CERITA RAKYAT “ASAL-USUL PULAU HALANG”: ANALISIS FUNGSI VLADIMIR PROPP

2017 ◽  
Vol 5 (1) ◽  
pp. 105
Author(s):  
Yeni Maulina
Keyword(s):  
Fairy Tale ◽  
Composition And Structure ◽  
Vladimir Propp

Classical Malay literature in prose is classified in the form of folklore. The plot of folklore describes phenomena and object that exist, by explaining aspects of composition and structure, or aspects of the processes and changes. In other words, in order to determine the origin of an object or objects in folklore, the phenomenon of the object or objects must be recognized first. It is known as original motifs of folklore. Folklore based on structuralism approach sought to facilitate understanding in terms of language or text used. In a fairy tale actors and its properties can be changed, but actions and their role remains the same. Vladimir Propp divided 31 functions of folklore by linking the events and actions of different that have the same meaning, or imply the same conduct. Folklore of the Asal Usul Pulau Halang has sixteen Vladimir Propp's functions. The function in this folklore was developed starting from the first function, the function of IX, the function of X, the function of XII, the function of XIV, the function of the XV, the function of XVI, the function of the XIX, the function of XX, the function of XXI, the function XXIII, the function of XXIV, the function of XXV, the function of the XXIX, the functions of XXX, and the functions of XXXI.AbstrakKarya sastra Melayu klasik yang berbentuk prosa tergolong pada bentuk cerita rakyat. Alur cerita rakyat menggambarkan fenomena dan objek-objek yang ada, dengan menjelaskan aspek komposisi dan struktur, atau aspek proses dan perubahannya. Dengan kata lain, untuk mengetahui asal-usul suatu benda atau objek dalam cerita rakyat, terlebih dahulu mengenal fenomena benda atau objek tersebut. Berkaitan dengan hal tersebut, maka dikenal cerita rakyat bermotif asal-usul. Cerita rakyat berdasarkan pendekatan strukturalisme diusahakan untuk mempermudah pemahaman dari segi kebahasaan atau teks yang digunakan. Dalam sebuah cerita dongeng para pelaku dan sifat-sifatnya dapat berubah, tetapi perbuatan dan peran mereka tetap sama. Vladimir Propp membagi 31 fungsi dengan mengaitkan berbagai peristiwa dan perbuatan berbeda-beda tetapi mempunyai arti yang sama, atau mengisyaratkan perbuatan yang sama. Cerita rakyat "Asal-usul Pulau Halang" memiliki enam belas fungsi Vladimir Propp. Fungsi dalam cerita rakyat "Asal-usul Pulau Halang" dibangun mulai dari fungsi I, fungsi IX, fungsi X, fungsi XII, fungsi XIV, fungsi XV, fungsi XVI, fungsi XIX, fungsi XX, fungsi XXI, fungsi XXIII, fungsi XXIV, fungsi XXV, fungsi XXIX, fungsi XXX, dan fungsi XXXI.

Fairy-Tale Films

2018 ◽  
Author(s):  
Pauline Greenhill
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
English Language ◽  
Movie Theaters ◽  
History Of ◽  
Historical Times ◽  
English Speaking ◽  
Digital Formats ◽  
English Speaking World ◽  
Vladimir Propp

