scholarly journals RELIGIOUS AND PHILOSOPHICAL LOOK AT THE MAN IN THE "POSITIVE TEACHING" OF ARCHBISHOP NICANOR AND THE "UNIVERSAL KNOWLEDGE" OF HUN YI

2021 ◽  
Vol 2 (18) ◽  
pp. 162-165
Author(s):  
Han Yu ◽  

The author compares the philosophical approaches to the human problem of the prominent Orthodox philosopher of the XIX century, Archbishop Nikanor (A.I. Brovkovich), and the Chinese scholar of the Buddhist monk of the early XX century, Hong Yi. Their desire to combine adherence to traditional values and ideals with borrowing a number of provisions of Western European philosophy is revealed. The article shows the fundamental possibility of comparing the spiritual and intellectual phenomena of Russian and Chinese culture.

Author(s):  
Iuliia Igorevna Bykova

The goal of this research is the comprehensive examination of precious framing of the bestowed royal figures in Russia during the reign of Peter the Great. The author explores the circumstances of emergence of such awards in Russia and creation of precious frames of this time, possible “prototypes” of the diamond frame pattern that are similar to Western European awards, the masters who design these frames, etc. The article is based on the combination of art criticism and historical-cultural approaches. The object of this research was the award badges – royal figures of the first quarter of the XVIII century (enamel and graphic miniature portraits of Peter the Great, as well as minted medals). The research employs the written (unpublished archival documents) and visual sources (portraits of the grandees of the Petrine period with such awards; images of the royal figures on lithographs of the mid XIX century). It is established that precious frames of the bestowed royal figures of the first quarter of the XVIII century had the same pattern. Most likely, in design of the framing of award badges in Russia, the masters relied on the appearance of the royal figures brought by Peter I from England and Holland after the Great Embassy. These Western examples, in turn, had the “design” characteristic to similar royal awards of the XVII century. The article list the names of the jewelers who manufactured diamond frames of the bestowed royal figures in Russia of that time. These are the "foreigners" J. Westfahl, K. Boldan, I. Jasper. A significant part of such frames (over a hundred) was created by J. Westfahl. The design of precious frame for the royal figures of the Petrine period remained in similar awards of the Russian rulers and in XVIII – XIX centuries.


Author(s):  
Павел Великанов

У Рода Дреера получилась сильная, понятная и мотивирующая книга. Это настоящий эталон миссионерской (в светском значении этого слова) литературы. За ярким предисловием следует достаточно объёмный, но совсем не скучный экскурс в историю западноевропейской философии, в котором эта самая история постепенно складывается в линейную схему. Как считает автор, с позднего Средневековья и по настоящее время западноевропейское (и, как производная от него, американское) общество движется исключительно по пути моральной деградации и отхода от религии. Но это не эсхатологическая картина «охладения любви», о которой говорил Христос Спаситель (Мф. 24, 12). Речь идёт о якобы существующем кризисе одной из человеческих культурных моделей, вполне преодолимом человеческим же усилием. Rod Dreher's book is strong, clear and motivating. This is a true benchmark of missionary (in the secular sense of the word) literature. A vivid preface is followed by a rather voluminous, but not at all boring excursion into the history of Western European philosophy, in which this very history is gradually formed into a linear scheme. According to the author, from the late Middle Ages to the present, Western European (and, as a derivative of it, American) society has been moving exclusively along the path of moral degradation and departure from religion. But this is not the eschatological picture of the "cooling down of love" of which Christ the Saviour spoke (Matthew 24:12). We are talking about the alleged crisis of one of the human cultural models, quite surmountable by human efforts.


1987 ◽  
Vol 91 ◽  
pp. 135-138 ◽  
Author(s):  
Shigeru Nakayama

It is proved that the Futian calendar, a non-official one compiled in the Jianzhong reign period (780-783) in China, was brought to Japan in 957 by a Buddhist monk and was employed as the basis of horoscopes by the Buddhist school of astrology (Memo 1964). It was also used in competition with the official Chinese xuanming calendar for the usual functions demanded of a Chinese type lunisolar ephemerides, such as eclipse predictions. According to the view of the Song Dynasty Chinese scholar Wang Yinglin that the Futian calendar was “originally an Indian method of astronomical calculation” but Kiyosi Yabuuti has commented that Wang Yinglin’s appraisal of the Futian calendar is solely based on a resemblance in form as it copied the trivial point of taking its epoch as the Jiuzhi calendar according to Indian astronomical methods and does not display a fundamental understanding of the Indian calendar (Yabuuti 1944).


2021 ◽  
pp. 479-486
Author(s):  
Elena V. Gryaznova ◽  
Aleksandr V. Vorokhobov ◽  
Aleksey G. Goncharuk ◽  
Svetlana M. Maltseva ◽  
Daniil V. Semikopov

Author(s):  
Alexander Podvyshennyi

The article analyses the little-studied part of the prose legacy of Ulas Samchuk — a book of memoirs ‘Five past twelve: notes at a run’. Ontological approach to the text allowes to outline the world-wide changes of the writer in the conditions of war and dehumanization of society. With the help of the imagology method, the peculiarities of Ulas Samchuk’s attempt to understand the Other (German) who became a victim of Nazi ideology, tolerance of racial superiority, but ultimately defeated. The writer relies on Western European philosophy, in particular, the ideas of O. Spengler, K. Jaspers, J. Ortega y Gasset, which refers to the decline of western culture in connection with the development of civilization, which seeks for hegemony over mankind. An important role is devoted to reflections on the role and place of the Ukrainian nation in the transcendental epic of redistribution of the world.


2019 ◽  
Vol 10 (5) ◽  
pp. 998
Author(s):  
Jiefei Yu

This paper mainly focuses on various cultural values and conflicts represented in the film The Wedding Banquet. In contrast with the civil marriage ceremony of American style performed in a Registry Office, the Chinese wedding is much more luxurious, filled with lots of over-elaborated formalities that are necessary in Chinese culture. The ceremony itself is considered more important than the notarization. Taking the subject of sexual orientation as a metaphor for larger cultural issues, the film is examined as identity confusion and inevitably, the pursuit of identity reconstruction. Through Wei-Tung’s psychological struggles between Chinese traditional values and his homosexual desires, the film explores the possibility of a re-considered perception of identity for an Asian diasporic gay. Given the historical baggage brings with them, the process of the construction of identity for the immigrant is continuously dynamic and ongoing. After the implicit negotiations between ethnicity, sexuality, and patriarchy, the film story moves to reconciliation. This suggests that in such an era of multiculturalism, people had better come to realize their individual identities of diversity and complexity.


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