scholarly journals Proyectos en torno al convento de San Francisco el Grande de Madrid: incertidumbres urbanísticas e indefinición paisajística | Projects concerning the convent of San Francisco el Grande in Madrid: urban uncertainty and landscaping indefinition

ZARCH ◽  
2016 ◽  
pp. 190
Author(s):  
Benito Jiménez
Keyword(s):  
19Th Century ◽  
San Francisco ◽  
Empty Space ◽  
Royal Palace ◽  
Historical Cartography ◽  
Siglo Xix ◽  
The 19Th Century ◽  
The City

La tradición ha hecho de la llamada Cornisa oeste de Madrid su imagen más definitoria y distintiva. El Palacio Real y el colindante convento de San Francisco el Grande son sus elementos patrimoniales más significativos. Previa a su desamortización y posterior demolición, el convento ocupaba una vasta extensión de terreno, formada por huertas, patios y claustros ajardinados, que se distribuían de manera orgánica en terrazas descendentes hacia el río Manzanares. En la actualidad un gran vacío rodea su basílica, el único vestigio conventual. Desde el siglo XIX varias controvertidas propuestas han tratado de caracterizar y revitalizar ese espacio indefinido, regenerar su degradado entorno y dar así continuidad paisajística a la Cornisa. El presente estudio pretende valorar la evolución del entorno del convento, intentando explicar el porqué de esa especie de no-lugar, mediante la comparación y revisión de la cartografía histórica, las representaciones existentes y los diferentes proyectos de intervención planteados en la zona.The tradition has made the so-named west Cornice of Madrid the most defining and distinctive image of the city. The Royal Palace and the nearby Convent of San Francisco el Grande are its most significant heritage elements. Before its confiscation and subsequent partial demolition, the convent occupied a vast extension of land, formed by orchards, patios and gardened cloisters, organically distributed on terraces descending towards the River Manzanares. Nowadays, a large empty space encircles the Basilica, which is the only remaining convent vestige. From the 19th Century onwards, several controversial proposals aimed to characterize and revitalize this undefined space, regenerate its deteriorated surroundings and thus provide landscaping continuity to the fragmented Cornice. The present study attempts to assess the evolution of the convent environment and explain the reason of this “no-place” by comparing and reviewing historical cartography, existing representations and the different intervention projects proposed for the area.

scholarly journals DE FRANCIA Y FRANCESES QUE NO LO FUERON: BORDUIN Y DUGELAY — CHIAPAS, SIGLO XIX—

2009 ◽  
Vol 4 (7) ◽  
pp. 227
Author(s):  
Luz del Rocío Bermúdez H.
Keyword(s):  
19Th Century ◽  
Economic Power ◽  
Las Casas ◽  
The Social ◽  
Siglo Xix ◽  
The Individual ◽  
The 19Th Century ◽  
The City ◽  
Father And Son

Escasa y mal documentada, la migración francesa en Chiapas durante el siglo XIX puede encontrar una veta de investigación? en los casos de Borduin y Dugelay, padre e hijo, en la ciudad de San Cristóbal de Las Casas. El primero, conocido como «francés», aunque procedente del Bajo Canadá, se convirtió desde 1839 en figura central local, entre otros aspectos, por su apreciada profesión en medio de continuos brotes epidémicos. Más de cuatro décadas después, en pleno auge de la influencia francesa en México, Diego Dugelay gozó por su parte el privilegio doble del origen de su padre y el poder social, político y económico, heredados de su madre. Además del testimonio individual ambas trayectorias, alguna vez contrastantes y complementarias, muestran también ciertos mecanismos, aspiraciones y paradojas ocurridas en Chiapas durante su primera apertura hacia los «hermanos de allende los mares». ABSTRACT Scarcely and poorly documented, the French migration in Chiapas during the 19th century may find a vein of research[*] in the cases of Borduin and Dugelay, father and son, in the city of San Cristóbal de Las Casas. The first, known as “French” although in reality originating from francophone Canada, converted after 1839 into a central local figure, among other aspects, due to his esteemed profession amidst continuous epidemic outbreaks. More than four decades later, in the boom of French influence in Mexico, Diego Dugelay for his part enjoyed the double privilege of his father’s origin and the social, political and economic power inherited from his mother. In addition to the individual testimony, both trajectories, at times contrasting and others complementary, also demonstrate certain mechanisms, aspirations and paradoxes occurred in Chiapas during its first opening toward the “overseas brothers.”

scholarly journals De montgolfieras y globos.

