scholarly journals Forensic Traceological Analysis of Works of Visual Arts

2020 ◽  
Vol 15 (3) ◽  
pp. 106-123
Author(s):  
Sh. N. Khaziev
Keyword(s):  
Visual Arts ◽  
Research Methodology ◽  
Essential Role ◽  
Forensic Analysis ◽  
Forensic Research ◽  
Works Of Art

The article discusses the fundamentals of traceological forensic analysis of visual artworks within both the framework of forensic traceological examination and comprehensive forensic research with the participation of expert-traceologists. Works of art are investigated to identify them, diagnose their condition, and establish the origin of various negative changes. Forensic traceology methods can play an essential role in the controversial attributions of paintings, drawings, and sculptures. The necessity and feasibility of developing a modern forensic traceological research methodology of fine artworks are substantiated.

scholarly journals Artificial intelligence in artistic practices

2021 ◽  
pp. 41-50
Author(s):  
Asmati Chibalashvili
Keyword(s):  
Neural Network ◽  
Artificial Intelligence ◽  
Visual Arts ◽  
Human Condition ◽  
Human Intervention ◽  
Basic Principles ◽  
Generative Art ◽  
Works Of Art ◽  
Artificial Intelligence Technology ◽  
Emotionally Intelligent

The article considers methods of involving artificial intelligence in artistic practices. Based on the analysis of ways to use this technology in visual arts and music, the basic principles of working with artificial intelligence technology are identified, including: imitation of historical art, implemented in projects The Next Rembrandt and Choral; generative art, which is found in the works “Hyperbolic Composition І” and “Hyperbolic Composition ІІ” of S. Eaton and also in the AIVA program (Artificial Intelligence Virtual Artist). The importance of the mechanisms of neurobiology in the process of working with artificial intelligence on the example of the project “Neural Zoo” of S. Crespo, Iamus program, in which the development of musical material is based on the principle of evolution, is stated. In the application Endel and in the opera “Emotionally intelligent” Artificially Intelligent Brainwave Opera» of E. Perlman, a neural network is used to read information about the human condition and its further processing for modification into a sound landscape or image. The development of artificial intelligence and its use in artistic practices opens up new opportunities, expanding both the field of authors of artistic content and attracting new audience. This phenomenon provokes many issues, including: the ability to think artificially of artificial intelligence, the ability to create works of art without human intervention, as well as issues related to copyright.

The Gastronomy of the Eye

2020 ◽  
pp. 175-198
Author(s):  
Vrushali Dhage
Keyword(s):  
Essential Role ◽  
Historical Perspective ◽  
Smart Cities ◽  
Methodological Approach ◽  
Economic Liberalization ◽  
The Other ◽  
Works Of Art

Works of art can be read at various levels: from being objects of simple retinal pleasure to the other extreme of being significant critical statements of their time. This chapter aims to strike a cerebral dialogue through the works of art. The current study shall consider the latter function of art and analyze the methods in which contemporary Indian artists have made attempts to provide a critique of the early initiatives towards developing Delhi and Mumbai as ‘smart cities'. The review of works from India concludes the essential role of infrastructural projects and envisioned spaces built in the era of economic liberalization. The study aims at drawing a methodological approach, with an art historical perspective, with the artists analysing and translating the urban experiential phenomenon, into artworks.

scholarly journals ANALISIS FORMALISTIK DALAM MEMAKNAI SIMBOL BUDAYA MELAYU ABSTRAK

2015 ◽  
Vol 3 (2) ◽  
pp. 49-72
Author(s):  
LIZA MARZIANA MOHAMMAD NOH ◽  
HAMDZUN HARON ◽  
JASNI DOLAH
Keyword(s):  
Visual Arts ◽  
General Public ◽  
Modern Art ◽  
Fundamental Question ◽  
Work Of Art ◽  
Physical Data ◽  
Works Of Art ◽  
National Heritage ◽  
Analyze Data

