scholarly journals Remaking the Body Politic Anew through Mob and Gang

Venezia Arti ◽  
2019 ◽  
Author(s):  
David A.J. Murrieta Flores
Keyword(s):  
Body Politic ◽  
The State ◽  
The Body ◽  
The Other ◽  
Physical Force ◽  
Aesthetics And Politics ◽  
Avant Garde ◽  
The One

The aim is to analyse how the British, radical avant-garde collective King Mob (KM) and the American Up Against the Wall Motherfucker (UAWMF) developed an idea of the body rooted in the Gothic and Romantic imagery of the monster and the mob that emphasised the revolutionary potential of ugliness. The body bridged aesthetics and politics, co-extensive with organisational principles that confronted society at large. On the one hand, KM viewed the ugliness of the mob as a physical force whose imagery was strong enough to destabilise the State, while on the other, UAWMF understood the hostility of society towards the body of the hippie as the locus point of a new identity and discourse for it.

The Nature of Truth

1952 ◽  
Vol 5 (1) ◽  
pp. 24-28
Author(s):  
B. De Kretser
Keyword(s):  
Body Politic ◽  
The Body ◽  
The Other ◽  
Moral Truth ◽  
Religious Systems ◽  
The One

The consideration of this problem is important for at least two reasons. In many countries there are reports of an increasing decline in public morals and of growing dishonesty and corruption in the life of the body politic. This is taking place at a time when the established religious systems are being subjected to the pressure of pseudo-scientific secularism on the one hand and the claims of modern alternative faiths on the other. Clearly the two developments are interconnected. Yet, to judge from the burden of many public utterances of responsible leaders, including the now important and significant ‘Moral Re-armament’ Group, the close dependence of moral truth and the truth about the character of reality is not realised. Most people are content to mutter the usual platitudes—‘Honesty is the best policy’, ‘Do please try to be good and speak the truth’. But the problem of truth is more complicated than our naīve moralists would have us believe.

scholarly journals Theoretical and practical considerations regarding the study of cranial circulation by measuring blood pressure at the two ends of the carotid artery

2020 ◽  
Vol VI (2) ◽  
pp. 95-119
Author(s):  
F. N. Telyatnik
Keyword(s):  
Blood Pressure ◽  
Carotid Artery ◽  
Peripheral Nerve ◽  
Lower Limb ◽  
Blood Circulation ◽  
The State ◽  
The Body ◽  
The Other ◽  
Small Arteries ◽  
The One

Of all the methods of studying cranial blood circulation, which I will not list here, the best is the one in which the state of cranial blood circulation is judged by the blood pressure in the two ends of the carotid artery. Hrthle was the first to observe this method, and therefore the method itself is often called the Hrthle method. However, as Hrthle himself says, the idea of ​​a method existed before. So, A. Dastre and J. Morat, for the purpose of proving the existence of vasomotor fibers for the lower limb in n. ischiadicus, determined the blood pressure in the central end of one a. cruralis and in the peripheral end the other; on the side last n. ischiadicus overcame. With irritation of a peripheral nerve cut, the pressure increased in the peripheral end of the а. cruralis, remaining unchanged in the central cut. This increase in pressure in the operated limb, which coincides with the unchanged pressure in the rest of the body, proves that (with the indicated irritation) there is a reduction in small arteries.

To the pathogenesis of anemia in children

1930 ◽  
Vol 26 (4) ◽  
pp. 346-353
Author(s):  
E. P. Krever
Keyword(s):  
Red Blood Cells ◽  
Blood Cells ◽  
The State ◽  
The Body ◽  
The Other ◽  
Other Hand ◽  
The Difference ◽  
The One

Diseases that cause anemia are very diverse, and therefore it is very difficult to classify anemias according to their etiology, and due to various constitutional and other characteristics of the organism, the same cause can cause different phenomena. It is easier to approach the question of the cause of anemia by determining whether erythropoiesis suffers from this disease or whether there is an increased breakdown of red blood cells. In the body, the state of the blood is composed of two processes: on the one hand, erythropoiesis, on the other hand, the decay of erythrocytes. Demonstrative formula Yerringer'a E R D (Blutmauserung), where E is the number of erythrocytes, P is their production and D ~ destruction. As long as P balances M, the difference E. remains unchanged. If D, that is, hemolysis, increases more than P, then we get a hemolytic type of anemia. If D hemolysis remains unchanged, but P decreases we get an aplastic type of anemia.

