scholarly journals A study on the Foreignization of Literary Translation in Cultural Context

2018 ◽  
Author(s):  
Bingqian Zhou
Keyword(s):  
Cultural Context ◽  
Literary Translation

scholarly journals Pragmatic Coherence and Equivalence in Literary Translation

2021 ◽  
Vol 1 (1) ◽  
pp. 142-154
Author(s):  
Shushanik Paronyan
Keyword(s):  
Cultural Context ◽  
Research Work ◽  
Literary Work ◽  
Cross Cultural ◽  
Literary Translation ◽  
Original Text ◽  
Source Text ◽  
Pragmatic Analysis ◽  
The Cross ◽  
Pragmatic Equivalence

The topic of the present paper concerns cultural translation and focuses on the cross-cultural aspect of pragmatic equivalence. It is based on the hypothesis that the pragmatic framework of the literary work, i.e.  the deliberate choice of  tied verbal actions and the interpretations of these actions, forms  an important slot in the overall structure of cultural context and displays the artistic literary idea of the writer.  Hence the research work clearly shows that literary translation should adequately transmit the intentions and ideas encoded in the original text to the readers from the respective culture. The cross-cultural pragmatic analysis of the speech act sequences and reporting words carried out on the material of a literary work in English and its Armenian translation has enabled us to determine that the violation of pragmatic coherence of the source text distorts the cultural context planned by the author.

Stylistics and the cultural context in literary translation

Babel ◽  
2016 ◽  
Vol 62 (4) ◽  
pp. 623-634
Author(s):  
Miodrag M. Vukčević
Keyword(s):  
Cultural Context ◽  
German Literature ◽  
Historical Context ◽  
Point Of View ◽  
Literary Translation ◽  
German Language ◽  
Poetic Tradition ◽  
The Subject ◽  
Carry Over ◽  
German Reader

Considering the example of the translation of Njegoš’s The Mountain Wreath into the German language, the paper analyses the translational solutions that are dictated by the principles of the subject. The translator Alois Schmaus chose to take this step in order to bring home to the modern reader a world which appears to be archaic. He made this decision for two reasons. First, the German reader is unfamiliar with the historical context that is the subject of this poem; secondly the rules of prosody in Serbian and German do not match. By choosing to carry over the Serbian epic decasyllable, Schmaus favours the Serbian poetic tradition. From the historical point of view German verse, constructed as an Alexandrine, is burdened with the context of courtly poetics. The hexameter, meanwhile, which was introduced into German literature by Klopstock and later popularised by Voss and Goethe, appears in the context of the rise of the bourgeoisie. Both verses require changes while being translated, which affect the poem’s characteristics. In order to maintain authenticity, Schmaus pleads for the “Serbian trochee”: iamb and dactyl, metrical feet that are closer to the German language, would have impeded the setting the diaeresis and affected the syntax. Because of this, Schmaus places a spondee at the end of every verse and sets the historical context in the tradition of martyrdom.

scholarly journals ARABIC: المشكلات في ترجمة المصطلحات العربية الدينية إلى الأردية: استراتيجيات وحلول

rahatulquloob ◽  
2021 ◽  
pp. 66-82
Author(s):  
Dr. Robina Naz ◽  
Dr. Qadeera Saleem
Keyword(s):  
Cultural Context ◽  
Literary Translation ◽  
Target Language ◽  
Source Language ◽  
Original Language ◽  
Cultural Life ◽  
The People ◽  
Comprehensive Knowledge ◽  
The Social ◽  
Language Mastery

The translation is like a bridge that connects different societies and civilizations. It transfers linguistic expressions from one language to another, and connects the social and cultural life of different peoples and nations. It transfers knowledge, experience, values, ideas, principles, traditions and thoughts of the people from one language to another. Translation itself is an art & science that has its own rules, foundations and strategies. Translators may face many difficulties, problems and challenges especially in the literary translation, as each language has its own distinct characteristics and features. So, these difficulties and problems arise when using idioms, phrases linguistic and semantic structures, and in choosing the appropriate meaning or determining the nature of the word's use, style, and so on. The translation requires literary talent, a comprehensive knowledge of the original language (source language) and the language translated into it (target language), mastery of all the rules of the two languages (source language and target language) and a full awareness of the cultural background of two languages from the specialists of this field. The translator must know the type of text, the language, the intellectual and cultural context of the translated text, and the background of its author. As well as the information about the culture and civilization of other nation. Urdu language has been influenced by different languages such as Persian, Sanskrit and Arabic. And many words and terms are taken from these languages. Especially religious terminology is taken directly from Arabic, i.e., Hajj, Umrah, Zakat, Nikah and Talaq etc. This article highlights the problems in translating Arabic Religious terminology into Urdu and suggests some strategies and solutions.

Mondialisation de la littérature et littérature mondiale – Traduction d’une culture « mineure » vers une culture « centrale »

2019 ◽  
Vol 64 (1) ◽  
pp. 122-139
Author(s):  
Jeong-yeon Kim
Keyword(s):  
Present Article ◽  
Cultural Context ◽  
The Other ◽  
Literary Translation ◽  
Korean Literature ◽  
Distinctive Features ◽  
Two Cultures ◽  
French Speaking ◽  
The Two Cultures ◽  
History Of

Abstract The present article attempts to analyze the particularities of the practice of literary translation from a language of peripheral culture to a language of central culture, based on the case of Korean literature. Because of the inequality that governs the relations between the two cultures involved, the transfer from one to the other raises extratextual problems. After briefly tracing the history of the translation of Korean literary works into widely spoken languages, especially in the French-speaking communities, this paper deals with the specific characteristics and modalities of this activity, as well as with their influence on the translations itself, focusing on the choice of works to be translated, the distinctive features of their translators, the translation processes they implement and the socio-cultural context in which the translation is done.

Advances in Semiotics of Translation: A Model of Text Analysis and Comparison for Literary Translation

2020 ◽  
Vol 06 (01) ◽  
pp. 297-300
Author(s):  
Alize Can Rençberler
Keyword(s):  
Text Analysis ◽  
Cultural Context ◽  
Literary Translation ◽  
Literary Texts ◽  
Original Text ◽  
Language And Culture ◽  
The World ◽  
Text Types ◽  
Semantic Awareness

Unlike other text types, literary texts offer signs with semantic diversity and several reading modes to the reader through different genres. Translation of literary texts puts them through cultural circulation across the world. Translators, incurring the responsibility of the original texts, pondering on the ways to overcome the pitfalls, and bringing the translated text to readers’ service, undertake a challenge to succeed in the initiative for this circulation. In the book’s foreword, Sündüz Öztürk Kasar draws attention to this point and clarifies that the act of translation admittedly alters the direction of the text it deals with, evolving it into another world of language and culture. Translation also reveals the meaning of the original text that has not been realized in the target culture’s linguistic and socio-cultural context but conceivably expecting to be discovered between the lines. According to Öztürk Kasar, that is the reason why translators should be more sensitive to the signs than anybody else is and have linguistic and semantic awareness.

Culture and the plasticity of perception

2020 ◽  
Vol 43 ◽  
Author(s):  
Michael Lifshitz ◽  
T. M. Luhrmann
Keyword(s):  
Cultural Context ◽  
Sensory Experience ◽  
Cultural Learning ◽  
The World

Abstract Culture shapes our basic sensory experience of the world. This is particularly striking in the study of religion and psychosis, where we and others have shown that cultural context determines both the structure and content of hallucination-like events. The cultural shaping of hallucinations may provide a rich case-study for linking cultural learning with emerging prediction-based models of perception.

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