Defining Reality: Photography and the Surrealist Concept of the Image in Poland in the 1940s

2021 ◽  
pp. 113-134
Author(s):  
Kamila Dworniczak

The text discusses definitions of photography formulated in Poland in the 1940s. The author analyses Zbigniew Dłubak’s series of photographs inspired by the poetry of Pablo Neruda in reference to surrealism, Marxism, and, primarily, to Władysław Strzemiński’s theory of vision. Particular emphasis is placed on the concept of the image shared by Dłubak and Strzemiński, a concept that links the issue of realism with individual expression, allowing for a formal differentiation of representation (abstraction). In consequence, the analysed series by Dłubak is presented as sharing similarities with seemingly formally remote series of collages To My Friends the Jews by Strzemiński. Both demonstrate an ambition to express in the modern form both collective realism as well as individual memory, primarily of the war events. Proposed interpretation suggests that the use and understanding of photography as a medium closely tied to reality had a decisive meaning for the new formula of the image constructed right after 1945 – formula open to experimenting, yet also ideologically radical, addressing the existential problems of the individual involved with the new political order.

Author(s):  
Kwo-Tsao Chiang ◽  
Min-Yu Tu ◽  
Chao-Chien Cheng ◽  
Hsin-Hui Chen ◽  
Wun-Wei Huang ◽  
...  

Hypoxia remains a flight-safety issue in terms of aviation medicine. Hypoxia-awareness training has been used to help aircrew members recognize personal hypoxia symptoms. There is still no study, as yet, to establish the association of within-subject data between inflight hypoxia events and the altitude chamber. The main purpose of our study was to use paired subjects’ data on inflight hypoxia symptoms compared with those experienced during training. A questionnaire was developed to obtain information on military aircrew members in 2018. Among 341 subjects, 46 (13.49%) suffered from inflight hypoxia. The majority of the subjects detected ongoing inflight hypoxia on the basis of their previous experience with personal hypoxia symptoms or sensations in previous chamber flights. Of the top five hypoxia symptoms, the data revealed that hot flashes, poor concentration, and impaired cognitive function appeared both during the inflight events and during the hypoxia-awareness training. The occurrence rate of hypoxia symptoms was found to not be significantly different between the in-flight events and the past chamber flights through an analysis of within-subject data. Because the individual memory had faded away over time, fresher hypoxia awareness training is still mandatory and valuable to recall personal hypoxia experience for military aircrew members.


Symposion ◽  
2021 ◽  
Vol 8 (1) ◽  
pp. 79-88
Author(s):  
Samson Liberman ◽  

The aim of this paper is a socio-philosophical analysis of attention deficit phenomenon, which is being detected at the intersection of several subject areas (psychiatry, theory of journalism, economics). The main methodological instrument of the study is a Marxist principle of alienation. Alienation of attention, which, on the one hand, is being understood as a process of producing attention as a commodity, and on the other one – as the process of producing a person as a user of the platform, provides the methodological basis, necessary for a holistic view of the phenomenon. The main differences of attention alienation from alienation of labor and desire are considered within the paper. The possibility of a modern form of alienation is associated primarily with the emergence of the new forms of capital – platforms, providing infrastructure for the interaction of other users and aimed at collection and procession of large amounts of data. The main aspects of attention management: game, content sharing and design have been distinguished within the paper. The main consequences of alienation of attention for the structure of the individual and society have been spelled out. The effects of the spread of gaming techniques of attention management and content distribution techniques specific to social networks have been considered. It being is suggested that there is a correlation between the spread of ADHD diagnosis and the spread of attention management technologies, and, as well, between the distribution of attention management technology and the ‘renaissance’ of social in the social theory.


Jewishness ◽  
2008 ◽  
pp. 133-150
Author(s):  
Joachim Schlör

This chapter evaluates the meaning of objects inventoried and packed as emigrants prepared to leave Germany for Palestine after Adolf Hitler came to power. Private property has, for both the individual memory and the collective memory, a deep emotional significance. The exclusion of the Jews from German society started with the National Socialist policy of ‘Aryanization’, the expropriation of property. Many y émigrés had to abandon, to leave behind, their private dwellings. In the process, they lost more than the object itself. Around 1800, the British philosopher and legal theoretician Jeremy Bentham drew attention to the importance of the relationship between an object and its owner: ownership forms the basis of a hope. Thus, the threat of losing property is symbolic of the loss of all hope of a continued life in Germany and as a German. Ultimately, Aryanization and confiscation were a symbolic theft of identity. And in these cases, even the legal system was no longer capable of protecting property rights. Those who emigrated in good time were able to take at least some of their property with them.


2016 ◽  
Vol 3 (1) ◽  
pp. 137
Author(s):  
Bohdan S. Kordan

<p class="EW-abstract"><strong>Abstract:</strong> Responding to a regime that failed to meet the needs of society, the Maidan materialized as a genuine expression of civic resistance and democratic renewal. Placing the individual at the centre of political life not only marks the revitalization of Ukrainian civil society but also serves as a legitimate basis for the transformation of the political order. The Maidan—its values, principles and ethos— offers a framework by which Kyiv might meet the twin challenges of reform and war.</p><p class="EW-Keyword"><strong>Keywords:</strong> Euromaidan, European Union, Geopolitics, Russia, Ukraine</p>


