DIY, im Eigenverlag: East German Tamizdat LPs

2017 ◽  
Vol 35 (2) ◽  
pp. 26-47
Author(s):  
Seth Howes

Between 1983 and 1989, as the two German pop music industries continued to license one another’s properties, and Amiga continued releasing American and British records, five long-playing records were released by independent labels based in Western Europe that contained music recorded in the German Democratic Republic. They were then smuggled out of the country rather than formally licensed for release abroad. Existing outside the legal framework underlying the East German record industry, and appearing in small pressings with independent labels in West Germany and England, these five tamizdat LPs represent intriguing reports from the margins on the mutual entanglement of the two Germanies’ pop music industries. Closely examining these LPs’ genesis and formal aspects, this article explores how independent East German musicians framed their own artistic itineraries with respect to (or in opposition to) the commercial pop circuit, as they worked across borders to self-release their music.

Daphnis ◽  
2018 ◽  
Vol 46 (4) ◽  
pp. 560-583
Author(s):  
Michael Hanstein

In 1977 the East German author Hans Joachim Schädlich published Versuchte Nähe (English edition Approximation published in 1980), a small volume of short stories. While the Western German press praised Schädlich’s first work as a literary reflection of the society in the German Democratic Republic (GDR), Schädlich was marginalized as a dissident in the GDR and had to move to West Germany. One of the short stories in Versuchte Nähe is about the last days of the German renaissance author Nicodemus Frischlin, who, arrested by German authorities, died in prison. The story was appreciated for its style using a “Luther-like language”. Schädlich’s story is mainly based on a biography of Frischlin written by David Friedrich Strauss, a famous and prolific 19th century German author and theologian. Schädlich’s modification of the original source includes a description of the conditions of imprisonment and the heroification of Frischlin as an uncompromising critic of a totalitarian regime.


Author(s):  
Josh Armstrong

In general, the German Democratic Republic (GDR) did not treat its gay and lesbian citizens very favorably. Although the legal situation was more liberal than in the Federal Republic (West Germany) and other Western European countries, most homosexual East Germans lived in a state of invisibility at best, or suffered direct homophobia at worst, often at the hands of the government. In the mid-1980s, the public and government stance toward homosexuality liberalized slightly, leading to small improvements in the lives of gay East Germans. However, gay East Germans never experienced many of the same freedoms or opportunities that their West German, other Western European, or American counterparts enjoyed. Gay East Germans occupied a difficult position within the socialist ideology of the GDR. In theory, each East German was equal, enjoying universal rights and opportunities, and living free from discrimination. At the same time, however, the smallest building block of the society was the heterosexual, reproductive, married couple: a model into which same-sex desiring people could not fit. This doctrine of supposed equality probably contributed to the fact that homosexuality was decriminalized earlier in the GDR than in the Federal Republic, but it was also used by the SED (Sozialistische Einheitspartei Deutschlands: the ruling, dictatorial party) as an excuse not to engage further with the specific needs of gay citizens until the mid-1980s. The GDR saw some limited gay activism in the 1970s in the form of the Homosexuelle Interessengemeinschaft Berlin (HIB); however, the group’s activities never really extended outside of East Berlin and did not lead to significant political or social change. More impactful activism occurred in the 1980s under the aegis of the Protestant Church as the only organization in the GDR that operated largely outside of state control. The SED eventually yielded to some of the demands of gay activists—by sanctioning publications and meeting spaces, for example—but did so primarily to draw gay activists out of the protection of Church structures and in order to be able to monitor and control them more easily. There are few East German literary or artistic works that engage with homosexuality, although a number of relevant literary works were published in the 1980s. These contributed to a fledgling discourse around homosexuality, shifting the issue from a taboo topic to one more acceptable for discussion in the public sphere. However, when East German audiences viewed Heiner Carow’s Coming Out in 1989—the first and only East German feature film to depict homosexual relationships—many claimed that it was their first exposure to homosexuality. And, since the GDR ceased to exist as a state fairly abruptly in 1990, one will never know how the trajectory of gay rights activism may have continued.


2006 ◽  
Vol 15 (4) ◽  
pp. 453-472 ◽  
Author(s):  
KARL CHRISTIAN LAMMERS

This article analyses Danish relations with the two German states. After 1949 Denmark found itself in a special position as the only West European country that was neighbour to both Germanys, having a land border with the Federal Republic and a sea border and important communications links with the German Democratic Republic. But Denmark recognised only the Federal Republic as the legitimate representative of Germany. Germany had historically constituted a serious problem for Denmark, and even in the after-war period Danish relations with its big neighbour were beset with problems. After 1955, when the minority question was settled and Denmark and the FRG were both members of NATO, relations with West Germany improved. Relations with the GDR were much more troubled because Denmark was to an extent forced to bow to West German interests, but could not ignore the existence of the East German neighbour state.


1986 ◽  
Vol 48 (2) ◽  
pp. 246-263 ◽  
Author(s):  
Stephen P. Hoffmann

The East German government's commemoration in 1983 of the 500th anniversary of Martin Luther's birth exemplifies its continuing effort to broaden domestic support by arguing over a thirty-year period that the regime's values are deeply rooted in German civilization. The representation of Luther in the German Democratic Republic has evolved from caricature to sophisticated portraiture. Fundamental to this reinterpretation has been the association of Luther with the bourgeois-democratic revolution, a process which the ruling Socialist Unity party claims to have completed in the course of establishing the GDR. Continuing interaction between East and West Germany has complicated the GDR's effort to utilize historical symbols in developing a unified political culture.


