Young adult literature in translation: The state of research

Author(s):  
Kaja Makowska

The aim of the article is to examine the concept of young adult literature, provide its historical timeframe, identify its key components, and, finally, discuss young adult literature in translation by presenting the state of research on the topic. After analysing the concept of a young adult, the article moves on to provide a brief summary of adolescent fiction’s history, concluding that J. D. Salinger’s The Catcher in the Rye and S. E. Hinton’s The Outsiders largely contributed to the recognition of the genre. The paper mentions characteristic style choices employed by the authors of young adult fiction, the most prominent being the blend of registers or ‘code-switching’ between teen and adult speech, as acknowledged by Penelope Eckert and Chuck Wendig. Code-switching constitutes one of the main translation problems and is discussed at large in two compelling papers on the topic of young adult literature translation, namely Translating Young Adult Literature. The High Circulation Rate of Youth Language and Other Related Translation Problems in “The Catcher in the Rye” and “The Outsiders” by Saskia Tempert and Translating Young Adult Literature: Problems and Strategies. John Green`s “An Abundance of Katherines” by Loana Griguta. Both dissertations analyse the language of adolescent novels (in the twentieth and the twenty first century) and devise a list of strategies dedicated to adequately rendering English source versions into Dutch and Romanian, respectively. These writings indicate a growing interest in the field of young adult literature translation. The article expresses the hope that more scholars will elaborate on the topic.

Author(s):  
Rebekah Sheldon

In the conclusion of The Child to Come, the book asks, ‘What happens when the life figured by the child--innocent, self-similar human life at home on a homely Earth--no longer has the strength to hold back the vitality that animates it?’ This chapter looks at two kinds of texts that consider this question: Anthropocene cinema and Young Adult Fiction. By focusing on the role of human action, the Anthropocene obscures a far more threatening reality: the collapse of the regulative. In relation, both children’s literature and young adult literature grow out of and as disciplinary apparatuses trained on that fraught transit between the presumptive difference of those still in their minority and the socially necessary sameness that is inscribed into fully attained adulthood.


2019 ◽  
Vol 28 (2) ◽  
pp. 156-174
Author(s):  
Vandana Saxena

Young adult fiction has emerged as a crucial pedagogical tool for Holocaust education. According to scholars and writers, it promotes empathy and also encourages the readers to become a part of the process of remembering. However, this field of storytelling also grapples with the dilemma of traumatic subject matter and its suitability for young readers. The humanist conventions of young adult fiction are often in conflict with the bleak and horrifying core of Holocaust literature. Young adult novelists have tried to deal with these problematic aspects by using multiple narrative strategies to integrate the memories of genocide and human rights abuse with the project of growth and socialisation that lies at the heart of young adult literature. This paper examines the narrative strategies that make young adult fiction an apt bearer and preserver of the traumatic past. Specifically, these strategies involve fantastical modes of storytelling, liminality and witness testimonies told to the second- and third-generation listeners. These strategies modify the humanist resolution of young adult narratives by integrating growth with collective responsibility.


Antiquity ◽  
2018 ◽  
Vol 92 (361) ◽  
pp. 233-238
Author(s):  
Simon Holdaway ◽  
Rebecca Phillipps ◽  
Joshua Emmitt ◽  
Veerle Linseele ◽  
Willeke Wendrich

From 1924–1928, Gertrude Caton-Thompson and Elinor Gardner surveyed and excavated Epipalaeolithic and Neolithic sites across the Fayum north shore in Egypt, publishing a volume entitled The Desert Fayum (1934). Since then, a number of researchers have worked in the Fayum (e.g. Wendorf & Schild 1976; Hassan 1986; Wenke et al. 1988; Kozłowski & Ginter 1989), and most recently the UCLA/RUG/UOA Fayum Project. The long history of research in the area means that the Fayum is a testament to changing archaeological approaches, particularly regarding the Neolithic. Caton-Thompson and Gardner's study is recognised as one of the most progressive works on Egyptian prehistory, and their research provided the foundation for many subsequent studies in the region (e.g. Wendrich & Cappers 2005; Holdaway et al. 2010, 2016; Shirai 2010, 2013, 2015, 2016a; Emmitt 2011; Emmitt et al. 2017; Holdaway & Wendrich 2017). A recent article in Antiquity, however, uses Caton-Thompson and Gardner's preliminary interpretations of their excavations at a stratified deposit in the Fayum, Kom W, to generate a series of speculative statements concerning agricultural origins in the region (Shirai 2016b). The majority of these statements are very similar to conclusions initially made by Caton-Thompson and Gardner in the first half of the twentieth century, and new data and theory needed to reassess earlier conclusions are not considered. Recently published studies concerning the Fayum north shore and adjacent regions provide a different view of the state of research in this region and the Egyptian Neolithic in general. Here we acquaint Antiquity readers with current archaeological approaches to the Fayum north shore Neolithic, with the intent of stimulating academic debate.


2020 ◽  
pp. 95-119
Author(s):  
Björn Sundmark

The chapter discusses representations of Christian practices, religious experiences and biblical motifs in recent Scandinavian children’s and young adult literature. It is claimed that after an almost one hundred-year hiatus, during which overt Christian symbols, stories and experiences have been absent from mainstream children’s publishing, we are now witnessing a return of such religious expressions in fictional and aesthetic form. The books under scrutiny are from Denmark, Sweden and Norway, and include critically acclaimed picture books as well as young adult fiction and crossover literature. It is argued that it is once again possible to bring up Christian motifs and stories in our post-secular societies, not because of increased faith in the general population, but because religious issues to a greater degree have become part of contemporary non-confessional discourse.


While the critical and popular attention afforded to twenty-first century young adult literature has exponentially increased in recent years, the texts selected for discussion in both classrooms and scholarship has remained static and small. Twilight, The Hunger Games, The Fault in Our Stars, and The Hate U Give dominate conversations among scholars and critics—but they are far from the only texts in need of analysis. Beyond the Blockbusters: Themes and Trends in Contemporary Young Adult Fiction offers a necessary remedy to this limited perspective by bringing together a series of essays about the many subgenres, themes, and character types that have been overlooked and under-discussed until now. The collection tackles a diverse range of subjects—modern updates to the marriage plot; fairy tale retellings in dystopian settings; stories of extrajudicial police killings and racial justice—but is united by a commitment to exploring the large-scale generic and theoretical structures at work in each set of texts. As a collection, Beyond the Blockbusters is an exciting glimpse of a field that continues to grow and change even as it explodes with popularity, and would make an excellent addition to the library of any scholar, instructor, or reader of young adult literature.


Author(s):  
Arvind Dahal

The inevitable and universal nature of death has made it a popular topic in Young Adult literature. While death recurs in these stories however, death in young adult novels is much darker and more complex. In this light, this paper discusses why is the issue of death in Young Adult fiction is still a safe place to discuss from the novel “The Outsiders”. It argues that the young adults find themselves in a state of morbid fear and realize that what for them is the site of joy and peace is a place of horror to the adults.


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