JANE EYRE'S PURSE: WOMEN'S QUEER ECONOMIC DESIRE IN THE VICTORIAN NOVEL

2016 ◽  
Vol 44 (4) ◽  
pp. 741-759
Author(s):  
Meg Dobbins
Keyword(s):  
Political Economy ◽  
Subject Matter ◽  
Victorian Novel ◽  
Economic Thought ◽  
The Self ◽  
The Novel ◽  
The Core ◽  
Self Interest ◽  
The Subject ◽  
Political Economic

“Young ladies don't understandpolitical economy, you know,” asserts the casually misogynistic uncle of Dorothea Brooke in George Eliot'sMiddlemarch(1871) (17; bk. 1, ch 1). Although Eliot's heroine resents both her uncle's remark and “that never-explained science which was thrust as an extinguisher over all her lights,” her attempt to teach herself political economy in the novel only seems to confirm her uncle's assessment (18; bk. 1, ch. 1): Dorothea gathers a “little heap of books on political economy” and sets forth to learn “the best way of spending money so as not to injure one's neighbors, or – what comes to the same thing – so as to do them the most good” (805; bk. 5, ch. 48). Naively likening “spending money so as not to injure one's neighbors” to “do[ing] them the most good,” Dorothea fails to grasp the self-interest at the core of nineteenth-century political economic thought and so misunderstands the subject matter before her: “Unhappily her mind slipped off [the book] for a whole hour; and at the end she found herself reading sentences twice over with an intense consciousness of many things, but not of any one thing contained in the text. This was hopeless” (805; bk. 5, ch. 48).

scholarly journals Re-imagining Histories, Re-inventing the Self in Ian McEwan’s Atonement

2019 ◽  
pp. 165-176
Author(s):  
Vanja Vukićević Garić
Keyword(s):  
The Self ◽  
The Novel ◽  
Existential Psychology ◽  
Ethical Dimension ◽  
Creative Imagination ◽  
Main Assumption ◽  
The Core ◽  
The World ◽  
Personal Histories ◽  
The Subject

Justifiably classified as an example of postmodern realism, or a “restorative metafiction” (O’Hara), Ian McEwan’s popular and critically acclaimed novel Atonement (2001) in its entirety reasserts its author’s frequently cited statement that “imagining what it is like to be someone other than yourself is at the core of our humanity.” Focusing mainly on the metafictional ending, which, as a kind of unusual post-scriptum, introduces a thematic, structural and an ontological twist re-directing the whole story, this paper explores the limits and the power of creative imagination to re-generate, amend and meaningfully extend personal histories, pointing to the fundamentally ethical dimension of the contemporary self-conscious fiction. The phenomenological connection between ars memoria, imagining, (re-)writing and the Self is seen through the main assumption of the existential psychology that the subject is capable of transcending oneself, recreating and re-inventing oneself in and by means of narrating the self as well as others. Analysing Briony Tallis as both a character and an author within the novel, in her narrative of her own as well as others’ histories, this paper will address ethical possibilities of the self-reflective fiction to connect subjectivity to the world questioning at the same time the boundaries of past, present and the idea of reality.

scholarly journals Global Political Economy in Context of Evolution of Political-Economic Thought

2017 ◽  
Vol 2 (2) ◽  
pp. 11-19 ◽  
Author(s):  
Nikolay Eletsky
Keyword(s):  
Political Economy ◽  
Subject Matter ◽  
Economic Thought ◽  
Modern World ◽  
Subject Field ◽  
Global Political Economy ◽  
Spatio Temporal ◽  
Political Economic ◽  
New Phenomena ◽  
Relationship Of

Globalization of economic processes requires an adequate transformation of the economic Sciences. In the modern world, the globalization of actors and results of production leads to the formation of global relations of ownership and governance. It modifies the subject field of General economic theory and generates the global political economy. The essence of its subject matter is the relationship of the global ownership and the resulting global economic contradictions. The methodological toolkit of global political economy reflects the particularities of contemporary scientific knowledge due to the new phenomena of globalization. Global political economy is the methodological-theoretical basis of all Sciences investigating global economic system. At the same time, it is a special branch of the modern system of economic Sciences, characterizing by the spatio-temporal specificity of subject matter and method. The proposed approach is an alternative to the common preceding scientific interpretations of global political economy as, in fact, the international economic politology.

