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Author(s):  
Tetiana Mykhailova ◽  
Olha Shandrenko

The purpose of the article is to analyze the Olympic ceremonial costume of the XVIII Winter Olympic Games "Nagano-1998" and set the components demonstratively symbolizing the national identity in the design of clothing of the Olympic ceremonial costume. Methodology. Heuristic methods in art analysis were used to solve the set tasks, namely: visual observation; description; an attempt to establish components demonstratively symbolizing national identity in the design of Olympic ceremonial costume clothing; logical generalization of the obtained results. Scientific Novelty. According to the results of the art analysis of the Olympic ceremonial costume of foreign teams participating in the competitions (USA, China, Greece) of the XVIII Winter Olympic Games "Nagano-1998", one of the determinants of artistic and informational identification of the Olympic ceremonial costume was established for the first time and its components, which demonstratively symbolize a national identity in the design of clothing. Conclusions. Art analysis of the Olympic ceremonial costume, the reflection of socio-political influences of the historical context on its formality and informational compliance with the principles enshrined in the Olympic Charter [5, p. 11–12] competitions, give us reason to establish for the first time a demonstrative symbolization of the national identity of the design of clothing of the Olympic ceremonial costume as one of the determinants of artistic and informational identification. Given the ceremonial guidelines for identity in costume, which have been followed by all teams since 1936, the most important manifestation in this period (1998) is the semiotic accent in costume. Expression of their state independence, national identity, as well as the importance and identity of their culture at the turn of the era, with the help of such demonstratively symbolizing national identity in the design of Olympic ceremonial costume components, such as 1) Construction - the formation of the suit and the material used are tectonically displayed on the figures of athletes. By designing items of clothing, a visual image is built, which allows obtaining a silhouette identifying result; 2) Sign - stylization of the sign/signs is done by applying a pattern, graphic elements, combinations of graphic elements, embroidery, and possibly other creative innovative stylizations on clothes and accessories. Signs visually identify athletes, allow you to read the underlying meanings of the semantic information content of the costume; 3) Color – appealing to the colors of the national flag and reproducing with the help of color images of well-known objects of cultural heritage are the most popular methods of identifying the country during the Olympic parade. However, when choosing a color and its outflow, its compliance with the values in the host country and the prevailing trends overtime is taken into account. 3) Color – appealing to the colors of the national flag and reproducing with the help of color images of well-known cultural heritage sites are the most popular methods of identifying the country during the Olympic parade. However, when choosing a color and shade of color, its compliance with the values in the host country and the prevailing trends of the time is taken into account. It is worth noting that the visual image that translates national identity can be obtained by combining these components in the design, both together and separately, which was found during the art analysis of the Olympic ceremonial costumes of sports teams of the United States, China, and Greece. Key words: design, costume, Olympic ceremonial costume, identity, identification, symbolization, demonstration.


Author(s):  
Francis Machingura ◽  
Memory Hwaire ◽  
Mabel Matekenya

There have been debates regarding the reciting of the National Pledge introduced in Zimbabwean schools on the 3rd of May 2016. Observations have been made that the National Pledge had a slant towards inculcating and a call to patriotism, total national commitment, respect to the departed and living war veterans, respect of the national flag and national consciousness and development. Yet civic organisations, Christians, human rights groups and mission-run schools allege that reciting the National Pledge is reminiscent of political propaganda. Christian critics and apologists claim that the National Pledge violates the constitutional rights of children to freedom of conscience and parental rights and Biblical teachings on oaths, vows and swearing. The current study established that there was a loud outcry from some parents, teachers and pupils over the recitation of the national pledge. The Constitutional Court of Zimbabwe subsequently ruled and took the recitation of the National Pledge as unconstitutional, four years after it was challenged in court by a parent soon after its introduction in schools. This motivated us to carry out a research to practically establish what people think about the National Pledge. This study used both qualitative and quantitative research approaches. A sample of six school heads, six teachers, 90 students, 10 parents, two academics and the former Minister of Primary and Secondary Education, Dr Dokora, were used as participants in our research study. Data were collected through questionnaires, interviews, document analysis and observations. Despite what we view as setbacks resulting from the court case won against the National Pledge recitation, we proposed what we think would be a neutral pledge that does not infringe on peoples’ religious faith and constitutional rights.


2021 ◽  
pp. 146144482110348
Author(s):  
Dillon Ludemann

This article explores the ways in which Blommaert’s (2018) notion of “light” identity markers in digital spaces shows—through specific features within /pol/—the “politically incorrect” board of the popular anonymous imageboard website 4chan. Here, flags attached to individual user posts work to frame interaction, which can both signal sincerity to a post with a national flag, or demonstrate a predilection for deception and trolling with what is known as a “memeflag.” Users implement these choices to alter performative aspects of interaction on /pol/ and the “audience” of other users offer their own evaluations, dismissals, and jokes in the face of these displays. This article posits that “light” identity features, or those located within specific communities, as opposed to more widespread or institutionalized aspects of identities create categories of awareness in 4chan that, in turn, shapes ideas of competence for those who have “lurked” long enough to glean it.


