scholarly journals Hungarians in the Spanish Legion?

2019 ◽  
Vol 26 ◽  
pp. 25-44
Author(s):  
János Besenyő
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
North African ◽  
The West ◽  
Manpower Supply ◽  
Relevant Role

The research was conducted on the activities of Hungarian emigrants in the Spanish Legion. It was assumed that the Hungarians provided an important manpower supply for the Spanish Legion and the Spanish army, including in the Spanish Civil War. Examining the facts, it can be concluded that the Hungarian soldiers’ participation in the earlier North African wars and the Spanish conflicts had an important effect on the area’s geopolitical situation, and it is possible to assume that veterans played a relevant role in the ongoing military and intelligence war between the West and the East.

scholarly journals Germans Suffering in Spain: Cold War Visions of the Spanish Civil War in Fünf Patronenhülsen (1960) and Solange du lebst (1955)1

2008 ◽  
Vol 18 (1) ◽  
pp. 53-69
Author(s):  
Stefan Soldovieri
Keyword(s):  
Cold War ◽  
Civil War ◽  
Spanish Civil War ◽  
East Germany ◽  
The West ◽  
Post War ◽  
The Cold War

Abstract Since 1989 connections between the once geopolitically divided German movie industries have received increasing attention. This article considers how two films of the early post-war period—one produced in East Germany and one from the West—mobilized in different ways figurations of German suffering and sacrifice. The author argues that despite their diverging politics, the two films participate in a trans-German discourse of suffering that persisted in historically variable ways throughout the Cold War period.

‘Fae nae hair te grey hair they answered the call’: International Brigade Volunteers from the West Central Belt of Scotland in the Spanish Civil War, 1936–9

2015 ◽  
Vol 35 (1) ◽  
pp. 92-114
Author(s):  
Fraser Raeburn
Keyword(s):  
Civil War ◽  
Working Class ◽  
Communist Party ◽  
Spanish Civil War ◽  
Economic Conditions ◽  
Political Connections ◽  
The West ◽  
Central Belt ◽  
West Central ◽  
Political Communities

Despite making up over ten per cent of the British volunteers in the International Brigades during the Spanish Civil War (1936-9), Scots from Glasgow and the surrounding districts have been overlooked in many accounts of the British involvement in the conflict. In seeking to explain the disproportionate numbers of volunteers from this region, the influence of factors such as economic conditions, political structures and institutions, ideology and community are examined with reference to individuals’ decisions to volunteer in Spain. It is argued that as well as the more severe impact of the inter-war slump in the region, it was Glasgow's distinctive working-class cultures, which placed great importance on grassroots political communities, with an emphasis on social as well as political connections, that led to Communist Party recruitment efforts being especially successful.

scholarly journals Gerda Taro y los orígenes del fotoperiodismo moderno en la Guerra Civil española

2015 ◽  
Author(s):  
Lorna Arroyo Jiménez ◽  
Hugo Doménech Fabregat
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
The Body ◽  
Front Line ◽  
The West ◽  
Palabras Clave ◽  
Original Photographs

Resumen:El hallazgo en México durante el año 2007 de más de 4.000 negativos inéditos de la Guerra Civil Española pertenecientes a Robert Capa (Endre Ernö Friedmann), David Seymour (David Szymin, “Chim”) y Gerda Taro (Gerda Pohorylle) ha puesto definitivamente en valor el trabajo de esta última, la primera fotoperiodista fallecida en el frente de acción por documentar desde primera línea la guerra de España. El presente trabajo revisa el momento fotográfico de la Guerra Civil Española a partir del trabajo de Gerda Taro a razón del valor y significación de sus fotografías. Para ello, se han estudiado 716 originales de la fotógrafa en diferentes soportes (película negativa de 35 mm y 6x6 cm, copias por contacto, copias de época y modernas), y se han analizado pormenorizadamente algunas de estas fotografías mediante un método que ha permitido obtener conclusiones definitivas sobre el conjunto de su obra. Los resultados apuntan a que la práctica fotográfica de Gerda Taro en la guerra de España contribuyó a la redefinición del concepto de fotoperiodismo en occidente. Abstract: The discovery in Mexico in 2007 of more than 4,000 unpublished negatives from the Spanish Civil War, owned by Robert Capa (Endre Ernö Friedmann), David Seymour (David Szymin, “Chim”) and Gerda Taro (Gerda Pohorylle) has in particular shown the importance of the latters body of work. Taro is considered to be the first photographer to die during a war, whilst working on the front line of the Spanish Civil War. This paper reviews Taro’s photographs that capture this important moment in time, in Taro’s own, unique photojournalistic style. To do this, 716 original photographs were studied across different media, (35 mm negative films, 6x6 cm contact prints and enlargements), some of which have been thoroughly analyzed by a method that has led to precise conclusions about the body of work. The results show that Gerda Taro’s work during the Spanish Civil War contributed to the redefinition of the concept of photojournalism in the West.   Palabras clave: Gerda Taro; Robert Capa; Fotoperiodismo; Vanguardias Históricas; Guerra Civil Española; Análisis fotográfico.   Keywords: Gerda Taro; Robert Capa; Photojournalism; Historical Vanguards, Spanish Civil War, Analysis photographic.

