scholarly journals LINGUPOETICS AND IMAGES IN FREE WORKS ERKIN A'ZAM

2020 ◽  
Vol 3 (11) ◽  
pp. 56-58
Author(s):  
Gayratova Gulzoda
Keyword(s):  
Short Stories ◽  
Subject Matter ◽  
Character Traits ◽  
The Novel ◽  
Literary Critic ◽  
The Subject ◽  
Human Psyche

Erkin Azam is one of the artists who considers creativity as destiny. The author has won the hearts of readers mainly with his stories and short stories. But in recent years, the author's novel "Noise" was published. Several articles have been published about the work. The author's novel is based on symbolism and is one of the most unusual works. The novel seeks to portray a particular aspect of life in terms of its own style. Changes in the development of different genres can be seen in the genre of short stories in the works of the writer. Umarali Normatov, a literary critic who has written about short stories in recent years, writes: “When we look at our short stories today, first of all, the subject matter attracts attention in terms of problems, form, style; Among them are works on historical, modern, socio-political, family, romantic themes, both traditional romantic, realistic, modernist, serious and humorous, adventure-detective. no matter what the diversity. ” As noted, in this genre, a variety of thematic stories have been created, in which the human psyche, character traits are interpreted. Analysis of the artistic features of the author's novel "Noise", the demonstration of the writer's skill determines the relevance of the topic

scholarly journals ASPECTS OF NARRATIVE IN THE PROSE OF WRITER PETRO MARKO

2019 ◽  
Vol 2 (2) ◽  
pp. 1-4
Author(s):  
Antela Voulis
Keyword(s):  
Detailed Analysis ◽  
Narrative Analysis ◽  
Subject Matter ◽  
Creative Work ◽  
The Novel ◽  
Social Equality ◽  
Critical Studies ◽  
Prose Style ◽  
Poetic Expression ◽  
The Subject

Petro Marko is considered by critics as one of the founders of modern Albanian prose. Scientific assessments of Petro Markos’s creativity are mainly based on long and short prose, in the form of genuine critical studies, short predictions, comments and analysis. There are papers of this nature written by scholars such as: Floresha Dado, Adriatik Kallulli, Bashkim Kuçuku, Ali Aliu, Robert Elsie and many others. The subject matter of these articles varies from simple information to moments of writer’s life, to genuine studies and analysis regarding interpretation and explanation of different elements of the structure of his literary works. In this case, we would like to highlight an article written by the author Bashkim Kuçuku, namely the novel “A name on four streets”. In this particular paper, Kucuku discusses the symbolism of the novel’s title, that even in its metaphorical form didn’t escape the punishment of dictatorship censure, closely connected with the tragic fate that followed Petro Marko. And by doing so the researcher gives us a detailed insight of the connection between his work and a broader background of Marco’s biography. In this context, together with the detailed analysis of the novel’s title, we will find the key point that paves the way for penetrating the original metaphor and symbolism of the story. According to Kuçuku, Petro Marko is a dignified, idealist, as well a stoic writer for justice and social equality. It is precisely this book, “A name in four ways”, that distinctly portrays the aforementioned author as one of the leading writers of prose in Albania and this work is one of his most distinguished among all the others. It is the aim of this study to harmonize the internal narrative analysis of the prose style with the poetic expression of all Petro Mario’s creative work.

Spreading the standard:The nineteenth-century standardization of Icelandic and the first Icelandic novel

2018 ◽  
Vol 4 (2) ◽  
pp. 149-176
Author(s):  
Haraldur Bernharðsson
Keyword(s):  
Nineteenth Century ◽  
Children And Adolescents ◽  
Subject Matter ◽  
The Novel ◽  
Love Story ◽  
Institutional Infrastructure ◽  
Language And Literature ◽  
The Subject ◽  
Literary Innovation ◽  
Linguistic Models