2021 ◽  
Vol 12 (2) ◽  
pp. 262-274
Author(s):  
Muhammad Wahyu Nugroho ◽  
Supriyono Supriyono ◽  
Dadi Mulyadi Nugraha

Social media is one of many solutions in order to communicate with others and get informations in the era of a pandemic. One type of social media that people often used is Tik Tok. This research’s aim is to see the use of social media especially Tik Tok as a medium to strengthen the national identity in the pandemic era. This research uses qualitative descriptive method with the Tik Tok video population as the data. Data was collected using observation, documentation, and recording techniques. From the results of that, an analysis is carried out on each video that can provide reinforcement to Tik Tok application users regarding national identity. The results of this study indicate the strengthening of national identity in Tik Tok social media, such as identity of Indonesian as the national language, the Red and White Flag as the national flag, the Indonesian song Raya as the national anthem, Garuda Pancasila as the national symbol, Bhineka Tunggal Ika as the country's motto, Pancasila as the basis of the state, and regional culture that have been accepted as national culture.


2021 ◽  
Vol 7 (7) ◽  
pp. 49-61
Author(s):  
Domingo Jerónimo Viale Lescano ◽  
Guillermo Ford Ferrer

En la primera parte: la ley de la navegación (20.094), nos referimos a los intereses del crédito naval, comenzando por el orden de los privilegios en el crédito naval, analizando los privilegios marítimos y la ley de concursos, así como los privilegios marítimos y el código civil y comercial. Luego señalamos que, como un rasgo atípico de los privilegios navales, comparados con el resto de los establecidos en el ordenamiento jurídico argentino, los intereses debidos por un (1) año gozan del mismo grado de privilegio que el capital (art. 474). Revisamos los privilegios sobre el buque, y destacamos cuáles son los créditos privilegiados. Pasamos luego revista a los intereses en la hipoteca naval, estudiando el contenido del instrumento de constitución de hipoteca. a continuación, nos detenemos en la determinación de la tasa de interés, para seguir con el embargo de buques, analizando lo que se refiere al buque con bandera nacional, donde señalamos que el embargo abarcará el importe de los intereses y la fianza. Tratamos luego el concurso especial de acreedores sobre un buque. En la segunda parte nos referimos al código aeronáutico, comenzando por la hipoteca aeronáutica, y siguiendo por los intereses, conforme al art. 767 del CCCN. ABSTRACT: In the first part: the law of navigation (20.094), we refer to the interests of the naval credit, starting with the order of privileges in the naval credit, analyzing the maritime privileges and the law of competitions, as well as maritime liens and the civil and commercial code. We then point out that, as an atypical feature of naval privileges, compared with the rest of those established in the argentine legal system, the interests due for one (1) year enjoy the same degree of privilege as capital (art. 474). We review the privileges on the ship, and highlight which are the privileged credits. we then review the interests in the naval mortgage, studying the content of the instrument of constitution of mortgage. Then we stop in the determination of the interest rate, to continue with the arrest of ships, analyzing what refers to the ship with national flag, where we point out that the arrest will cover the amount of the interest and the bond. We then discussed the special arrangement of creditors on a ship. In the second part we refer to the aeronautical code, starting with the aeronautical mortgage, and continuing with the interests, according to art. 767 of the CCCN.


ANCIENT LAND ◽  
2021 ◽  
Vol 03 (03) ◽  
pp. 24-27
Author(s):  
Müslim Vahid oğlu Nasiyev ◽  

Research work has been devoted to the measurement methods of temperature values in “Smart Home” type models and creation of algorithms by means of these methods. To solve the problem, most popular sorting algorithms were analysed and as a result fastest and most efficient methods were spotted among them. Chosen sorting algorithms were built and tested in c++ programming language. Quick sort algorithms were created in Arduino IDE and temperature data logger device was constructed. All of the sorted array elements were visualised in Excel Office software and working prinsiple and order of algorithms were explained. 3-Way QiuckSort method based on “Dutch National Flag” algorithm is tested for arrays which have lots of redundant elements. Key words: Arduino, sensors, QuickSort, sorting, parametrs, program code