2020 ◽  
Vol 5 (8) ◽  
pp. 17
Author(s):  
João Camilo Grazziotin Portal

O presente artigo se debruça sobre a obra da jornalista e escritora ucraniana/bielorrussa Svetlana Aleksiévitch, ganhadora do Nobel de Literatura de 2015. Composta por milhares de testemunhos traumáticos, a obra se propõe escrever a história do “pequeno homem soviético” de maneira sensível, dando à memória individual valor reconstitutivo da experiência passada, de modo ao componente “memória” ser associado à “verdade”. Assim, com um olhar literário, e não historiográfico, a autora opõe, política e existencialmente, a memória biográfica à “gloriosa história da Vitória soviética”. Assim, busca-se investigar metodologicamente os usos da memória enquanto fonte em sua narrativa e trazer, a partir de uma preocupação biográfica, corporal e sensível, problematizações linguísticas e epistemológicas para a escrita da história contemporânea.Palavras-chave: Svetlana Aleksiévitch; Memória soviética; Linguagem; Escrita da história.Abstract The present paper aims at reflecting about the work of the ucranian/bielorussian journalist and writer Svetlana Aleksiévitch, winner of the 2015 Nobel of Literature. Composed by thousands of traumatic testimonials, her book proposes to write the history of the “little Sovietic man” in a sensitive way, giving the individual memory a reconstitutable value over the past experiences, in a way that “memory” is associated to “truth”. Thus, not within an historiographical perspective, but rather through a literary one, the author opposes, politically and existentially, a biographical memory to the “glorious history of the Soviet victory”. On these grounds, this paper targets to investigate methodologically the uses of memory as a source in Aleksiévitch’s narrative, and also to bring, through a biographical, corporal and sensible preoccupation, linguistical and epistemological questionings to the process of contemporary historical writing.Keywords: Svetlana Aleksiévich; Soviet memory; Language; Writing of history.


2019 ◽  
Author(s):  
TAOUFIK تــوفــيــق STITI الــســتــيــتــي

تُعتبر الصيغة السردية إحدى أهم المقولات المشكلة للخطاب السردي عموما، حيث تنتظم السرود وفق نمط حكائي معين يعكس الأسلوب المتفرد والمتميز لكل كاتب على حدة. وتُشَكِّلُ المجموعة القصصية "أنين الماء" للقاصة والروائية والشاعرة المغربية الزهرة رميج، بتعدّد صيغ خطابها وتنوع أشكال اشتغال الذاكرة فيها، كونا مُكثّفا وبالغ التعقيد. حيث تُزاوج القاصّة، في تشكيلٍ إبداعي قشيب، بين المحكي والمعروض تارة، أو تُعَضِّضهُما بالخطاب المُحوّل تارة أخرى، كما تُدمِجُ في صَوْغِ سرودها الذاكرة الفردية والذاكرة الجماعية، وتمزج الذاكرة الاجتماعية بالذاكرةِ الثقافيةِ والسياسيةِ. وسنحاول في هذه الورقةِ تقديم قراءةٍ مُركّزةٍ ومُختصرةٍ، في المجموعة القصصية "أنين الماء" للقاصة والروائية الزهرة رميج، لاستجلاء بعض الخصائص الفنية والجمالية التي تُميِّزُ سرود الكاتبة، مع التركيز بشكل خاص على أنماط الحكي والصِّيَغ السردية وتعدد أشكال اشتغال الذاكرة.The narrative version is one of the most important arguments for the narrative discourse, the narratives are organized according to a specific style of reflection. The novel "Anin almaa" by the Moroccan novelist Zahra Ramej, with its varied forms of speech and the diversity of its forms of memory, is an intensive and highly complex universe. Where the mating is intertwined in a creative form, between the narrator and the viewer, or alternating with the converted discourse. It also integrates the individual memory and the collective memory into its narratives, and mixes the social memory with the cultural and political memory. In this paper, we will attempt to present a concise reading of the novel "Anin Almaa" by Zahra Ramej, to explore some of the artistic and aesthetic characteristics that characterize the writer's narratives, with particular emphasis on narrative patterns, narrative forms and multiple forms of memory.


2020 ◽  
Vol 3 (1) ◽  
pp. 1
Author(s):  
Aneta Ostaszewska

30 years have passed since the events of 1989 that led to the collapse of communism in Central and Eastern Europe. In the paper the themes of social memory of political transformation in Poland in 1989 are discussed. The content of online statements collected from popular Polish news portals are analysed. When asking the question what events and experiences do Poles bring back when they think of 1989, I am interested in the relationship between the individual (biographical) memory and collective memory – the socially reconstructed knowledge of the past.


1936 ◽  
pp. 133-140
Author(s):  
Helge Lundholm

Author(s):  
Marina V. Novikova ◽  

The article attempts to characterize the state of historical con- sciousness of the Germans at the end of the 20th – beginning of the 21 st century. The article examines what factors influenced the formation of the “sacrificial narrative” in the collective memory of the Germans of the united Germany. The research is based on the publications in the German, Polish and Russian press, autobiographical works, interviews, diaries and memoirs of Gunther Grass, Gerhard Schroeder, etc., analyzes the works of art and filmography released at that time. Memories of the suffering of the German civilian population during the Second World War usually belonged to the individual memory or remained part of the German family history. True, the traumatic past was often used for political purposes, especially in the FRG in the matters related to the theme of exile. In the first decade of the new millennium, thanks to the changes in the cultural agenda – the release of a number of books and feature films, the plot of which was based on the suffering of the Germans, the traumatic past is at the center of public debate. However, the rethinking of the theme of the suffering of the German civilian population was met with a rather wary response in the global context, primarily from Poland and the victor countries.


Sign in / Sign up

Export Citation Format

Share Document