Nation and State in Twentieth-Century Spain

1999 ◽  
Vol 8 (3) ◽  
pp. 473-485
Author(s):  
Mary Vincent
Keyword(s):  
Civil War ◽  
Political Violence ◽  
Spanish Civil War ◽  
Spanish Empire ◽  
The Political ◽  
Washington Dc ◽  
The West ◽  
Cambridge University ◽  
Princeton University ◽  
Americo Castro

Pamela Beth Radcliff, From Mobilisation to Civil War: The Politics of Polarisation in the Spanish City of Gijón, 1900–1937 (Cambridge: Cambridge University Press, 1996), 354 pp., £40, ISBN 0–521–56213–9.Carolyn Boyd, Historia Patria: Politics, History, and National Identity in Spain, 1875–1975 (Princeton: Princeton University Press, 1997), 358 pp., $49.50, £35.00, ISBN 0–691–02656–4.Sebastian Balfour, The End of the Spanish Empire 1898–1923 (Oxford: Clarendon Press, 1997), 269 pp., £35.00, ISBN 0–198–20507–4.Clare Mar-Molinero and Angel Smith, eds., Nationalism and the Nation in the Iberian Peninsula: Competing and Conflicting Identities (Oxford/Washington, DC: Berg, 1996), 281 pp., £34.95, pb £14.95, ISBN 1–859–73175–9.Michael Richards, A Time of Silence: Civil War and the Culture of Repression in Franco's Spain, 1936–1945 (Cambridge: Cambridge University Press, 1998), 314 pp., £40.00, $59.95, ISBN 0–521–59401–4.Gerald Howson, Arms for Spain: the Untold Story of the Spanish Civil War (London: John Murray, 1998), 354 pp., £25, ISBN 0–719–55556–6.During the long years of Francoism, Spanish historiography was dominated by a search for explanation. Against the regime's triumphalist account of the ‘essential’ Spain – resurgent in the form of the victorious general's authoritarian, confessional state – exiled intellectuals such as Claudio Sánchez-Albornoz and Américo Castro posed questions about the ‘problem’ of Spain, looking to the country's past to explain the political violence of the present. For those who won the Civil War of 1936–39, Spain's national destiny was to remain true to the imperial, Catholic legacy of the Habsburg monarchy. Eschewing modern ‘decadence’ and the false paths of secularism and democracy, Spain was to remain, according to Franco, the ‘spiritual reserve of the west’. Such a vision of history, in Mike Richards's words, ‘appropriated time itself in acknowledging no distinctions between past, present and future’ (Mar-Molinero and Smith, p. 152). To Francoist ideologues, both history and the nation were understood in terms of providential destiny: once understood, the national destiny would prove immutable.

The Cunard Line

Nancy Cunard ◽  
2020 ◽  
pp. 23-48
Author(s):  
Jane Marcus
Keyword(s):  
Civil War ◽  
West Indies ◽  
Spanish Civil War ◽  
Political Activism ◽  
War Poetry ◽  
The West ◽  
The Hours ◽  
Male Dominated ◽  
Line P

The chapter investigates Cunard’s identity as a poet, the challenges she faced as a woman poet, and the early publications of Outlaws (1921), Sublunary (1923), and Poems (Two) (1925). Marcus also explores Cunard’s involvement with the anti-war poetry anthology Wheels, her founding of The Hours Press, and the reception of her work by a male-dominated press. The author also discusses the early impetus behind her collection Negro Anthology and her political activism during the Spanish Civil War on behalf of poets from Harlem, Cuba, and The West Indies.

scholarly journals German Veterans of the Spanish Civil War and the Struggle for Recognition in West Germany

Intersections ◽  
2020 ◽  
Vol 6 (1) ◽  
Author(s):  
Dustin Stalnaker
Keyword(s):  
Cold War ◽  
Civil War ◽  
Spanish Civil War ◽  
West Germany ◽  
Historical Case Study ◽  
The West ◽  
National Socialist ◽  
Historical Case ◽  
The Cold War ◽  
Struggle For Recognition

This paper challenges the recognition paradigm through a historical case study that shows recognition struggles to be ideologically embedded and their success subordinated to, and thus contingent upon, the political priorities     of recognition-granting authorities. To this end, the paper explores how Cold War ideological considerations shaped the ways in which the West German state processed recognition claims made upon it by two distinct groups of German veterans of the Spanish Civil War: German antifascists who fought as non-state actors in defense of the Spanish Republic and other Germans who fought in support of the Nationalist rebels at the behest of the National Socialist regime. Showing that the West German state’s ostensible commitment to recognition of historical injustice in connection with the National Socialist past was subordinated to the aim of self-legitimation in the Cold War present, the paper calls for a broader sociopolitical contextualization of recognition struggles.

