Sarah Scott’s Narrative “No Place”: Gazing and Utopia in Millenium Hall

2021 ◽  
Vol 33 (4) ◽  
pp. 513-529
Author(s):  
Katherine Nolan
Keyword(s):  
Eighteenth Century ◽  
Women Characters ◽  
The Novel ◽  
The Status

Sarah Scott’s Millenium Hall (1762) is framed by a male narrator for an imagined male reader, and it lacks a substantial critique of slavery, empire, or class; the status of this novel as an example of utopia is therefore an ongoing question. I argue that the utopic vision in the novel happens at the level of fictionality. Millenium Hall is about reforming the sentimental gaze of the male narrator and, by extension, the reader of the novel. Scott critiques sentimentality, particularly the sentimental gaze upon the spectacle of the suffering woman as voyeuristic and inherently sexual. In its stead, she offers a didactic and morally instructive form of looking that avoids titillating scenes of suffering. The novel disrupts and tempers sentimental plots by providing women characters a refuge from sentimentality in the form of the Hall. Renewed attention to Scott’s critique of the sentimental can challenge assumptions about the role of the sentimental mode in eighteenth-century women’s writings.

Tom Jones

2008 ◽  
Author(s):  
Henry Fielding
Keyword(s):  
Eighteenth Century ◽  
Public Sphere ◽  
The Novel ◽  
Fourth Edition ◽  
Tom Jones ◽  
History Of

Fielding's comic masterpiece of 1749 was immediately attacked as `A motley history of bastardism, fornication, and adultery'. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. Expelled from Mr Allworthy's country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regarded as Fielding's greatest work, and one of the first and most influential of English novels. This carefully modernized edition is based on Fielding's emended fourth edition text and offers the most thorough notes, maps, and bibliography. The introduction uses the latest scholarship to examine how Tom Jones exemplifies the role of the novel in the emerging eighteenth-century public sphere.

Conclusion

2019 ◽  
pp. 217-222
Author(s):  
Karin Kukkonen
Keyword(s):  
Eighteenth Century ◽  
Charles Dickens ◽  
Literary History ◽  
Culture Industry ◽  
Media Ecology ◽  
The Novel ◽  
Great Expectations ◽  
4E Cognition ◽  
The Media

The conclusion shows that several of the embodied aspects of writing fiction discussed for the eighteenth-century novel can be traced into the nineteenth century through an example from Charles Dickens’ Great Expectations. It is shown that, like the earlier authors in the case studies in this book, Dickens features shifting embodied stances and involves elements of the media ecology of his day rather than deploying the concrete particulars that “formal realism” considers central to the novel. Links to larger arguments about the role of the novel in literary history are then drawn in contrast with accounts, based on Adorno/Habermas and Benjamin, that argue that eighteenth-century fiction becomes rationalised and disembodied with the novel and its culture industry. Rather than impoverishing experience, it is argued that the novel as a lifeworld technology depends profoundly on readers’ embodied engagements and that 4E cognition is a critical perspective that affords such an alternative take.

scholarly journals THE STUDY OF FEMINISM IN THE NOVEL NAYLA BY DJENAR MAESA AYU

2019 ◽  
Vol 3 (1) ◽  
pp. 27
Author(s):  
Ni Ketut Veri Kusumaningrum ◽  
I Wayan Rasna ◽  
Gde Artawan
Keyword(s):  
Narrative Structure ◽  
The Novel ◽  
The Public ◽  
Library Research ◽  
The Social ◽  
Show Business ◽  
The Status ◽  
Role Of Women ◽  
Relationship Of

This research aims to determine (1) the narrative structure of novel Nayla by Djenar Maesa Ayu, (2) the role of women figure in the novel Nayla by Djenar Maesa Ayu, (3) the struggle of women figure in the novel Nayla by Djenar Maesa Ayu. This research uses feminism study with qualitative research. The data was collected by using library research. The library method was used at finding out the data in the novel Nayla by Djenar Maesa Ayu and in other literature which supports this research. The analyzed data are narrative structure, the role of women figure and the struggle of women figure in the novel Nayla by Djenar Maesa Ayu. The data were analyzed through the stage of reduction, presentation and data collection. The subject of this research is the novel Nayla by Djenar Maesa Ayu, the object of this research is the narrative structure, the role of women figure and the struggle of women figure in the novel Nayla by Djenar Maesa Ayu. The result of this research refers to (1) The Narrative structure in the novel Nayla by Djenar Maesa Ayu was include figure, characterization, plot and background. (2) The role of women figure in the novel Nayla by Djenar Maesa Ayu was found in the social domain, domestic and public. (3) The struggle of women figure in the novel Nayla by Djenar Maesa Ayu was manifested by struggling in maintaining in the status as women, the struggle in maintaining the gender. The form of feminism was described in the novel Nayla as never surrender, not dependent to the parents, and behaves deviate. Novel Nayla to present the relationship of gender that leads to a superior. Novel Nayla as the main character show business to make a women who has the dignity of which is equivalent to the men. Based on the results of analysis and advice for women in order to improve the quality of the field of education, domestic, and the public so that gender equality can be achieved.

