scholarly journals Decree of Delphi for the inhabitants of Chios

Axon ◽  
2021 ◽  
Author(s):  
Gaia De Luca
Keyword(s):  

The document bears testimony of the concession of προμαντεία privilege by Delphi to the Chiotes, inscribed on an altar built by the Chiotes themselves inside the temple of Apollo in Delphi. This concession was probably made in the early IV century BC but it was graved on the stone at the end of the same century. Indeed, the altar is to be dated around the end of the IV century BC, after the earthquake that damaged the first altar, probably also built by the Chiotes and cited by Herodotus in 2.135. Though the concession of this privilege by the inhabitants of Delphi is very common, the monumental dimensions and the function of the altar offered by the Chiotes makes it quite extraordinary. Nevertheless, we must spoke of a relative priority, since the inhabitants of Delphi remained the first ones to consult the oracle of Apollo.

Perichoresis ◽  
2016 ◽  
Vol 14 (2) ◽  
pp. 81-97
Author(s):  
Marcel Sarot

Abstract This article situates Auden’s poem Musée des Beaux Arts in the process of his conversion to Christianity. The author argues for the layered intertextuality of the poem, in which allusions to Bruegel’s Landscape with the Fall of Icarus, The Census at Jerusalem, and The Massacre of the Innocents can be recognised. Moreover, Philippe de Champaigne’s Presentation in the Temple and Peter Paul Rubens’s The Martyrdom of St Livinus (in the same museum in Brussels) seem also to have influenced the poem. Finally, there is reason to suppose that John Singer Sargent’s Crashed Aeroplane influenced Auden. In an analysis of the structure of the poem, the author argues that there is a clear structure hidden under the surface of day-to-day language. He connects this hidden structure with Auden’s poem The Hidden Law, and suggests that Auden wished to claim that even though we cannot understand suffering, it has a hidden meaning known only to God. This hidden meaning connects our suffering with the self-emptying of Christ, a connection which the author demonstrates is in fact also made in Musée des Beaux Arts.


1971 ◽  
Vol 61 ◽  
pp. 1-17 ◽  
Author(s):  
Fergus Millar

What we call the ‘Eastern frontier’ of the Roman Empire was a thing of shadows, which reflected the diplomatic convenience of a given moment, and dictated the positioning of some soldiers and customs officials, but hardly affected the attitudes or the movements of the people on either side. Nothing more than the raids of desert nomads, for instance, hindered the endless movement of persons and ideas between Judaea and the Babylonian Jewish community. Similarly, as Lucian testifies, offerings came to the temple of Atargatis at Hierapolis-Bambyce from a wide area of the Near and Middle East, including Babylonia. The actual movement to and fro of individuals was reflected, as we have recently been reminded, in a close interrelation of artistic and architectural styles. Moreover, whatever qualifications have to be made in regard to specific places, it is incontestable that Semitic languages, primarily Aramaic in its various dialects, remained in active use, in a varying relationship to Greek, from the Tigris through the Fertile Crescent to the Phoenician coast. This region remained, we must now realize, a cultural unity, substantially unaffected by the empires of Rome or of Parthia or Sassanid Persia.


1994 ◽  
Vol 25 ◽  
pp. 185-190 ◽  
Author(s):  
G. R. H. Wright

During the course of work in Cyrenaica extending over the 1950s and 1960s I was asked by the late Richard Goodchild, then Controller of Antiquities, to note and comment on any architectural features which I felt to have special significance. In this way, across the years, I handed over to him various short notes with drawings of miscellaneous items that I had observed. Of one such observation a copy has come to hand recently among old papers.While working with the Michigan Expedition to Apollonia (1965–68) I visited the late Professor Stucchi's project for re-erecting the remains of the Temple of Zeus at Cyrene, begun in 1967. During the visit I was interested to observe the detailing of a triglyph block from the peristyle entablature. This seemed to conflict with, or rather to add somewhat to the then accepted building history of the temple — i.e. a (late) Archaic Greek Temple overthrown during the Jewish Revolt and subsequently refurbished minus the peristyle.Work on Professor Stucchi's project is not yet completed; and although he published both progress reports and some discussion of the findings, he has not, to my knowledge, given us a detailed account of the evidence for the history of the building; so perhaps my note made in 1968 remains of interest. I have left the argument as it stood, but some updating material has been added to the footnotes.G.R.H.W.Avignon, December 1993.


In continuation of my work in Egypt in 1891, and Mr. Penrose’s in Greece in 1892, I have recently endeavoured to see whether there are any traces in Britain of the star observations which I found connected with the worship of the sun at certain times of the year. A star rising about an hour before the sun was watched in order to determine the time at which it was necessary to begin the preparations of the sacrifice which took place at the sun’s rising. I stated that Spica was the star the heliacal rising of which heralded the sun at Thebes on May-day in the temple of Min, 3200 b. c. Sirius was associated with the Summer Solstice at about the same time. The equinoxes were provided for in the same way in Lower Egypt, but they do not concern us now.


