scholarly journals Film, Art, and the Third Culture

Projections ◽  
2018 ◽  
Vol 12 (2) ◽  
pp. 111-136
Author(s):  
Murray Smith
Keyword(s):  
Aesthetic Experience ◽  
Niche Construction ◽  
Extended Mind ◽  
Third Culture ◽  
Ordinary Experience ◽  
Embodied Simulation ◽  
The Third ◽  
Naturalistic Methodology ◽  
Similarity And Difference ◽  
The Relationship

In this article, I reply to the eleven commentaries on Film, Art, and the Third Culture gathered here, organizing my responses thematically and seeking to find points of similarity and difference among the commentators as well as with my own perspective. I address arguments on embodied simulation; the analogy between films and dreams; aesthetic experience and the “expansion” of ordinary experience; the relationships between culture and cognition and between fiction and emotion; theories of the extended mind and of niche construction; the place of neuroscience in aesthetics; and the relationship between naturalism and normativity. I conclude with some reflections on naturalistic methodology.

scholarly journals Film, Art, and the Third Culture

Projections ◽  
2018 ◽  
Vol 12 (2) ◽  
pp. 1-8
Author(s):  
Murray Smith
Keyword(s):  
Conceptual Analysis ◽  
Niche Construction ◽  
Extended Mind ◽  
Levels Of Analysis ◽  
Recent Book ◽  
Theory Construction ◽  
Third Culture ◽  
Cultural Approach ◽  
The Third ◽  
The Arts

In this overview of my recent book, I outline its main themes, questions, and arguments. Part 1 explores the applicability of philosophical naturalism to aesthetics and the arts. Searching for the principles that might undergird a naturalistic or “third cultural” approach to the arts, I defend a model of “triangulation” that seeks consilience among phenomenological, psychological, and neurophysiological evidence and that relates to two further strategies: “thick explanation,” combining personal and “subpersonal” levels of analysis, and “theory construction,” conceived as an empirically oriented alternative to conceptual analysis. Part 2 examines emotion in the arts and in film as a relevant and fertile territory for a naturalized aesthetics, in relation to Charles Darwin’s account of the expression of the emotions, niche construction, and the theory of the “extended mind.”

Naturalizing Aesthetic Experience

Projections ◽  
2018 ◽  
Vol 12 (2) ◽  
pp. 50-59 ◽  
Author(s):  
Vittorio Gallese
Keyword(s):  
Aesthetic Experience ◽  
The Body ◽  
Third Culture ◽  
Embodied Simulation ◽  
New Model ◽  
The Third ◽  
The World ◽  
The Aesthetic ◽  
The Brain

The naturalization of the aesthetic experience of film and art can benefit from the contribution of neuroscience because we can investigate empirically the concepts we use when referring to it and what they are made of at the level of description of the brain-body. The neuroscientific subpersonal level of description is necessary but not sufficient, unless it is coupled with a full appreciation of the tight relationship that the brain entertains with the body and the world. In this article, I will discuss aspects of Murray Smith’s proposal on the aesthetic experience of art and film as presented in his Film, Art, and the Third Culture against the background of a new model of perception and imagination: embodied simulation.

Questions about Aesthetic Experience

Projections ◽  
2018 ◽  
Vol 12 (2) ◽  
pp. 71-75
Author(s):  
Paisley Livingston
Keyword(s):  
Aesthetic Experience ◽  
Self Awareness ◽  
Third Culture ◽  
Aesthetic Experiences ◽  
The Third

These brief comments raise some questions about Murray Smith’s remarks, in his new volume Film, Art, and the Third Culture: A Naturalized Aesthetics of Film, on the nature of aesthetic experience. My questions concern how we might best draw a viable distinction between aesthetic and non-aesthetic experiences and focus in particular on possible links between self-awareness and aesthetic experiences. In sum, I agree with Smith in holding that we should not give up on the notion of aesthetic experience, even though aestheticians continue to disagree regarding even the most basic questions pertaining to its nature.

Naturalized Aesthetics and Criticism

Projections ◽  
2018 ◽  
Vol 12 (2) ◽  
pp. 19-27
Author(s):  
Laura T. Di Summa-Knoop
Keyword(s):  
Critical Evaluation ◽  
Potential Contribution ◽  
Third Culture ◽  
The Third ◽  
The Relationship

Can naturalized aesthetics contribute to the evaluation of a work? In this article, I consider three ways in which naturalized aesthetics may inform critical evaluation. First, I analyze the role of naturalized aesthetic analysis in the formation of the creative choices made by filmmakers. Second, I assess the relationship between the analysis of empathy provided by Murray Smith’s Film, Art, and the Third Culture and the expression of moral evaluations. And third, I outline what I take to be naturalized aesthetics’ promising potential contribution to the study of genre and contra-standard features. In the concluding section, I instead introduce what I take to be two rather serious difficulties to a cooperation between criticism and naturalized aesthetics.