The Idea of a Meaningful Synthesis of Marxist and Non-Marxist Systems of Political Economy as a Mirror of Intellectual Turmoil (About V.T. Ryazanov’s Book «Modern Political Economy: Prospects of Neo-Marxist Synthesis»)

2019 ◽  
pp. 74-98
Author(s):  
A.B. Lyubinin
Keyword(s):  
Economic Theory ◽  
Political Economy ◽  
Economic Status ◽  
Economic Science ◽  
Objective Reality ◽  
Commodity Production ◽  
Subjective Assessments ◽  
The Subject ◽  
The Difference ◽  
Political Economic

Review of the monograph indicated in the subtitle V.T. Ryazanov. The reviewer is critical of the position of the author of the book, believing that it is possible and even necessary (to increase the effectiveness of General economic theory and bring it closer to practice) substantial (and not just formal-conventional) synthesis of the Marxist system of political economy with its non-Marxist systems. The article emphasizes the difference between the subject and the method of the classical, including Marxist, school of political economy with its characteristic objective perception of the subject from the neoclassical school with its reduction of objective reality to subjective assessments; this excludes their meaningful synthesis as part of a single «modern political economy». V.T. Ryazanov’s interpretation of commodity production in the economic system of «Capital» of K. Marx as a purely mental abstraction, in fact — a fiction, myth is also counter-argued. On the issue of identification of the discipline «national economy», the reviewer, unlike the author of the book, takes the position that it is a concrete economic science that does not have a political economic status.

scholarly journals Cylindrical Micelles by the Self-Assembly of Crystalline-b-Coil Polyphosphazene-b-P2VP Block Copolymers. Stabilization of Gold Nanoparticles

Molecules ◽  
2019 ◽  
Vol 24 (9) ◽  
pp. 1772 ◽  
Author(s):  
Maria de los Angeles Cortes ◽  
Raquel de la Campa ◽  
Maria Luisa Valenzuela ◽  
Carlos Díaz ◽  
Gabino A. Carriedo ◽  
...  
Keyword(s):  
Gold Nanoparticles ◽  
Block Copolymers ◽  
Self Assembly ◽  
Cationic Polymerization ◽  
The Self ◽  
The Novel ◽  
Selective Solvent ◽  
The Core ◽  
Cylindrical Micelles ◽  
Main Factor

During the last number of years a variety of crystallization-driven self-assembly (CDSA) processes based on semicrystalline block copolymers have been developed to prepare a number of different nanomorphologies in solution (micelles). We herein present a convenient synthetic methodology combining: (i) The anionic polymerization of 2-vinylpyridine initiated by organolithium functionalized phosphane initiators; (ii) the cationic polymerization of iminophosphoranes initiated by –PR2Cl2; and (iii) a macromolecular nucleophilic substitution step, to prepare the novel block copolymers poly(bistrifluoroethoxy phosphazene)-b-poly(2-vinylpyridine) (PTFEP-b-P2VP), having semicrystalline PTFEP core forming blocks. The self-assembly of these materials in mixtures of THF (tetrahydrofuran) and 2-propanol (selective solvent to P2VP), lead to a variety of cylindrical micelles of different lengths depending on the amount of 2-propanol added. We demonstrated that the crystallization of the PTFEP at the core of the micelles is the main factor controlling the self-assembly processes. The presence of pyridinyl moieties at the corona of the micelles was exploited to stabilize gold nanoparticles (AuNPs).

scholarly journals O romance de Ricardo Lísias: janelas escancaradas para o sujeito hipermoderno

2016 ◽  
Vol 51 (4) ◽  
pp. 491
Author(s):  
Ana Cláudia Munari ◽  
Taíssi Alessandra Cardoso da Silva
Keyword(s):  
Media Studies ◽  
Contemporary Literature ◽  
The Self ◽  
Police Chief ◽  
The Novel ◽  
The Media ◽  
The Subject ◽  
Media Narratives ◽  
Self Reference ◽  
Critical Production

