A Note on the Temple of Zeus at Cyrene and its Re-Erection

1994 ◽  
Vol 25 ◽  
pp. 185-190 ◽  
Author(s):  
G. R. H. Wright
Keyword(s):  
Detailed Account ◽  
Late Archaic ◽  
Special Significance ◽  
Late Professor ◽  
Architectural Features ◽  
History Of ◽  
The 1950S ◽  
Jewish Revolt ◽  
The Temple ◽  
Made In

During the course of work in Cyrenaica extending over the 1950s and 1960s I was asked by the late Richard Goodchild, then Controller of Antiquities, to note and comment on any architectural features which I felt to have special significance. In this way, across the years, I handed over to him various short notes with drawings of miscellaneous items that I had observed. Of one such observation a copy has come to hand recently among old papers.While working with the Michigan Expedition to Apollonia (1965–68) I visited the late Professor Stucchi's project for re-erecting the remains of the Temple of Zeus at Cyrene, begun in 1967. During the visit I was interested to observe the detailing of a triglyph block from the peristyle entablature. This seemed to conflict with, or rather to add somewhat to the then accepted building history of the temple — i.e. a (late) Archaic Greek Temple overthrown during the Jewish Revolt and subsequently refurbished minus the peristyle.Work on Professor Stucchi's project is not yet completed; and although he published both progress reports and some discussion of the findings, he has not, to my knowledge, given us a detailed account of the evidence for the history of the building; so perhaps my note made in 1968 remains of interest. I have left the argument as it stood, but some updating material has been added to the footnotes.G.R.H.W.Avignon, December 1993.

scholarly journals II.—Gastaldi on Italian Geology and the Crystalline Rocks

1887 ◽  
Vol 4 (12) ◽  
pp. 531-540
Author(s):  
T. Sterry Hunt
Keyword(s):  
Royal Society ◽  
Crystalline Rocks ◽  
Present Writer ◽  
Detailed Account ◽  
Late Professor ◽  
Especial Reference ◽  
History Of ◽  
The Alps ◽  
Made In

The present writer in 1883 reviewed the history of the rocks of the Alps and the Apennines with especial reference to the geological relations of serpentine and its associates, in a paper which appeared in the first volume of the Transactions of the Royal Society of Canada, and is reprinted, revised and with some additions, as the tenth chapter of his volume entitled “Mineral Physiology and Physiography” (Boston, 1886). Therein he gave a somewhat detailed account of the labours in Italian geology of the late Professor Bartolomeo Gastaldi, of Turin, a list of whose publications on that subject from 1871 to 1878, so far as known to the writer, will there be found, including his letter to Quintino Sella, in 1878, on the general results of explorations made in 1877 (loc. cit., 458).

Rosaliae Signorum

1937 ◽  
Vol 30 (1) ◽  
pp. 15-35 ◽  
Author(s):  
A. S. Hoey
Keyword(s):  
Religious Life ◽  
Roman Army ◽  
History Of ◽  
The Military ◽  
The City ◽  
The Temple ◽  
Made In

In the campaign of 1931–32 at Dura-Europos on the Euphrates there was found among the military archives in the temple of Artemis Azzanathcona a papyrus document containing a list of the festivals which were officially celebrated by the Roman garrison in the city. This document, of unique interest and importance, placed by internal evidence in the reign of Severus Alexander between the years A.D. 223 and 225, contains among its entries the two lines quoted above. In them is prescribed for celebration on two different dates a hitherto unknown festival which is of some little importance both for the religious life of the Roman army and for the history of Roman festivals during the Empire. An attempt will be made in this paper to interpret its nature and to touch briefly on both these aspects of its significance.

Football 'Made in Israel'

2019 ◽  
Vol 34 (3) ◽  
pp. 1-16
Author(s):  
Amir Ben Porat
Keyword(s):  
Israeli Society ◽  
The Political ◽  
Relative Autonomy ◽  
Football Clubs ◽  
History Of ◽  
The 1950S ◽  
Political Economic ◽  
Made In

This article reviews the history of Israeli football from 1948 to the present and argues that Israeli football is ‘made in Israel’ according to the particular historical opportunities that determine the ‘relative autonomy’ of the game in a given period. The first part deals with a period (the 1950s) in which football was subject to politics, the dominant force in Israeli society at the time. During that period, Israeli football was organized by three sports federations, each affiliated with a different political camp. The second part deals with the period from 1990 to the present, in which football clubs were privatized and players became commodities. The contrast between these two periods highlights how the political-economic milieu set effective limits on the structure and practice of Israeli football.

V.—On the Thickness, Expansion, and Resulting Elevation of Marine Deposits

1893 ◽  
Vol 10 (6) ◽  
pp. 254-262
Author(s):  
O. Fisher
Keyword(s):  
Marine Deposits ◽  
History Of ◽  
The Temple ◽  
Made In

When one refers back to such a paper as that by Babbage on the Temple of Serapis at Pozzuoli, one feels humiliated by the little advance which has been made in certain branches of dynamical geology within the last sixty years. That paper contains a full and elaborate account of the plan and history of the Temple and of the remarkable changes of level which its site has undergone gone; and the author speculates among other causes upon the expansion and contraction of the underlying rocks, owing to changes of temperature arising from its being situated in a volcanic district, and he is thence led to speculate on the larger question of the depression and elevation of regions of the earth's surface through the fall and rise of the isogeotherms, caused by denudation and deposition respectively.