2021 ◽  
Author(s):  
Lucas Andrés Masán
Keyword(s):  
19Th Century ◽  
Urban Space ◽  
Buenos Aires ◽  
Sensory Stimulation ◽  
Hot Air ◽  
First Approximation ◽  
Siglo Xix ◽  
The 19Th Century ◽  
The City ◽  
Stimulation Of

En estas páginas efectuamos una primera aproximación sobre los eventos aerostáticos en Buenos Aires durante la primera mitad del siglo XIX. Entendidos como espectáculos públicos inscriptos en un espacio urbano en reconfiguración, es posible advertir en la paulatina incorporación de lo aéreo cierta vocación social por interpelar a los habitantes de la ciudad. Para dar cuenta de este derrotero examinamos desde las germinales inscripciones de las montgolfieras en el imaginario local en la década de 1820 hasta la primera experiencia de globo tripulado efectuada por Bartolomé Lartet en 1856. Observamos la trayectoria de estas exhibiciones como instancias que condensan expresiones y deseos comunitarios entre los cuales es posible entrever preocupaciones de carácter social y político. En este camino los sentidos asociados al globo aerostático nos permiten ver una latente incorporación del ideario moderno basado en la novedad, la valoración de acciones temerarias y una nueva estimulación sensorial del habitante. In these pages we make a first approximation of the aerostatic events in Buenos Aires during the first half of the 19th century. Understood as public performances inscribed in an urban space undergoing reconfiguration, it is possible to notice in the gradual incorporation of the air a social vocation for questioning the inhabitants of the city. To account for this course we examine from the germinal inscriptions of the montgolfieras in the local imagination in the 1820s to the first manned balloon experience carried out by Bartolomé Lartet in 1856. We observe the trajectory of these exhibitions as instances that condense expressions and wishes community among which it is possible to glimpse social and political concerns. In this way, the senses associated with the hot air balloon allow us to see a latent incorporation of modern ideology based on novelty, the valuation of reckless actions and a new sensory stimulation of the inhabitant.

scholarly journals A PRODUÇÃO DO ESPAÇO URBANO EM MARABÁ – PA: do caucho à ALPA

2021 ◽  
Vol 7 (20) ◽  
pp. 202110
Author(s):  
Magno Ricardo Silva de Carvalho ◽  
Marcus Vinicius Mariano de Souza
Keyword(s):  
Production Process ◽  
Urban Area ◽  
19Th Century ◽  
Urban Space ◽  
Its Region ◽  
Economic Influences ◽  
Siglo Xix ◽  
The 19Th Century ◽  
The City ◽  
Sobre Todo

THE PRODUCTION OF URBAN SPACE IN MARABÁ – PA: from the rubber period to the ALPALA PRODUCCIÓN DEL ESPACIO URBANO DE MARABÁ – PA: del caucho a la ALPARESUMOEste trabalho tem por objetivo analisar o processo de produção do espaço urbano de Marabá, no sudeste paraense, e sua relação com os diferentes processos políticos e, sobretudo, econômicos que a influenciou desde o início da ocupação, final do século XIX, aos mais recentes acontecimentos que contribuíram de forma mais relevante para a expansão da sua mancha urbana. Para tal, foi realizada uma breve reflexão acerca do tema, bem como uma revisão bibliográfica sobre este processo especificamente em Marabá, utilizando do trabalho de autores que dissertaram sobre a referida cidade e sua região. Foi possível compreender como e em que momento foi criado cada núcleo da cidade, bem como sob quais influências políticas e econômicas, assim como, seus respectivos momentos de expansão mais expressivos.Palavras-chave: Marabá; Cidade; Produção do Espaço Urbano.ABSTRACTThis work aims to analyze the production process of the urban space of Marabá, in southeastern Pará, and its relationship with the different political and, above all, economic processes that influenced it since the beginning of the occupation, at the end of the 19th century, to the most recent ones events that contributed most significantly to the expansion of its urban area. To this end, a brief reflection on the production of urban space was carried out, as well as a bibliographic review on this process specifically in Marabá, using the work of authors who spoke about that city and its region. It was possible to understand how and at what time each nucleus of the city was created, as well as under which political and economic influences, as well as its respective most expressive moments of expansion.Keywords: Marabá; City; Production of Urban Space.RESUMENEste trabajo tiene como objetivo analizar el proceso de producción del espacio urbano de Marabá, en el sureste de Pará, y su relación con los diferentes procesos políticos y, sobre todo, económicos que influyeron en él desde el inicio de la ocupación, al final del siglo XIX, hasta los más recientes eventos que contribuyeron de manera más significativa a la expansión de su área urbana. Para ello, se realizó una breve reflexión sobre el tema, así como una revisión bibliográfica sobre este proceso específicamente en Marabá, utilizando el trabajo de autores que hablaron sobre la ciudad y su región. Se pudo comprender cómo y en qué momento se creó cada núcleo de la ciudad, así como bajo qué influencias políticas y económicas, así como sus respectivos momentos más expresivos de expansión.Palabras clave: Marabá; Ciudad; Producción del Espacio Urbano.