A partir da análise dos romances de Ricardo Lísias e da sua produção autocrítica, este trabalho busca entender algumas relações entre a literatura de autoficção e a publicização do sujeito autor imerso no universo midiático. Partindo de uma revisão bibliográfica que conceitua os objetos aqui circunscritos e de uma apreciação anterior sobre a produção literária de jovens escritores brasileiros selecionados pela revista Granta em 2012, estreitamos nossa focalização no movimento do romancista em direção à escrita de si e à autorreferência. Nesse sentido, analisamos e contextualizamos a modalidade de escritura denominada autoficção, especialmente no que tange às aproximações entre as instâncias do narrador e do autor e entre biografemas e ficção (FIGUEIREDO, 2013; KLINGER, 2012), e evocamos estudos da Sociologia e da Comunicação de modo a caracterizar a sociedade da qual emerge o corpus deste estudo (LIPOVESTKY, 2004; SANTAELLA, 2012). A partir desse contexto, investigamos as obras literárias – O céu dos suicidas (2012), Divórcio (2013) e Delegado Tobias (2014) – e as narrativas midiáticas de Ricardo Lísias e identificamos nelas estratégias da publicidade.********************************************************************The novel by Ricardo Lísias: wide open windows to the subject hypermodernAbstract: Through the analysis of the novels of Ricardo Lísias and its self-critical production, this work intends to understand some relationships between the self-fiction literature and the popularization of the subject author immersed in the media universe. Starting from a literature review that conceptualizes the objects herein bounded and an earlier assessment of the literary production of young Brazilian writers selected by Granta magazine in 2012, we strengthened  ur focus on the novelist's movement toward the writing itself  nd self-reference. Pursuing this aim, we analyzed and contextualized the form of writing named autofiction, especially with regard to the similarities between instances of the narrator and the author and between biographema and fiction (FIGUEIREDO, 2013; KLINGER, 2012). We also evoked Sociology and Media Studies to characterize the society of which emerges the corpus of this study (LIPOVESTKY, 2004; SANTAELLA, 2012). From these premises, we investigated the literary works – Céu dos suicidas (Heaven suicide, 2012), Divórcio (Divorce, 2013) and Delegado Tobias (Tobias, the police chief, 2014) – and the media narratives of Ricardo Lísias and finally we identified his advertising strategies.Keywords: Self-ficction; Contemporary literature; Hypermodernity; Ricardo Lísias

scholarly journals ASPECTS OF NARRATIVE IN THE PROSE OF WRITER PETRO MARKO

2019 ◽  
Vol 2 (2) ◽  
pp. 1-4
Author(s):  
Antela Voulis
Keyword(s):  
Detailed Analysis ◽  
Narrative Analysis ◽  
Subject Matter ◽  
Creative Work ◽  
The Novel ◽  
Social Equality ◽  
Critical Studies ◽  
Prose Style ◽  
Poetic Expression ◽  
The Subject

Petro Marko is considered by critics as one of the founders of modern Albanian prose. Scientific assessments of Petro Markos’s creativity are mainly based on long and short prose, in the form of genuine critical studies, short predictions, comments and analysis. There are papers of this nature written by scholars such as: Floresha Dado, Adriatik Kallulli, Bashkim Kuçuku, Ali Aliu, Robert Elsie and many others. The subject matter of these articles varies from simple information to moments of writer’s life, to genuine studies and analysis regarding interpretation and explanation of different elements of the structure of his literary works. In this case, we would like to highlight an article written by the author Bashkim Kuçuku, namely the novel “A name on four streets”. In this particular paper, Kucuku discusses the symbolism of the novel’s title, that even in its metaphorical form didn’t escape the punishment of dictatorship censure, closely connected with the tragic fate that followed Petro Marko. And by doing so the researcher gives us a detailed insight of the connection between his work and a broader background of Marco’s biography. In this context, together with the detailed analysis of the novel’s title, we will find the key point that paves the way for penetrating the original metaphor and symbolism of the story. According to Kuçuku, Petro Marko is a dignified, idealist, as well a stoic writer for justice and social equality. It is precisely this book, “A name in four ways”, that distinctly portrays the aforementioned author as one of the leading writers of prose in Albania and this work is one of his most distinguished among all the others. It is the aim of this study to harmonize the internal narrative analysis of the prose style with the poetic expression of all Petro Mario’s creative work.

scholarly journals Self-Abdication and Otherness in Philip Roth’s The Human Stain (2000)

2019 ◽  
Author(s):  
Assia Mohdeb ◽  
Sofiane Mammeri
Keyword(s):  
Racial Identity ◽  
Identity Formation ◽  
Well Being ◽  
The Novel ◽  
Racial Passing ◽  
The Core ◽  
Class Discrimination ◽  
The Subject ◽  
American Society ◽  
Definition Of

