scholarly journals DE FRANCIA Y FRANCESES QUE NO LO FUERON: BORDUIN Y DUGELAY — CHIAPAS, SIGLO XIX—

2009 ◽  
Vol 4 (7) ◽  
pp. 227
Author(s):  
Luz del Rocío Bermúdez H.
Keyword(s):  
19Th Century ◽  
Economic Power ◽  
Las Casas ◽  
The Social ◽  
Siglo Xix ◽  
The Individual ◽  
The 19Th Century ◽  
The City ◽  
Father And Son

Escasa y mal documentada, la migración francesa en Chiapas durante el siglo XIX puede encontrar una veta de investigación? en los casos de Borduin y Dugelay, padre e hijo, en la ciudad de San Cristóbal de Las Casas. El primero, conocido como «francés», aunque procedente del Bajo Canadá, se convirtió desde 1839 en figura central local, entre otros aspectos, por su apreciada profesión en medio de continuos brotes epidémicos. Más de cuatro décadas después, en pleno auge de la influencia francesa en México, Diego Dugelay gozó por su parte el privilegio doble del origen de su padre y el poder social, político y económico, heredados de su madre. Además del testimonio individual ambas trayectorias, alguna vez contrastantes y complementarias, muestran también ciertos mecanismos, aspiraciones y paradojas ocurridas en Chiapas durante su primera apertura hacia los «hermanos de allende los mares». ABSTRACT Scarcely and poorly documented, the French migration in Chiapas during the 19th century may find a vein of research[*] in the cases of Borduin and Dugelay, father and son, in the city of San Cristóbal de Las Casas. The first, known as “French” although in reality originating from francophone Canada, converted after 1839 into a central local figure, among other aspects, due to his esteemed profession amidst continuous epidemic outbreaks. More than four decades later, in the boom of French influence in Mexico, Diego Dugelay for his part enjoyed the double privilege of his father’s origin and the social, political and economic power inherited from his mother. In addition to the individual testimony, both trajectories, at times contrasting and others complementary, also demonstrate certain mechanisms, aspirations and paradoxes occurred in Chiapas during its first opening toward the “overseas brothers.”

scholarly journals A humanistic gift from the Brazilian Emperor D. Pedro II (1825 - 1891) to the Brazilian nation: the first lunatic asylum in Latin America

2013 ◽  
Vol 71 (2) ◽  
pp. 125-126 ◽  
Author(s):  
Antonio E. Nardi ◽  
Adriana Cardoso Silva ◽  
Jaime E. Hallak ◽  
José A. Crippa
Keyword(s):  
Latin America ◽  
Key Words ◽  
19Th Century ◽  
Psychiatric Patients ◽  
Lunatic Asylum ◽  
Specialized Treatment ◽  
Key Words Psychiatry ◽  
The Social ◽  
The 19Th Century ◽  
The City

Until the beginning of the 19th century, psychiatric patients did not receive specialized treatment. The problem that was posed by the presence of psychiatric patients in the Santas Casas de Misericórdia and the social pressure from this issue culminated in a Decree of the Brazilian Emperor, D. Pedro II, on July 18, 1841. The “Lunatic Palace” was the first institution in Latin America exclusively designed for mental patients. It was built between 1842 and 1852 and is an example of neoclassical architecture in Brazil, located at Saudade Beach in the city of Rio de Janeiro. In the 1930s and 1940s, the D. Pedro II Hospital was overcrowded, and patients were gradually transferred to other hospitals. By September of 1944, all the patients had been transferred and the hospital was deactivated. Key words: psychiatry, history, madness.

scholarly journals touch of separation— toward an ethics of anxiety in the age of the global contagion

2021 ◽  
Vol 1 (1) ◽  
pp. 128-140
Author(s):  
Jeffrey S. Librett
Keyword(s):  
World War Ii ◽  
19Th Century ◽  
Anxiety State ◽  
World War ◽  
Ethical Imperative ◽  
Post World War Ii ◽  
The Social ◽  
Simultaneous Separation ◽  
The Individual ◽  
The 19Th Century