scholarly journals Ancient Decorative Wall-Painting

1919 ◽  
Vol 39 ◽  
pp. 144-163 ◽  
Author(s):  
M. Rostovtzeff
Keyword(s):  
Roman Empire ◽  
Southern Italy ◽  
Wall Painting ◽  
Ancient World ◽  
Third Century ◽  
Mural Painting ◽  
Late Professor ◽  
The Third ◽  
History Of ◽  
Made In

The history of ancient decorative wall-painting has yet to be written. The attention of the whole world was attracted by the wonderful discoveries made in Pompeii, and indeed for many years Pompeii stood for ancient decorative wall-painting in general.That Pompeii so completely overshadowed modern ideas on the evolution of this art is due in great measure to the fact that at Pompeii it had found a wonderful exponent and explorer in the late Professor August Mau. His book dealing with the Pompeian decorative mural painting at once became a classic and influenced profoundly text-books and popular works on the history of ancient art and customs.Two facts, however, should be borne in mind. First, that the decoration of Pompeian houses illustrates the art of one epoch. only—the Hellenistic and the earlier Roman Empire, except for a few examples from a still earlier age, and those not before the third century B.C. Also it should be remembered that this art at Pompeii can be taken as characteristic only of Italy and indeed only of Southern Italy; it does not follow that it developed on the same lines in other regions of the ancient world.

A history of botanical collections in the Luangwa Valley, Zambia

1998 ◽  
Vol 25 (2) ◽  
pp. 283-291
Author(s):  
P.S.M. PHIRI ◽  
D.M. MOORE
Keyword(s):  
Eighteenth Century ◽  
Environmental Impact ◽  
Impact Assessment ◽  
Vascular Plants ◽  
Central Africa ◽  
Peak Activity ◽  
Historical Account ◽  
History Of ◽  
The 1960S ◽  
Made In

Central Africa remained botanically unknown to the outside world up to the end of the eighteenth century. This paper provides a historical account of plant explorations in the Luangwa Valley. The first plant specimens were collected in 1897 and the last serious botanical explorations were made in 1993. During this period there have been 58 plant collectors in the Luangwa Valley with peak activity recorded in the 1960s. In 1989 1,348 species of vascular plants were described in the Luangwa Valley. More botanical collecting is needed with a view to finding new plant taxa, and also to provide a satisfactory basis for applied disciplines such as ecology, phytogeography, conservation and environmental impact assessment.

Chasing Angels: The Sweet Wine Angelica

2008 ◽  
Vol 8 (3) ◽  
pp. 74-78
Author(s):  
hank shaw
Keyword(s):  
The State ◽  
The Real ◽  
Mission Period ◽  
History Of ◽  
Uncertain Future ◽  
Sweet Wine ◽  
Made In

Portugal has port, Spain has sherry, Sicily has Marsala –– and California has angelica. Angelica is California's original wine: The intensely sweet, fortified dessert cordial has been made in the state for more than two centuries –– primarily made from Mission grapes, first brought to California by the Spanish friars. Angelica was once drunk in vast quantities, but now fewer than a dozen vintners make angelica today. These holdouts from an earlier age are each following a personal quest for the real. For unlike port and sherry, which have strict rules about their production, angelica never gelled into something so distinct that connoisseurs can say, ““This is angelica. This is not.”” This piece looks at the history of the drink, its foggy origins in the Mission period and on through angelica's heyday and down to its degeneration into a staple of the back-alley wino set. Several current vintners are profiled, and they suggest an uncertain future for this cordial.

Not as It Is Written

2020 ◽  
Vol 42 (2) ◽  
pp. 78-100
Author(s):  
Benjamin Houston
Keyword(s):  
African American ◽  
Civil Rights ◽  
Oral History ◽  
Civil Rights Movement ◽  
International Exhibition ◽  
Black Experience ◽  
American Perspective ◽  
History Of ◽  
Black Life ◽  
Made In

This article discusses an international exhibition that detailed the recent history of African Americans in Pittsburgh. Methodologically, the exhibition paired oral history excerpts with selected historic photographs to evoke a sense of Black life during the twentieth century. Thematically, showcasing the Black experience in Pittsburgh provided a chance to provoke among a wider public more nuanced understandings of the civil rights movement, an era particularly prone to problematic and superficial misreadings, but also to interject an African American perspective into the scholarship on deindustrializing cities, a literature which treats racism mostly in white-centric terms. This essay focuses on the choices made in reconciling these thematic and methodological dimensions when designing this exhibition.

ABCs of the Revolution

2020 ◽  
Vol 17 (3) ◽  
pp. 278-291
Author(s):  
Egor A. Yesyunin
Keyword(s):  
Civil War ◽  
Second World War ◽  
World War ◽  
Special Significance ◽  
Development History ◽  
The People ◽  
Red Army ◽  
History Of ◽  
Second World ◽  
The Revolution

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.

RISHTAN SCHOOL OF CERAMICS

2019 ◽  
Vol 16 (2) ◽  
pp. 73-77
Author(s):  
Akmal Marozikov ◽  
Keyword(s):  
Central Asia ◽  
Building Materials ◽  
Works Of Art ◽  
The World ◽  
Ferghana Valley ◽  
History Of ◽  
Made In ◽  
National Style

Ceramics is an area that has a long history of making clay bowls, bowls, plates,pitchers, bowls, bowls, bowls, pots, pans, toys, building materials and much more.Pottery developed in Central Asia in the XII-XIII centuries. Rishtan school, one of the oldest cities in the Ferghana Valley, is one of the largest centers of glazed ceramics inCentral Asia. Rishtan ceramics and miniatures are widely recognized among the peoples of the world and are considered one of the oldest cities in the Ferghana Valley. The article discusses the popularity of Rishtan masters, their products made in the national style,and works of art unique to any region

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