Luminous Stuff: The Resurrection of the Flesh in Vaughan’s Religious Verse

2021 ◽  
pp. 101-123
Author(s):  
Daniel Juan Gil
Keyword(s):  
Natural World ◽  
The Body ◽  
The Other ◽  
Historical Time ◽  
Avant Garde ◽  
Other Hand ◽  
Religious Verse ◽  
Henry Vaughan ◽  
The One

Henry Vaughan asserts an understanding of resurrection as essentially and fundamentally about the body, and he understands resurrection to be “immanent” in the sense that signs of resurrection can already now be seen breaking into the here and now. Vaughan’s goal in his poetry is to uncover “Traces, and sounds of a strange kind,” as he puts it in “Vanity of Spirit.” Vaughan’s searching analysis of himself splits his bodily life into two: on the one hand, a socialized and historicized life and, on the other hand, a life that, in its material strangeness, is alien to his time and place and therefore the substrate of resurrection. At the same time, Vaughan is also interested in investigating the material stuff of the natural world separate from the uses and meanings that human languages impose upon it. By mystical attention to material stuff, including feathers, rocks, rainbows, and trees, Vaughan believes he can discover a perspective that transcends historical time. In that sense, Vaughan anticipates the Romantic poets. His formal experimentation is designed to make his poetry a tool to investigate the material strangeness of the person. As such, he develops a distinctively avant-garde poetics as theorized by Peter Bürger.

World Ages and the Body Politic

1961 ◽  
Vol 54 (3) ◽  
pp. 131-140
Author(s):  
H. J. Rose
Keyword(s):  
Body Politic ◽  
Early Period ◽  
The Body ◽  
The Other ◽  
Wide Spread ◽  
The Earth ◽  
The World ◽  
Pass Through ◽  
The One ◽  
The Universe

When, at an unknown but manifestly early period, speculation regarding the duration and destiny of the world began, the thinkers of those days had two analogies to guide them, and consequently two divergent conclusions were reached. The first was the recurrent cycle of the seasons; the second, the growth, maturity, decay and death of the human and all other animal bodies. Reasoning from the one, some arrived at the conclusion that the world, at least the earth and mankind, had passed and would always continue to pass through a series of epochs, limited in number, which when they had ended would recommence, and so on indefinitely. From the other datum the result was reached that as a man dies and does not come to life again (for even the fairly wide-spread and early doctrine of reincarnation supposed only that the soul would be given a new earthly body of some kind, not that the whole individual would return), so the earth, or the universe generally, would grow old and die and that would be the end of it. It is the purpose of this paper to examine these two ideas and one or two offshoots of them as they are known to have appeared in the two classical civilizations of Europe, and especially in Greece, and if possible to draw some tentative conclusions as to which, if either, can be found more characteristic of native thought.

scholarly journals Salvador Dalí, i ritratti ibridi degli anni Venti

Venezia Arti ◽  
2019 ◽  
Author(s):  
Elide Pittarello
Keyword(s):  
The Body ◽  
The Self ◽  
The Other ◽  
Luis Bunuel ◽  
Avant Garde ◽  
Salvador Dali ◽  
European Culture ◽  
The Subject ◽  
The One ◽  
Porous Boundaries

The life and artworks of Salvador Dalí (1904-1989) are closely interconnected and thoroughly documented. Returning to the hybrid portraits painted by the young artist in the 1920s gives us, on the one hand, the chance to recall a phase in his maturing process which, with few exceptions, is often undervalued by art historians and curators, especially those who are not Spanish. On the other, it can allow us to reaffirm Federico García Lorca’s crucial role in their conception and iconic execution between 1925 and 1927. After the influence of the painter Rafael Barradas from Uruguay, Dalí chose the authoritative model of Picasso, the undisputed master. Encouraged by Luis Buñuel, who had moved to Paris, Dalí visited Picasso in 1926. After that meeting he started to paint multiple heads and self-portraits which include García Lorca’s silhouette. As to avant-garde arts and their porous boundaries, the friendship uniting García Lorca, Buñuel and Dalí was fructuous from the time when they lived at the Residencia de Estudiantes in Madrid. In this institution, open to the most original innovations of European culture, certain aesthetic motives emerged which each developed in his own inimitable way: the subject as a mask, the self being the other, the body reduced into pieces of anatomy, putrefied remains, aberrant mix of organic and inorganic stuff.

scholarly journals The Body Politic Metaphor in Communal and Post-Communal Italy – Some Remarks on the Case of Lombardy

2020 ◽  
Vol 25 (1) ◽  
pp. 8-21
Author(s):  
Andrea Gamberini
Keyword(s):  
Middle Ages ◽  
State Formation ◽  
Political Thought ◽  
Political Action ◽  
Body Politic ◽  
Public Debate ◽  
The Body ◽  
The Other ◽  
Late Middle Ages ◽  
The One