Author(s):  
Gaëlle Marinthe ◽  
Benoit Testé ◽  
Rodolphe Kamiejski

AbstractDesecration of national symbols is a recurring societal phenomenon that can lead to highly defensive reactions from some citizens, especially on the part of those expressing a strong attachment to the nation. In this paper, we investigated the effects of blind and constructive patriotism when faced with an ingroup (vs. outgroup) national flag burning on ingroup bias, taking into consideration the mediating role of perceived threat. In two studies (N = 252), the level of blind patriotism predicted stronger ingroup bias—due to more negative evaluation of visible minorities and/or more positive evaluation of the ingroup—when another ingroup member burnt an ingroup (vs. outgroup) flag. This effect was partly mediated by a greater threat to the group’s image perceived by blindly patriotic people when the ingroup (vs. outgroup) flag was burnt (Study 2). Study 2 also highlighted a main effect of the symbol: ingroup bias was stronger when the ingroup (vs. outgroup) flag was burnt. We discuss the implications of our findings with respect to the role played by modes of national attachment and the consequences of desecrating symbols.


2021 ◽  
Vol 5 (1) ◽  
pp. 132-145
Author(s):  
E. A. Gurova

The text is dedicated to the issue of material imprints of the culture and the current state of the dynamics of social relations in Denmark. The analysis of this broad topic is possible due to the specific case that compressed the full specter of modern perceptions on national character, problems and interests. The exhibition Your Thing — Our History held at the National Museum in 2017 serves as the research object. In order to reveal the constitutive elements that shape the Danish culture, the national image — which is the scope of the study — the paper reconstructs these features from the artifacts displayed, tracing the links connecting the things displayed and the societal realities. What is revealed from the messages the artifacts convey is that there are culture-specific features such as the love of the national flag and the Royal House, pride in national achievements in space travel, or the notion of hygge; they are the sources of unity and common pride. Other trends that are embodied in the things given by the Danes are paradoxical or even controversial. The culture of achievement and speed that are mass phenomena, enforced by mass media, run counter to the egalitarian law of Jante venerated by the Scandinavian peoples. The issue of migrant inflows also fosters disputes, as well as struggle for equality and feminism vs. traditional masculinity, freedom of speech being religiously insulting, consumerism prevailing over environmentally-responsible behavior, and the expansion of healthy lifestyle amid widespread depression resulting in suicides. The latest trends are typical not only of the contemporary Danish society, but also of the Russian society and of the globalizing world in general. Common trends include a shift in family values, formation of the culture of achievement, accumulation of interest in family trees and histories, steady computerization of all social relations, and the rising popularity of startups, healthy lifestyles, and eco-products. Generally, however, the central societal trend that embraces all the above mentioned manifestations is adaptation, inherent in the Danish character — so overcoming the crises is what unites all artifacts and underlines societal cohesion. The touch of modern history is empirical and visible.


2021 ◽  
Author(s):  
Gaëlle Marinthe ◽  
Benoît Testé ◽  
Rodolphe Kamiejski

Desecration of national symbols is a recurring societal phenomenon that can lead to highly defensive reactions from some citizens, especially on the part of those expressing a strong attachment to the nation. In this paper, we investigated the effects of blind and constructive patriotism when faced with an ingroup (vs. outgroup) national flag burning on ingroup bias, taking into consideration the mediating role of perceived threat. In two studies (N = 252), the level of blind patriotism predicted stronger ingroup bias—due to more negative evaluation of visible minorities and/or more positive evaluation of the ingroup—when another ingroup¬ member burnt an ingroup (vs. outgroup) flag. This effect was partly mediated by a greater threat to the group’s image perceived by blindly patriotic people when the ingroup (vs. outgroup) flag was burnt (Study 2). Study 2 also highlighted a main effect of the symbol: ingroup bias was stronger when the ingroup (vs. outgroup) flag was burnt. We discuss the implications of our findings with respect to the role played by modes of national attachment and the consequences of desecrating symbols.


Author(s):  
Marina Yurevna Bocharova

This article is dedicated to the visual state symbols of Japan of the late XIX century (national flag, personal seal of the emperor, order and medal of honor, and military insignia). The aforementioned symbols are viewed as the attributes of the status. First institutionalized graphic symbols in the history of the country have emerged under the influence of European culture and actualized elements of the ”old” Japanese culture, primarily  from the emblems “mon” used to decorate and identify an individual or a family. This article explores the mechanisms of their emergence, as well as the mechanisms of evolution and introduction into the cultural environment based on the material of print mass-market production (postcards and Ukiyo-e woodblock prints). The author’s main contribution consists in comprehensive analysis of the state symbols of Japan of the late XIX century as the attributes of the status, which has been conducted for the first time. The flag, order and emblem of the emperor were used to demonstrate their direct affiliation to the department, as an attribute of a festive event, or indicate their authority. The research also employed postcards as a rarely used source for studying political symbols, or used in the context of ideology alone. The visual images of print production illustrate the reality of using state symbols, as well as within the framework of artistic techniques expand their use as the symbols.


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