scholarly journals Accounting and music: The role of Giuseppe Verdi in shaping the 19th century culture industry

2021 ◽  
Author(s):  
Federica Balluchi ◽  
Arianna Lazzini ◽  
Riccardo Torelli
Keyword(s):  
19Th Century ◽  
Historical Perspective ◽  
Culture Industry ◽  
Giuseppe Verdi ◽  
The Political ◽  
Music Culture ◽  
New Perspective ◽  
Complex Relationships ◽  
The 19Th Century

The aim of this research is to investigate the contribution of Giuseppe Verdi and Casa Ricordi in shaping the 19th century music culture industry by adopting a new perspective on accounting and history. In 19th century Italy, opera represented an important phenomenon, both artistically and socially, playing a fundamental role of intermediary between society and the political sphere. The complex relationships between the composer (artist) and the publisher (cultural intermediary) are analysed in the specific field of opera music, outlining the evolution and interweaving of artistic, social, and economic aspects. The study embraces the period 1839–1893 and examines the economic and private relations between Giuseppe Verdi and Casa Ricordi and their impacts on the culture industry to this day. This paper’s novelty is to adopt a historical perspective to broaden accounting into the field of high music offering possibilities for further studies.

scholarly journals Accounting and music: The role of Giuseppe Verdi in shaping the nineteenth-century culture industry

2021 ◽  
pp. 103237322110260
Author(s):  
Federica Balluchi ◽  
Arianna Lazzini ◽  
Riccardo Torelli
Keyword(s):  
Nineteenth Century ◽  
Historical Perspective ◽  
Culture Industry ◽  
Giuseppe Verdi ◽  
The Political ◽  
Economic Aspects ◽  
Music Culture ◽  
New Perspective ◽  
Complex Relationships

The aim of this research is to investigate the contribution of Giuseppe Verdi and Casa Ricordi in shaping the nineteenth-century music culture industry by adopting a new perspective on accounting and history. In nineteenth-century Italy, opera represented an important phenomenon, both artistically and socially, playing a fundamental role of intermediary between society and the political sphere. The complex relationships between the composer (artist) and the publisher (cultural intermediary) are analysed in the specific field of opera music, outlining the evolution and interweaving of artistic, social and economic aspects. The study embraces the period 1839–1893 and examines the economic and private relations between Giuseppe Verdi and Casa Ricordi and their impacts on the culture industry to this day. This article’s novelty is to adopt a historical perspective to broaden accounting into the field of high music offering possibilities for further studies.

scholarly journals Role of Kurdish Sufi Tariqaʼs on the Political Arena in the 19th Century

Islamology ◽  
2012 ◽  
Vol 5 (1-2) ◽  
pp. 286-294
Author(s):  
Angelika Pobedonostseva
Keyword(s):  
19Th Century ◽  
The Political ◽  
Political Arena ◽  
The 19Th Century

scholarly journals The personality and the creative work of A. Pasculli in the context of the West European music art of the 19th century

2021 ◽  
pp. 1-10
Author(s):  
Liliya Orlanovna Norbu ◽  
Mariya Vladimirovna Kholodova
Keyword(s):  
19Th Century ◽  
Early 20Th Century ◽  
Creative Work ◽  
Music Culture ◽  
Research Focus ◽  
The West ◽  
Russian Scientific ◽  
The 19Th Century ◽  
Creative Life

The authors of the research focus on Antonio Pasculli, a famous Italian virtuoso oboe player and composer of the late 19th - the early 20th century, whose name had long and undeservingly been in the wilderness. In the last two-three decades, his legacy has been getting a new lease on life. Pasculli’s compositions are on the concert list of oboe players all over the world. Despite the performance popularity, the personality and creative work of the outstanding Italian musician are still on the periphery of the research focus of Russian musicologists. All valuable information is contained in rare foreign researches. Therefore, the purpose of the article is to reconstruct the artistic portrait of Antonio Pasculli in the context of time. This research is the first in Russian musicology to introduce into Russian scientific discourse the data from foreign sources revealing the peculiarities of Pasculli’s creative life. Based on the analysis of the collected data, the authors conclude about the necessity to revise the role of Pasculli’s work and legacy in the context of European music culture of the 19th century. It is believed that familiarization with the information about the Italian musician, unknown to the Russian audience, will help to not only dive deeper into the specificity of Pasculli’s compositions, but also to reinterpret his place and role in the evolution of playing woodwind instruments.

