scholarly journals Towards New Ways of Representing History: Generic Innovations in the Historical Biopic in Spain

2021 ◽  
Vol 9 (16) ◽  
pp. 52-74
Author(s):  
Victoria Pastor-González
Keyword(s):  
Comparative Analysis ◽  
Narrative Strategies ◽  
Innovative Strategies ◽  
The Public ◽  
Public Arena ◽  
The Past ◽  
Female Figures ◽  
Alejandro Amenabar ◽  
Representing History

As virtual sites of public memorialization, historical biopics play an important part in shaping our view of the past. The genre employs a range of formal and narrative strategies in order to create persuasive narratives about historical characters and events. However, nation-specific socio-cultural and industrial conditions frequently determine whose lives are deserving of biographical treatment and how their stories are told. The following comparative analysis of two recent historical biopics, Clara Campoamor, The Forgotten Woman (Clara Campoamor, la mujer olvidada, Laura Mañá, 2011) and While at War (Mientras dure la guerra, Alejandro Amenábar, 2019), foregrounds some of these nation-specific circumstances in the Spanish context. It then proposes that these two works employ innovative strategies that signal possible new avenues for the historical biopic in Spain. In the case of Clara Campoamor, Mañá suggests alternative ways of representing historical female figures in the public arena, whilst in his film Amenábar mobilizes the conventions of the Hollywood biopic to aid transnational readability.

scholarly journals Historical graffiti and mass culture. A vision from the Public Archaeology

2019 ◽  
Vol 8 (1) ◽  
pp. 95
Author(s):  
Alberto Polo Romero ◽  
Diana Morales Manzanares
Keyword(s):  
Comparative Analysis ◽  
Mass Culture ◽  
Daily Life ◽  
Theoretical Framework ◽  
Public Archaeology ◽  
General Audience ◽  
The Public ◽  
The Past ◽  
The Subject

The paper we present here contains prehistoric and historical graffiti representation forms in cinema and series aimed at the general audience. Making an analysis of these graffiti as one of the testimonies of emotions, daily life, society worries and its contexts, we consider very relevant its representation in cinema stages throughout history.This text represents a first analysis of typologies, forms, appearance contexts and also graffiti making procedure. Considering all these aspects, we have carried out a comparative analysis between their appearance in these films and the scientific historical graffiti studies from branches as History and Archaeology during the last decades.Accordingly, is our main objective to get deeper into the subject of the past image developed to mass culture within the Public archaeology theoretical framework. 

scholarly journals Comparative Analysis of Recruitment Systems in the Public Sector in Greece and Europe: Trends and Outlook for Staff Selection Systems in the Greek Public Sector

2017 ◽  
Vol 6 (1) ◽  
pp. 21-30 ◽  
Author(s):  
Ifaistion Papapolychroniadis ◽  
Ioannis Rossidis ◽  
George Aspridis
Keyword(s):  
Comparative Analysis ◽  
Public Sector ◽  
Public Administration ◽  
Growth Form ◽  
Selection Process ◽  
Current System ◽  
The Public ◽  
The Past ◽  
Selection Systems ◽  
Recruitment System

Abstract The current economic, social, political and technological conditions and the ever-increasing demands for higher growth, form the perpetual need for improvement of the public sector administrative operations. One of the major problems to be overridden by the Greek public administration (from which originated numerous pathogens) is the dysfunctional recruitment system. For decades, the Greek recruitment system faced widespread problems such as lack of meritocracy and corruption because of the intense patronage state. The current system has undergone many improvements, but certain deficiencies and pathogens of the past continue to exist to a large extent. This article provides a comparative analysis of recruitment systems in Greece and in Europe attempting to reduce good practices to improve the existing selection process in the Greek public sector. The ultimate goal of the study is to contribute to the strengthening of the recruitment systems in Greece, supporting respectively the effort to improve the overall efficiency of the country’s public administration.

