scholarly journals About the Cover

Screen Bodies ◽  
2021 ◽  
Vol 6 (1) ◽  
pp. vii-x
Author(s):  
Andrew J. Ball ◽  
Aleksandr Rybin

The cover of this issue of Screen Bodies features the digital work “Crypto Queen” by restlessperson (Aleksandr Rybin), which the artist has minted as an NFT. We spoke with Rybin about the subject matter of his work, connections between digital and analog art, and the future of NFTs. His work is available on KnownOrigin.

2019 ◽  
pp. 38-44
Author(s):  
Inga Kirkovs’ka

The aim of the investigation under consideration is to study the nature of the category of futurality within the system of modus categories in the French language. The object of the work is the category of futurality in contemporary French, the subject is the study of the category of futurality in contemporary French within the system of modus categories of evidentiality, modality and persuasiveness. In the course of the study, the distinctions between modality and modus have been outlined, the place of the category of futurality within the modus categories has been identified, the peculiarity of the category of futurality as a modus category has been analysed. Conclusions: the peculiarity of futurality as a modus category is that it belongs to the modus categories denoting action/event, real in the future “in the speaker’s view”. In this sense the category of futurality is closer to the categories of modality (real information stated by the speaker) and predicativity (confidence in the information stated by the speaker) in meaning, whereas differing from them by the semantics of the stated temporality denoting the relation of consequence in reference to the moment of speaking. The category of futurality is connected with other modus categories: category of assertion with semantics of neutral prospection, category of persuasiveness with the seme of assurance in reference to the future and category of modality with the seme of reality in reference to the future. The major types of modal meanings forming the modus category of futurality are: 1) speaker’s estimation of the subject matter of the utterance from the perspective of reality/irreality in the future; 2) estimation of the environment of the utterance from the perspective of probability/necessity/desirability in the future; 3) speaker’s estimation of the level of assurance (persuasiveness) of the subject matter of the utterance from the perspective of the future; 4) communicative function of the utterance defined by the purpose of the speaker from the perspective of the future (wish, intention, preference); 5) confirmation/negation of objective relations between objects, phenomena, events of the future. 


1921 ◽  
Vol 14 (8) ◽  
pp. 444-450
Author(s):  
Percival M. Symonds ◽  
_ _

The curriculum of the future must find its justification in the needs existing in society. Those who will determine the curriculum will be men of extensive vision who can feel the pulse of social needs. The so-called subject-matter specialist, by the very nature of his specialization, is not in a position to settle the place of his subject in the curriculum — but once the sociologist determines that any subject should be found in the curriculum and specifies the objectives that should govern it, then it is the place of the subject-matter specialist to arrange the subject matter and the methods of teaching.


Author(s):  
Caitlin L. Kelly

How we talk about misogyny and sexual violence in literary texts matters—to our students, to our colleagues, and to the future of the humanities and of higher education—and the “Me Too” movement has revived with new urgency debates about how to do that. In this essay, I explore the ethical implications of invoking the “Me Too” movement in the classroom, and I offer a model for designing a course that does not simply present women’s narratives as objects of study but rather uses those narratives to give students opportunities and tools to participate in the “Me Too” movement themselves. To re-think eighteenth-century women’s writing in light of “Me Too,” I contend, is to participate in the movement, and so in our teaching we must engage with the ethics of the movement as well as the subject matter.


2015 ◽  
Vol 71 (3) ◽  
Author(s):  
I.W.C. Van Wyk

Martin Luther and doing theology in the future. The Netherdutch Reformed Church of Africa prides itself for the fact that she has always appreciated the German-Lutheran tradition. The Reformed Theological College has for 15 years contributed to the appreciation of this tradition. This article wants to encourage the new leadership to keep this legacy alive. The main aspects of Luther’s theology are explained. These aspects are: prayer (oratio), meditation (meditatio), constitation (tentatio), grace of the Spirit (gratia Spiritus), exegesis (sedulalectio), and the use of other sciences in understanding the Bible (bonarum atrium cognitia). Attention is also given to the subject-matter of Theology as well as the notion of humbleness.


2017 ◽  
Vol 35 (2) ◽  
pp. 223-234 ◽  
Author(s):  
Tor Clark ◽  
Alistair Jones

There is an issue around getting students engaged in subject matter about which they may have little interest. Often, such subject matter is essential to their studies. The module Essential Public Affairs is such a concern for students of journalism. It is essential for their professional qualification. This article explores a pilot project which developed ways to get students more engaged with the subject material. The consequences of such engagement could be seen in the assessment results and the future study choices of those students in the pilot.