Untuk menghayati sesebuah karya seni pokok persoalan yang hendak dikaji bukanlah keindahan sematamata tetapi unsur yang menyebabkan sesuatu simbol itu terjelma. Subjek, bentuk dan makna adalahtiga aspek dalam simbol yang menjadi asas kepada penghayatan sesebuah seni. Ketiga-tiganya salingberhubungan dan tidak boleh di pisahkan kerana daripadanya kesatuan karya terbentuk seterusnyamenjelaskan gagasan seniman. Demikian dalam memaknai karya, unsur seni adalah penting untuk dikajisebagai data fizikal yang bertindak dalam menghubungkan konteks sesuatu karya itu. Kertas kerja inimenerangkan penggunaan unsur-unsur formalistik untuk menganalisa data bagi memaknai simbol budayaMelayu dalam karya seni catan moden Malaysia. Dengan menjadikan Balai Seni Visual Negara sebagailokasi kajian, kertas kerja ini merujuk buku himpunan warisan tampak negara 1958-2003 terbitan BalaiSeni Visual Negara. Sebanyak empat karya di tahun 1970an sehingga 2000 dipilih bagi menyiasat bentukdan maknanya. Sebagai kesimpulan, kertas kerja ini diharapkan dapat mendedahkan kepada masyarakatumum dan peminat seni khususnya mengenai analisis formalistik sebagai satu cara menganalisa karyaseni. In appreciate of a work of art the fundamental question to be examined is not the sheer beauty but anelement that causes a transformed symbol. Subject, form and meaning in symbols are three aspects thatare fundamental to the appreciation of art. All three are interconnected and cannot be separated to formthe whole aert work and subsequently to define the notion of artistism. Thus in defining an art work, artis an important element to be studied as the physical data in relating the context of the piece of artwork.This paper describes the use of formalistic elements to analyze data to interpret the symbol of Malayculture in Malaysian modern art paintings. By making the National Visual Arts Gallery as the locationfor research, this paper refers to the compilation books of national heritage published in 1958-2003 byNational Visual Arts Gallery. A total of four works from 1970s up to 2000 are selected to investigatethe forms and meanings. In conclusion, this paper is expected to disclose to the general public and artenthusiasts in particular on formalistic analysis as a means of analyzing works of art.

scholarly journals THE CHARACTER ANALYSIS OF THE MAIN CHARACTERS AND THE SUBORDINATE CHARACTERS IN DILAN 1990 MOVIE AS A STUDY OF LITERARY PSYCHOLOGY

2020 ◽  
Vol 8 (2) ◽  
pp. 281-293
Author(s):  
Meiva Eka Sri Sulistyawati ◽  
Chodidjah ◽  
Adelia Taufinata
Keyword(s):  
Key Words ◽  
Research Methodology ◽  
Structural Assessment ◽  
Character Analysis ◽  
Works Of Art ◽  
Data Source ◽  
Library Method ◽  
Descriptive Qualitative

Cinema and Literature are two distinct but equally extraordinary works of art. Though both these arts have certain connections and differences, both have a similarity of taking its readers/audience to a different world. The purpose of this study is to analyze the characters of the main and subordinate characters through a review of a study of literary psychology. The data source in this study uses a film entitled Dilan 1990 which is created by Pidi Baiq. The research methodology used in this study is descriptive qualitative using the library method and also structural assessment in making work designs. In connection with the results of the analysis of this study it can be recommended that this analysis be suitable to be presented to us since it has many positive values to give us a lesson. Like loving each other, being honest, and achieving the highest achievement. Key Words: cinema, film, literature, literary psychology, library method

scholarly journals Application of Specialized Linguistic Knowledge in Legal Proceedings: Differentiation and Integration

2021 ◽  
Vol 16 (3) ◽  
pp. 17-25
Author(s):  
Vitaly O. Kuznetsov
Keyword(s):  
Intellectual Property ◽  
Forensic Science ◽  
Forensic Analysis ◽  
Linguistic Knowledge ◽  
Quality Level ◽  
Sound Recordings ◽  
Legal Proceedings ◽  
Forensic Research ◽  
Complex Problems

The article addresses the influence of multidirectional processes of differentiation and integration of specialized linguistic knowledge on the development of forensic science and the practice of expert research, where it is used. The author highlights that both processes contribute to developing theoretical and methodological provisions that allow experts to solve new and complex problems at a higher quality level. The role of differentiation of specialized linguistic knowledge is to create new kinds and types of forensic examinations: author’s, linguistic, forensic analysis of video and sound recordings, forensic research of intellectual property objects. At the same time, the integration of specialized linguistic knowledge ensures the development of the whole scientific direction.

