scholarly journals The Poetics of Anger in Ali's Dramatic Art

2020 ◽  
Vol V (III) ◽  
pp. 42-48
Author(s):  
Syed Maqsood Alam ◽  
Abdul Khaliq ◽  
Amir Jamil

Anger is a strong feeling of indignation and displeasure; it is the fundamental human emotion which has a potential for destructive as well as constructive motives. Outrageous displeasure is both style and material in his actor compositions, which marks him out as a contemporary lobbyist. This examination paper plans to dissect the utilization of outrage in Ali's chosen plays: The Guilt (2014), The Last Metaphor (2014) and The Odyssey (2016), where the utilization of outrage is obvious and piercing. For this reason, the analyst draws upon the idea of outrage speculated by Harriet Lerner in her book The Dance of Anger (1985). The investigation features that outrage is the beginning stage for Ali and presumes that outrage is the rousing power and material for Ali's emotional work in addition to this. The findings reveal that although anger enunciated in Alis plays seems to be frenzied, yet it is very much cerebral.

PsycCRITIQUES ◽  
2014 ◽  
Vol 59 (36) ◽  
Author(s):  
Susan Regas ◽  
Sara Moini
Keyword(s):  

2017 ◽  
pp. 67-74
Author(s):  
Giovanni Andrea Toselli

This paper represents a contribution from the point of view of a practitioner who strongly believes that it is essential to continue to invest in accounting research. The cooperation between chief financial officers, auditors and academic institutions is central not only for improving the process of accounting regulations but also for relaunching, at the same time, the industrial system (and not only it), by creating a strong feeling of trust in general economic and financial communication, thus fostering higher level of accountability.


Anger is a basic human emotion that has a force for constructive or destructive ends. Its expression in any circumstance can be a trigger for a desire to change a prevailing situation. In all cases, anger is a fundamental component of art. This study examines the use of anger in Osborne’s Look Back in Anger and Osofisan’s The Chattering and the Song. Osborne and Osofisan are two writers who are very anxious to change their societies through their art. In spite of differences in their origin (Osborne was a Briton while Osofisan is a Nigerian), they wrote at a time of certain social and political upheavals in their countries. They also share similar concerns and attitudes towards art. My focus in this paper is on the early plays of Osborne and Osofisan where anger is strongest and where their artistic triumph is most poignant. Working within the formalist approach, the paper reveals that in Osborne and Osofisan, extreme anger is both material and style and is what marks their art out. The reification by the intellect provides a potent instrument for investigating society. Anger becomes the point of departure for their art, it is not mere hysterics but a cerebral one and it is the motivating force for their writings.


2016 ◽  
Author(s):  
MAGDALENA IORGA ◽  
◽  
LIVIA DIACONU ◽  
CAMELIA SOPONARU ◽  
DANA-TEODORA ANTON-PADURARU ◽  
...  
Keyword(s):  

2014 ◽  
pp. 156-163
Author(s):  
Simona Jişa

Jean Echenoz’s text presents Victoria’s story who runs away from Paris, believing that she has killed her lover. Her straying (that embraces the form of a relative deterritorialization in a Deleuzian sense) lasts one year and it is built up geographically upon a descent (more or less symbolical) to the South of France and, after that, she comes back to Paris and encloses the spatial and textual curl. From a spatial point of view, she turns into a heterotopia (Foucault) every place where she is located, fact that reflects her incapability of constituting a personal, intimate space. The railway stations, the trains, the hotels, the improvised houses of those with no fixed abode are turning, according to Marc Augé’s terminology, into a « non-lieux » that excludes human being. Her vagrancy is characterized through a continuous flight from police and people and through a continuous decrease of her standard of living and dignity. It’s not about a quest of oneself, but about a loss of oneself. Urged by a strong feeling of culpability, her vagrancy is a self-punishment that comes to an end when the concerns of her problems disappear and she finds out that her lover is alive.


Author(s):  
Mohammed R. Elkobaisi ◽  
Fadi Al Machot

AbstractThe use of IoT-based Emotion Recognition (ER) systems is in increasing demand in many domains such as active and assisted living (AAL), health care and industry. Combining the emotion and the context in a unified system could enhance the human support scope, but it is currently a challenging task due to the lack of a common interface that is capable to provide such a combination. In this sense, we aim at providing a novel approach based on a modeling language that can be used even by care-givers or non-experts to model human emotion w.r.t. context for human support services. The proposed modeling approach is based on Domain-Specific Modeling Language (DSML) which helps to integrate different IoT data sources in AAL environment. Consequently, it provides a conceptual support level related to the current emotional states of the observed subject. For the evaluation, we show the evaluation of the well-validated System Usability Score (SUS) to prove that the proposed modeling language achieves high performance in terms of usability and learn-ability metrics. Furthermore, we evaluate the performance at runtime of the model instantiation by measuring the execution time using well-known IoT services.


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