I examine the relation between anxiety and the COVID-19 pandemic.  For context, I begin by sketching the rise of anxiety as a theme from the 19th century to the post-World War II era, as a mood of the individual in a world without absolutes.  Then, I characterize the current moment as the age of the anxiety of the global contagion.  Next, I examine the most general effects of the COVID-19 pandemic on the individual ego, as simultaneous radical separation from and connection with others.  I proceed to juxtapose this situation with Freud’s anxiety theory, which likewise involves simultaneous separation and connection.  The social ego today thus appears, from a Freudian perspective, as in an exacerbated anxiety-state.  I claim that this exacerbation helps us understand more clearly Freud’s anxiety theory, and vice versa.  I then consider where this anxiety takes place, and so I examine the Freudian “site” of anxiety—the ego. This examination clarifies two aspects of Freud’s ego-theory: both the sense in which the Freudian ego is (post)modern, and the sense in which Freud’s linkage of anxiety with the ego is not occasional, but constitutive.  That is, the ego is the site of anxiety, in that anxiety characterizes the ego as such, because the ego is a (post) modern liminal structure.  I suggest in conclusion that the affirmation and acceptance of anxiety as a fundamental experience of the ego, and of the psyche more generally, constitutes an ethical imperative for psychoanalysis in general, and especially in the contemporary age of the global contagion.

scholarly journals Proyectos en torno al convento de San Francisco el Grande de Madrid: incertidumbres urbanísticas e indefinición paisajística | Projects concerning the convent of San Francisco el Grande in Madrid: urban uncertainty and landscaping indefinition

ZARCH ◽  
2016 ◽  
pp. 190
Author(s):  
Benito Jiménez
Keyword(s):  
19Th Century ◽  
San Francisco ◽  
Empty Space ◽  
Royal Palace ◽  
Historical Cartography ◽  
Siglo Xix ◽  
The 19Th Century ◽  
The City

La tradición ha hecho de la llamada Cornisa oeste de Madrid su imagen más definitoria y distintiva. El Palacio Real y el colindante convento de San Francisco el Grande son sus elementos patrimoniales más significativos. Previa a su desamortización y posterior demolición, el convento ocupaba una vasta extensión de terreno, formada por huertas, patios y claustros ajardinados, que se distribuían de manera orgánica en terrazas descendentes hacia el río Manzanares. En la actualidad un gran vacío rodea su basílica, el único vestigio conventual. Desde el siglo XIX varias controvertidas propuestas han tratado de caracterizar y revitalizar ese espacio indefinido, regenerar su degradado entorno y dar así continuidad paisajística a la Cornisa. El presente estudio pretende valorar la evolución del entorno del convento, intentando explicar el porqué de esa especie de no-lugar, mediante la comparación y revisión de la cartografía histórica, las representaciones existentes y los diferentes proyectos de intervención planteados en la zona.The tradition has made the so-named west Cornice of Madrid the most defining and distinctive image of the city. The Royal Palace and the nearby Convent of San Francisco el Grande are its most significant heritage elements. Before its confiscation and subsequent partial demolition, the convent occupied a vast extension of land, formed by orchards, patios and gardened cloisters, organically distributed on terraces descending towards the River Manzanares. Nowadays, a large empty space encircles the Basilica, which is the only remaining convent vestige. From the 19th Century onwards, several controversial proposals aimed to characterize and revitalize this undefined space, regenerate its deteriorated surroundings and thus provide landscaping continuity to the fragmented Cornice. The present study attempts to assess the evolution of the convent environment and explain the reason of this “no-place” by comparing and reviewing historical cartography, existing representations and the different intervention projects proposed for the area.

scholarly journals Ni "campo" ni "mundo": Aportes y herramientas para historiar la cultura musical de principios del siglo XIX en Buenos Aires = Neither "field" nor "world": Contributions and theoretical tools to historicise the musical culture of the early 19th century in Buenos Aires