Through the prism of Spain. Socio-economic causes of different outcomes of Russian and Spanish civil wars

2017 ◽  
pp. 142-155
Author(s):  
I. Rozinskiy ◽  
N. Rozinskaya
Keyword(s):  
Civil War ◽  
World War I ◽  
Civil Wars ◽  
Spanish Civil War ◽  
Statistical Data ◽  
Well Being ◽  
Russian Civil War ◽  
World War ◽  
Common Features ◽  
Economic Well Being

The article examines the socio-economic causes of the outcome of the Spanish Civil War (1936-1936), which, as opposed to the Russian Civil War, resulted in the victory of the “Whites”. Choice of Spain as the object of comparison with Russia is justified not only by similarity of civil wars occurred in the two countries in the XX century, but also by a large number of common features in their history. Based on statistical data on the changes in economic well-being of different strata of Spanish population during several decades before the civil war, the authors formulate the hypothesis according to which the increase of real incomes of Spaniards engaged in agriculture is “responsible” for their conservative political sympathies. As a result, contrary to the situation in Russia, where the peasantry did not support the Whites, in Spain the peasants’ position predetermined the outcome of the confrontation resulting in the victory of the Spanish analogue of the Whites. According to the authors, the possibility of stable increase of Spanish peasants’ incomes was caused by the nation’s non-involvement in World War I and also by more limited, compared to Russia and some other countries, spending on creation of heavy (primarily military-related) industry in Spain.

The Spanish Reception of Le Sacre du Printemps (1913–1936)

2018 ◽  
Vol 36 (1) ◽  
pp. 48-66
Author(s):  
Idoia Murga Castro
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Spanish Civil War ◽  
Original Work ◽  
Silver Age ◽  
Avant Garde ◽  
Ballets Russes ◽  
Rite Of Spring ◽  
Le Sacre Du Printemps ◽  
Cultural Expansion

Centenary celebrations are being held between 2016 and 2018 to mark the first consecutive tours of Diaghilev's Ballets Russes in Spain. This study analyses the Spanish reception of Le Sacre du Printemps (The Rite of Spring) (1913), one of its most avant-garde pieces. Although the original work was never performed in Spain as a complete ballet, its influence was felt deeply in the work of certain Spanish choreographers, composers, painters and intellectuals during the so-called Silver Age, the period of modernisation and cultural expansion which extended from the end of the nineteenth century to the beginning of the Spanish Civil War.

Kate O'Brien and Virginia Woolf: Common Ground

2018 ◽  
Vol 48 (1) ◽  
pp. 127-142
Author(s):  
Aintzane Legarreta Mentxaka
Keyword(s):  
Civil War ◽  
Virginia Woolf ◽  
Spanish Civil War ◽  
Common Ground ◽  
Point Of View ◽  
Political Alignments ◽  
Literary Influences ◽  
Kate O'brien

Convergences in the work of Kate O'Brien and Virginia Woolf range from literary influences and political alignments, to a shared approach to narrative point of view, structure, or conceptual use of words. Common ground includes existentialist preoccupations and tropes, a pacifism which did not hinder support for the left in the Spanish Civil War, the linking of feminism and decolonization, an affinity with anarchism, the identification of the normativity of fascism, and a determination to represent deviant sexualities and affects. Making evident the importance of the connection, O'Brien conceived and designed The Flower of May (1953), one of her most experimental and misunderstood novels, to paid homage to Woolf's oeuvre.

“The heart above the ruins”: Miriam Waddington’s Poetry, the Spanish Civil War, and Jewish Canadian Literature

1969 ◽  
Vol 26 ◽  
Author(s):  
Emily Robins Sharpe
Keyword(s):  
Human Rights ◽  
World War Ii ◽  
Civil War ◽  
Spanish Civil War ◽  
World War ◽  
Canadian Literature ◽  
The Earth ◽  
The Holocaust ◽  
The Subject ◽  
War Consequences

The Jewish Canadian writer Miriam Waddington returned repeatedly to the subject of the Spanish Civil War, searching for hope amid the ruins of Spanish democracy. The conflict, a prelude to World War II, inspired an outpouring of literature and volunteerism. My paper argues for Waddington’s unique poetic perspective, in which she represents the Holocaust as the Spanish Civil War’s outgrowth while highlighting the deeply personal repercussions of the war – consequences for women, for the earth, and for community. Waddington’s poetry connects women’s rights to human rights, Canadian peace to European war, and Jewish persecution to Spanish carnage.

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