AbstractA literary standard for Icelandic was created in the nineteenth century. The main architects of this standard were scholars of Old Norse-Icelandic language and literature who turned to the language of the medieval Icelandic literature for linguistic models. Consequently, the resulting standard included a number of features from earlier stages of the language. This standard was successfully implemented despite the relatively weak institutional infrastructure in nineteenth-century Iceland. It is argued in this paper that the first Icelandic novel, Piltur og stúlka, appearing in 1850 and again in a revised edition in 1867, played an important role in spreading the standard. The novel championed the main ideological tenets of the prevailing language policy, and at the same time it was a showcase for the new standard. A rural love story set in contemporary Iceland, the novel was a welcome literary innovation. Most importantly, the subject matter appealed to children and adolescents in their formative years, and the novel thus became a powerful and persuasive vehicle for the new linguistic standard.

Tuna Dergisinde Göç Şiirleri: “1989 Göçü”

2016 ◽  
Vol 3 (2) ◽  
pp. 239-260
Author(s):  
Cahit Kahraman ◽  
İlhan Güneş
Keyword(s):  
Short Stories ◽  
Subject Matter ◽  
Independent Writing ◽  
The Subject

“1989 Göçü” olarak bilinen Bulgaristan Türklerinin son göçü, sayısız yazı, söyleşi, öykü, şiir, kitap ve hatta dergi ve süreli yayınlarda konu edilmiştir. Bu yayınlardan bir tanesi de Tuna dergisidir. Tuna dergisi, kendisi de bir Bulgaristan göçmeni ve aynı zamanda yazar ve şair olan Mehmet Çavuş tarafından 1996 yılında kurulmuş, edebiyat, sanat, kültür, eğitim ile ilgili sorunları müzakere ve değerlendirme alanı sunmuştur. Dergi, Bulgaristan’da yetişmiş kalem ustalarına sahip çıkmış, göçmen yazarlara özgürce yazı olanağı yaratmıştır. Dergide yazar ve şair tanıtımlarından, araştırma, eleştiri, söyleşi, deneme yazıları olduğu gibi, kısa öykü, hikâye, anı, şiir ve hatta fıkralara da yer verilmiştir. Bu çalışmada, Tuna dergisinde neşredilmiş göç temalı şiirler tespit edilerek, göçmenlerin göç olayına bakışları irdelenmiştir. Araştırma, Bulgaristan’dan göç etmiş yazarlar ordusu tarafından kaleme alınmış bu şiirleri, göçün çağrıştırdığı duygu ve düşüncelere göre kategorilere ayırarak, oluşan göç algısını bulmayı amaçlamıştır. 1989 yılında Bulgaristan’dan göç etmiş bu yazarların gözünden göç nasıl yansıtıldı, göçmenlerin hangi hislerine ayna tuttu ve bunlarla birlikte okuyuculara verilmek istenilen mesajlar incelenmiştir. ABSTRACT IN ENGLISHMigration Poems in Tuna Journal: “1989 Migration”AbstractThe last migration of the Bulgarian Turks, known as the “Migration of the 1989”, represents the subject matter of numerous articles, interviews, stories, poems, books, and even whole journals and magazines. One of these publications is “Tuna Journal”. Tuna Journal was founded by Mehmet Çavuş, also an immigrant from Bulgaria as well as an author and poet, in 1996. During its history between 1996 and 2009, the Journal offered discussion and consideration field for problems about literature, art, culture, and education. The Journal supported the pen experts grown up in Bulgaria and created independent writing opportunity for the immigrant writers. The Journal included introductions of authors and poets, surveys, criticisms, interviews, essays as well as short stories, anecdotes, memoirs and even jokes. The aim of the present paper is to scan and analyze the poems focused thematically on “migration” and published in Tuna Journal, and to determine the viewpoints of immigrants on migration issue. It is also aimed to find out the created migration perception by categorizing these poems which were written by an army of writers migrated from Bulgaria with regard to feelings and thoughts created by migration. Our study also deals with questions such as how the migration was reflected through the eyes of these writers migrated from Bulgaria in the 1989 and what feelings of the migrants the Journal mirrored along with the messages which it transmitted to the readers.

scholarly journals On the finale of Y.I. Zamyatin’s novel “We”: an optimistic tragedy?