scholarly journals A la distancia: un paradigma de la modernidad porfiriana. La transformación urbanoarquitectónica de Mérida la de Yucatán al cambio de siglo XIX XX

2013 ◽  
Vol 10 (1) ◽  
pp. 26
Author(s):  
Gladys Noemí Arana López
Keyword(s):  
Urban Development ◽  
19Th Century ◽  
European City ◽  
Palabras Clave ◽  
Siglo Xix ◽  
The Spectator ◽  
Architectural Transformation ◽  
The 19Th Century ◽  
The City ◽  
Media Event

Resumen: Al ocaso del siglo XIX, en la región de la península de Yucatán se estaban dando todos los elementos para iniciar el anhelado camino hacia la modernidad. La región se encontraba en paz, mientras Mérida se reconstituía como capital no solo del Estado sino como la ciudad más importante de la  región, consolidando su vocación comercial y de servicios ya que la bonanza financiera parecía no  tener fin. El cambio de imagen y la satisfacción de antiguas y nuevas necesidades eran los objetivos a alcanzar teniendo como modelo a las ciudades europeas y los ideales positivistas que caracterizaron al gobierno del presidente Díaz. Por supuesto al cumplir con las metas planteadas, se organizó un gran evento mediático, en donde la ciudad era la protagonista y el mundo el espectador. Expansión y desarrollo urbano, grandes edificios y monumentos, embellecimiento y sanidad, nuevas y renovadas viviendas, así como la oferta de sin fin de servicios definieron a la ciudad en este impasse temporal.  Palabras clave: Porfirismo, desarrollo urbano, siglo XIX, Yucatán, modernidad.**********************************************************From the distance: A paradigm of the Porfirian’s modernity The urban architectural transformation of Merida, Yucatan. The changement from the 19th to 20th centuryAbstract:At the end of the 19th century, in Yucatan region, everything was done for the entrance of the yearning way to modernity. The region was at peace during the time Merida was reconstructed, not just as the capital of the State but also as the most important city of the region; it consolidated its commercial and service vocation taking into account the finances prosperity. The change of the image as the old and new needs’ satisfaction were the objectives to achieve having as a model the European city and the positivism ideals, which characterized the president Diaz’s government. So, the goals achieved, it was organized a media event, in which the city was the focus and the world the spectator. Growth and urban development, big buildings and   monuments, beauty and sanity, new and renewed houses, as well as the offer of services defined the city in this temporal impasse. Key words: Porfirism, urban development; 19th century, Yucatan, modernity.*********************************************************À distancia: Um paradigma da modernidade porfiriana. A transformação urbano-arquitetônica de Mérida, em Yucatán na transição do século XIX-XXResumo:Em finais do século XIX, na região da península de Yucatán, estavam sendo dados todos os elementos  para começar o desejado caminho à modernidade. A região se encontrava em paz, enquanto Mérida reconstituía-se não só como capital do Estado, mas também como a cidade mais importante da região, consolidando sua vocação comercial e de serviços, já que a bonança financeira parecia não ter fim. A mudança de imagem e a satisfação de antigas e novas necessidades eram os objetivos a alcançar, tendo como modelo as cidades europeias e os ideais positivistas que caracterizaram o governo do presidente Díaz. É claro que, quando as metas planejadas foram cumpridas, foi organizado um grande evento mediático, no qual a cidade era a protagonista e o mundo o espectador. Expansão e desenvolvimento urbano, grandes edifícios e monumentos, embelezamento e saneamento, novas e renovadas moradias, assim como a oferta de um infinidade de serviços definiram a cidade nesse impasse temporal. Palavras chave: Porfirismo, desenvolvimento urbano, século XIX, Yucatán, modernidade.