2016 ◽  
Vol 54 (1) ◽  
pp. 7-18 ◽  
Author(s):  
Adam Olejnik ◽  
Piotr Siermontowski

Abstract The article deals with the subject matter related to the development of underwater works technologies. Nearly 15 years ago one of the authors of this study published a material in the monthly magazine of “Podwodny Świat” (The Underwater World) entitled “The Future of Underwater Technologies – the diver or the robot?” where he noted that the time of great changes in technologies aimed at researching the depths and conducting works under water has arrived. This new era mainly consists in the fact that on an increasing number of occasions the diver is replaced by an underwater robot. The presented material constitutes an attempt to provide an answer to the question whether the then posed thesis is still valid. In the article the authors discuss issues concerned with the development of techniques and technologies applied in the conquest of depths that leads them to the conclusion that the previously observed tendency of a double-tracked development of underwater technologies is gaining in strength, which causes that the works and exploration of bodies of water at great depths will be possible only with the use of unmanned techniques.


eTopia ◽  
2016 ◽  
Author(s):  
Alysse Kushinski

The discourse on ruins, like ruins themselves, is fragmented and dispersed. Representing both decay and what remains, the ruins’ relationship to temporality is complicated—they can be construed as means for both looking back, as well as looking towards the future. The recent resurgence of literature and theory on the subject matter is consolidating existing work and defining new lines of inquiry. This article investigates the current discourse on ruins through three recent texts. Significant to them all is the dialectical nature of the ruin as both the absence of, and endurance of, material form. All three texts consider ruins through the lens of the built environment and problematize classic conceptions of ruination in consideration of the contemporary moment. Looking at ruination through architecture theory provides a contrast to the romantic accounts of ruins that originally defined the discourse. Through these texts we can see certain limitations of the discourse of ruins, but also visible are nuanced approaches that redefine the ruin as more than just a site or object, but also a set of processes that reflect our relationships to material culture and the built environment. To this I assert a necessity to reconfigure the way we de ne ruins in light of the contemporary moment. The discourse of ruins, while still speaking through earlier tropes of a fragmented ruin studies, is no longer just a survey of the subject of the ruin—it is becoming a mode through which we evaluate the changing nature of our relationship to material culture. KEYWORDS: Ruins, Ruination, Architecture, Super-materiality, Waste 


2005 ◽  
pp. 121-132
Author(s):  
P.M. Yamchuk

To start thinking about the Gregory Skovoroda phenomenon and its promising interconnectedness with the culture of the hoped for, we want from a series of somewhat unexpected considerations and parallels that we hope will reflect both the subject matter itself and the prospects for the future. It is well-known that Kharkov entered the modern history of Ukraine as the “second capital of our statehood, as the capital of constructivist modern Ukraine of the 1920s, which, and this is often forgotten, favoring Kyiv and the West of Ukraine, became the birthplace and epicenter of a powerful national-cultural movement Ukrainianization. It was in Kharkov that a unique aesthetic phenomenon was born and flourished - literature and art of the firing Renaissance.


Author(s):  
Nataliia Mocherniuk

The paper covers the subject and genre varieties of memoirs by Sviatoslav Hordynsky. Such genres are highlighted as the memoirs itself, travel writing, diary notes, portrayals of famous artists, letters, obituaries, oral stories, interviews with the author. The main art subject-matter in the memoirs has been accentuated. The travel writing was practiced in his early works, the memories of the Western Ukrainian art processes of the interwar period pertain to the creative period in emigration. The narrative features of the artist’s memories have been traced. Hordynsky’s memoir texts are perceived as an independent proof supported by art history facts. These are not pieces of writing for “own cheek”, albeit works for the future with an intention to record important events and outstanding names for the Ukrainian culture. It has been observed that these memories are not characterized by a fragmentary composition and large forms, but on the contrary, the author structures logical texts, elaborates on compositional links, usually analyzes in small non-fiction forms. The writer practices an autobiographical attitude of testimony rather than confession, so the subjectivism of narration is not expressive. There is a great intermedial potential of texts. Sviatoslav Hordynsky’s memoirs can serve as a documentary material for art history and reveal the secrets of the artist and writer’s work. These texts clarify the intentions of the artist’s appeal to literature and represent a holistic vision of the artist’s personality.


Author(s):  
Iva Antić

Murder is undoubtedly the most difficult and most far-reaching consequence of criminal activity which deserves considerable attention of professional and general public alike. As a rule, the role of killers is usually attributed to men while women are more frequently seen as victims, which does not fully correspond to social reality. In that context, the subject matter of this paper is neonaticide, as a type of homicide typically committed by women. The author examines the historical, criminal and criminological aspects of this crime in an endeavour to determine a typical profile of a woman who kills her newborn child. The research results confirm the terrifying facts that the criminal act of neonaticide may be committed by any woman, whereby some women prove to be more prone to killing their children than others. For this reason, the author explores the distinctive characteristics of women who commit neonaticide, which distinguish them from other women-murderers. The ultimate goal of this paper is to draw attention of primarily professional public to this interesting and insufficiently researched topic and to emphasize the need for its more comprehensive examination in the future.


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