scholarly journals Celebrations at the Berlin Court as Reported by Secretary of the English Ambassador Philip Plantamour

2020 ◽  
Vol 8 (4) ◽  
Author(s):  
Mariusz Savicki
Keyword(s):  
Eighteenth Century ◽  
Specific Pattern ◽  
Social Dimensions ◽  
Royal Court ◽  
Political Status ◽  
The Status ◽  
The Media

Celebrations were an important element in the functioning of royal and princely courts in Europe in the seventeenth and eighteenth centuries. They added splendor to the residences in which they were held and demonstrated the status of rulers: well-directed festivities spoke of their organisers’ political status. Such events not only took place in the closed courtyards of palaces, but also in the open air, which guaranteed a larger audience and made it possible to invite the media. Such events were also observed by foreign diplomats, who described them in their reports. This type of information can be found in the correspondence of Philip Plantamour, secretary of the English Ambassador George Stepney. An analysis of the manuscripts he left reveals an interesting picture of the ceremony as seen through his eyes. These descriptions do not have a specific pattern: he simply described what he saw or had the opportunity to hear. The analysed accounts are an important source for research on the customs, ceremonies, and celebrations at the royal court in Berlin at the turn of the eighteenth century. Philip Plantamour’s exact descriptions show us the glamour, style, and role of these events in the context of propaganda and their political and social dimensions.

The Novel and the Sexuality of Vagrancy

2021 ◽  
pp. 72-115
Author(s):  
Sal Nicolazzo
Keyword(s):  
Eighteenth Century ◽  
Print Culture ◽  
The Novel ◽  
Marriage Plot ◽  
Labor Discipline ◽  
The Family ◽  
Literary Histories ◽  
Domestic Lives

This chapter examines the role of vagrancy law in regulating the affective, sexual, reproductive, and domestic lives of the English poor. It traces vagrancy's appearance at the margins of both the novel and the marriage plot across a series of texts, including Jane Barker's Patchwork Screen for the Ladies (1723), Sarah Scott's Millenium Hall (1762), and, most centrally, Henry Fielding's The Female Husband (1746). Fielding, as novelist, magistrate, and major eighteenth-century theorist of police, is at the center of the chapter, which reads his figuration of vagrancy as a kind of sexuality that disrupts labor-discipline, marriage, and legitimate inheritance. At the same time, Fielding's text and the archival records of policing that surround it reveal how one might take vagrancy as a category of analysis for transgender history, since the construction of the sexed body as metonym for juridical identity developed through a nexus of policing, surveillance, and transatlantic print culture for which vagrancy was a foundational legal category. Finally, through readings of Scott's Millenium Hall and Mary Saxby's posthumously published Memoirs of a Female Vagrant (1806), the chapter shows that literary histories of sexuality look profoundly different if one centers the parish rather than the family as the field of analysis.

Lennox: Repertoires of Embodiment

2019 ◽  
pp. 69-106
Author(s):  
Karin Kukkonen
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
The Novel ◽  
Direct Speech ◽  
Systematic Comparison ◽  
Short Forms ◽  
Literary Magazine ◽  
Embodied Language ◽  
French And English

This chapter begins with a systematic comparison of seventeenth- and eighteenth-century styles of embodied language through versions of the same narrative in French and English. Lennox’s work as a cultural broker and translator aims not only to bring narratives rooted in the seventeenth century into her contemporary literary world but also to extend their repertoires of embodied language. In her translations, she integrates instances of inner and outer bodily perception and grounds direct speech in the characters’ bodies. With Lennox’s literary magazine The Lady’s Museum, it will be shown how the novel and its embodied style are embedded in a larger world of book learning. The relations that Lennox establishes between the serialised novel, short forms like the maxim, and educational treatises document an understanding of the role of the novel that differs from the indices and abridgements around Samuel Richardson’s Pamela and Clarissa.

scholarly journals Artistic image of a modern Japanese woman in the anime film “Paprika” directed by Satoshi Kon

2021 ◽  
pp. 46-57
Author(s):  
Vera Sergeevna Moiseenko
Keyword(s):  
Japanese Society ◽  
Modern Society ◽  
Japanese Woman ◽  
The Novel ◽  
Traditional Values ◽  
Western Influence ◽  
Female Image ◽  
The Status ◽  
Artistic Image

Cross-cultural communications prompted the international popularity of the Japanese original genre of anime. It has become the translator of not only the Japanese mentality and traditional values to the West, but also demonstrates the changes taking place in Japan. The analysis of artistic image of the anime heroine Atsuko Chiba (Paprika) is the goal of this research. Noticeable changes in the status of women in Japanese society are observed only since the middle of the XX century, which immediately found reflection in Japanese cinematography. The use of empirical and comparative methods allow establishing that the changes taking place in Japanese traditional society changes retain the national peculiarities. The anime film “Paprika” directed by Satoshi Kon, which is based on the eponymous novel by Yasutaka Tsutsui, reflects the transformation of the role of women in modern society. The novelty of this work lies the fact that this article analyzes the virtually unstudied topic of the artistic imagery in anime and the structure of modern female image therein. The images of Atsuko Chiba and Paprika, translated from the novel to anime, indicate the changes that took place in the Japanese society in the late XX – early XXI century, and namely the female image that gives a better perspective and sense of such changes. Despite the Western influence upon the traditional Japanese society and transition of the country into the new level of development, did not hinder the preservation of national peculiarities that are based on the century-old traditions and Japanese mentality.

