ART WORLD OF PAINTER VISHNU CHINCHALKAR

2019 ◽  
Vol 7 (11) ◽  
pp. 261-264
Author(s):  
Rashmi Joshi ◽  
Aslam Khan
Keyword(s):  
Simple Form ◽  
Madhya Pradesh ◽  
Point Of View ◽  
Art World ◽  
The World ◽  
The Common ◽  
Common Man ◽  
The Ideal ◽  
Indian Art

English : Shri Vishnu Chinchalkar is one such name in the Indian art field, who considered not only life but also the world as the medium of art. The works of Shri Chinchalkar, who considers nature to be his Guru, speak of his untold truth. It is the ideal of his art to express object and truth through art. From his art point of view, he has been searching for new values ​​of art. From his art point of view, he kept searching for new values ​​from where. For this reason, his images are a medium to connect life with truth and truth with self. You have tried to make the simple form of photography accessible to the common man. Vishnu Chinchalkar holds his place not only in Indore, not only in Madhya Pradesh but among the leading artists of the world. Hindi : भारतीय कला क्षेत्र में श्री विष्णु चिंचालकर एक ऐसा नाम है, जिन्होंने न केवल जीवन को वरन जगत को भी कला का सघन माध्यम समझा। प्रकृति को अपना गुरु मानने वाले श्री चिंचालकर की कृतियां उनके अनकहे सत्य की वाणी है। वस्तु और सत्य को कला के माध्यम से अभिव्यकरना उनकी कला का आदर्श है। अपनी कला दृष्टि से वे कला के नये मूल्यों की तलाश करते रहे हैं। अपनी कला दृष्टि से वे कहां के नए मूल्यों की तलाश करते रहे। इसी कारण उनके चित्र जीवन को सत्य से और सत्य को आत्म पक्ष से जोडने का सशमाध्यम है। आपने आम आदमी तक चित्रकारिता का सरल सुगम स्वरूप पहुंचाने की कोशिश की है। विष्णु चिंचालकर इंदौर ही नहीं, मप्र ही नहीं वरन्‌ विश्व के प्रमुख कलाकारों में अपना स्थान रखते हैं।

scholarly journals Educational Impact of Research

2021 ◽  
Vol 28 (97) ◽  
pp. 233-240
Author(s):  
Marcelo de Souza Bispo ◽  
Eduardo Paes Barreto Davel
Keyword(s):  
Common Good ◽  
Formal Education ◽  
Management Education ◽  
Academic Research ◽  
Point Of View ◽  
Educational Impact ◽  
Social Actors ◽  
Educational Vision ◽  
The World ◽  
The Common

Abstract To think about the impacts of academic research on education is to think dynamically: education affects the ways of doing research (from the point of view of formal education) and is affected by research results that are little predictable and perceived due to constant negotiations among social actors in their daily socializations in different contexts. Management education (formal, non-formal and informal) affects and is affected by conflicting views of the world, which are produced within the field of management itself and whose impact as “beneficial” is not just a matter oriented primarily by economic, instrumental and financial aspects, but also for a negotiated understanding of the world that moves towards the common good. All research must be concerned with its power to affect educational vision and practice, directly or indirectly. How can this concern become perennial and central to the practice of academic research?

Shame and Guilt Inducing Drugs

2017 ◽  
Vol 41 (S1) ◽  
pp. S24-S24
Author(s):  
G. DiPetta
Keyword(s):  
Point Of View ◽  
Stimulant Drug ◽  
Stimulant Drugs ◽  
The World ◽  
Shame And Guilt ◽  
The Common ◽  
Competing Interest ◽  
Sedative Drugs

The Author in this presentation examines the role of two complex human experiences, the Guilt and the Shame, in the field of the substances addiction. The population of abuser can be divided between users of sedatives and users of stimulants. Sedative drugs and stimulant drug belong to two different way of being-in-the-world. Sedative drugs are able to medicate the internal pain, which is constitutive of the guilt. Stimulant drugs are able to medicate the dysphoria, which is constitutive of the shame. In the realm of psychopathology Tellenbach with the concept of premelancholic personality in the guilty man and Kohut with the concept of narcissism in the tragic man have put the bases for a different typification. In both cases, the common final result, from a psychopathological point of view, is a severe crisis of the temporalization.Disclosure of interestThe author has not supplied his declaration of competing interest.

