Michelle Granshaw, Irish on the Move: Performing Mobility in American Variety Theatre

Modern Drama ◽  
2021 ◽  
Vol 64 (2) ◽  
pp. 240-243
Author(s):  
Christopher Dowd
Keyword(s):  
Nineteenth Century ◽  
Subject Matter ◽  
American Variety ◽  
Early American

Irish on the Move examines how nineteenth-century attitudes about the mobility of migrant bodies were manifested in Irish characterizations in variety theatre. A careful historiographical approach to often overlooked subject matter reveals the development of early American attitudes about immigration and nationalism.

العربية المقاربة المقاصديّة في ردّ ابن فودي على القادح في جلستهم الدعويّة

2018 ◽  
Vol 6 (3) ◽  
Author(s):  
Alawiye Abdulmumin Abdurrazzaq ◽  
Ahmad Wifaq Mokhtar ◽  
Abdul Manan Ismail
Keyword(s):  
Nineteenth Century ◽  
West Africa ◽  
Subject Matter ◽  
Analytical Methods ◽  
Men And Women ◽  
The Subject

This article is aimed to examine the extent of the application of Islamic legal objectives by Sheikh Abdullah bn Fudi in his rejoinder against one of their contemporary scholars who accused them of being over-liberal about the religion. He claimed that there has been a careless intermingling of men and women in the preaching and counselling gathering they used to hold, under the leadership of Sheikh Uthman bn Fudi (the Islamic reformer of the nineteenth century in Nigeria and West Africa). Thus, in this study, the researchers seek to answer the following interrogations: who was Abdullah bn Fudi? who was their critic? what was the subject matter of the criticism? How did the rebutter get equipped with some guidelines of higher objectives of Sharĩʻah in his rejoinder to the critic? To this end, this study had tackled the questions afore-stated by using inductive, descriptive and analytical methods to identify the personalities involved, define and analyze some concepts and matters considered as the hub of the study.

Perpindahan dan Perubahan : Transportasi dalam Struktur Naratif Riwayat Perjalanan ke Amerika di Era Viktorian

Metahumaniora ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 1
Author(s):  
Ari J. Adipurwawijdana
Keyword(s):  
Nineteenth Century ◽  
Subject Matter ◽  
Henry James ◽  
World View ◽  
Democratic Society ◽  
Transportation Infrastructure ◽  
Material Base ◽  
Travel Narrative ◽  
Infrastructure System ◽  
The Subject

ABSTRAKRiwayat yang disajikan penulis Britania era Viktorian tentang perjalannnya ke Amerikamengasumsikan adanya sebuah jaringan prasarana transportasi. Sistem transportasiterkait dengan riwayat perjalanan (travel narrative) dalam tiga hal, yaitu (1) sebagaibasis material bagi perjalanan, (2) sebagai substruktur riwayat, dan (3) sebagai pokokpembicaraan dalam riwayat itu sendiri. Buku Domestic Manners of the Americans (1832)merupakan model bagi cara infrastruktur transportasi menentukan aspek naratologis,yaitu urutan dan perspektif dalam struktur naratif riwayat perjalanan. Karya tersebut jugamenyajikan transportasi sebagai pokok pembicaraan dalam teksnya itu sendiri walaupun tidaksejauh sebagaimana yang tampak pada The Amateur Emigrant (1895) karya Robert LouisStevenson. Dalam hal ini, The American Scene (1907) karya Henry James juga relevankarena, walaupun tidak secara gamblang membicarakan transportasi sebagai topik dantidak pula menampakkan ciri-ciri riwayat perjalanan, karya tersebut merepresentasicara wawasan Britania-Amerika trans-Atlantik dianggap sebagai sesuatu yang lumrah.Wawasan ini juga memandang menganggap perjalanan trans-Atlantik sebagai semacamperjalanan menembus waktu, yang menunjukkan ketidaknyaman para penulis Britaniaabad kesembilanbelas terhadap transformasi sosial ke masyrakat demokratis yangdirepresentasi secara metaforis oleh pemahaman mereka tentang Amerika.Kata kunci: catatan perjalanan Viktorian, transportasi, wisataABSTRACTNarratives presented by Victorian British writers about their travels to America assume theavailability of a transprtation infrastructure system. Such a system is related to the travelnarrative in three things, namely, (1) as a material base for travel, (2) as a narrative substructurehistory, and (3) as the subject-matter of the narratives. Fanny Trollope’s Domestic Mannerof the Americans (1832) is a model for the way transportation infrastructure determinesnarratological aspects, namely order and perspective in the structure of the travel narrative.The piece also presents transportation as a subject-matter in its text although it does notgo so far as do Robert Louis Stevenson’s The Amateur Emigrant (1895). In discussingtransportation Henry James’ The American Scene is also relevant because, despite it’s notexplicitly speaking of transportation as a topic nor does it show the convential characteristicsof the travel narrative, the work represents a British-American trans-Atlantic world viewas a given. This world view also considers trans-Atlantic travels as a kind of voyage acrosstime, implying the discomfort of nineteenth-century British writers concerning the socialtransition into a democratic society represented by America as a metaphor.Keywords: Victorian travel narrative, transportation, tourism