Consequences of changing expectations to law and its institutions

2015 ◽  
Vol 83 (3-4) ◽  
pp. 461-486
Author(s):  
Sören Koch
Keyword(s):  
19Th Century ◽  
Crucial Role ◽  
Historical Perspective ◽  
State Power ◽  
Legal Culture ◽  
Legal Order ◽  
Appellate Courts ◽  
Close Relationship ◽  
The 19Th Century

The paper focuses on the reasons for and effects of the establishment of appellate courts in Norway. Based on the assumption that the introduction of an appellate system was caused by – and at the same time produced – expectations of law, the author reconstructs central features of the Norwegian legal order and its surrounding legal culture. By especially looking at the crucial role of the legal office of the lawman (lagmann), both in the development of the judicature in general and especially in the courts of appeal, the legacy of the medieval popular assembly (þing / ting) is traced back to its historical roots. The author identifies a close relationship between the increasing influence of state power, the demand for an effective judiciary and prevailing ideals of justice. The result was a not always intended but continuous professionalisation of the judges until the 19th century. The introduction of a jury – consisting of lay judges – appears on this background as aberration. However, as expectations on law had changed, the participation of lay judges had become a political desire in Norway from approximately 1830. To support this political claim the judiciary was restructured by applying a deeply unhistorical perception of the judiciary’s historical roots. Due to contradicting political tendencies it took about 60 years to finally establish the jury-system. Despite the fact that the institution of the jury was constantly criticized by legal scientists and legal practitioners alike and despite losing its political backing already decades ago, it still continues to exist. Obviously, the romantic notion of folks-courts still has not lost its attraction jet. The paper demonstrates that this notion is – seen from a historical perspective – unsustainable.


scholarly journals La rebelión de los Catedráticos de Instituto en Cuba (1868-1878) = The Rebellion of College Professors in Cuba (1868-1878)

2018 ◽  
pp. 55
Author(s):  
José Antonio Cañizares Márquez
Keyword(s):  
19Th Century ◽  
The Political ◽  
College Professors ◽  
Independence Movement ◽  
Colonial Policy ◽  
Siglo Xix ◽  
Public Instruction ◽  
The 19Th Century ◽  
The Great War

Tras los fracasados intentos de reforma colonial de la metrópoli española en la isla de Cuba en el siglo XIX, la Guerra de los Diez Años (1868-1878) representó la primera fase de una revolución independentista coordinada, de diferentes grupos organizados, en la que el papel de los catedráticos fue muy relevante. No obstante, existe un vacío en el trabajo historiográfico sobre el protagonismo político de los catedráticos de institutos en el proceso independentista. Resulta de sumo interés el estudio de estos actores para entender la política colonial de instrucción pública en Cuba, ya que durante la Guerra Grande el sesenta y cinco por ciento de los catedráticos fueron declarados insurrectos, acusados de delitos de infidencia, separados de sus cátedras, encarcelados y algunos ejecutados. Los objetivos de esta investigación no sólo pretenden contribuir al estudio del independentismo en Cuba sino que también pueden ayudar a consolidar los estudios de acción colectiva poco frecuentes en la historiografía española.After the unsuccessful attempts of colonial reform from the Spanish metropolis on the island of Cuba in the 19th century, the Ten Years’ War (1868-1878) represented the first phase of a coordinated independence revolution by different organized groups, in which the role of the professors was quite relevant. Nevertheless, there is a gap in the historiographic work about the political importance of these professors in the independence process. Therefore, it is highly relevant to study these actors to understand the colonial policy of public instruction in Cuba, due to the fact that sixty-five percent of the professors were declared insurgents, accused of treason, dispossessed of their positions, imprisoned and many of them were executed during the Great War. As a result, the objectives of this research are not only intended to contribute to the study of the independence movement in Cuba, but also help consolidate collective action studies that are uncommon in Spanish historiography.

The Nautical Commission in the 19th Century Antwerp

2019 ◽  
Vol 80 ◽  
pp. 283-308
Author(s):  
Stephanie Plasschaert
Keyword(s):  
19Th Century ◽  
The Political ◽  
Economic Context ◽  
The 19Th Century

This paper discusses from the perspective of a legal historian the development of the institution of the Nautical Commission and the supervision of seaworthiness of vessels in Antwerp during the first half of the 19th century, mindful of the political and economic context. The possible influences of other actors onto the development of the Nautical Commission are taken into account, together with the needs and evolution of the maritime sector. In particular, the role of and interaction between classification societies and the Nautical Commission are analysed.

scholarly journals Imperialism, ANZAC nationalism and the Aboriginal experience of warfare

2015 ◽  
Vol 6 (3) ◽  
pp. 63-82 ◽  
Author(s):  
Padraic John Gibson
Keyword(s):  
19Th Century ◽  
Critical Analysis ◽  
Aboriginal People ◽  
Armed Forces ◽  
The Political ◽  
Capitalist Class ◽  
Historical Continuity ◽  
New Research ◽  
The 19Th Century

Aboriginal protest played a key role in undermining the celebratory settler-nationalism of the bicentennial in 1988. In the lead up to another major nationalist mobilisation, the centenary of the Gallipoli invasion on ANZAC Day 2015, extensive official efforts are being made to incorporate Aboriginal experiences into the day, through celebration of the role of Aboriginal people who served in Australia’s armed forces. This article provides a critical analysis of the 2014 NAIDOC theme as a way of exploring some of the tensions in this process. The NAIDOC theme, ‘Serving Country: Centenary and Beyond’, presented a continuity between Aboriginal soldiers in WW1 and Aboriginal warriors who fought in defence of their land during the 19th Century Frontier Wars. In contrast, this article argues that the real historical continuity is between the massacres on the frontier, which often involved Aboriginal troopers fighting for the colonial powers, and the invasions undertaken by Australian soldiers in WW1. New research documenting the horrific scale on which Aboriginal people were killed by Native Police in Queensland in the second half of the 19th Century is integrated with studies of the political economy of Australian settler-capitalism in this period. This analysis is used to demonstrate how capitalist class interests drove both the Frontier Wars and the development of an Australian regional empire, which was consolidated by the mobilisation of Australian troops in WW1.

