scholarly journals Wczesny okres twórczości Hanny Żuławskiej. Warszawa–Paryż–Gdynia

Porta Aurea ◽  
2021 ◽  
pp. 148-173
Author(s):  
Aleksandra Juszczyk
Keyword(s):  
World War Ii ◽  
Social Life ◽  
Fine Arts ◽  
Great Influence ◽  
The State ◽  
State Institute ◽  
Artistic Activity ◽  
Paul Cezanne ◽  
The Government ◽  
Post War

Hanna Żuławska (1908–1988) was one of the most prominent artists associated with the Tri -City, and dealing with many fields of art: easel and polychrome painting, architectural mosaic, sgraffito, ceramics and small architecture. Her husband was a painter known on the coast: Jacek Żuławski. She is known primarily for her mature work in the 1950s and 60s; it was then that she showed true individuality. From post - -war times, Żuławska was also teacher and professor at the State Higher School of Fine Arts in Gdańsk and the manager of the Kadyny Ceramics Works. Little, if anything, is known of Hanna Żuławska’s work in the interwar period. In 1930–1934, Żuławska studied at the Warsaw School of Fine Arts, among others in the studios of Professors Felicjan Szczęsny Kowarski, Leonard Pękalski and Tadeusz Pruszkowski. It seems that Kowarski’s work in the fields of painting and monumental mosaics had a great influence on Żuławska›s later artistic activity. In the 1930s, Żuławska took part in exhibitions at IPS (Art Propaganda Institute). At that time, the artist experienced a period of fascination with the works of the members of the Paris Committee and Pierre Bonnard and Paul Cèzanne, which resulted in the pair of the artists, Hanna and Jacek, leaving for Paris on a scholarship in 1935. In Paris, the artist studied in the painting studio of Józef Pankiewicz, painted still lifes, city views and quite standard landscapes; she also visited museums and led a lively social life. In May 1938, the works of Hanna and five other Polish painters were presented at the prestigious Bernheim Jeune gallery in Paris. The exhibition was well received by critics in Poland. Hanna and her husband returned to Poland and settled in Gdynia in the autumn of 1938, where Żuławska established contacts with the artistic community of the city. In 1938, the artists joined the Gdynia branch of the Trade Union of Polish Artists and Designers, and actively participated in its exhibitions until the outbreak of World War II. In recognition of their contribution to the development of art in Gdynia, the Żuławskis also received state orders for a monumental painting decoration of the barracks’ common room at Redłowo, for the creation of paintings for the Chapel of the Hospital of the Sisters of Mercy at Kaszubski Square, and for the polychrome entitled ‘Apotheosis of Gdynia’ in the building of the Government Commissariat (designs not preserved). During the Nazi occupation, the Żuławskis were in Warsaw; in November 1944, the artist came to Łańcut near Lublin, where she stayed at an artistic house. In the autumn of 1945, Hanna and Jacek Żuławski together with other residents of the manor house, e.g.: Juliusz Studnicki, Krystyna Łada -Studnicka, Janusz Strzałecki, Józefa and Marian Wnuk, established the State Institute of Fine Arts in Sopot, transformed into the State Higher School of Fine Arts in Gdańsk.

scholarly journals Dyplomata. Żołnierz. Literat. Hrabia Franciszek Xawery Pusłowski w świetle dokumentów komunistycznego aparatu represji

2021 ◽  
Vol 20 (3) ◽  
pp. 78-92
Author(s):  
Arkadiusz Machniak ◽  
Keyword(s):  
World War Ii ◽  
World War I ◽  
Social Life ◽  
Fine Arts ◽  
Vice President ◽  
District Court ◽  
World War ◽  
Society Of Friends ◽  
University Of Technology ◽  
Post War

Count Franciszek Xawery Pusłowski was born in France on June 16, 1875. He studied law, philosophy and art history. He was fluent in six languages. During World War I, he was arrested in Russia. As a result of efforts made by influential friends in 1918, he was released from captivity after the personal decision of Feliks Dzerzhinsky, the head of the Cheka. After the end of World War I, he participated in the Versailles peace conference. Until 1923, he served in the diplomatic corps. He was an opponent of Józef Piłsudski and his political camp. After being released from military and diplomatic service, he was active as a writer, publicist and social activist. He also led an intense social life. During World War II, he lived in Krakow. After the war, in 1945-1950, he was the vice-president of the Society of Friends of Fine Arts. He also worked as a sworn translator at the District Court in Krakow and as a lecturer at the AGH University of Science and Technology, the Jagiellonian University and the Krakow University of Technology. Despite the politically uncertain times, Pusłowski ran his salon in Kraków after 1945, where Kraków artists, journalists, sportsmen, soldiers and his students from Kraków universities used to visit. Count Pusłowski was famous for the fact that, thanks to his relatives living abroad, he had at his home excellent coffee and curiosities, rare for the post-war years, such as figs and pineapples. He remained under the interest of the communist security authorities, inter alia, due to international contacts and the art collection.

