scholarly journals Идентичность иранцев в архитектуре X-XII вв

Author(s):  
Anna Kholomeeva

The political environment in Khurasan with the arrival of the Samanid dynasty contributed to an increase in the national identity of Iranians on the one hand and mutual enrichment of cultures in the cosmopolitan climate on the other. The formation of style in the architecture is associated with the visual-spatial memory of Iranians themselves in a direction determined by Muslim religion. Hardly had the Iranian artists appealed to their traditional forms when they transformed them in according to the new Islamic discourse. The study also revealed that there is some evidence to suggest that Iranian art in the first centuries of Islam had its independent development course based on the flexibility of culture and awareness of its own identity.

Author(s):  
Y. Zelenin ◽  
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A. Vasiliev ◽  
Y.V. Pechatnova ◽  
◽  
...  

The question of defining own national identity is a kind of prism with the help of which consideration, estimation and research of many important features of modern political and legal life of Turkic-Mongolian peoples are possible. That is why at present it is important to trace the foundations of the ideological-value factor, continuity and preservation of traditional and legal institutions of the peoples of the Turkic-Mongolian world. The aim of the study is to analyse the main scientific ideas about the degree of continuity and the possibility of preserving traditional political and legal values in the countries of the Turkic-Mongolian world in the context of globalisation. The authors have assessed the degree of study of the subject of research, highlighted the main scientific ideas, analyzed the possibility of preserving traditional values of the Turkic-Mongolian world in the context of globalization. In the course of the study, proven scientific principles of pluralism of political and legal cultures and historicism, cultural and civilizational approach, historical, hermeneutic, comparative and formal-legal methods were used. As a result of the study, the authors conclude that, on the one hand, the specific functioning of the political and legal institutions of the Turkic-Mongol world is based on the desire to maintain their independence and autonomy from the influence of external forces, but on the other hand, the imitation of Western-oriented narratives is traced with varying degrees of success


Author(s):  
Nicolas Wiater

This chapter examines the ambivalent image of Classical Athens in Dionysius of Halicarnassus’ Roman Antiquities. This image reflects a deep-seated ambiguity of Dionysius’ Classicist ideology: on the one hand, there is no question for Dionysius that Athenocentric Hellenicity failed, and that the Roman empire has superseded Athens’ role once and for all as the political and cultural centre of the oikoumene. On the other, Dionysius accepted Rome’s supremacy as legitimate partly because he believed (and wanted his readers to believe) her to be the legitimate heir of Classical Athens and Classical Athenian civic ideology. As a result, Dionysius develops a new model of Hellenicity for Roman Greeks loyal to the new political and cultural centre of Rome. This new model of Greek identity incorporates and builds on Classical Athenian ideals, institutions, and culture, but also supersedes them.


Author(s):  
James Meffan

This chapter discusses the history of multicultural and transnational novels in New Zealand. A novel set in New Zealand will have to deal with questions about cultural access rights on the one hand and cultural coverage on the other. The term ‘transnational novel’ gains its relevance from questions about cultural and national identity, questions that have particularly exercised nations formed from colonial history. The chapter considers novels that demonstrate and respond to perceived deficiencies in wider discourses of cultural and national identity by way of comparison between New Zealand and somewhere else. These include Amelia Batistich's Another Mountain, Another Song (1981), Albert Wendt's Sons for the Return Home (1973) and Black Rainbow (1992), James McNeish's Penelope's Island (1990), Stephanie Johnson's The Heart's Wild Surf (2003), and Lloyd Jones's Mister Pip (2006).


2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.


1994 ◽  
Vol 42 (3) ◽  
pp. 453-468 ◽  
Author(s):  
Alistair Cole

The study of political leadership, in France and elsewhere, must be appreciated in terms of the interaction between leadership resources (personal and positional) on the one hand, and environmental constraints and opportunities on the other. This article proposes a general framework for appraising comparative liberal democratic political leaderships. It illustrates the possibilities of the framework by evaluating the political leadership of the French President François Mitterrand.


Author(s):  
Geoffrey Bennington

Scatter 2 identifies politics as an object of perennial difficulty for philosophy—as recalcitrant to philosophical mastery as is philosophy’s traditional adversary, poetry. That difficulty makes it an attractive area of attention for any deconstructive approach to the tradition from which we inevitably inherit our language and our concepts. Scatter 2 pursues that deconstruction, often starting, and sometimes departing, from the work of Jacques Derrida, by attending to the concepts of sovereignty on the one hand, and democracy on the other. Part I follows the fate of a line from Book II of Homer’s Iliad, where Odysseus asserts that “the rule of many is no good thing, let there be one ruler, one king,” as it is quoted and misquoted, and progressively Christianized, by authors including Aristotle, Philo Judaeus, Suetonius, the early Church Fathers, Aquinas, Dante, Ockham, Marsilius of Padua, Jean Bodin, Etienne de la Boétie, up to Carl Schmitt and Erik Peterson, and even one of the defendants at the Nuremberg Trials, before being discussed by Derrida himself. Part II begins again, as it were, with Plato and Aristotle, and tracks the concept of democracy as it regularly impacts and tends to undermine that sovereignist tradition, and, more especially in detailed readings of Hobbes and Rousseau, develops a notion of “proto-democracy” as a possible name for the scatter that underlies and drives the political as such, and that will always prevent politics from achieving its aim of bringing itself to an end.