scholarly journals Yahweh’s ‘lord’ and Unrestrained Evil: An Exegesis of Psalm 110

2015 ◽  
Vol 49 (1) ◽  
Author(s):  
Aran J.E. Persaud
Keyword(s):  
19Th Century ◽  
Historical Perspective ◽  
Psalm 110 ◽  
The 19Th Century ◽  
Violent Images

This article consists of an exegetical investigation of Psalm 110 and assumes that the psalms function in one sense as prayers, which can be prayed authentically by modern worshippers. Consequently, the specific images of hostile acts of war present a challenge as prayer. The methodology involves the investigation of the text from a grammatico-historical perspective by using selected sources from the 19th century to the present. The meaning of the violent images of enmity and the defining characteristics of the enemy are determined through understanding the perceived suffering of the psalmist. Special attention is given to the role of the phrase םֻאְנָּהוהְי, the identification of יִֹנדַאל and defining the enemy. The conclusions of the exegesis support a more traditional interpretation of יִֹנדַאל and characterise the recalcitrant enemies in an eschatological framework.Jahwe se ‘heer’ en onbeteuelde boosheid: ’n Eksegese van Psalm 110. Hierdie artikel is ’n eksegetiese ondersoek van Psalm 110 en gaan van die veronderstelling uit dat die psalms in ’n sekere sin gebede is wat deur moderne gelowiges gebid kan word. Die spesifieke uitbeeldings van vyandige oorlogsdade stel egter ’n uitdaging aan dié gebed. Die metodologie behels die ondersoek van die teks vanuit ’n grammaties-historiese perspektief deur uitgesoekte bronne vanaf die negentiende eeu tot tans te gebruik. Die betekenis van die geweldadige uitbeelding van vyandigheid en die omskrywende karaktertrekke van die vyand word bepaal deur die verstaan van die waarneembare lyding van die psalmskrywer. Daar word besondere aandag gegee aan die rol van die frase ָהוְהיּםֻאְנ, die eiening van יִֹנדַאל en die omskrywing van die vyand. Die slotsom van die eksegesis ondersteun ’n meer tradisionele interpretasie van יִֹנדַאל en tipeer die onversetlike vyand in ’n eskatalogiese raamwerk.

Sasak People’s Resistance Against Mataram-Karangasem and Dutch Colonial Rulers: The Role of Tuan Guru Umar Kelayu

2020 ◽  
Vol 2 (1) ◽  
pp. 73-90
Author(s):  
Ahmad Tohri ◽  
H. Habibuddin ◽  
Abdul Rasyad
Keyword(s):  
Data Analysis ◽  
19Th Century ◽  
Economic Factors ◽  
Historical Method ◽  
The 19Th Century ◽  
Historical Methods ◽  
Depth Interviews ◽  
Dutch Colonial ◽  
Dutch Colonialism

This article discusses the Sasak people’s resistance against MataramKarangasem and Dutch colonial rulers in the 19th century in Lombok, Indonesia. It particularly focuses on Tuan Guru Umar Kelayu and his central role in the emergence of Sasak people’s resistance which transformed into Sasak physical revolution local and global imperialismcolonialism. Using the historical method, this article collected data through observation, in-depth interviews, and documentation. The data analysis involved the historical methods of heuristics, verification or criticism, interpretation, and historiography. The findings show that Sasak people’s resistance was not only caused by economic factors but also related to other factors such as social, cultural, and religious ones. Tuan Guru Umar Kelayu played a key role in the Sasak people’s resistance in that it was under his leadership and influence that the resistance transformed into a physical struggle against MataramKarangasem and Dutch colonialism as seen in Sakra War and Praya War which were led by his students and friends.

The Concept of “Zemsky Sobor” in the Interpretation of State Authority in Russia of the 19th Century: From Karamzin to Stepnyak-Kravchinsky

2018 ◽  
Vol 42 ◽  
pp. 140-155
Author(s):  
Dmitry A. Badalyan
Keyword(s):  
19Th Century ◽  
Political Discourse ◽  
17Th Century ◽  
The Political ◽  
Key Concepts ◽  
State Authority ◽  
The 19Th Century

“Zemsky Sobor” was one of the key concepts in Russian political discourse in the 19th and the beginning of the 20th centuries. It can be traced to the notion well-known already since the 17th century. Still in the course of further evolution it received various mew meaning and connotations in the discourse of different political trends. The author of the article examines various stages of this concept configuring in the works of the Decembrists, especially Slavophiles, and then in the political projects and publications of the socialists, liberals and “aristocratic” opposition.

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