scholarly journals Addressing Absence

2006 ◽  
Vol 20 (1) ◽  
pp. 117-132 ◽  
Author(s):  
Abhijit Banerjee ◽  
Esther Duflo
Keyword(s):  
Primary Schools ◽  
Health Facilities ◽  
Evaluation Methodology ◽  
Health Providers ◽  
Innovative Strategies ◽  
The Public ◽  
Active Involvement ◽  
The Past ◽  
Randomized Evaluation ◽  
Shed Light

Absent providers are a major problem both for public health facilities and primary schools in many developing countries. For example, in India, absence rates for teachers are over 24 percent, and for health providers they are over 40 percent. This paper presents evidence on a number of innovative strategies to reduce absenteeism in government– and nongovernmental organization–run schools and health facilities. These strategies were implemented in Kenya and India over the past few years and have been evaluated using the randomized evaluation methodology. The strategies involved alternative levers to fight absence. Some tried to improve incentives for providers, either through rewards and punishments implemented by external monitors, or through facilitating a more active involvement of those who expect to benefit from the service. Others are based on the idea that the providers are discouraged by the lack of interest among the potential beneficiaries in what they are being offered; these strategies aim at increasing the demand for the services as a way of putting more pressure on the providers. The results of these efforts, taken together, shed light not only on ways to address the problem of absence in the public sector, but also on the underlying reasons for this phenomenon.

scholarly journals 重建帝國﹕歷史正劇與中國當代民族主義在大眾文化中的新的表現形式 (Rebuilding the Empire: Historical TV Drama and the New Expressive Form of Cultural Nationalism)

2007 ◽  
Vol 4 (1) ◽  
Author(s):  
Shuyu Kong
Keyword(s):  
Cultural Nationalism ◽  
Modern China ◽  
Narrative Strategies ◽  
Historical Drama ◽  
The Past ◽  
Private Lives ◽  
The Social ◽  
Court Politics ◽  
Families First ◽  
Representing History

This paper explores the discourse of cultural nationalism and its recent articulation in historical TV dramas (Lishi ju): TV serials set in the Chinese imperial past and depicting court politics and the private lives of imperial families. First, I briefly survey the recent resurgence of historical drama on the TV screen, especially comparing two different ways of representing history: “history light” (xishuo) and “history orthodox” (zhengju). While history light, a new genre strongly influenced by the costume dramas imported from Hong Kong and Taiwan, emphasizes the entertainment values of popular culture and adopts a postmodern attitude towards history, history orthodox renews the pedagogical tradition and the moralistic narrative of historical drama in modern China since the May Fourth enlightenment movement. I then focus on TV dramas in the history orthodox mode and their ideological messages, examining two representative works by Hu Mei: Yongzheng Dynasty (Yongzheng wangchao, 1999) and The Great Emperor Wu of Han (Hanwu dadi, 2005). While drawing attention to the various narrative strategies, intertextualities and audio-visual styles employed in these dramas to represent the glorious national history and portray a strong leader (the emperor) as national hero, I also provide a contextual analysis of the production and circulation of these two dramas as well as the critical and media response to them, to reveal the social agencies and social formation of these dramas behind the screen. I suggest that the revisionist reframing of the past in historical TV drama reflects a new nationalist historical consciousness and cultural identity borne out of China’s rapid rise and aspirations to become an economic and political superpower.

Introduction to Special Issue

2014 ◽  
Vol 79 (1) ◽  
pp. 3-7
Author(s):  
Jeroen de Ridder
Keyword(s):  
Large Scale ◽  
Western Europe ◽  
Science And Religion ◽  
Special Issue ◽  
The Public ◽  
Public Arena ◽  
The Past ◽  
Gradual Disappearance ◽  
The Relationship

Discussions about the relationship between science and religion have never been absent from the public arena, but they seem to have made something of a comeback in the past decade or two. It is hard to say what accounts for such large-scale developments in society. Perhaps it has something to do with the fact that it has become increasingly clear that the secularization thesis, i.e., the claim that the modernization and rationalization of societies goes hand in hand with the gradual disappearance of religion, must be put to rest at the graveyard of disconfirmed sociological predictions. Religion is here to stay, it now appears. Thoroughly secularized societies like those we find in Western Europe may be exceptional rather than exemplary.