scholarly journals Of Bodies Politic and Pecuniary: A Brief History of Corporate Purpose

2020 ◽  
pp. 1
Author(s):  
David Guenther
Keyword(s):  
Nineteenth Century ◽  
Social Enterprise ◽  
The United States ◽  
Social Enterprises ◽  
American Business ◽  
Business Corporation ◽  
For Profit ◽  
Early American ◽  
Bright Line ◽  
History Of

American corporate law has long drawn a bright line between for-profit and non-profit corporations. In recent years, hybrid or social enterprises have increasingly put this bright-line distinction to the test. This Article asks what we can learn about the purpose of the American business corporation by examining its history and development in the United States in its formative period from roughly 1780-1860. This brief history of corporate purpose suggests that the duty to maximize profits in the for-profit corporation is a relatively recent development. Historically, the American business corporation grew out of an earlier form of corporation that was neither for-profit nor nonprofit in today’s parlance but rather, served a multitude of municipal, religious, charitable, educational, and eventually business purposes in early nineteenth-century New England. The purposes of early American business corporations—rather than maximization of profit to private shareholders— were often overtly public, involving development of local transportation, finance, and other much-needed economic infrastructure. With the rise of factory-based manufacturing, railroads, and other capital-intensive industries in the middle decades of the nineteenth century and the advent of general incorporation statutes, the purpose of the American business corporation shifted fundamentally from public to private. By 1860, the stage was set for the modern firm. This Article concludes that the corporation has no intrinsic purpose. The corporation’s defining features are separate legal personality and the ability to aggregate capital toward any otherwise lawful end, whether for-profit or nonprofit. Social enterprises today more closely resemble the early American business corporation than the profit-maximizing modern firm. Social enterprise should be seen less as a legally uncertain novelty than a return to the business corporation’s nineteenth-century American roots. Finally, this Article suggests potential limitations for social enterprise.

scholarly journals W poszukiwaniu początków oraz prób zrozumienia „zachowań symbolicznych”. Zarys problematyki

2020 ◽  
Vol 25 ◽  
pp. 91-108
Author(s):  
Bożena Józefów-Czerwińska
Keyword(s):  
Nineteenth Century ◽  
Subject Matter ◽  
Homo Sapiens ◽  
Modern Science ◽  
Hunter Gatherers ◽  
Negative Stereotypes ◽  
Academic Literature ◽  
Animal World

In academic literature there is a whole range of hypotheses relating to the genesis of the symbolic behavior, which are usually also associated with the beginnings of the development of spirituality. In the nineteenth century, the considerations conducted in this area were often influenced by negative stereotypes (relating, among others, to hunter-gatherers), which were later deconstructed. Although the discussion on this subject has been ongoing since the nineteenth century, even in the light of research and achievements of the modern science, the problem of the origins of symbolic behavior has still not been unequivocally resolved. However, it is assumed that they should be attributed primarily to the changes that were initiated in our ancestors from the Homo Sapiens family. In recent years, however, some ethologists and primatologists believe that the genesis of symbolic behavior should be sought in the animal world. I devote my article to this diversified subject matter.