Abstract This paper uses the body politic metaphor to explore the dialectic of power between different political players in communal and post-communal Lombardy. On the one hand, notions of corporeal links, drawing upon an ancient and venerable tradition, were key strands of public debate on state formation in the Late Middle Ages. On the other hand, there were distinctively communal and post-communal discourses based upon the body politic metaphor. My purpose is to investigate all of these aspects through analysis of the so-called “pragmatic writings” (such as letters, decrees, notarial deeds), sources usually overlooked by historians of political thought. As is shown in this paper, the novelty of this approach makes it possible to appreciate corporeal metaphors as performative tools and instruments of political action.

scholarly journals Procreation and Cooperation. On Futurist Reproduction Postulates

2019 ◽  
Vol 34 (4) ◽  
pp. 107-129
Author(s):  
Marta Baron-Milian
Keyword(s):  
Social Institutions ◽  
The State ◽  
The Body ◽  
The Other ◽  
The Political ◽  
Material Functions ◽  
State Apparatus ◽  
The One

The article constitutes an attempt at analysing futurist pronatalist discourse, on the basis of the manifestos and artistic praxis of the Futurists. The reproduction postulates, prevalent in the works of the Polish Futurists and usually placed in the context of vitalism, characteristic of the 1920s, are shown from a biopolitical perspective, emphasizing the intersection of the biological with the political and social horizons. The author attempts to trace especially the political entanglements of the “population project” of the Polish Futurists, which turns out be marked by numerous paradoxes, situating itself between the pronatalist rhetoric typical of nationalistdiscourse (on the one hand, the discourse promoted by F.T. Marinetti, and on the other, the one formulated in Poland directly after regaining independence) and thinking in terms of a community which starts from the material functions of the body. In this second context, the reproduction postulates are not only an attack on bourgeois morality, but are closely connected with the futurist critique of all social institutions and the state apparatus with its biopolitical dispositions.

Bastard Feudalism and the Framing of Thirteenth-Century England

2018 ◽  
Author(s):  
Peter Coss
Keyword(s):  
Middle Ages ◽  
Thirteenth Century ◽  
Twelfth Century ◽  
The State ◽  
The Other ◽  
Great Work ◽  
Early Middle Ages ◽  
The One ◽  
The Relationship

In the introduction to his great work of 2005, Framing the Early Middle Ages, Chris Wickham urged not only the necessity of carefully framing our studies at the outset but also the importance of closely defining the words and concepts that we employ, the avoidance ‘cultural sollipsism’ wherever possible and the need to pay particular attention to continuities and discontinuities. Chris has, of course, followed these precepts on a vast scale. My aim in this chapter is a modest one. I aim to review the framing of thirteenth-century England in terms of two only of Chris’s themes: the aristocracy and the state—and even then primarily in terms of the relationship between the two. By the thirteenth century I mean a long thirteenth century stretching from the period of the Angevin reforms of the later twelfth century on the one hand to the early to mid-fourteenth on the other; the reasons for taking this span will, I hope, become clearer during the course of the chapter, but few would doubt that it has a validity.

SEEING AND HEARING DISABILITY IN MAURICIO KAGEL'S REPERTOIRE FROM STAATSTHEATER

Tempo ◽  
2021 ◽  
Vol 75 (296) ◽  
pp. 7-20
Author(s):  
Bethany Younge
Keyword(s):  
Disability Studies ◽  
Social Institutions ◽  
The Body ◽  
Avant Garde ◽  
Hearing Disability ◽  
Physical Action ◽  
The One ◽  
Traditional Roles

AbstractThis article adopts a disability studies perspective to evaluate the ways in which Mauricio Kagel's Repertoire from Staatstheater reimagines human bodies. Objects and bodies interact in myriad ways within the one hundred vignettes of Repertoire: some objects hinder or aid the bodies on stage, while others become incorporated within the body, acting as a single expressive unit. My analysis demonstrates the ways in which both objects and bodies transform their traditional roles as ascribed by society, rejecting procrustean physiques. Using disability studies concepts such as embodiment and experientialism I evaluate sound and physical action as inextricable expressions of imaginative corporealities. Reflecting upon Kagel's identity as an outsider of the European avant-garde, as well as his irreverence for oppressive social institutions, I evince that other forms of hierarchical disruptions are at play, namely that abled bodies do not preside over disabled ones and notions of beauty hold no clout.

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