Varia: Another Kind of Cross-Border Journalism – Making Sense of the Journalistic Experience of the Blog „The Bridge of Friendship“

2019 ◽  
Vol 3 (1) ◽  
Author(s):  
Vladimir Mitev
Keyword(s):  
Point Of View ◽  
Cross Border ◽  
Making Sense ◽  
Mutual Knowledge ◽  
The World ◽  
The Common

This publication examines the notion of ‘cross-border journalism’ in its western form. It also attempts to present an alternative cross-border journalism based on the experience of the author with the Romanian-Bulgarian “The Bridge of Friendship” blog and the impressions received from other Bulgarian cross-border websites. The international brand of cross-border journalism is used for investigations – such as “The Panama Papers” – which involve the cooperation of journalists from various countries. The kind of cross-border journalism found in the “Bridge of Friendship” blog is both local and regional. It does not have an investigative element but it tries to bring about change through the mutual knowledge and understanding of Romanians and Bulgarians. It defines a Bulgarian-Romanian point of view of the world and presents the common Romanian-Bulgarian spaces in politics, economy and culture.

scholarly journals THE CONSTRUCTION OF THE IDEAL MALE BODY MASCULINITY IN THE MISTER INTERNATIONAL PAGEANT

2020 ◽  
Vol 2 (2) ◽  
pp. 4
Author(s):  
Muhammad Alhada Fuadilah Habib ◽  
Asik Putri Ayusari Ratnaningsih ◽  
Kanita Khoirun Nisa
Keyword(s):  
Human Sexuality ◽  
Point Of View ◽  
The Body ◽  
Great Power ◽  
One Dimension ◽  
Male Body ◽  
One Dimensional ◽  
The World ◽  
Traditional Masculinity ◽  
The Ideal

As Michael Foucault had said that the human body is not really free; the concept of the body as well as the concept of the human sexuality in fact are ruled by and obey the great power behind them. A great narrative about the body and also the sexuality that has been agreed by societies, consciously or unconsciously has successfully dictated societies’ point of view in placing their body and sexuality. The concept of a male body that has been characterized by its perfunctory appearance, in the sense of not necessary to primp, actually is a great narrative that is considered as a true necessity. This topic is unique and interesting to study because Mister International pageant as the representation of world’s male masculinity offers the different great narrative masculinity concept that has been shackling the traditional masculinity concept of Indonesian society. This study will analyze the signs of masculinity shown in Mister International pageant as the ideal men’s quest in the world. The result of this study indicates that the ideal male masculinity constructed in Mister International pageant if viewed from the concept of traditional sexuality is a combination between the concept of femininity and the concept of masculinity that then brought out to a new terminology about the concept of masculinity called as metrosexual. The concept of masculinity constructed by this ideal men’s quest in the world, if examined by Herbert Marcuse’s point of view, actually is a concept uniformity of the world's ideal male body in one dimension. Furthermore, the great narrative behind this uniformed ideal male construction is a world’s major capitalists’ project to expand their market share, especially male cosmetics and clothes products.Keywords: Construction, Masculinity, Ideal Male Body, One-Dimensional Man.

Education and the Study of Man

Antiquity ◽  
1943 ◽  
Vol 17 (67) ◽  
pp. 113-121 ◽  
Author(s):  
Grahame Clark
Keyword(s):  
Public Interest ◽  
New World ◽  
Full Measure ◽  
Military Power ◽  
The World ◽  
The Common ◽  
Common Man ◽  
Post War ◽  
The Many