Containment

2017 ◽  
Author(s):  
Andrew Preston
Keyword(s):  
Foreign Policy ◽  
World War Ii ◽  
Cold War ◽  
Political Conflict ◽  
World War ◽  
Land War ◽  
The Government ◽  
Post War ◽  
The Cold War ◽  
Cold War Consensus

Assessing the application of the liberal consensus idea to postwar foreign policy, this chapter contends that myths about the bipartisan spirit of U.S. foreign policy have too long found ready acceptance from historians. Politics did not stop at the water’s edge, even when bipartisanship was at its supposed zenith during World War II and the early Cold War. While there was unanimity during the post-war era that the growth of international communism was a threat to U.S. interests, this did not mean that foreign policy was free of political conflict, and partisan charges that the government of the day was losing the Cold War were commonplace. Meanwhile, non-elite opinion evinced little support for confrontation with the main Communist powers, reluctance to engage in another land war like Korea, and concern about survival in the nuclear era. The divisiveness wrought by Vietnam was supposed to have brought an end to the “Cold War consensus,” but uncertainty over its meaning was evident well before this.

Mun Sen, Yong (1896–1962)

2018 ◽  
Author(s):  
Kelvin Chuah
Keyword(s):  
World War Ii ◽  
Subject Matter ◽  
Fine Arts ◽  
Vice President ◽  
The State ◽  
Chinese Art ◽  
World War ◽  
Art Gallery ◽  
State Museum

Yong Mun Sen was a prominent watercolorist born in Sarawak, Malaysia, and is acknowledged as one of the country’s pioneer artists. His watercolor landscapes and depictions of life present visual histories of British Malaya, and his subject matter ranges from tropical scenes to farming imagery to local architecture. A self-taught painter, Mun Sen’s residence in Singapore and subsequent permanent relocation to Penang created his fruitful artistic relationships with artists based in both locations. Notably, Mun Sen went for plein air trips with his peers in Singapore and Penang, which was an art activity not previously practiced by local artists in the area but most suitable for watercolor productions. Artists active in Penang before World War II also held gatherings at Mun Sen’s photographic studio. This group of artists formed the Penang Chinese Art Club (1935) with Mun Sen serving as vice-president. Mun Sen also contributed to the formation of the Nanyang Academy of Fine Arts, Singapore (1938). As Tan Chong Guan has written, local and foreign patrons collected Mun Sen’s watercolors, including Malcolm MacDonald, the governor-general of British Malaya. Mun Sen was nationally recognized with exhibitions at The National Art Gallery of Malaysia and also the State Museum of Penang, both in 1972.

scholarly journals World War II and the Rebirth and Death of Canada’s Merchant Marine

2006 ◽  
Vol 6 (1) ◽  
pp. 209-241
Author(s):  
Michael A. Hennessy
Keyword(s):  
World War Ii ◽  
Second World War ◽  
The State ◽  
Invisible Hand ◽  
Production Costs ◽  
World War ◽  
Merchant Marine ◽  
Post War ◽  
National Flag ◽  
Second World

Abstract Twice before the Second World War the Canadian merchant marine had collapsed in the face of competing conceptions of empire and commercial interest. Though once home to a thriving merchant fleet, the passing of the age of sail marked Canada's decline as a maritime nation. Most of the surviving merchant fleet sailed under British registry, employing British crews and officers. During the Second World War, Canada rebuilt its merchant marine. As the war drew to a close, the state, labour and enterprise supported the framing of a Canadian maritime policy to preserve the merchant shipping capacity developed during the war. The fleet's ambiguous origins, conflicting national trade policy, the absence of a laissez-faire international shipping market, the rise of cold-war tensions and the very peculiar problems of trade to the sterling bloc savaged post-war efforts to maintain the fleet. The timing and nature of the collapse were particularly Canadian. Barriers to currency convertibility, carriage restrictions, and high labour and production costs, proved formidable obstacles which representatives of the Canadian state were very largely powerless to overcome. In combination, these elements, rather than some invisible hand, explain why Canadian ship owners led the way in abandoning their national flag and why the state helped them. Sole attribution for the death of the merchant marine should no longer fall to unfavourable labour costs or union activism.

