scholarly journals Characters of Ancient Architectural Orders and their Mannerist Interpretation in Dietterlin’s Book from 1598

2021 ◽  
Vol 7 (2) ◽  
pp. 227-256
Author(s):  
Vladimir Mako
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Cultural Identity ◽  
Historical Development ◽  
Social Aspects ◽  
Architectural Orders

The aim of this paper is to explore a particular metaphorical pictorial language used by German mannerist painter Wendel Dietterlin in his book on architecture at the end of the sixteenth century. It was formed through personal imaginary interpretation of the Vitruvian notion regarding personal characters of the five ancient architectural Orders. In that context it has all aspects of the mannerist approach in inventing metaphorical meanings by combining ancient, mediaeval, and contemporary narratives. However, in that process Dietterlin unavoidably refers to cultural and social aspects of his time, particularly when reflecting on the issue of the invention of the ‘new [German] architecture’. By this, Dietterlin enters the group of the majority of German sixteenth and seventeenth century authors on architecture emphasizing one particular prerogative in their writings: to merge the ancient roots with the longing for a coherent German cultural identity. However, it seems that in the process of narration, used to ‘invent’ new forms of architectural expression, Dietterlin refers also on particularities related to the historical development of mankind in a personal manner.

Morbid Jealousy: Some Clinical and Social Aspects of a Psychiatric Symptom

1961 ◽  
Vol 107 (449) ◽  
pp. 687-753 ◽  
Author(s):  
Michael Shepherd
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
Human Nature ◽  
Psychiatric Symptom ◽  
English Language ◽  
Social Aspects ◽  
Early Nineteenth Century ◽  
Green Is ◽  
French Word

Jealousy is more than a psychiatric symptom. Its language is universal: the conduct and feelings of the jealous man and woman have repeatedly drawn the attention of the great observers of human nature, the moralists and the philosophers as well as the poets and the novelists. They have, on the whole, described the reaction more successfully than they have defined it. Even the most celebrated definitions—Descartes' “kind of fear related to a desire to preserve a possession” or Spinoza's “mixture of hate and love”, for example— merely illustrate the complexity of a term whose many nuances of meaning can be detected in its roots. The English adjective “jealous” and the noun “jealousy” are derived respectively from the French “jaloux” and “jalousie”, both taken from the old Provençal “gilos”; “gilos” in turn may be traced back to the vulgar Latin adjective “zelosus” which comes from the late Latin “zelus” and so indirectly from the Greek ζηλoς. In its transmission the word has thus been debased. It has ceased to denote “zeal” or “ardour”; the “noble passion” which stood opposed to “envy” for the Greeks has acquired a pejorative quality. In modern German the distinction is preserved verbally, “Eifersucht” having been formed from the original “Eifer” (zeal) and the suffix “-sucht”, which is cognate with “siech”, meaning “sickly”. Amorous jealousy claims associations of its own. During the seventeenth century the French word “jalousie” acquired the meaning of “blind” or “shutter”; in this sense it entered the English language as a noun in the early nineteenth century; the transmutation is thought to have signified a jocular reference to the suspicious husband or lover who could watch unobserved behind the jalousie; the Italian word “gelosia” is used in this way as early as the middle of the sixteenth century. In the Scandinavian languages separate words designate amorous jealousy. (1) The Swedish “svartsjuk”, literally “black sick”, is taken from an old expression which identified jealousy with the wearing of black socks; the Danish “skinsyg”, “afraid of getting skin (a rebuff)”, harks back to an old link of jealousy with skin which may in turn have been connected with hose or socks. (2) The origin of the colours which are traditionally employed to depict jealousy, especially black, yellow and green, is obscure.

Justice, Authority and the Creation of the Ancien Rgime in Italy

1984 ◽  
Vol 34 ◽  
pp. 71-89
Author(s):  
Judith A. Hook
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Historical Development ◽  
Medieval Italy ◽  
The Creation ◽  
City States ◽  
Corporate State ◽  
The City ◽  
The Church ◽  
Grand Duchy

IN the fifteenth and particularly in the sixteenth century one obvious casualty of historical development was the corporate state, embodied in the city states and communes of medieval Italy. Whether conquered by powerful foreign powers, or succumbing to the attractions of a locally-based signore, with the notable, and frequently-lauded, exception of Venice, whose proudest boast remained that her affairs were governed with laws, all the Italian communes had collapsed by the beginning of the seventeenth century and the norm of political organisation had become the highly centralised, absolutist monarchy, typified by the Church State, the Grand Duchy of Tuscany, and the Duchy of Savoy.