2019 ◽  
Vol 30 ◽  
pp. 287
Author(s):  
Guillermina Guillamon
Keyword(s):  
Cultural History ◽  
19Th Century ◽  
Buenos Aires ◽  
Musical Culture ◽  
Early 19Th Century ◽  
Sociology Of Music ◽  
The Social ◽  
Siglo Xix ◽  
Object Of Study ◽  
The 19Th Century

Resumen: En el presente artículo se analizan y sistematizan diversos trabajos provenientes tanto de la historia cultural como de la sociología, con el objetivo de señalar herramientas conceptuales y perspectivas metodológicas que permiten problematizar el análisis de la cultura musical de principios de siglo XIX. El fin último es, entonces, mostrar cómo a partir de diversos aportes teóricos y analíticos, la música constituye un objeto de estudio posible de ser abordado por las ciencias sociales.Palabras clave: Cultura musical, historia cultural, sociología de la música, Buenos Aires siglo XIX.Abstract: This article analyses and systematises works from both cultural history and sociology, in order to point out conceptual tools and methodological perspectives that allow the analysis of musical culture at the beginning of the 19th century to be problematised. The main objective is to show how, based on diverse theoretical and analytical contributions, music constitutes an object of study that can be addressed by the social sciences.Key words: Musical culture, cultural history, sociology of music, Buenos Aires 19th century.

Modern Intimacies and Modernist Landscapes: Chinese Photographs in Late-Colonial Mozambique

Lusotopie ◽  
2021 ◽  
Vol 19 (2) ◽  
pp. 181-212
Author(s):  
Lorenzo Macagno
Keyword(s):  
19Th Century ◽  
Specific Aspect ◽  
Chinese Diaspora ◽  
Modern Life ◽  
Colonial Modernity ◽  
Cultural Life ◽  
The Social ◽  
Chinese Province ◽  
The 19Th Century ◽  
The City

Abstract This paper addresses a specific aspect of the social and cultural life of the Luso-Chinese in Mozambique, whose first contingents came from the Chinese province of Guangdong in the second half of the 19th century. Most settled in the city of Beira. By the 1950s, the Chinese community was already well integrated into modern life in colonial Beira. The city was going through an unprecedented urban and architectural boom. At that time, the Luso-Chinese, who were essentially merchants, also began to stand out in the field of photography. Based on a multi-sited ethnography among the Portuguese-Chinese diaspora – and their family photo albums – this paper reflects on two inseparable aspects of late-colonial modernity: architecture and photography.

Changing Strings: How the Influence of the 19th Century Middle Class Changed the Guitar and Lute.

2018 ◽  
Author(s):  
Chad Yacobucci
Keyword(s):  
Middle Class ◽  
19Th Century ◽  
18Th Century ◽  
Socioeconomic Background ◽  
Economic Power ◽  
Relative Simplicity ◽  
Economic Climate ◽  
The Social ◽  
The 19Th Century ◽  
Insight Into

From the 16th to the 18th century the lute dominated the attention of European musicians, who cared little for the early guitar. Composers and musicians of the time held the tone and versatility of the lute in the highest esteem, while largely ignoring the guitar due to the relative simplicity of the existing repertoire. By the 19th century, however, the guitar had become extremely popular while the lute had disappeared almost entirely. The socioeconomic background of Europe played a key role in the fate of these two instruments; in particular, the growing economic power of the newly emergent middle class was decisive in determining the rise and fall of the guitar and lute, respectively. This presentation will compare and analyze the cultural and aesthetic antecedents that led to the acceptance of the guitar and the retrospective difficulties the European middle class had with the lute. Drawing connections between the evolving musical aesthetic and the social and economic climate of a particular period is an important undertaking as it serves to not only broaden the understanding of music and its’ history, but also to provide a unique insight into society at that time.

scholarly journals El Ceremonial del funeral del presidente de la Republica y el ceremonial de las asistencias del presidente de la República a las festividades o actos públicos de cualquier índole en México: 1836 y 1842 | The Ceremonial of the funeral of the President of the Republic and the ceremonial of the assistances of the President of the Republic to the festivities or public acts of any nature in Mexico: 1836 and 1842