Museum Preserves in the Sphere of “Cultural Tourism”: Through the Example of the Cultural Preserves of Tatarstan

2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina
Keyword(s):  
19Th Century ◽  
Art Museum ◽  
Medium Size ◽  
Business Elite ◽  
Wide Range ◽  
The Subject ◽  
Tourist Center ◽  
Regional Authorities ◽  
The 19Th Century ◽  
The City

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.

Historiography of one city: colonialism, colonization, frontir. On the historiography of the history of functioning of the fortress city of the left wing of the Caucasian cordon line on the example of the history of Kizlyar in the first half of the 19th century

2020 ◽  
Vol 2020 (12-3) ◽  
pp. 250-258
Author(s):  
Mahomed Gasanov ◽  
Abidat Gazieva
Keyword(s):  
19Th Century ◽  
Historical Context ◽  
Left Wing ◽  
Theoretical Concepts ◽  
History Of ◽  
The 19Th Century ◽  
The City

The article is devoted to the analysis of the historiography of the history of the city of Kizlyar. This issue is considered in the historical context of the Eastern Caucasus. The author analyzes the three main theoretical concepts of the problem concerning Russia’s policy in the region, using the example of the city of Kizlyar in the context of historiography.

scholarly journals A humanistic gift from the Brazilian Emperor D. Pedro II (1825 - 1891) to the Brazilian nation: the first lunatic asylum in Latin America

2013 ◽  
Vol 71 (2) ◽  
pp. 125-126 ◽  
Author(s):  
Antonio E. Nardi ◽  
Adriana Cardoso Silva ◽  
Jaime E. Hallak ◽  
José A. Crippa
Keyword(s):  
Latin America ◽  
Key Words ◽  
19Th Century ◽  
Psychiatric Patients ◽  
Lunatic Asylum ◽  
Specialized Treatment ◽  
Key Words Psychiatry ◽  
The Social ◽  
The 19Th Century ◽  
The City

Until the beginning of the 19th century, psychiatric patients did not receive specialized treatment. The problem that was posed by the presence of psychiatric patients in the Santas Casas de Misericórdia and the social pressure from this issue culminated in a Decree of the Brazilian Emperor, D. Pedro II, on July 18, 1841. The “Lunatic Palace” was the first institution in Latin America exclusively designed for mental patients. It was built between 1842 and 1852 and is an example of neoclassical architecture in Brazil, located at Saudade Beach in the city of Rio de Janeiro. In the 1930s and 1940s, the D. Pedro II Hospital was overcrowded, and patients were gradually transferred to other hospitals. By September of 1944, all the patients had been transferred and the hospital was deactivated. Key words: psychiatry, history, madness.

THE CONSTITUTION OF MEDINA: A SOCIOLEGAL INTERPRETATION OF MUHAMMAD'S ACTS OF FOUNDATION OF THE UMMA

2009 ◽  
Vol 41 (4) ◽  
pp. 555-575 ◽  
Author(s):  
Saïd Amir Arjomand
Keyword(s):  
19Th Century ◽  
Solid Rock ◽  
Islamic History ◽  
The Subject ◽  
The 19Th Century ◽  
The City

One of the oldest extant documents in Islamic history records a set of deeds executed by Muhammad after his migration (hijra) in 622 from Mecca to Yathrib, subsequently known as “the City [madīna] of the Prophet.” Marking the beginning of the Islamic era, the document comprising the deeds has been the subject of well over a century of modern scholarship and is commonly called the “Constitution of Medina”—with some justification, although the first modern scholar who studied it at the end of the 19th century, Julius Wellhausen, more accurately described it as the “municipal charter” (Gemeindeordnung) of Medina. In 1889, Wellhausen highlighted the text's antiquity, which has been acknowledged by even the most skeptical of contemporary “source-critical” scholars, Patricia Crone, who thinks that, in Ibn Ishaq's Sira, “it sticks out like a piece of solid rock in an accumulation of rubble.”

scholarly journals Un paisaje sacralizado por grabados rupestres protohistóricos e históricos en las hoces del río Mesa (Calmarza, Zaragoza) = A Sacralized Landscape by Protohistoric and Historical Rock Engravings in the Gorges of the River Mesa (Calmarza, Zaragoza)