Author(s):  
Svetlana M. Klimova ◽  

The article examines the phenomenon of the late Lev Tolstoy in the context of his religious position. The author analyzes the reactions to his teaching in Russian state and official Orthodox circles, on the one hand, and Indian thought, on the other. Two sociocultural images of L.N. Tolstoy: us and them that arose in the context of understanding the position of the Russian Church and the authorities and Indian public and religious figures (including Mahatma Gandhi, who was under his influence). A peculiar phenomenon of intellectually usL.N. Tolstoy among culturally them (Indian) correspondents and intellectually them Tolstoy among culturally us (representatives of the official government and the Church of Russia) transpires. The originality of this situation is that these im­ages of Lev Tolstoy arise practically at the same period. The author compares these images, based on the method of defamiliarisation (V. Shklovsky), which allows to visually demonstrate the religious component of Tolstoy’s criticism of the political sphere of life and, at the same time, to understand the psychological reasons for its rejection in Russian official circles. With the methodological help of defamiliarisation the author tries to show that the opinion of Tolstoy (as the writer) becomes at the same time the voice of conscience for many of his con­temporaries. The method of defamiliarisation allowed the author to show how Leo Tolstoy’s inner law of nonviolence influenced the concept of non­violent resistance in the teachings of Gandhi.


2021 ◽  
Vol 26 (1) ◽  
pp. 193-222
Author(s):  
Mathias G. Parding

Abstract It is known that Kierkegaard’s relation to politics was problematic and marked by a somewhat reactionary stance. The nature of this problematic relation, however, will be shown to lie in the tension between his double skepticism of the order of establishment [det Bestående] on the one hand, and the political associations of his age on the other. In this tension he is immersed, trembling between Scylla and Charybdis. On the one hand Kierkegaard is hesitant to support the progressive political movements of the time due to his skepticism about the principle of association in the socio-psychological climate of leveling and envy. On the other hand, his dubious support of the order of the establishment, in particular the Church and Bishop Mynster, becomes increasingly problematic. The importance of 1848 is crucial in this regard since this year marks the decisive turn in Kierkegaard’s authorship. Using the letters to Kolderup-Rosenvinge in the wake of the cataclysmic events of 1848 as my point of departure, I wish to elucidate the pathway towards what Kierkegaard himself understands as his Socratic mission.


2016 ◽  
Vol 43 (1) ◽  
pp. 96-120
Author(s):  
Jan-Jasper Persijn

Alain Badiou’s elaboration of a subject faithful to an event is commonly known today in the academic world and beyond. However, his first systematic account of the subject ( Théorie du Sujet) was already published in 1982 and did not mention the ‘event’ at all. Therefore, this article aims at tracing back both the structural and the historical conditions that directed Badiou’s elaboration of the subject in the early work up until the publication of L’Être et l’Événément in 1988. On the one hand, it investigates to what extent the (early) Badiouan subject can be considered an exceptional product of the formalist project of the Cahiers pour l’Analyse as instigated by psychoanalytical discourse (Lacan) and a certain Marxist discourse (Althusser) insofar as both were centered upon a theory of the subject. On the other hand, this article examines the radical political implications of this subject insofar as Badiou has directed his philosophical aims towards the political field as a direct consequence of the events of May ’68.


2003 ◽  
Vol 29 (S1) ◽  
pp. 199-221 ◽  
Author(s):  
Karena Shaw

We find ourselves amidst an explosion of literature about how our worlds are being fundamentally changed (or not) through processes that have come to be clumped under the vague title of ‘globalisation’. As we wander our way through this literature, we might find ourselves – with others – feeling perplexed and anxious about the loss of a clear sense of what politics is, where it happens, what it is about, and what we need to know to understand and engage in it. This in turn leads many of us to contribute to a slightly smaller literature, such as this Special Issue, seeking to theorise how the space and character of politics might be changing, and how we might adapt our research strategies to accommodate these changes and maintain the confidence that we, and the disciplines we contribute to, still have relevant things to say about international politics. While this is not a difficult thing to claim, and it is not difficult to find others to reassure us that it is true, I want to suggest here that it is worth lingering a little longer in our anxiety than might be comfortable. I suggest this because it seems to me that there is, or at least should be, more on the table than we're yet grappling with. In particular, I argue here that any attempt to theorise the political today needs to take into account not only that the character and space of politics are changing, but that the way we study or theorise it – not only the subjects of our study but the very kind of knowledge we produce, and for whom – may need to change as well. As many others have argued, the project of progressive politics these days is not especially clear. It no longer seems safe to assume, for example, that the capture of the state or the establishment of benign forms of global governance should be our primary object. However, just as the project of progressive politics is in question, so is the role of knowledge, and knowledge production, under contemporary circumstances. I think there are possibilities embedded in explicitly engaging these questions together that are far from realisation. There are also serious dangers in trying to separate them, or assume the one while engaging the other, however ‘obvious’ the answers to one or the other may appear to be. Simultaneous with theorising the political ‘out there’ in the international must be an engagement with the politics of theorising ‘in here,’ in academic contexts. My project here is to explore how this challenge might be taken up in the contemporary study of politics, particularly in relation to emerging forms of political practice, such as those developed by activists in a variety of contexts. My argument is for an approach to theorising the political that shifts the disciplinary assumptions about for what purpose and for whom we should we produce knowledge in contemporary times, through an emphasis on the strategic knowledges produced through political practice. Such an approach would potentially provide us with understandings of contemporary political institutions and practices that are both more incisive and more enabling than can be produced through more familiarly disciplined approaches.


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