2018 ◽  
Vol 5 (9) ◽  
pp. 14
Author(s):  
José Gómez-Huerta Suárez
Keyword(s):  
Nineteenth Century ◽  
19Th Century ◽  
The Other ◽  
Upper Class ◽  
The Social ◽  
Political Sector ◽  
Siglo Xix ◽  
The Republic ◽  
The 19Th Century

El ceremonial en el siglo XIX en México, era una herramienta que contribuía a establecer y consolidar lo social, resguardaba privilegios de la clase alta y legitimaba a un sector político. El ceremonial luego entonces es utilizado en ese siglo como un mensaje a través de formalidades y honores. Existen, desde luego, innumerables factores comprendidos en el concepto del ceremonial, como que es una forma de comunicación que se ocupa del protocolo, precedencias estructuradas de relaciones formales. Por lo tanto, revisaremos dos documentos de ceremonial en México en la primera mitad del siglo XIX, uno sobre el culto funerario de un presidente de México y otro relativo a los actos públicos o privados donde concurre el presidente de México.______________________________________The ceremonial in the nineteenth century in Mexico, was a tool that helped to establish and consolidate the social, protected privileges of the upper class and legitimized a political sector. The ceremonial then is then used in that century as a message through formalities and honors. There are, of course, innumerable factors included in the concept of ceremonial, as being a form of communication that deals with protocol, structured precedences of formal relationships. Therefore, we will review two ceremonial documents in Mexico in the first half of the 19th century, one on the funerary cult of a Mexican president and the other on public or private acts attended by the president of Mexico.

scholarly journals De montgolfieras y globos.

2021 ◽  
Author(s):  
Lucas Andrés Masán
Keyword(s):  
19Th Century ◽  
Urban Space ◽  
Buenos Aires ◽  
Sensory Stimulation ◽  
Hot Air ◽  
First Approximation ◽  
Siglo Xix ◽  
The 19Th Century ◽  
The City ◽  
Stimulation Of

En estas páginas efectuamos una primera aproximación sobre los eventos aerostáticos en Buenos Aires durante la primera mitad del siglo XIX. Entendidos como espectáculos públicos inscriptos en un espacio urbano en reconfiguración, es posible advertir en la paulatina incorporación de lo aéreo cierta vocación social por interpelar a los habitantes de la ciudad. Para dar cuenta de este derrotero examinamos desde las germinales inscripciones de las montgolfieras en el imaginario local en la década de 1820 hasta la primera experiencia de globo tripulado efectuada por Bartolomé Lartet en 1856. Observamos la trayectoria de estas exhibiciones como instancias que condensan expresiones y deseos comunitarios entre los cuales es posible entrever preocupaciones de carácter social y político. En este camino los sentidos asociados al globo aerostático nos permiten ver una latente incorporación del ideario moderno basado en la novedad, la valoración de acciones temerarias y una nueva estimulación sensorial del habitante. In these pages we make a first approximation of the aerostatic events in Buenos Aires during the first half of the 19th century. Understood as public performances inscribed in an urban space undergoing reconfiguration, it is possible to notice in the gradual incorporation of the air a social vocation for questioning the inhabitants of the city. To account for this course we examine from the germinal inscriptions of the montgolfieras in the local imagination in the 1820s to the first manned balloon experience carried out by Bartolomé Lartet in 1856. We observe the trajectory of these exhibitions as instances that condense expressions and wishes community among which it is possible to glimpse social and political concerns. In this way, the senses associated with the hot air balloon allow us to see a latent incorporation of modern ideology based on novelty, the valuation of reckless actions and a new sensory stimulation of the inhabitant.

scholarly journals Karakteristik dan Fragmen Sejarah Manuskrip Mushaf Alquran Dolah Bakri Bantul

MUTAWATIR ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 235-262
Author(s):  
Mohamad Yahya ◽  
Adrika Fithrotul Aini
Keyword(s):  
Social Context ◽  
19Th Century ◽  
Historical Analysis ◽  
Economic Power ◽  
Class Identity ◽  
Muslim Community ◽  
Islamic Movement ◽  
The Social ◽  
The 19Th Century ◽  
Economic Function