2020 ◽  
pp. 155-179
Author(s):  
Joanna Trajman

The goal of this article is to present the transition in the situation of women in the former West Germany and East Germany as a consequence of German reunification. Starting with an outline of the legal framework defining gender equality, as well as the actual circumstances of females in society as part of a family and on the labour market in both German countries, the situation of women in the united country is analysed within the context of their professional activity, remuneration and pension amounts and promotion prospects as well as the ability to combine their professional and family lives. I try to answer whether women in the former East Germany became underprivileged due to the German reunification process and whether the situation of the West German women changed as a result of certain equality incentives which could be considered the heritage of the German Democratic Republic.


2019 ◽  
Vol 16 (1) ◽  
pp. 123-139
Author(s):  
ELAINE KELLY

AbstractCentral to the official identity of the German Democratic Republic (GDR) was the state's positioning of itself as the antifascist and anti-colonial other to West Germany. This claim was supported by the GDR's extensive programme of international solidarity, which was targeted at causes such as the anti-apartheid movement in South Africa. A paradox existed, however, between the vision of a universal proletariat that underpinned the discourse of solidarity and the decidedly more exclusive construct of socialist identity that was fostered in the GDR itself. In this article, I explore some of the processes of othering that were embedded in solidarity narratives by focusing on two quite contrasting musical outputs that were produced in the name of solidarity: the LP Kämpfendes Vietnam, which was released on the Amiga record label in 1967, and the Deutsche Staatsoper's 1973 production of Ernst Hermann Meyer's anti-apartheid opera, Reiter der Nacht.


Author(s):  
Grzegorz Kuźnik

The aim of this article is to present the principles underlying the political system in force in the German Democratic Republic between 1949 and 1990, with a particular emphasis on the issue of the state of emergency law. The article describes the two Constitutions from 1949 and 1968 and the state institutions established under them, including the GDR People's Chamber, the Council of Ministers, the GDR State Council and the National Defence Council. It also discusses the constitutional solutions within the scope of the emergency law. The legal basis for the protection of the border between the two then existing German states was also considered. This article is based on the two East German Constitutions, other legal acts and on the principles of East German and Polish doctrine. The article consists of an introduction, three parts and a summary.


2004 ◽  
Vol 13 (2) ◽  
pp. 233-247 ◽  
Author(s):  
SANDRINE KOTT

Konrad Jarausch, ed., Dictatorship as Experience. Toward a Socio-Cultural History of the GDR (New York and Oxford: Berghahn Books, 1999), 388 pp., £14.00 (pb), ISBN 1-57181-182-6.Thomas Lindenberger, ed., Herrschaft und Eigensinn in der Diktatur (Cologne, Weimar and Vienna: Böhlau Verlag, 1999) 367 pp., €39.90 (hb), ISBN 3-412-13598-4.Annegret Schüle, ‘Die Spinne’. Die Erfahrungsgeschichte weiblicher Industriearbeit im VEB Leipziger Baumwollspinnerei (Leipzig: Leipziger Universitätsverlag, 2001), 398 pp., €18.00 (pb), ISBN 3-934565-87-5.Patrick Major and Jonathan Osmond, eds., The Workers' and Peasants' State. Communism and Society in East Germany under Ulbricht 1945–71 (Manchester: Manchester University Press, 2002), 272 pp., £15.99 (pb), ISBN 0-7190-6289-6.Joshua Feinstein, The Triumph of the Ordinary. Depictions of Daily Life in the East German Cinema 1949–1989 (Chapel Hill: University of North Carolina Press, 2002), 331 pp., £19.50 (pb), ISBN 0-8078-5385-2.


2021 ◽  
Vol 52 (2) ◽  
pp. 225-250
Author(s):  
Wayne Geerling ◽  
Gary B. Magee ◽  
Russell Smyth

Abstract Analysis of the link between the Soviet occupation of East Germany and internal resistance within the German Democratic Republic reveals that ongoing payment of reparations by East Germans out of local production—via the Soviet’s ownership of prominent local companies—affected both the incidence and the intensity of unrest at the precinct level during the uprising of June 17, 1953. This result is robust when controlling for variation in the presence of Soviet military bases and deaths in Soviet nkvd Special Camps, as well as a host of regional factors potentially correlated with differences in unrest.


Author(s):  
Rosemary Stott

This chapter examines the relocation, transition, and appropriation of the Spaghetti Western in a hitherto under-researched context: the German Democratic Republic (East Germany), prior to its unification with the Federal Republic of Germany (West Germany) in 1990. It explores the selection, distribution and reception of Once Upon a Time in the West (C'era una volta il West, Sergio Leone, 1968) in the German Democratic Republic as a case study of how international cultural transfer causes objects of cultural production to be repositioned as they enter a new reception context. It also examines the ideological, economic, and sociological concerns underpinning the decisions of those who facilitated the movement of film across the political, cultural, and linguistic boundaries of nation states. In East Germany, the facilitators involved in the selection, censorship, dubbing, and promotion of films were mainly government administrators rather than film business professionals, because film was a state-controlled industry. The chapter focuses on the ‘official’ reception of the film on the basis of available censorship protocols and government policy papers, as well as print media sources.


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