scholarly journals Błogosławiony widok i architektura pustelni. Stefana Żeromskiego epizod z dziejów szlaku na Kalatówki

2019 ◽  
Vol 12 ◽  
pp. 277-286
Author(s):  
Małgorzata Łoboz
Keyword(s):  
Active Part ◽  
The Novel ◽  
Spiritual Renewal ◽  
Social Activist ◽  
Mountain Landscape ◽  
The Status ◽  
History Of ◽  
Evolutionary Continuity

A blessed sight and architecture of a hermitage: Stefan Żeromski’s episode from the history of the Kalatówki trailThe article seeks to interpret the motif of Brother Albert Chmielowski participant in the January Uprising, social activist as well as a Young Poland painter in Stefan Żeromski’s 1913 novel Nawracanie Judasza Converting Judas and to answer the question about the role of the Albertine hermitage on Kalatówki. The Albertine congregation played an active part in the development of infrastructure in Zakopane, with the brothers working, for example, on the construction of the most popular tourist trail in the Tatras — to Giewont — an important thread in Żeromski’s novel. Żeromski sees Brother Albert not only as a spiritual idealist and social activist, but also a fine artist creating works typical of modernism painting in the altar in the Kalatówki chapel featuring the crucifix with the suffering Christ. The crucial motif of “converting Judas” lies in the enhancement of the status of landscape, an example of Żeromski’s typical lyricisation of descriptions of nature. For the author of Converting Judas, the subjectification of landscape as well as numerous metaphorised images of nature are used mostly as means to illustrate the protagonist’s inner landscape. The dominant myth in the novel — of eternal creative nature: changeable but personifying the evolutionary continuity of life — is an optimistically soothing answer to decadent dilemmas. In the mountain landscape, surrounded by nature and accompanied by a friar, the protagonist experiences a real katharsis. The “blessed sight” generates strength needed for the construction of the trail and personal spiritual renewal.

Comprehension of the copula: preschoolers (and sometimes adults) ignore subject–verb agreement during sentence processing

2019 ◽  
Vol 47 (3) ◽  
pp. 695-708
Author(s):  
Benjamin DAVIES ◽  
Nan XU RATTANASONE ◽  
Katherine DEMUTH
Keyword(s):  
Young Children ◽  
Sentence Processing ◽  
Sentence Comprehension ◽  
Choice Task ◽  
The Novel ◽  
Verb Agreement ◽  
The Status ◽  
Forced Choice Task ◽  
Australian English

AbstractSubject–verb (SV) agreement helps listeners interpret the number condition of ambiguous nouns (The sheep is/are fat), yet it remains unclear whether young children use agreement to comprehend newly encountered nouns. Preschoolers and adults completed a forced choice task where sentences contained singular vs. plural copulas (Where is/are the [novel noun(s)]?). Novel nouns were either morphologically unambiguous (tup/tups) or ambiguous (/geks/ = singular: gex / plural: gecks). Preschoolers (and some adults) ignored the singular copula, interpreting /ks/-final words as plural, raising questions about the role of SV agreement in learners’ sentence comprehension and the status of is in Australian English.

Conservative Political Thought in Britain in Response to the French Revolution

1986 ◽  
Vol 29 (3) ◽  
pp. 601-622 ◽  
Author(s):  
Thomas Philip Schofield
Keyword(s):  
Eighteenth Century ◽  
French Revolution ◽  
Social Order ◽  
Glorious Revolution ◽  
True Nature ◽  
The Status ◽  
The Stability ◽  
The Glorious Revolution ◽  
The French Revolution

In attempting to explain the stability of eighteenth-century Britain, and in particular the maintenance of political, social and economic supremacy by the landed aristocracy, scholars have begun to pay attention to the role of ideology and opinion. They see this not merely as providing an explanation of the way things were, but justifying and reinforcing them. The dominant ideological interpretation of society had emerged from the political and constitutional struggles of the seventeenth century, and in particular from the Glorious Revolution of 1688, an interpretation which might be denominated ‘Whig’, and which faced its most serious challenge at the very end of the eighteenth century from the French revolution. Despite the more tangible threat of French arms, the ruling classes in Britain did not underestimate the danger to social order from the arguments advanced by adherents of the rights-of-man doctrine propagated by the revolutionaries. If, in reply to these views, the status quo could be shown not only to be necessary and inevitable, but also right and good, that is to say correspondent with the true nature of man, then the morality of the existing practices and institutions of civil society would be proven. The problem at its most fundamental level was ethical, and it was a problem which conservatives attempted to solve in a variety of ways.

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