This research aims to elaborate the characteristics of the Qur’anic manuscript of Dolah Bakri (MADB) by using philology and historical analysis. In its chronicle history, it shows that MADB appeared in Wonolelo in the 19th century. The use of paper, the technique of writing, the layout and illumination show its character as a mushaf born with the nuances of Javanese locality. In addition, when his contemporaries used mixed rasm, ‘Uthma}ni} and imla}’i}, MADB consistently used the rasm ‘uthma}ni}. From the social context, in Wonolelo, MADB was not merely as a Qur’anic mushaf which is used as a medium of reading for local Muslim community, but it had social and economic function as well. MADB could be a symbol of an economic power of its owner. MADB could also be a symbol of the integration of Islamic movement and social class identity of economic society.

scholarly journals A PRODUÇÃO DO ESPAÇO URBANO EM MARABÁ – PA: do caucho à ALPA

2021 ◽  
Vol 7 (20) ◽  
pp. 202110
Author(s):  
Magno Ricardo Silva de Carvalho ◽  
Marcus Vinicius Mariano de Souza
Keyword(s):  
Production Process ◽  
Urban Area ◽  
19Th Century ◽  
Urban Space ◽  
Its Region ◽  
Economic Influences ◽  
Siglo Xix ◽  
The 19Th Century ◽  
The City ◽  
Sobre Todo

THE PRODUCTION OF URBAN SPACE IN MARABÁ – PA: from the rubber period to the ALPALA PRODUCCIÓN DEL ESPACIO URBANO DE MARABÁ – PA: del caucho a la ALPARESUMOEste trabalho tem por objetivo analisar o processo de produção do espaço urbano de Marabá, no sudeste paraense, e sua relação com os diferentes processos políticos e, sobretudo, econômicos que a influenciou desde o início da ocupação, final do século XIX, aos mais recentes acontecimentos que contribuíram de forma mais relevante para a expansão da sua mancha urbana. Para tal, foi realizada uma breve reflexão acerca do tema, bem como uma revisão bibliográfica sobre este processo especificamente em Marabá, utilizando do trabalho de autores que dissertaram sobre a referida cidade e sua região. Foi possível compreender como e em que momento foi criado cada núcleo da cidade, bem como sob quais influências políticas e econômicas, assim como, seus respectivos momentos de expansão mais expressivos.Palavras-chave: Marabá; Cidade; Produção do Espaço Urbano.ABSTRACTThis work aims to analyze the production process of the urban space of Marabá, in southeastern Pará, and its relationship with the different political and, above all, economic processes that influenced it since the beginning of the occupation, at the end of the 19th century, to the most recent ones events that contributed most significantly to the expansion of its urban area. To this end, a brief reflection on the production of urban space was carried out, as well as a bibliographic review on this process specifically in Marabá, using the work of authors who spoke about that city and its region. It was possible to understand how and at what time each nucleus of the city was created, as well as under which political and economic influences, as well as its respective most expressive moments of expansion.Keywords: Marabá; City; Production of Urban Space.RESUMENEste trabajo tiene como objetivo analizar el proceso de producción del espacio urbano de Marabá, en el sureste de Pará, y su relación con los diferentes procesos políticos y, sobre todo, económicos que influyeron en él desde el inicio de la ocupación, al final del siglo XIX, hasta los más recientes eventos que contribuyeron de manera más significativa a la expansión de su área urbana. Para ello, se realizó una breve reflexión sobre el tema, así como una revisión bibliográfica sobre este proceso específicamente en Marabá, utilizando el trabajo de autores que hablaron sobre la ciudad y su región. Se pudo comprender cómo y en qué momento se creó cada núcleo de la ciudad, así como bajo qué influencias políticas y económicas, así como sus respectivos momentos más expresivos de expansión.Palabras clave: Marabá; Ciudad; Producción del Espacio Urbano.

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