Retroaktive Neuverhandlung

2018 ◽  
Vol 63 (1) ◽  
Author(s):  
Daniel Martin Feige
Keyword(s):  
Original Work ◽  
The Other ◽  
Final Part ◽  
Critical Reading ◽  
The Third ◽  
Works Of Art ◽  
The Relationship

Der Beitrag widmet sich der Frage historischer Folgeverhältnisse in der Kunst. Gegenüber dem Gedanken, dass es ein ursprüngliches Werk in der Reihe von Werken gibt, das späteren Werken seinen Sinn gibt, schlägt der Text vor, das Verhältnis umgekehrt zu denken: Im Lichte späterer Werke wird der Sinn früherer Werke neu ausgehandelt. Dazu geht der Text in drei Schritten vor. Im ersten Teil formuliert er unter der Überschrift ›Form‹ in kritischer Abgrenzung zu Danto und Eco mit Adorno den Gedanken, dass Kunstwerke eigensinnig konstituierte Gegenstände sind. Die im Gedanken der Neuverhandlung früherer Werke im Lichte späterer Werke vorausgesetzte Unbestimmtheit des Sinns von Kunstwerken wird im zweiten Teil unter dem Schlagwort ›Zeitlichkeit‹ anhand des Paradigmas der Improvisation erörtert. Der dritte und letzte Teil wendet diese improvisatorische Logik unter dem Label ›Neuaushandlung‹ dann dezidiert auf das Verhältnis von Vorbild und Nachbild an. The article proposes a new understanding of historical succession in the realm of art. In contrast to the idea that there is an original work in the series of works that gives meaning to the works that come later, the text proposes to think it exactly the other way round: in the light of later works, the meanings of earlier works are renegotiated. The text proceeds in three steps to develop this idea. Under the heading ›Form‹ it develops in the first part a critical reading of Danto’s and Eco’s notion of the constitution of the artworks and argues with Adorno that each powerful work develops its own language. In the second part, the vagueness of the meaning of works of art presupposed in the idea of renegotiating earlier works in the light of later works is discussed under the term ›Temporality‹ in terms of the logic of improvisation. The third and final part uses this improvisational logic under the label ›Renegotiation‹ to understand the relationship between model and afterimage in the realm of art.

RECREATION SPECIALIZATION FOR RUNNERS AND EVENT ATTACHMENT

2020 ◽  
Author(s):  
Isao Okayasu ◽  
Chi-Ok Oh ◽  
Duarte B Morais
Keyword(s):  
Practical Implication ◽  
Event Management ◽  
Attitudes And Behaviors ◽  
The Third ◽  
Study Results ◽  
The World ◽  
Recreation Specialization ◽  
And Behaviors ◽  
The Relationship ◽  
Predictive Relationship

Running is one of the most popular activities in the world. Runners’ attitudes and behaviors vary depending on their running style. This study aims to construct different measures of running specialization based on the theory of specialization. This study also tests a runner’s stage of specialization segmentation based on recreation specialization and examines the predictive relationship between a runner’s specialization and event attachment. Three groups of sampling data assess the performance of diverse specialization measures for running in three marathon events. First, two surveys were conducted with marathon participants to assess the performance of diverse specialization measures for runners. Second, the third dataset was used to examine the relationship between a runner’s recreation specialization and event attachment.The study results showed that the 15 measures of specialization showed a good fit to the data. Our research showed how runners’ recreation specialization is connected to their event attachment. In addition, this study suggested event management for subdivisions of runners. Its practical implication is that recreation specialization for running can help us understand event attachment.

Space Effort: The Third Culture

Science ◽  
1963 ◽  
Vol 141 (3578) ◽  
pp. 390-390
Author(s):  
T. Page
Keyword(s):  
Third Culture ◽  
The Third

scholarly journals Analyzing the Effects of the Kinematic System on the Quality of Holes Drilled in 42CrMo4 + QT Steel

Materials ◽  
2021 ◽  
Vol 14 (14) ◽  
pp. 4046
Author(s):  
Mateusz Bronis ◽  
Edward Miko ◽  
Lukasz Nowakowski
Keyword(s):  
Cutting Speed ◽  
Hole Drilling ◽  
Internal Cooling ◽  
Hole Quality ◽  
The Third ◽  
Kinematic System ◽  
Turning Center ◽  
Dimensional Errors ◽  
The Relationship

This article discusses the relationship between the kinematic system used in drilling and the quality of through-holes. The drilling was done on a CTX Alpha 500 universal turning center using a TiAlN-coated 6.0 mm drill bit with internal cooling, mounted in a driven tool holder. The holes were cut in cylindrical 42CrMo4 + QT steel samples measuring 30 mm in diameter and 30 mm in length. Three types of hole-drilling kinematic systems were considered. The first consisted of a fixed workpiece and a tool performing rotary (primary) and linear motions. In the second system, the workpiece rotated (primary motion) while the tool moved linearly. In the third system, the workpiece and the tool rotated in opposite directions; the tool also moved linearly. The analysis was carried out for four output parameters characterizing the hole quality (i.e., cylindricity, straightness, roundness, and diameter errors). The experiment was designed using the Taguchi approach (orthogonal array). ANOVA multi-factor statistical analysis was used to determine the influence of the input parameters (cutting speed, feed per revolution and type of kinematic system) on the geometrical and dimensional errors of the hole. From the analysis, it is evident that the kinematic system had a significant effect on the hole roundness error.

Sign in / Sign up

Export Citation Format

Share Document