Films incorporating fairy-tale narratives, characters, titles, images, plots, motifs, and themes date from the earliest history of the cinema, beginning with director Georges Méliès’s Le manoir du diable made in 1896, the year after Auguste and Louis Lumière’s first public showing of their “cinematograph” in Paris in 1895. Fairy tales can be oral (told by people in different geographical locations and at various historical times up to the present) and/or literary (created by known authors) in origin, but they manifest in numerous media, including film. While the Disney formula of innocent persecuted heroines, handsome princes, and happy-ever-afters has dominated popular understandings of such narratives (at least in the English-speaking world), fairy tales need not contain these elements. They concern the fantastic, the magical, the dark, the dreamy, the wishful, and the wonderful. Short and feature length, animated and live action, produced in film stock, video, and digital formats, fairy-tale films have appeared in movie theaters and more recently on television and computer screens. Using Kevin Paul Smith’s classification for literary fairy tales, fairy-tale filmic intertexts can include explicit reference in the title—for example, Duane Journey’s Hansel & Gretel Get Baked (2013); implicit reference in the title—for example, Tarsem Singh Dhandwar’s Mirror Mirror (2012); explicit incorporation into the text—as when Micheline Lanctôt’s Le piège d’Issoudun (2003) includes a play of “The Juniper Tree”; implicit incorporation into the text—as when Steven Spielberg’s A.I.: Artificial Intelligence (2001) has the mechanical child David’s human mother abandon him in the woods, as do Hansel and Gretel’s parents; discussing fairy tales, as in the “Once Upon a Crime” episode of the American television show Castle (2009–2016), when the writer and police talk about what fairy tales really mean; and invoking fairy-tale chronotopes (settings and/or environments)—as in the portions of Guillermo del Toro’s Pan’s Labyrinth (2006) set in the heroine Ofelia’s father’s magical kingdom. Alternatively, filmmakers may re-vision a story, sometimes with new spin, as when Matthew Bright’s Freeway 2 (1999) relocates “Hansel and Gretel” to 1990s America, with two delinquent teen girls fleeing to Mexico, or may create an entirely new tale—like Pan’s Labyrinth, not based on any specific previous literary or traditional fairy tale. This article focuses on the cinema—movies made for theatrical and/or video release—but draws on television and Internet films when they offer telling illustrations. Most examples are from English-language media. Although classic works like director Jean Cocteau’s La belle et la bête (1946) have received considerable attention from cinema studies and the fairy-tale structural analysis of Vladimir Propp (1968) has greatly influenced film analysis, only since the beginning of the 21st century has fairy-tale scholarship merged with film scholarship. Scholars of fairy-tale film often consider adaptation and intermediality in cinematic versions of tales. This article uses the example of director Tarsem Singh Dhandwar’s The Fall (2007), which draws on and references fairy-tale magic to collapse, expand, and generally fictionalize time and space to invoke the postmodern and postcolonial as well as the transnational and transcultural.

Propp Revisited: A Structural Analysis of Vuk Karadžić’s Collection Serbian Folk Fairy Tales

2020 ◽  
Vol 65 (3) ◽  
pp. 335-367
Author(s):  
Dijana Vučković ◽  
Vesna Bratić
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
Folk Tales ◽  
The Core ◽  
Proposed Model ◽  
Core Feature ◽  
Vuk Stefanovic Karadzic ◽  
Plot Structure ◽  
Vladimir Propp

SummaryIn the mid-19th century Vuk Stefanović Karadžić collected folk tales in the broader South-Slavic region and published them in a collection titled Serbian Folk Tales. Folk fairy tales make the major part of the collection. In this paper, the authors determine the folk fairy tale structure according to the methodology proposed by Vladimir Propp in the Morphology of the Folktale. The aim of the paper is to investigate, whether these fairy tales can be fully described using Propp’s Morphology. Propp’s model of the meta-folk fairy tale was developed inductively based on a rich, comprehensive, yet limited, corpus of Russian folk fairy tales, which opens up space for further testing of the proposed model.The hypothesis was set that the analyzed folk fairy tales completely conform to the plot structure of the meta-folk fairy tale with a maximum of 31 functions as proposed by Propp. The hypothesis is grounded in: 1. the time when the folktales were collected (mid-19th century, the same time as the Russian collection analyzed by Propp) and 2. the similarity of the South Slavic peoples with the peoples of the Slavic East.However, after categorial and structural analyses of the corpus were performed, it was clear that the hypothesis could not be accepted in its entirety. In the analyzed folk fairy tales, no new functions were found as compared to the 31 functions identified by Propp, but some of these functions were altered as compared to those to be expected in folk tales. This alteration occurred not only regarding the changed order of functions, assimilation and cases of dual morphological meanings of functions, but also in terms of the fantastic category of the marvelous, which is the core feature of the fairy tale genre, whose nature was changed. The study identified the rationalization of some magical motifs, which partially mitigates the quality of the miraculous in the fairy tale and found out that, in some cases, the marvelous was mitigated and “shifted” towards the (merely) fantastic. This was achieved by introducing oniric elements. One of the important conclusions of our study of the fairy tale is that these fairy tales, although labeled as folk tales, feature significant authorial intervention.

scholarly journals A literary tale from structuralism to postmodernism in a linguistic perspective

2021 ◽  
Vol IX(257) (75) ◽  
pp. 49-53
Author(s):  
A. B. Pavliuk
Keyword(s):  
Fairy Tale ◽  
Linguistic Features ◽  
Vladimir Propp

The article is devoted to the evolution of a literary tale from structuralism to postmodernism. On the basis of the analyzed theoretical works we have found the linguistic features of a literary tale from the beginning of its formation as a genre to modern ways of forming a system of images, plot creation, combination of motives and unfolding of narratives. Particular attention is paid to the contribution of the structuralism founder Vladimir Propp in the study of the composition and plot organization of a fairy tale.