Neophilology ◽  
2021 ◽  
pp. 684-693
Author(s):  
Hongyuan Wang
Keyword(s):  
Subject Matter ◽  
Female Character ◽  
The Novel ◽  
Integral Image ◽  
Writer Identity ◽  
Spiral Path ◽  
The Subject ◽  
Intertextual Connections

We consider the ambiguity of Y.I. Zamyatin’s novel ending “We” on the basis of its synthetic feature and the author’s worldview ideas embodied in it. We note the key function of the heroine I-330 in the structure and novel theme, we draw attention to another female character, O-90, whose fate is a seemingly “secondary”, completed earlier, but no less important storyline of the novel. We analyze O-90’s intertextual connections with other characters, at the plot level; we also reveal some possible extratextual associations of this character with Zamyatin’s statements in his critical articles and essays. Thus, in this character we see a fairly clear “integral image” of mother-hood and writing, a realization of the “spiral” path of dialectical development, which is important for Zamyatin’s writer identity, and a hint of the vitality of the seemingly failed revolution as well. The combination of these features in one character makes us rethink the plotline of the novel and allows us to see a certain optimistic implication in its tragic ending. The symmetry of the two he-roines’ fate and their decisive alliance also prove the importance of this character in the composi-tion and the subject matter of the work.

JANE EYRE'S PURSE: WOMEN'S QUEER ECONOMIC DESIRE IN THE VICTORIAN NOVEL

2016 ◽  
Vol 44 (4) ◽  
pp. 741-759
Author(s):  
Meg Dobbins
Keyword(s):  
Political Economy ◽  
Subject Matter ◽  
Victorian Novel ◽  
Economic Thought ◽  
The Self ◽  
The Novel ◽  
The Core ◽  
Self Interest ◽  
The Subject ◽  
Political Economic

“Young ladies don't understandpolitical economy, you know,” asserts the casually misogynistic uncle of Dorothea Brooke in George Eliot'sMiddlemarch(1871) (17; bk. 1, ch 1). Although Eliot's heroine resents both her uncle's remark and “that never-explained science which was thrust as an extinguisher over all her lights,” her attempt to teach herself political economy in the novel only seems to confirm her uncle's assessment (18; bk. 1, ch. 1): Dorothea gathers a “little heap of books on political economy” and sets forth to learn “the best way of spending money so as not to injure one's neighbors, or – what comes to the same thing – so as to do them the most good” (805; bk. 5, ch. 48). Naively likening “spending money so as not to injure one's neighbors” to “do[ing] them the most good,” Dorothea fails to grasp the self-interest at the core of nineteenth-century political economic thought and so misunderstands the subject matter before her: “Unhappily her mind slipped off [the book] for a whole hour; and at the end she found herself reading sentences twice over with an intense consciousness of many things, but not of any one thing contained in the text. This was hopeless” (805; bk. 5, ch. 48).

‘Pushing the envelope’: The Representation of Jazz, Sex and Violence in Fred Khumalo’s Bitches’ Brew

2020 ◽  
Vol 47 (1) ◽  
pp. 69-95
Author(s):  
Jabulani Mkhize
Keyword(s):  
Subject Matter ◽  
Black Masculinity ◽  
The Novel ◽  
Narrative Strategy ◽  
Call And Response ◽  
The Subject ◽  
And Gender ◽  
Bitches Brew ◽  
Jazz Performance ◽  
The Relationship