Ducation as a subject for post-war planning is on everyone’s lips today. E Public interest has never been higher. Yet it may be doubted whether even now the full measure of its importance is realized. Next to winning the war, nothing is of greater moment than the battle for enlightenment, for if this is lost the ‘victory’ will be vain and we may all prepare for an ordeal more terrible than the present, because fought out among still larger aggregations of political and military power. The whole of history bears witness to the corruption of power, the struggles of the few for spoil of the many, the ignorance of the peoples and its lethal consequences to themselves. Today, thanks for the most part to the heroism of the common man, whether citizen of a bombed city, defender of Stalingrad, peasant of China, inhabitant of oppressed Europe or member of the forces of liberation, we stand on the threshold of what could be a new world: whether we cross that threshold or are elbowed back into the dark passage that leads to another holocaust, depends primarily on our attitude to education, on the steps taken during the next few years to bring to the common man everywhere a realization of his inheritance as a citizen of the world and an awareness of his power to mould his own destiny. What is needed above all is an overriding sense of human solidarity such as can come only from consciousness of common origins. Divided we fall victims to tribal leaders: united we may yet move forward to a life of elementary decency.

Towards a morally defensible concept of toleration: Insights from ancient Chinese thinking

2019 ◽  
Vol 45 (4) ◽  
pp. 461-468
Author(s):  
Pei Wang
Keyword(s):  
Cultural Diversity ◽  
Common Sense ◽  
Modern Society ◽  
Moral Emotions ◽  
Ancient China ◽  
Political Unity ◽  
The World ◽  
The Common ◽  
The Ideal

The diversification of the world has given us the opportunity to live with different people. This kind of diversification brings not only adventure and excitements but also interaction with people and their habits that we do not agree with. In response, toleration has become the common sense of people in modern society. However, what is the meaning of the word toleration? What moral emotions underlie the practice of toleration? This article puts forward a morally defensible concept of toleration inspired by ancient Chinese thinking. I first discuss the etymology of the word toleration from Anglophone and Chinese perspectives, and then analyse three problematical emotional attitudes towards others (disgust, indifference and hunting for novelty) and critique the spirit of exclusion in the dominant Anglophone understanding of toleration. Finally, I analyse a morally defensible concept of toleration based on the ‘the dao of zhong and shu’ (忠恕之道) that also served as the ideal underpinning political unity and appreciation for cultural diversity in ancient China.

scholarly journals Vision of the Hoped-for Globalization

2002 ◽  
pp. 157-160
Author(s):  
Augustyn Marek Urban
Keyword(s):  
Point Of View ◽  
The World ◽  
The Ideal

The author analyzes the issue raised in the title in a phylosophical context from the ontological point of view, which is a branch of phylosophy. As it is known, ontology is „the science of existence”, in other words, a science on the nature of every existing thing.The argumentations indicated by the title do not include „everything”, only those problems which are the most important in the author’s opinion. These are as follows:a) the aim of globalization, to which we refer to here as „hoped-for globalization”,b) the evaluation of the world in which we live,c) the reasons for the birth of the functioning world,d) the activities leading the world to the direction of the hoped-for globalization.The author is aware of his position’s deficiencies, but thinks that the importance of the topic makes it neccessary to create the ideal future’s vision through discussion.

scholarly journals Bolshevik Russia as a “World of Death” (Based on the Book by I. A. Bunin “Damned Days”)

2020 ◽  
Vol 15 (1) ◽  
pp. 223-238
Author(s):  
T. G. Putilina
Keyword(s):  
Native Speakers ◽  
Current Situation ◽  
Point Of View ◽  
Semantic Features ◽  
Common Language ◽  
Historical Events ◽  
Living World ◽  
The World ◽  
The Common ◽  
Negative Connotation