Fairy-Tale Plots and Contemporary Heroes in Early Russian Prose Fiction

Slavic Review ◽  
1980 ◽  
Vol 39 (1) ◽  
pp. 85-96 ◽  
Author(s):  
Gary Cox
Keyword(s):  
Eighteenth Century ◽  
Fairy Tale ◽  
Popular Literature ◽  
Prose Fiction ◽  
Literature Discussions ◽  
Structural Patterns ◽  
Narrative Literature ◽  
Vladimir Propp ◽  
Distinct Line

Popular literature often appropriates the structural patterns of folklore. V. P. Adrianova-Peretts has observed that in Russian narrative literature prior to the 1760s it is difficult to draw a distinct line between folklore and formal literature. Discussions of seventeenth- and eighteenth-century Russian adventure tales, the first body of original prose fiction to enjoy widespread success in Russia, have traditionally noted use of folkloric motifs, usually citing isolated moments rather than basic, underlying plot structures as examples. In fact, however, the fairytale plot, as outlined by Vladimir Propp in The Morphology of the Fairy Tale, forms the skeleton of most Russian prose tales of the seventeenth and early eighteenth centuries.

Crystal Structure Analysis of Cu-Zr Alloys by Convergent Beam Diffraction

1981 ◽  
Vol 39 ◽  
pp. 354-355
Author(s):  
A. F. Marshall ◽  
J. W. Steeds ◽  
D. Bouchet ◽  
S. L. Shinde ◽  
R. G. Walmsley
Keyword(s):  
Crystal Structure ◽  
Point Group ◽  
Intermetallic Phase ◽  
Three Dimensional ◽  
Crystal Structure Analysis ◽  
Ion Milling ◽  
Composition And Structure ◽  
Unit Cells ◽  
Sputter Deposited ◽  
Convergent Beam

Convergent beam electron diffraction is a powerful technique for determining the crystal structure of a material in TEM. In this paper we have applied it to the study of the intermetallic phases in the Cu-rich end of the Cu-Zr system. These phases are highly ordered. Their composition and structure has been previously studied by microprobe and x-ray diffraction with sometimes conflicting results.The crystalline phases were obtained by annealing amorphous sputter-deposited Cu-Zr. Specimens were thinned for TEM by ion milling and observed in a Philips EM 400. Due to the large unit cells involved, a small convergence angle of diffraction was used; however, the three-dimensional lattice and symmetry information of convergent beam microdiffraction patterns is still present. The results are as follows:1) 21 at% Zr in Cu: annealed at 500°C for 5 hours. An intermetallic phase, Cu3.6Zr (21.7% Zr), space group P6/m has been proposed near this composition (2). The major phase of our annealed material was hexagonal with a point group determined as 6/m.

Off-axis electron holography applied to the study of interfaces

1992 ◽  
Vol 50 (1) ◽  
pp. 244-245
Author(s):  
J.K. Weiss ◽  
M. Gajdardziska-Josifovska ◽  
M. R. McCartney ◽  
David J. Smith
Keyword(s):  
Electric Fields ◽  
Resolution Enhancement ◽  
Interfacial Structure ◽  
Atomic Scale ◽  
Bulk Property ◽  
Electron Holography ◽  
Specimen Thickness ◽  
Composition And Structure ◽  
Chemical Segregation ◽  
Diffraction Effects

Interfacial structure is a controlling parameter in the behavior of many materials. Electron microscopy methods are widely used for characterizing such features as interface abruptness and chemical segregation at interfaces. The problem for high resolution microscopy is to establish optimum imaging conditions for extracting this information. We have found that off-axis electron holography can provide useful information for the study of interfaces that is not easily obtained by other techniques.Electron holography permits the recovery of both the amplitude and the phase of the image wave. Recent studies have applied the information obtained from electron holograms to characterizing magnetic and electric fields in materials and also to atomic-scale resolution enhancement. The phase of an electron wave passing through a specimen is shifted by an amount which is proportional to the product of the specimen thickness and the projected electrostatic potential (ignoring magnetic fields and diffraction effects). If atomic-scale variations are ignored, the potential in the specimen is described by the mean inner potential, a bulk property sensitive to both composition and structure. For the study of interfaces, the specimen thickness is assumed to be approximately constant across the interface, so that the phase of the image wave will give a picture of mean inner potential across the interface.

The Red Shoes: A fairy tale within a ballet within a film.

2016 ◽  
Vol 33 (Suppl 1) ◽  
pp. S104-S119
Author(s):  
Diana Diamond
Keyword(s):  
Fairy Tale
Sign in / Sign up

Export Citation Format

Share Document