This paper, primarily, explores the extent to which Fred Khumalo’s novel, Bitches’ Brew, can be considered a jazz novel by looking at both its subject matter and form. It argues that the transgressive power of Khumalo’s novel lies in its use of epistolary form as a narrative strategy that is akin to a jazz solo, marked as it is by a dialogical narrative that is similar to the call and response pattern that bears an affinity to a jazz performance. In terms of the subject matter, the central thrust of the argument is that the over-arching predominance of sex and violence in the text threatens to overshadow the musicality of the text, even as masculinity and misogyny are considered as the other side of the coin of jazz. In its exploration of the jazz and gender interface, this paper highlights how the phallocratic logic that informs and dominates the novel is indicative of the fact that Khumalo may have ‘pushed the envelope’ too far in his representation of masculinity and misogyny in jazz culture in his writing of this work. That Khumalo's novel fails to interrogate the relationship between jazz and black masculinity, but rather endorses and valorises it, serves to reinforce the stereotype of misogyny in jazz culture. Keywords: Fred Khumalo, Bitches’ Brew, jazz, musicality, masculinity, misogyny

The Mirror, the Lamp, and Public Performances

2017 ◽  
Author(s):  
Shubha Ghosh
Keyword(s):  
Conceptual Framework ◽  
Copyright Infringement ◽  
Copyright Law ◽  
Creative Work ◽  
The Novel ◽  
Literary Critic ◽  
Public Performance ◽  
Legal Method ◽  
The Subject ◽  
The Aesthetic

How courts determine copyright infringement has been the subject of scholarly debate. Where courts fail is in adequately appreciating the richness of a creative work, often reducing the novel, the song, the work to its literal terms. While the need for contextualizing creative works is accepted, the approach is not. This article uses the aesthetic framework of literary critic M.H. Abrams to offer a conceptual framework to contextualizing a work within the legal method for assessing copyright infringement. This framework is applied to the problems of infringement by reproduction and unauthorized public performance. Abrams’ aesthetic categories provide a multivalent approach to copyright law. The article ends with a precatory discussion of the problems of conceptualism in law, whether in the application of economic models or of aesthetic theories.

Dickens and the Evolution of Caricature

PMLA ◽  
1940 ◽  
Vol 55 (1) ◽  
pp. 231-240
Author(s):  
Earle R. Davis
Keyword(s):  
Subject Matter ◽  
Narrative Development ◽  
The Novel ◽  
Prussic Acid ◽  
The Subject

Out of the pages of Pickwick step many of Dickens's funniest eccentrics. Characters with mannerisms and tags of speech parade through the novel, illustrating a distinctive style of characterization which is usually labelled caricature in every novel he writes later. How and why did he begin this style? Much light can be thrown upon his early narrative development by a study of Mr. Jingle, the character which has one of the most extreme of all Dickens's uses of eccentric mannerism—a rapid-fire, staccato habit of speech. Furthermore, an unbelievable anecdote usually constitutes the subject-matter of Mr. Jingle's remarks, as:Don Bolaro Fizzgig—Grandee—only daughter—Donna Christina—splendid creature—loved me to distraction—jealous father—high-souled creature—handsome Englishman—Donna Christina in despair—prussic acid—stomach pump in my portmanteau—operation performed—old Bolaro in ecstasies—consent to our union—join hands and floods of tears—romantic story—very.

scholarly journals Anaesthetic gardens. On Metaphysics by Lech Majewski

2020 ◽  
Vol 1 (1) ◽  
pp. 49-55
Author(s):  
Marta Baron
Keyword(s):  
Subject Matter ◽  
The Novel ◽  
Crucial Point ◽  
Hieronymus Bosch ◽  
The Subject

Interpretation of Metaphisics – the novel written by Lech Majewski, is the subject matter of theoretical, aesthetic and antropological considerations. Synthesis of arts: literature, film, painting and theatre, which occur in the novel, opens a perspective of intertextuality and provokes questions about ekphrasis, varied materials, ways of experience mediated by dispositives and reflections on humans among other problems. The crucial point in both: Majewski’s novel and this dissertation, is a triptych painted by Hieronymus Bosch – The Garden of Earthly Delight, which gradually annexes the featured world – becomes a basic figure in trying to show, how the aesthetization of reality brings Wolfgang Welsch’s cahegory of an(a)esthetics.

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