scholarly journals Transnational Ashkenaz: Yiddish culture after the Holocaust

1970 ◽  
Vol 27 ◽  
pp. 189-202
Author(s):  
Jan Schwarz

After the Holocaust’s near complete destruction of European Yiddish cultural centres, the Yiddish language was largely viewed as a remnant of the past, tragically eradicated in its prime. This article reveals that, on the contrary, for two and a half decades following the Holocaust Yiddish culture was in dynamic flux. Yiddish writers and cultural organisations maintained a staggering level of activity in fostering publications and performances, collecting archival and historical materials, and launching young literary talents. This article provides a cultural historical map of a Yiddish transnational network that derived its unity from the common purpose of commemorating and bearing witness to the destruction of the Jewish heartland in Central and Eastern Europe. 

2016 ◽  
pp. 126-143
Author(s):  
Alla Kyrydon

Transformation of memory in post-bipolar world inevitably led to the revival and search (creation) of new individual and collective memory, to the aggravation of attention the memories of witnesses tragedies of the twentieth 143 century – the Holocaust, the Stalinist repressions other ethnic and political genocide. Every country has its own system of «overcoming the past». The politics of memory is one of the important factor in this complicated area of creating of new relationships, which has features in Central and Eastern Europe.


2021 ◽  

This book is devoted to a symbolic event that defined the life and values of several generations. Half a century ago, Czech communists tried to give a new impetus to their country’s system of government by combining socialist values with a rational market economy and the mechanisms of a developed democracy. This effort failed, and the state was occupied by the military. This book is the result of joint efforts by Russian, Czech, and Romanian historians, archivists, and cultural and literary scholars, who—exploring new documents and materials—have reinterpreted these events and their lessons from a present-day perspective. Objectively, the “Prague Spring” is from a bygone era, but it is still a milestone, and many of the problems encountered during the Prague Spring are still relevant today. The authors hope that they have contributed to the historiography of the now-distant events of 1968 and that their contributions will help in analysing the experiences of the past in order to be prepared for the events of the future. This book is aimed at specialists in the history and culture of Central and Eastern Europe, students of higher educational institutions, and the general reader interested in twentieth-century history.


2015 ◽  
Vol 38 (3) ◽  
pp. 473-494 ◽  
Author(s):  
Dragoș Adăscăliței ◽  
Ștefan Guga

This article investigates a case of successful union organizing in one automotive assembly plant in Romania. The authors argue that in order to explain why the union succeeds in defending workers’ rights there is a need to consider both structural and agency aspects that condition labor’s capacity to effectively defend their interests. The findings show that the union at the Romanian plant has made use of a diverse repertoire of protest activities in order to defend its worker constituency. The authors also discuss why as of late protests are less and less used by the union in response to the shifting economic and political environment in which the plant is embedded. They argue that a closer look at the strategy of the Romanian union and the path it has taken in the past decade provides a better understanding of the conditions for union success in an economic, legal, and political environment that has become increasingly hostile toward organized labor. In this sense, the article points to the more general situation unions in Central and Eastern Europe have found themselves in recent years.


2014 ◽  
Vol 33 (2) ◽  
pp. 19-35 ◽  
Author(s):  
Tadeusz Stryjakiewicz ◽  
Michał Męczyński ◽  
Krzysztof Stachowiak

Abstract Over the past two decades the cities in Central and Eastern Europe have witnessed a wide-ranging transformation in many aspects. The introduction of a market-oriented economy after half a century of socialism has brought about deep social, economic, cultural and political changes. The first stage of the changes, the 1990s, involved the patching up of structural holes left by the previous system. The post-socialist city had to face challenges of the future while carrying the ballast of the past. Rapid progress in catching up with the West transformed the city a great deal. Later on, the advent of the 21st century brought a new wave of development processes based, among other things, on creativity and innovation. Hence our contribution aims to explore the role of creativity and creative industries in the post-socialist urban transformation. The article consists of three basic parts. In the first we present the concept of a ‘creative post-socialist city’ and define the position of creative industries in it. We also indicate some similarities to and differences from the West European approaches to this issue. In the second part, examples from Central and Eastern Europe are used in an attempt to elucidate the concept of a ‘creative post-socialist city’ by identifying some basic features of creative actions /processes as well as a creative environment, both exogenous and endogenous. The former is embedded in different local networks, both formal (institutionalised) and informal, whereas the structure of the latter is strongly path-dependent. In the third part we critically discuss the role of local policies on the development of creative industries, pointing out some of their shortcomings and drawing up recommendations for future policy measures.


Author(s):  
Santana Khanikar

This chapter discusses conflict and violence in Lakhipathar, over a period of two decades, drawing on oral histories from the people of Lakhipathar. Listening to the narratives of past sufferings here has worked not merely a tool to know what happened to the narrators in the past but it also gives a key to analyse why and how they live in the present. Apart from offering evidence towards the larger argument of the work, this part of the book has also aimed towards opening a conversation on some buried and forgotten moments in the history of the Indian state that resemble what could be called an Agambenian ‘state of exception’. The dense narratives give a picture of the collaboration and deceit, revenge and violence, suspicion and fear in war-torn Lakhipathar and how the common people negotiated their ways through these.


Author(s):  
Katarzyna Lidia Babulewicz

Musical Representations of the Past in Animations for Children Produced in Central and Eastern Europe in Times of Communism The subject of the article is the composition strategies of presenting the bygone time in animated films produced in the integrated cultural space that was, during the communist era, Central and Eastern Europe. Productions made in two countries – in the Soviet Union and in Poland – are considered. The discussion of film examples is conducted in an approximate chronological order, according to the time of production of individual pictures. The presentation of specific productions is not intended to exhaustively analyse these audiovisual works, but to review thematic threads related to the past and in their context compositional ideas and tendencies.


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