Identity, in one of its understanding, signifies a set of characteristics that make up a person’s ethical faithfulness to, identification with, and pride of one’s origin, tradition, and culture. Remaining true to one’s identity and being faithful to the core values of one’s culture is a complicated matter when it comes to a black living in white society like America, where color and racial identity are rudimentary prerequisites in self-definition and naming. Philip Roth’s novel entitled The Human Stain (2000) shows how some black figures undress their black identity to wear the prestigious white one to go onward with life as full selves, to have access to all the privileges the whites enjoy, and, above all, to live without the specter of race and the decisiveness of epidermal signs. The novel calls into question and revision such essentialist notions as other, class,andrace by describing the crises the subject or self undergoes in the light of racial prejudices, center-periphery relations, and class stereotypes. The present paper, then, addresses the act of self-abdication the protagonist, Silk Coleman, carries out to overstep the feeling of otherness and to dodge racial discrimination. The paper looks into the notions of selfhood and Otherness by negotiating the definition of the self and the distortion it undergoes in its encounter with the Other . The study aims at revealing, primarily, the effects of Black racial-passing, a common phenomenon in American society of the first half of the twentieth century, on familial relationships and cultural heritage. It also reveals the weight of gender and class discrimination in the individual’s identity formation and well-being.

Alternative Literary Modernities: A Voice from Colonial Punjab

2018 ◽  
Vol 66 (1) ◽  
pp. 35-48
Author(s):  
Arti Minocha
Keyword(s):  
Middle Class ◽  
Literary Culture ◽  
The Self ◽  
Subject Position ◽  
Close Reading ◽  
The Novel ◽  
Discursive Space ◽  
Political Subject ◽  
The Subject ◽  
Language Content

Abstract This paper looks at the formation of colonial print publics in Punjab, the gendered subjectivities that emerged in this new discursive space, and middle-class women’s deployment of print to articulate the self. This will be done through a close reading of one of the first novels in English, Cosmopolitan Hinduani, which was published in Lahore, Punjab, by a woman in 1902. The essay examines the narrator’s notion of a gendered cosmopolitanism and the subject position that it affords, her attempt at going beyond the fault lines of religion to articulate a liberal and modern political subject, while reworking the cosmopolitan/local binary. How does her insertion of herself as a gendered subject in the provincial, national, cosmopolitan imaginary reflect in the author’s choice of language and genre? My attempt will be to see the novel and its author as part of a literary culture in which she made certain choices about the form, language, content, and audience.

The Subject of the Newgate Novel: Crime, Interest, What Novels Are About

Good Form ◽  
2019 ◽  
pp. 42-77
Author(s):  
Jesse Rosenthal
Keyword(s):  
Subject Matter ◽  
Central Moment ◽  
Victorian Novel ◽  
Moral Sense ◽  
The Subject ◽  
Moral Narrative ◽  
Newgate Novels

This chapter examines a central moment in the development of moral narrative practices—one that is, at the same time, a moment in the coming into being of “the Victorian novel.” Looking at Charles Dickens's Oliver Twist and the “Newgate novel” controversy of the 1830s, it offers an example of one way in which the experience of diachronic reading could be interpreted in an explicitly moral fashion. Oliver Twist was to be distinguished from other similar novels, and particularly from William Harrison Ainsworth's Jack Sheppard, because of the ways in which it appealed to the moral sensibilities of its reader: “natural sentiment,” “moral sense.” The general implications seem clear enough: Oliver Twist is more appealing to its readers' moral feelings because it has other, “healthier,” focuses than crime alone. According to the novel's reviewers, Oliver Twist might feature crime, but unlike Jack Sheppard, crime is not the novel's subject. Ultimately, what a survey of the discourse surrounding Newgate novels makes clear is how debated this question of subject matter actually was.

A connected history of political economy in Asia and Europe, ca 1750–1914

2020 ◽  
pp. 1-2
Author(s):  
Alessandro Stanziani
Keyword(s):  
Political Economy ◽  
Ottoman Empire ◽  
North Atlantic ◽  
Western Europe ◽  
Economic Thought ◽  
The North ◽  
History Of ◽  
The North Atlantic ◽  
History Of Political Economy ◽  
Political Economic

The history of political-economic thought has been built up over the centuries with a uniform focus on European and North American thinkers. Intellectuals beyond the North Atlantic have been largely understood as the passive recipients of already formed economic categories and arguments. This view has often been accepted not only by scholars and observers in Europe but also in many other places such as Russia, India, China, Japan, and the Ottoman Empire. In this regard, the articles included in this collection explicitly differentiate from this diffusionist approach (“born in Western Europe, then flowed everywhere else”).

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