual ceremony of Si Pahasada in Huta High of North Sumatra is the subject matter to be discussed. The method used in this study is by using descriptive qualitative method. Collecting data is done through observation, interview, documentation, and bibliography. In this study it is found that there are 12 dishes reportoar gondang kesumpaan presented during this ritual. In this study also found eight functions of gondang in the ritual of Parmalim Si Pahasada, namely: 1) Aesthetic function, 2) communication functions, 3) symbolic functions, 4) physical response function, 5) enforcing social norms, 5) validation of social institutions. 6) religious ritual function, 7) cultural continuity and stability, 8) contribution to community integration.

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