2020 ◽  
pp. 105
Author(s):  
José Ignacio Royo Guillén ◽  
Francisco José Navarro Cabeza ◽  
Serafín Benedí Monge
Keyword(s):  
19Th Century ◽  
Iron Age ◽  
Rock Art ◽  
Archaeological Remains ◽  
The Third ◽  
Christian Iconography ◽  
Siglo Xix ◽  
Del Rio ◽  
The 19Th Century

Los estudios sobre grabados rupestres al aire libre de cronología postpaleolítica, adolecen de importantes carencias que, en el valle medio del Ebro, se han visto superadas con la llegada del tercer milenio. Con la presentación de este trabajo se pretende dar a conocer un nuevo núcleo de grabados rupestres, localizado en el extremo suroeste de la provincia de Zaragoza, en las gargantas calcáreas del río Mesa. Entre los nuevos enclaves rupestres, destacan los abrigos con grabados protohistóricos, pero muy especialmente los de cronología medieval andalusí y los de iconografía cristiana entre los siglos XIV y XVIII, con perduraciones hasta mediados del siglo XIX y algunas escenas relacionadas con la primera Guerra Carlista en Aragón. La distribución de los hallazgos, su tipología e iconografía y los restos arqueológicos asociados, permiten documentar una importante ocupación del territorio desde la Iª Edad del Hierro y la sacralización del paisaje a través del arte rupestre, con pervivencias que se perpetúan a lo largo de la Edad Media y Moderna, destacando como novedad la presencia de un importante conjunto de inscripciones epigráficas islámicas que deben situarse entre los siglos XI y XII. AbstractThe studies on open-air rock engravings in post-Paleolithic chronology suffer from important deficiencies, which in the middle valley of the Ebro, have been overcome with the arrival of the third millennium.With the presentation of this work, the aim is to make known a new nucleus of rock engravings, located in the extreme southwest of the province of Zaragoza, in the limestone gorges of the River Mesa. Among the new rock engravings, the shelters with protohistoric engravings stand out, but especially those with a medieval Andalusian chronology and those with Christian iconography between the 14th and 18th centuries, which lasted until the middle of the 19th century and some scenes related to the first Carlist War in Aragon. The distribution of the findings, their typology and iconography and the associated archaeological remains, allow us to document an important occupation of the territory since the First Iron Age and the sacralization of the landscape through rock art, with survivals that are perpetuated throughout the Middle and Modern Ages, highlighting as a novelty the presence of an important set of Islamic epigraphic inscriptions that must be located between the 11th and 12th centuries.

scholarly journals Russian religion and Russian philosophy

2015 ◽  
pp. 409-428
Author(s):  
Aleksandar Kazin
Keyword(s):  
19Th Century ◽  
Religious Faith ◽  
Empty Space ◽  
Classical Type ◽  
Russian Philosophy ◽  
Orthodox Christian ◽  
State Of Mind ◽  
European Philosophy ◽  
The 19Th Century ◽  
Conceptual Language

In the article the author tells us about the religious essence of Russian philosophy as its basic characteristic since in was founded in the middle of the 19th century until now. Russian philosophy never existed or couldn?t have existed in the European state of mind because it?s essentially a philosophic interpretation of religious faith. According to the author?s opinion, European philosophy, as a whole, has left the borders of the Christian spiritual plain by making the anthropocentric principle of thinking the absolute, which took it into positivism and nihilism. Russian philosophy hasn?t left the Christian spiritual field and has kept a theocentric (classical) type of thinking till the present day. The stand-point of the believing mind which rejects transcendental, as well as any other self foundation of the European philosophy. From the beginning until the present day, Russian philosophy has been opposed to the Descartes-Kant?s way of thinking. Western modern philosophy killed God intellectualy, and postmodern killed the Man as well, moving its philosophy into an empty space of ?transindividual constructions?. Ivan Kirejevski founded an ontological-gbnoseological model of Russian secular Christian philosophy in the middle of the 19th century, and from that, later, other branches of Russian philosophy developed: ontological-cultural (Danilevski, Leontjev), ontological-anthropological (Solovjov, Berdjajev, Ern). Briefly, Russian philosophy is what Russian national culture, based on Orthodox Christian views, can say about the World and the Man using the conceptual language.

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