scholarly journals Ocalenie Republiki. Charles de Gaulle wobec tradycji republikańskiej (1940-1946)

2018 ◽  
Vol 64 (2) ◽  
pp. 211-247
Author(s):  
Kazimierz M. Ujazdowski
Keyword(s):  
World War Ii ◽  
Civil Rights ◽  
French Revolution ◽  
The State ◽  
Common Belief ◽  
The Republic ◽  
Institutional Variation ◽  
The Public Sphere ◽  
Post War ◽  
De Gaulle

Contrary to the common belief, the Fifth Republic could not be established as a Republican monarchy. In France the idea of a republic was created by the French Revolution and its values were shaped in the fundamental confrontation with the monarchist tradition. The specifically understood idea of a nation’s sovereignty the formation of which was influenced by Rousseau’s though, as well as the ideas of the indivisibility and lay character of the republic, constituted a completely new model of statehood. In such a situation, the synthesis of antagonistic traditions was not possible. Although de Gaulle had been brought up in a family of pro-monarchist attitudes, he followed the state patriotism idea and was a supporter of the Republic as a durable basis for France’s existence. His views matured under the influence of French Republican nationalists Charles a Peguy and Maurice Barres, who inspired young de Gaulle and shaped his state patriotism. Later in his life de Gaulle’s idea was not so much to reconcile the monarchist and the republican tradition, but to create a republic that would integrate different families of ideas. This concept was also induced by manner of understanding the role of Christian obligations due to the public sphere. Following the spirit of the Catholic-liberal “Correspondent” de Gaulle believed that in the world shaped by the Revolution’s heritage Christian ideas do not need to be deemed to be defeated. During World War II, de Gaulle, then the leader of Free France, consistently strengthened the French Republican tradition in the Vichy dispute. In the years 1944-1946, as head of the temporary government, he made sure that Republican principles constituted the foundations of the post-war France. De Gaulle developed the state model of economy and the social character of the French republic. His decisions laid the Republican principles in the French Constitution and refer clearly to the Declaration of Human and Civil Rights of 1989 in both French post war constitutions. That is why the 5th Republic could only be established as an institutional variation within the framework of the Republican axiology.

scholarly journals TRACKING DOWNS CHRISTIAN DIOR IN AMERICAN POST-WWII FASHION UNTIL EARLY 1950s

2019 ◽  
Vol 4 (1) ◽  
pp. 63
Author(s):  
Nurina Aulia Haris
Keyword(s):  
Qualitative Research ◽  
World War Ii ◽  
Consumer Behavior ◽  
Social Status ◽  
Human Being ◽  
World War ◽  
The Government ◽  
Post War ◽  
American Society ◽  
The Times

This article studied the accomplishment of Christian Dior during his business venture in American market by using his autobiography as the main source of the research and qualitative research used as the method of study. Graves’s thought on Consumer Behavior are used as the approach of study under the umbrella of Transnational American Studies.The success of Dior in the American market is not solely because of his dresses but there are other factors that support the success of his business especially the post-World War II situation where people need something new that can make them remember the times before the war, in addition, the promotion and assessment of fashion experts through fashion and lifestyle magazines also affect people's assessment of Dior's dresses and make them affected to own his collections. Based on the theory described by Graves, people tendency to imitate others is capable to influence one's expenses and this can be seen from the phenomena occurring in American society toward Dior’s works.Concisely, the result of this research shows that the success of Dior in American market happened because of 2 things. First is the nature of human being that loves beauty, neatness, and things which make them happy. Second is the timing of his debut which was post war era where people were researching the pride they lost during the war caused by the limitation applied by the government and the condition itself therefore when Dior came with his collections they saw it as if it was their way to get back their pride as by wearing Dior’s collection it can show their social status. Keywords: Christian Dior, Fashion, Societies, World War II

scholarly journals Government Size and Quality of Governance: Does State Size Matter?