Psychology and the "public arena."

1982 ◽  
Vol 37 (12) ◽  
pp. 1403-1404
Author(s):  
Richard Reardon
Keyword(s):  
The Public ◽  
Public Arena

The Suffering of the Perpetrators: The Ethics of Traumatic German Historicity in Karen Bass's Young Adult World War II Novels

2014 ◽  
Vol 7 (1) ◽  
pp. 64-77
Author(s):  
Doris Wolf
Keyword(s):  
World War Ii ◽  
Young Adult ◽  
Public Sphere ◽  
Childhood Studies ◽  
Historical Narratives ◽  
World War ◽  
The Public ◽  
The Past ◽  
Adult World ◽  
The Public Sphere

This paper examines two young adult novels, Run Like Jäger (2008) and Summer of Fire (2009), by Canadian writer Karen Bass, which centre on the experiences of so-called ordinary German teenagers in World War II. Although guilt and perpetration are themes addressed in these books, their focus is primarily on the ways in which Germans suffered at the hands of the Allied forces. These books thus participate in the increasingly widespread but still controversial subject of the suffering of the perpetrators. Bringing work in childhood studies to bear on contemporary representations of German wartime suffering in the public sphere, I explore how Bass's novels, through the liminal figure of the adolescent, participate in a culture of self-victimisation that downplays guilt rather than more ethically contextualises suffering within guilt. These historical narratives are framed by contemporary narratives which centre on troubled teen protagonists who need the stories of the past for their own individualisation in the present. In their evacuation of crucial historical contexts, both Run Like Jäger and Summer of Fire support optimistic and gendered narratives of individualism that ultimately refuse complicated understandings of adolescent agency in the past or present.

The End of History Museums: What's Plan B??

2008 ◽  
Vol 30 (4) ◽  
pp. 9-27 ◽  
Author(s):  
Cary Carson
Keyword(s):  
Historic Sites ◽  
The Public ◽  
End Of History ◽  
House Museums ◽  
The Past ◽  
History Museums ◽  
Plan B ◽  
The End Of History ◽  
The Way

Abstract Are historic sites and house museums destined to go the way of Oldsmobiles and floppy disks?? Visitation has trended downwards for thirty years. Theories abound, but no one really knows why. To launch a discussion of the problem in the pages of The Public Historian, Cary Carson cautions against the pessimistic view that the past is simply passéé. Instead he offers a ““Plan B”” that takes account of the new way that learners today organize information to make history meaningful.

Biblical Literacy and the English King James Liberal Bible

2014 ◽  
Vol 7 (2) ◽  
pp. 197-211
Author(s):  
James Crossley
Keyword(s):  
Cultural Heritage ◽  
Test Case ◽  
Biblical Literacy ◽  
The Public ◽  
Public Arena ◽  
The Bible ◽  
Liberal Capitalism ◽  
The Rich ◽  
Popular Nationalism ◽  
King James Bible

Using the 400th anniversary of the King James Bible as a test case, this article illustrates some of the important ways in which the Bible is understood and consumed and how it has continued to survive in an age of neoliberalism and postmodernity. It is clear that instant recognition of the Bible-as-artefact, multiple repackaging and pithy biblical phrases, combined with a popular nationalism, provide distinctive strands of this understanding and survival. It is also clear that the KJV is seen as a key part of a proud English cultural heritage and tied in with traditions of democracy and tolerance, despite having next to nothing to do with either. Anything potentially problematic for Western liberal discourse (e.g. calling outsiders “dogs,” smashing babies heads against rocks, Hades-fire for the rich, killing heretics, using the Bible to convert and colonize, etc.) is effectively removed, or even encouraged to be removed, from such discussions of the KJV and the Bible in the public arena. In other words, this is a decaffeinated Bible that has been colonized by, and has adapted to, Western liberal capitalism.

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