Academic Feud, Bloodfeud, and William Welwood: Legal Education in St Andrews, 1560–1611-Part I

1998 ◽  
Vol 2 (2) ◽  
pp. 158-179 ◽  
Author(s):  
John W Cairns
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Legal History ◽  
Legal Education ◽  
Civil Law ◽  
Legal Culture ◽  
Roman Law ◽  
Joint Meeting ◽  
Academic Education

This article, in earlier versions presented as a paper to the Edinburgh Roman Law Group on 10 December 1993 and to the joint meeting of the London Roman Law Group and London Legal History Seminar on 7 February 1997, addresses the puzzle of the end of law teaching in the Scottish universities at the start of the seventeenth century at the very time when there was strong pressure for the advocates of the Scots bar to have an academic education in Civil Law. It demonstrates that the answer is to be found in the life of William Welwood, the last Professor of Law in St Andrews, while making some general points about bloodfeud in Scotland, the legal culture of the sixteenth century, and the implications of this for Scottish legal history. It is in two parts, the second of which will appear in the next issue of the Edinburgh Law Review.

The Musical Topic of the Mass in B Minor

2018 ◽  
Author(s):  
Daniel R. Melamed
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
Church Music ◽  
Sacred Music ◽  
The Other ◽  
Entire Spectrum ◽  
Giovanni Pierluigi Da Palestrina ◽  
Early Eighteenth Century

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.

Lutherans and the Suffering of Christ

2017 ◽  
Author(s):  
Bridget Heal
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Case Studies ◽  
Virgin Mary ◽  
Devotional Literature ◽  
Physical Pain ◽  
Late Medieval ◽  
Mining Region

Chapter 5 focuses on one particular type of Lutheran devotional image: the crucifix. It examines transformations in Lutheran Passion piety from the early Reformation to the era of Paul Gerhardt (1607–76), using this to illustrate the increasing significance accorded to images. Luther himself had condemned the excesses of late-medieval Passion piety, with its emphasis on compassion for Christ and the Virgin Mary, on physical pain and on tears. From the later sixteenth century onwards, however, Lutheran sermons, devotional literature, prayers and poetry described Christ’s suffering in increasingly graphic terms. Alongside this, late-medieval images of the Passion were restored and new images were produced. Drawing on case studies from the Erzgebirge, a prosperous mining region in southern Saxony, and Upper Lusatia, the chapter investigates the ways in which images of the Passion were used in Lutheran communities during the seventeenth century.

Commercial Linkages with Central Asia and Iran

2020 ◽  
Author(s):  
Scott C. Levi
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Central Asia ◽  
Family Firms ◽  
Indian Region ◽  
Maritime Trade ◽  
Historical Sources ◽  
The Caucasus ◽  
Commercial System ◽  
Northern India

While it may seem counterintuitive, the increase in Mughal India’s maritime trade contributed to a tightening of overland commercial connections with its Asian neighbors. The primary agents in this process were “Multanis,” members of any number of heavily capitalized, caste-based family firms centered in the northwest Indian region of Multan. The Multani firms had earlier developed an integrated commercial system that extended across the Punjab, Sind, and much of northern India. In the middle of the sixteenth century, Multanis first appear in historical sources as having established their own communities in Central Asia and Iran. By the middle of the seventeenth century, at any given point in time, a rotating population of some 35,000 Indian merchants orchestrated a network of communities that extended across dozens, if not hundreds, of cities and villages in Afghanistan, Central Asia, and Iran, stretching up the Caucasus and into Russia.

Hymnody and Liturgy

2019 ◽  
pp. 491-506
Author(s):  
Jonathan Hehn
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
North American ◽  
John Calvin ◽  
Church Of Scotland ◽  
Metrical Psalmody ◽  
History Of ◽  
The Church

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.

Presidential Address: Tudor Government: The Points of Contact III. The Court

1976 ◽  
Vol 26 ◽  
pp. 211-228 ◽  
Author(s):  
G. R. Elton
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Presidential Address ◽  
The Political ◽  
Henry Viii ◽  
Interesting Topic ◽  
History Books

WHEN on the previous two occasions I discussed Parliament and Council as political centres, as institutions capable of assisting or undermining stability in the nation, I had to draw attention to quite a few unanswered questions. However, I also found a large amount of well established knowledge on which to rely. Now, in considering the role of the King's or Queen's Court, I stand more baffled than ever, more deserted. We all know that there was a Court, and we all use the term with frequent ease, but we seem to have taken it so much for granted that we have done almost nothing to investigate it seriously. Lavish descriptions abound of lavish occasions, both in the journalism of the sixteenth century and in the history books, but the sort of study which could really tell us what it was, what part it played in affairs, and even how things went there for this or that person, seems to be confined to a few important articles. At times it has all the appearance of a fully fledged institution; at others it seems to be no more than a convenient conceptual piece of shorthand, covering certain people, certain behaviour, certain attitudes. As so often, the shadows of the seventeenth century stretch back into the sixteenth, to obscure our vision. Analysts of the reigns of the first two Stuarts, endeavouring to explain the political troubles of that age, increasingly concentrate upon an alleged conflict between the Court and the Country; and so we are tempted, once again, to seek the prehistory of the ever interesting topic in the age of Elizabeth or even Henry VIII.

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