2020 ◽  
Vol 13 (3) ◽  
pp. 7-14
Author(s):  
Primož Pevcin
Keyword(s):  
World War Ii ◽  
The State ◽  
Small States ◽  
Small State ◽  
Size Of Government ◽  
Quality Of Governance ◽  
The Government ◽  
State Size ◽  
Size Matter

Purpose: Small state studies has emerged as a discipline, and this discipline has been initially dominated mainly by the issues of vulnerability and a lack of capacities of small states, although these issues have been gradually replaced by the discussions on the potential opportunities of small states, not just their challenges. Within this framework, the consideration needs to be done also on the effect of the state size on the economics, governance and public management, among others. Design/methodology/approach: The current theorizing in small state studies focuses on the specifics of the small economy modelling and governance. The existing economic literature has occasionally stressed the relations between the size of the state and size of government, but with rather mixed empirical results. Moreover, relations between state size and quality of governance has also been emerging issue. This study would like to integrate both approaches. The empirical research utilizes cross-national comparative investigation based on the data for 44 European states; and we specifically assess, in addition to the existing approaches, how budgetary and non-budgetary scope of government differentiates among smaller and larger states. Findings: The results of the study suggest that the effect of the size of the state does not necessary favour larger states in respect to the smaller size of government and quality of governance. Thus, although potential scale economies matter regarding the public services’ provision, the structure of spending, institutional context, and innovations in public service delivery modes also have the role in shaping scope and functions of the government, whereas quality of governance seems to be independent regarding the state size, at least in the European context. Research limitations/implications: Analysis is limited to the cluster of European states, and the results should be interpreted within this context. Originality/value: After the World War II the number of states has increased substantially, in fact, it has tripled. We are currently living in the era of small states, as more than one third of the existing two hundred and more states around the globe are actually small, if we assess the multiple criteria combination. In this context, this paper would like to add to the development of the field of small state studies.

scholarly journals Samfundets trosbekendelse

Politik ◽  
2010 ◽  
Vol 13 (1) ◽  
Author(s):  
Ove Korsgaard
Keyword(s):  
World War Ii ◽  
Democratic Education ◽  
The State ◽  
World War ◽  
The Core ◽  
Role Of The State ◽  
Post War ◽  
Political Turn ◽  
Liberal Position

After World War II, there was broad consensus that schools in Denmark should educate for democracy. But there was no consensus on the role of the state: Should the state ensure that everyone receives a democratic education? Or should the state ensure pluralism, and remain neutral in relation to different life philosophies? Or must both the state and citizens develop a knowledgeable stance in relation to democracy’s fundamental dilemmas? It was without doubt the liberal position that became most influential in post-war Danish educational policy. The core of this strategy was that in a democracy the state should adopt a neutral stance towards the various philosophies of life. However, with the values-political turn of recent years the liberal position is now in retreat. This new trend became clear in 2000, with the then Minister of Education Margrethe Vestager’s manifesto Values in the Real World, in which she stressed that „Now more than ever we need to put in words just what attitudes and values we hold in common“. And the present government has focused on the same issue since 2001, and has commissioned among other things a literary canon, a cultural canon and a democracy canon. The activist values policies of recent years have once again given rise to a number of questions concerning democratic upbringing and the role of the state in efforts to strengthen society’s cohesiveness. 

scholarly journals Social Condition Reflected in Samuel Beckett’s Waiting for Godot

2021 ◽  
pp. 285-295
Author(s):  
Fita Chyntia ◽  
Multhahada Ramadhani Siregar ◽  
Roni Hikmah Ramadhan
Keyword(s):  
World War Ii ◽  
Social Condition ◽  
The State ◽  
World War ◽  
Post World War Ii ◽  
What Is Said ◽  
The Social ◽  
Waiting For Godot ◽  
Post War ◽  
Character Types

This paper discusses the absurd character types that exist in Samuel Beckett’s play, Waiting for Godot. Vladimir, Estragon, Pozzo and Lucky are the four contradictory yet dependent characters in the play. The absurd characters reflect the social condition of the time, post – World War II. The characters are pictured waiting for the completion of the war in the hope that it will come. Their fate can be changed instantly, the same as the state of war. Besides discussing the characters in the drama, this paper also discusses the characteristics of the language used by the characters. The language used is unreasonable, not in accordance with what is said or how they act; it is called “verbal nonsense”. The interpretations of the dialogue among the characters in the play will give a better picture of each character and how they can be related to societal conditions. Keywords: Theater of Absurd, Character Types, Post-War, Social Condition

Sign in / Sign up

Export Citation Format

Share Document