New Emerging Technologies and ICT and Their Impact on Women Entrepreneurs' Success

2019 ◽  
pp. 144-166
Author(s):  
Florica Tomos ◽  
Saraswathy Thurairaj
Keyword(s):  
Economic Growth ◽  
Literature Review ◽  
Empirical Study ◽  
Research Methodology ◽  
Women Entrepreneurs ◽  
Essential Role ◽  
Emerging Technologies ◽  
Mixed Methodology ◽  
Methods Of Learning ◽  
The Impact

Women entrepreneurs have an essential role for the economic growth of a country. Furthermore, ICTs and new emerging technologies facilitate the increase in number of women entrepreneurs who access education, training, and start their businesses from home. The purpose of this chapter is to investigate the impact of new emerging technologies and ICTs on women entrepreneurs' success through an empirical study conducted in SE Wales and by means of the literature review in Malaysia. Furthermore, the chapter attempts to find out women entrepreneurs' styles and methods of learning with new emerging technologies and ICTs in the SE Wales and Malaysia. The research methodology used in this study is mixed methodology.

Greek Skoptic Epigram, Ecphrasis, and the Visual Arts

2019 ◽  
pp. 307-323 ◽  
Author(s):  
Lucia Floridi
Keyword(s):  
Visual Arts ◽  
Mental Images ◽  
Works Of Art ◽  
The Subject

Chapter 18 explores the interaction of skoptic epigram with the ecphrastic subgenre and the visual arts. It argues that skoptic epigram satirizes unskilled artists or the subject of their works of art, reversing ecphrastic topoi; sometimes motifs and devices closely tied with specific works of art or iconographic motifs are adapted, altering the role that they hold in ecphrastic models. In spite of its jocular character, skoptic epigram thus elicits the same kind of response prompted by an actual ecphrastic epigram, since it implicitly requests its audience to supplement the poet’s words with mental images of specific iconographic models. Such a visualisation serves the purpose of enhancing the effect of the joke.

Stadtwollen: Benjamin's Arcades Project and the Problem of Method

PMLA ◽  
2007 ◽  
Vol 122 (1) ◽  
pp. 43-60 ◽  
Author(s):  
Katherine Arens
Keyword(s):  
Visual Arts ◽  
The Political ◽  
Modern City ◽  
Works Of Art ◽  
Arcades Project ◽  
Historical Grammar ◽  
The City

Walter Benjamin's Arcades Project (Passagen-Werk) is discussed here as an unacknowledged treatise on methodology: a hermeneutics of the modern city that aims to interpret how a city is evidence of an era's Wollen, its drive to manifest its self–understanding in distinctive material forms. My coinage Stadtwollen alludes to an undervalued source for Benjamin: Alois Riegl's Historical Grammar of the Visual Arts (1897–98), which discusses a Kunstwollen, a collective will to art, or a drive leading a culture to create works of art revealing and predicating its self–understanding. This essay sets Riegl's treatise next to Convolute N of the Passagen-Werk and the project's two Exposés (1931 and 1933) in order to illuminate Benjamin's critical–materialist phenomenology and hermeneutics of the city as encompassing new classes of technical–industrial artifacts–a discourse on method sensitive to the political critiques initiated by Marxism but far outdistancing the claims to epistemological critique made by his era's Marxisms.

scholarly journals Morning, Paramin

2018 ◽  
Vol 92 (3-4) ◽  
pp. 245-273
Author(s):  
Maria Cristina Fumagalli
Keyword(s):  
Visual Arts ◽  
Derek Walcott ◽  
Works Of Art ◽  
The Right ◽  
The Way

Abstract In Morning, Paramin (2016), 51 new poems by Derek Walcott are in dialogue with 51 paintings by Peter Doig. Walcott, also an accomplished painter, has often engaged with the visual arts, but this is the first volume in which every poem “cor-responds” to a painting, offering unique opportunities to examine Walcott’s ekphrastic practices and the way in which they might offer alternatives to current paradigms. Rejecting the paradigm of a paragonal struggle for dominance, I will argue that Morning, Paramin is shaped by an ekphrasis of Relation (resonating with Glissant’s poetics of Relation) in which the verbal and the visual interact in complex ways, exercising mutual reclaimings of agency and transformative dialogues that engender new composite works of art governed by a noncompetitive, nonexploitative approach; as otherness is reconfigured, the right to “opacity” is upheld, and each image and word contribute to a whole bigger than the sum of its parts.

Criticizing and Evaluating the Visual Arts in India: Preliminary Example

1988 ◽  
Vol 47 (1) ◽  
pp. 3-28 ◽  
Author(s):  
Joanna Williams
Keyword(s):  
Visual Arts ◽  
Work Of Art ◽  
Works Of Art ◽  
The Way

By what standards should we judge works of art from another culture or era? We are generally used to the idea that understanding the meaning of an image requires consideration of its distinctive context—literary, religious, social, and so on. Evaluating the quality of a work of art is another specific case of this broad dilemma of understanding. Do we evaluate good and bad images by the “proper” criteria and in the way that is appropriate to them?

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