Life / death contrasting is fundamental to the reconstruction of national paintings of the world. In each culture, the experiences associated with opposition life / death are expressed in specific traditions and rites and, accordingly, are enshrined in the language in a certain way. The author’s language picture of the world is based on the common language picture of the world, which is formed as a result of the generalization of knowledge received by native speakers. In literary works, it is often the opposition to life / death that contains semantic features that reflect the author’s linguistic picture of the world. Of particular interest to the study are the memories of famous writers, in which they presenttheir impressions of iconic historical events and creative personalities. It is in such texts that the author’s features of the language are clearly manifested, characteristic language means for expressing a certain attitude towards people and their position in the current situation. The material of our study is the collection “Damned Days” by writer Ivan Bunin. The scientific novelty of the work is that the work of I. Bunin is considered in a new aspect, from the point of view of analyzing the meanings of words and expressions used in the text to contrast two worlds, the world of old Russia and the world of Bolshevik Russia, and the language means used by the writer. The work concludes that I. Bunin uses techniques to negatively characterize people, with the help of which the semantics of characters from the “world of death” are actualized. By using zoomorphisms, describing a person with the inclusion of inanimate objects, listing diseases, comparing with the corpse and words with a negative connotative color, the author shows that the described characters do not belong to real living people. Thus, the author verbally “displaces” people hated by him from the world of the living and paints a special, inverted “antiworld” – “world of the dead.” This world is also defined by the author of the work as “horror,” “terrible” with the use of corresponding lexes. In the author’s picture of the world, Bolshevik Russia is a “dead” world, opposed to the “living” world of old Russia. The author uses language tools such as metaphors, comparisons, occasionalisms. Vocabulary has a negative connotation, sometimes bright to such an extent that it is invective. The world of old Russia is opposed to this world. Its representatives are called the opposite in meaning: these are beautiful, healthy, believing people.

scholarly journals குணங்குடி மஸ்தான் சாகிபின் படைப்பாக்க உத்திகள்

2021 ◽  
Vol 5 (3) ◽  
pp. 29-39
Author(s):  
U Alibava
Keyword(s):  
Tamil Literature ◽  
Sound Effects ◽  
The World ◽  
The Common ◽  
Common Man

The songs of kunangudiyar excel at many stages in the world of Tamil Literature with lucidity and sweetness. These songs possess powerful vocabulary, excellent sound effects and kindle the interest of the common man to read them. Through his unquie techniques, Kunangudiyar attracts the hearts of the readers and makes the world to celebrate his songs.

scholarly journals «God is dead» as an apophatic text of the borderline consciousness

2021 ◽  
pp. 158-173
Author(s):  
Irina Yedoshina
Keyword(s):  
Point Of View ◽  
Main Theme ◽  
Human Society ◽  
Border Line ◽  
Compositional Structure ◽  
Dionysius The Areopagite ◽  
The World ◽  
Introductory Part ◽  
The Subject ◽  
The Common

The main theme of the article is the borderline conscious-ness; the subject is the novella «God Is Dead» (1922) by S. D. Krzhizhanovsky as a reflection of the borderline consciousness. The purpose of the article is to reveal the specifics of the borderline conscious-ness in general and its features in the culture of the late 19 th and early 20 th centuries using the example of the analysis of the novella «God Is Dead», as well as of other texts similar in content and the time of writing. The main methods are ontological, historical-cultural, analytical, and com-parative. The introductory part defines the main characteristics of the bor-derline consciousness and also clarifies the etymology and the immanence of the process in development of the human society. Further, the author of the article identifies the substantive aspects in the concept of «apophati-cism», draws on the names of philosophers that are relevant to the thoughts of S. D. Krzhizhanovsky, (F. Nietzsche, A. Schweitzer, M. Heidegger), emphasizes that negation has nothing to do with God, from the point of view of Dionysius the Areopagite. The common and different aspects of philosophical and artistic views on apophaticism are also analyzed (F. Nietzsche, K. K. Sluchevsky). Further, the researcher carries out a de-tailed analysis of the novella «God Is Dead»by S. D. Krzhizhanovsky: the compositional structure is examined, an overview of the characters and their peculiarities is given, biblical and artistic allusions, their correlation with the specificity of the Soviet regime are revealed. The author of the article specially emphasizes that S. D. Krzhizhanovsky resorts to apophaticism as a characteristic of this time. The polemic part designates different approaches in the modern interpretation of apophaticism in the novella by S. D. Krzhizhanovsky, which do not coincide with the understanding of the author of this article. In the final observations, it is emphasized: the border-line consciousness thinks within the boundaries, which is reflected in art and outlook on the world.

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