scholarly journals Slave Streets, Free Streets: Visualizing the Landscape of Early Baltimore

2021 ◽  
Vol 4 ◽  
Author(s):  
Anne Sarah Rubin

This article explores some of the possibilities and challenges of reconstructing the physical world of Early Republic Baltimore. Drawing on *Visualizing Early Baltimore*, a detailed visualization of Baltimore city following the war of 1812, "Slave Streets, Free Streets" asks readers to think about where the city's free blacks and enslaved workers lived and worked, and how space could be both integrated and segregated. Our research shows that blacks and whites lived in close proximity, but not necessarily in the same kinds of housing or on the same streets. Mapping also shows that the actual buying and selling of individuals, in the absence of a centralized market, took place all over the city, making it literally impossible for residents, both black and white, to avoid. This article illuminates the lives of ordinary people even as it acknowledges the limits of our ability to recreate the past.

2021 ◽  
pp. 291-302
Author(s):  
Izabella Kimak ◽  
Zbigniew Mazur

In this article we look at three recent films–Native Son (2019, dir. Rashid Johnson, based on Richard Wright’s 1940 novel), Widows (2018, dir. Steve McQueen, based on a 1983 TV series), and The Hate U Give (2018, dir. George Tillman Jr., based on a book by Angie Thomas)–by Black directors that showcase the interactions between Blacks and whites in an American urban milieu. We argue that the setting of two of these films–Native Son and Widows–in Chicago, with The Hate U Give being set in a fictional urban setting bearing a strong resemblance to the Windy City, serves to articulate the continuing racial divisions of American cities in the twenty-first century. The three films show that the fossilization of the divide between Black and white districts inevitably leads to outbreaks of racial violence.


Author(s):  
T. P. Kersten ◽  
G. Büyüksalih ◽  
F. Tschirschwitz ◽  
T. Kan ◽  
S. Deggim ◽  
...  

Recent advances in contemporary Virtual Reality (VR) technologies are going to have a significant impact on veryday life. Through VR it is possible to virtually explore a computer-generated environment as a different reality, and to immerse oneself into the past or in a virtual museum without leaving the current real-life situation. For such the ultimate VR experience, the user should only see the virtual world. Currently, the user must wear a VR headset which fits around the head and over the eyes to visually separate themselves from the physical world. Via the headset images are fed to the eyes through two small lenses. Cultural heritage monuments are ideally suited both for thorough multi-dimensional geometric documentation and for realistic interactive visualisation in immersive VR applications. Additionally, the game industry offers tools for interactive visualisation of objects to motivate users to virtually visit objects and places. In this paper the generation of a virtual 3D model of the Selimiye mosque in the city of Edirne, Turkey and its processing for data integration into the game engine Unity is presented. The project has been carried out as a co-operation between BİMTAŞ, a company of the Greater Municipality of Istanbul, Turkey and the Photogrammetry & Laser Scanning Lab of the HafenCity University Hamburg, Germany to demonstrate an immersive and interactive visualisation using the new VR system HTC Vive. The workflow from data acquisition to VR visualisation, including the necessary programming for navigation, is described. Furthermore, the possible use (including simultaneous multiple users environments) of such a VR visualisation for a CH monument is discussed in this contribution.


Author(s):  
Earl J. Hess

Demonstrating increasing tenacity as he neared Atlanta, Johnston fell back from Kennesaw Mountain only a few miles to a prepared position at Smyrna Station. He held here a short while before falling back to his last position north of the last river protecting the city, constructing the Chattahoochee River Line. It possessed somewhat innovative features designed by artillery chief Francis Shoup and thus could be termed the Shoup Line. It was one of the few Confederate defences of the campaign constructed largely by slaves and impressed free blacks. Despite its strength, Johnston evacuated the Chattahoochee River Line on July 9 when Sherman crossed troops over the river miles upstream. Then Johnston concentrated on improving the Atlanta City Line, designed and constructed by Capt. Lemuel P. Grant for the past several months, as Sherman rested his troops for a full scale crossing of the Chattahoochee River.


1988 ◽  
Vol 82 (4) ◽  
pp. 1261-1275 ◽  
Author(s):  
Arlene W. Saxonhouse

The modern language of tyranny has distorted the significance of the Greek term tyrannos. In ancient Greek the term was accorded to the new ruler in the city, one whose legitimacy did not reside in his bonds to the ancient rulers and ancient families. Tyranny thus suggested a freedom from the past. Reason, as the Greeks understood it, also entailed a breaking away from the physical world. Reason and tyranny thus work together as expressions of freedom, but it is a freedom that in its transcendence of boundaries leads to tragedy. An examination of Sophocles' Oedipus draws out both the glory and the failure of the individual attempt of the political actor to rise above the historical particular and the mere body to build a world where reason alone is power.


2013 ◽  
Author(s):  
James Viggers ◽  
Haylee Weaver ◽  
David Lindenmayer

This book charts the history of the water catchments and water supply for the city of Melbourne, which has many unique aspects that are a critical part of the history of Melbourne, Victoria and Australia. Much of the development of the water supply system was many decades ahead of its time and helped buffer the city of Melbourne from major diseases, droughts and water shortages. The authors present a chronology of the evolution of the catchment and water supply system pre-1900 to today. They discuss major developments, policies, and construction and management activities. Each chapter is illustrated with historical black and white images as well as newly taken photos that contrast present scenes with those from the past. Chapters also include many fascinating stories of life within the water catchments and working for the Melbourne and Metropolitan Board of Works. Finally, the book includes many extraordinary insights into current and future issues with Melbourne’s water supply, including issues associated with the highly controversial North-South Pipeline and the desalination plant.