Holiness

2019 ◽  
pp. 18-57
Author(s):  
Kevin M. Watson
Keyword(s):  
Nineteenth Century ◽  
John Wesley ◽  
Holiness Movement ◽  
Early American ◽  
The Core ◽  
Entire Sanctification ◽  
Phoebe Palmer

This chapter argues that holiness was an essential mark of American Methodist theology from the beginnings of American Methodism through the first half of the nineteenth century. The chapter summarizes the initial commitment to holiness in John Wesley and early British Methodism. The commitment to holiness and entire sanctification of early American Methodism is then discussed. The chapter points to the importance of holiness as marking a theological tradition that was consistent across varieties of American Methodism as well as in popular Methodist experience. The chapter concludes by pointing to signs of coming tension, especially the rise of Phoebe Palmer and the Holiness Movement, the division that created the Wesleyan Methodist Connection, and the croakers, who initially complained about changes and compromise they saw in Methodism. The core argument of the chapter is that from 1784 through the 1840s there was a coherent theological tradition in American Methodism.

Avant-garde

2018 ◽  
Author(s):  
Irene Gammel
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Radical Innovation ◽  
Late Nineteenth Century ◽  
Avant Garde ◽  
Early American ◽  
Dialectical Relationship ◽  
English Speaking ◽  
Late Nineteenth ◽  
Different Cultures

The term "avant-garde" has a double meaning, denoting first, the historical movements that started in the late nineteenth century and ended in the 1920s and 1930s, and second, the ongoing practices of radical innovation in art, literature, and fashion in the later twentieth century (often inspired by the historical avant-garde and referred to as the neo-avant-garde). Within the context of modernism, historical avant-garde movements (such as Dada, Futurism, Vorticism, Anarchism, and Constructivism) radicalized innovations in aesthetic forms and content, while also engaging viewers and readers in deliberately shocking new ways. Locked in a dialectical relationship between the avant-garde and modernism, as Richard Murphy has written (1999: 3), the historical avant-garde accelerated the advent of modernism, which routinely appropriated and repackaged avant-garde experimentation in tamer forms. As the Latinate term "avant-garde" took root first France and Italy, and later in Germany and English-speaking countries, the trajectory of the avant-garde’s relationship with, or opposition to, modernism has been theorized in a myriad of different, even conflicting, ways across different cultures. Is the avant-garde an extension of, or a synonym for, modernism (as suggested in some early American criticism) or are the two concepts in opposition to each other (as proposed in Italian and Spanish criticism)?

The Early American Qur'an: Islamic Scripture and US Canon

2009 ◽  
Vol 11 (2) ◽  
pp. 1-19 ◽  
Author(s):  
Jeffrey Einboden
Keyword(s):  
Nineteenth Century ◽  
American Literature ◽  
Ralph Waldo Emerson ◽  
Edgar Allan Poe ◽  
American Renaissance ◽  
Early American Literature ◽  
Washington Irving ◽  
Early American ◽  
The Aesthetic ◽  
Scholarly Attention

Although considerable scholarly attention has been paid to US Orientalism in the nineteenth century, there remains no targeted study of the formative influence exercised by the Qur'an upon the canon of early American literature. The present paper surveys receptions, adaptations and translations of the Qur'an during the ‘American Renaissance’, identifying the Qur'anic echoes which permeate the seminal works of literary patriarchs such as Ralph Waldo Emerson, Washington Irving and Edgar Allan Poe. Examining the literary and religious tensions raised by antebellum importations of Islamic scripture, the essay interrogates how the aesthetic contours of the Qur'an in particular serve both to attract and obstruct early US readings, mapping the diverse responses to the Muslim sacred generated by American Romantics and Transcendentalists.

Introduction. Theories of Myth

2015 ◽  
Author(s):  
Robert A. Segal
Keyword(s):  
Social Sciences ◽  
Nineteenth Century ◽  
Subject Matter ◽  
The Social ◽  
Origin Function ◽  
Modern Era

The ‘Introduction’ examines and compares modern theories of myth by applying them to the famous myth of Adonis. It is only in the modern era—specifically, only since the second half of the nineteenth century—that these theories have purported to be scientific, for only since then have there existed the social sciences. Of these, anthropology, psychology, and sociology have contributed the most to the study of myth. Each discipline harbours multiple theories of myth, but what unites them is the questions asked: those of origin, function, and subject matter. Is myth universal? Is myth true? Along with these other questions, it defines myth as a story.

Sign in / Sign up

Export Citation Format

Share Document