1904 ◽  
Vol 10 ◽  
pp. 115-126
Author(s):  
R. S. Conway
Keyword(s):  
The Hill ◽  

§ 1. A Welcome addition to our knowledge of this language, the pre-Hellenic speech of Praesos and therefore the direct representative, according to all the traditions, of that spoken at the Court of Minos, was made in the continued explorations of the Altar-hill of Praesos by the British School in June 1904. As the nomos-fragment was found among débris which had fallen from the temple on the top of that hill, Mr. Bosanquet set himself to explore a line of ‘pockets,’ or vertical cavities in the rock along the side of the hill, some distance below the summit. One of these was choked with large pieces of rock which he removed by blasting; and he was rewarded by the discovery underneath of the new and most interesting inscription reproduced here.


1937 ◽  
Vol 30 (1) ◽  
pp. 15-35 ◽  
Author(s):  
A. S. Hoey

In the campaign of 1931–32 at Dura-Europos on the Euphrates there was found among the military archives in the temple of Artemis Azzanathcona a papyrus document containing a list of the festivals which were officially celebrated by the Roman garrison in the city. This document, of unique interest and importance, placed by internal evidence in the reign of Severus Alexander between the years A.D. 223 and 225, contains among its entries the two lines quoted above. In them is prescribed for celebration on two different dates a hitherto unknown festival which is of some little importance both for the religious life of the Roman army and for the history of Roman festivals during the Empire. An attempt will be made in this paper to interpret its nature and to touch briefly on both these aspects of its significance.


1929 ◽  
Vol 19 (2) ◽  
pp. 161-163
Author(s):  
Thomas Ashby

A remark which I made in regard to Tenney Frank's article on the first and second temples of Castor at Rome, to the effect that its conclusions are based on inaccurate drawings, seems to call for some justification on my part. I may say that I had fully intended to discuss the matter in print long before this, and that it was only the impossibility of offering a more satisfactory solution that prevented me from doing so. But, if the truth is ever to be reached in this difficult problem, we must first clear away mistakes and misunderstandings; and it is with this object in view that I am publishing this note at the present time.A careful examination of the existing remains seems to establish the following points with regard to the earliest temple. (As I have not been able to give a fresh series of drawings, I have adhered closely to the order of Frank's argument.) The first point of divergence is in regard to the interpretation of the walls e and d. The former is no less than 3·24 metres in thickness, the latter 1·54 m.; and they are supposed each to carry a line of four wooden columns only 0·77 m. in diameter. The adaptation of means to ends is entirely out of all proportion.


1875 ◽  
Vol 165 ◽  
pp. 577-586

We have the honour to communicate to the Royal Society the accompanying Spectroscopic Observations of the Chromosphere and of the Sun generally, made during the period between the 1st October, 1872, and the 31st December, 1873. The London observations have been made in Alexandra Road, Finchley Road, N. W.; the Rugby observations in the Temple Observatory at that place. The following details are given of the instruments and methods of observation employed.


1893 ◽  
Vol 13 ◽  
pp. 272-280
Author(s):  
V. W. Yorke

The immediate object of this paper is to publish three fragments of sculpture, which I had the good fortune to find on the Acropolis at Athens during the present year, and which may be, I think, claimed as belonging to the reliefs which ran round the bastion of Athena Nike. At the same time I should like to draw attention to, and discuss, certain corrections which have recently been made in some fragments of the same reliefs in the Acropolis Museum, and to make a few suggestions with regard to others.The most important of the new fragments, which is reproduced in the plate, was found among a small heap of débris upon the top of the bastion fifteen yards to the east of the temple of Athena Nike. The marble is Pentelic; the sculptured surface measures roughly ·40 m. by ·28 m., the back of the slab is finished and the thickness from the back to the ground from which the relief springs is ·23 m., while the height of the relief is ·12 m. These measurements, which correspond exactly to the measurements of other slabs that we possess of the balustrade, the high relief, and delicate style of the torso all show that this fragment undoubtedly belongs to the balustrade. Further evidence is present in the small hole drilled in the top for the in-insertion of the bronze screen, which ran along the top of the slabs. The fragment consists of the left shoulder and breast, and portions of the left arm and wing of a Nike.


2021 ◽  
Author(s):  
Putu Sabda Jayendra
Keyword(s):  
The Past ◽  

In Bunutin, a village on the edge of the Batur caldera, Kintamani, lives Mongah, the fern man. Every two years he dances wildly, becoming a manifestation of human arrogance. For a long time he served as a reminder to the Bunutin people not to repeat the same fatal mistakes that their ancestors had made in the past. Not many know where he came from. Every time he appeared and danced, the children were afraid and ran, but his presence was always eagerly awaited in the temple court. There, the elders prepare with their stories of the past being eroded at the edge of civilization. The cadets inherited his grace, and the mothers whispered to the children about Mongah's hideous faces. In the picturesque village of Bunutin, Mongah has guarded them from calamities for hundreds of years, —the greatest calamities born of human pride.


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