Author(s):  
L. A. Zelenskaya ◽  

Comparison of the 2019 census results with those obtained earlier permits to evaluate changes in the number and distribution of nesting seabird colonies оn the Staritsky Peninsula over the past 10 years. The Staritsky Peninsula coasts and the Gertner and Veselaya bay islands are located in close proximity to the city of Magadan, and therefore are subject to maximum anthropogenic pressure. The total number of breeding seabirds (including the urban population of the Slaty-backed Gull in the city of Magadan) increased from 36 thousand individuals in 2009 to 57.6 thousand individuals in 2019. Simultaneously, the proportion of main species changed in the largest colonies around the city - on the Tri Brata Islands and Cape Ostrovnoy. A very large colony (3,230 birds) of the Pelagic Cormorants near the mouth of the Dukcha River, which appeared in the last 20 years, now became the largest in the Tauy Bay. The colony formation and growth was promoted by the urban wastewaters discharged into the Gertner Bay.


2021 ◽  
Vol 26 ◽  
pp. 233-249
Author(s):  
Piotr Kurpiewski

This paper aims to reflect on various aspects of memory politics present in contemporary historical cinema. All films depicting the past carry certain theses or thoughts of a political nature meant to strengthen the contemporary discourse on Polish (and not only) history. The paper presents analyses of three sorts of memory politics: pedagogy of pride, pedagogy of shame and visual historiography (historiophoty). The black-and-white heroism referred to as the reading book heroism presented in Caroline (Karolina), History of Roj (Historia Roja), Broken ear of grain (Zerwany kłos) and in The Outcast (Wyklęty) are examples of pedagogy of pride, favoured by the current Polish authorities from the Law and Justice party (Prawo i Sprawiedliwość). Such works as the Oscar-winning Ida, Summer solstice (Letnie przesilenie) and Consent (Zgoda) are, in turn, emanations of the so-called pedagogy of shame and can be seen as a reference to the message of ambiguous masterpieces from the period of the ‘Polish film school’, in particular to the artistic output of Andrzej Munk. A separate place is to be dedicated to historical works by Wojciech Smarzowski, who in Rose (Róża) and Volhynia (Wołyń) consistently creates visually credible tales of history in order to reflect in a general manner on the non-existent world of the past and ordinary people living therein. The main conclusion of the article is the statement that historical politics functioning in films depicting the past is meant to be a temporary intervention which may function in a long-term perspective only, given the high artistic quality of the artwork. Otherwise the movie quickly falls into oblivion and loses its influence on the collective social memory.


Author(s):  
Kyle D. Fee

This Commentary examines the extent to which disparities exist between Blacks and whites in labor market outcomes such as levels of labor force participation, unemployment rates, and earnings. To gauge whether disparities have narrowed or widened since 2000, national trends in these outcomes during the past two decades are compared to the trends in three states: Kentucky, Ohio, and Pennsylvania. Finally, to assess the current state of economic inclusion as reflected in the labor market, gaps in Black and white outcomes are compared across US states in 2020.


2020 ◽  
pp. 7-9

Examination of (35) samples of spices obtained from local markets for the purposes of isolating and diagnosing fungi growing on them. Anine isolates belonging to 13 different types of fungi were diagnosed by the standard dilution method with three replications, and it has been observed that the most samples from which the fungi were isolated is ginger. It was found that the most isolated species of fungi are Penicillium, Aspergillus, and Rizupes spp. A rare colony of fungi was observed, which indicates contamination of the spices under study with the fungus. The present study aims to identify the potential risks of the presence of fungi in spices and what may result from mycotoxins that may be the cause of many chronic diseases as a result of using these spices in large quantities. The study recommends limiting the use of contaminated spices, especially ginger, in preparing food and its uses, in addition to other types such as cloves, black and white pepper, and other types of spices found in the local markets, especially the expired ones.


2017 ◽  
Vol 5 (2) ◽  
pp. 109-120
Author(s):  
Cecília Avelino Barbosa

Place branding is a network of associations in the consumer’s mind, based on the visual, verbal, and behavioral expression of a place. Food can be an important tool to summarize it as it is part of the culture of a city and its symbolic capital. Food is imaginary, a ritual and a social construction. This paper aims to explore a ritual that has turned into one of the brands of Lisbon in the past few years. The fresh sardines barbecued out of doors, during Saint Anthony’s festival, has become a symbol that can be found on t-shirts, magnets and all kinds of souvenirs. Over the year, tourists can buy sardine shaped objects in very cheap stores to luxurious shops. There is even a whole boutique dedicated to the fish: “The Fantastic World of Portuguese Sardines” and an annual competition promoted by the city council to choose the five most emblematic designs of sardines. In order to analyze the Sardine phenomenon from a city branding point of view, the objective of this paper is to comprehend what associations are made by foreigners when they are outside of Lisbon. As a methodological procedure five design sardines, were used of last year to questioning to which city they relate them in interviews carried in Madrid, Lyon, Rome and London. Upon completion of the analysis, the results of the city branding strategy adopted by the city council to promote the sardines as the official symbol of Lisbon is seen as a Folkmarketing action. The effects are positive, but still quite local. On the other hand, significant participation of the Lisbon´s dwellers in the Sardine Contest was observed, which seems to be a good way to promote the city identity and pride in their best ambassador: the citizens.


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