scholarly journals BALLET CRITICISM ON THE PAGES OF THE NEW ART MAGAZINE (KHARKIV, 1925-1928)

2020 ◽  
Vol 0 (21) ◽  
pp. 241-250
Author(s):  
Alina Pidlypska
Keyword(s):  
Art Magazine

scholarly journals Introduction to Hélio Oiticica's “The Senses Pointing Toward a New Transformation” (1969)

ARTMargins ◽  
2018 ◽  
Vol 7 (2) ◽  
pp. 115-128
Author(s):  
Jo Melvin ◽  
Luke Skrebowski
Keyword(s):  
Everyday Life ◽  
Behavioral Patterns ◽  
Art Making ◽  
Avant Garde ◽  
British Art ◽  
Art Magazine ◽  
The Senses

Hélio Oiticica's “The Senses Pointing Towards a New Transformation” was written between June 18 and June 25, 1969, in London and submitted to the British art magazine Studio International, but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art, one that the artist held to be necessary in light of the impasse reached by the longstanding conflict between formalist art and its various neo-avant-garde negations (both within the Brazilian and the international neo-avant-gardes). For Oiticica, after both Neoconcretism and Minimalism, it was now the process of art making itself that had to be rethought. Oiticica did so by developing what he called “crebehavior,” a practice that revealed the routinized character of everyday life and proposed an immanent transformation of the same via a change in everyday behavioral patterns. Such a transformation opened up the possibility of bringing about “creleisure,” a condition that Oiticica understood to involve both the realization and the dissolution of art.

scholarly journals From Pen to Feather: The Transformation of La Plume into a Limited Company

2016 ◽  
Vol 1 (2) ◽  
pp. 45
Author(s):  
Philipp Leu
Keyword(s):  
Interesting Case ◽  
Late Nineteenth Century ◽  
Entrepreneurial Leadership ◽  
Business Transformation ◽  
Financial Factors ◽  
Social Events ◽  
Limited Company ◽  
Art Magazine ◽  
Late Nineteenth

The Parisian literature and art magazine La Plume (1889–1914) has been traditionally considered a ‘petite revue’. This article shows its transformation from a specialized magazine made by writers for writers into a key actor of late-nineteenth-century culture, particularly under the entrepreneurial leadership of Léon Deschamps (1863–99), its first editor. At its beginnings, La Plume made the most of a productive formula that used subscriptions to sustain publication, like other literary reviews of the time. But it also integrated isolated practices into a larger system, able to produce synergetic effects that would prove profitable. As the magazine turned its back to the literary underground, it became a limited company, introduced some of its collaborators into the dailies’ editorship, and promoted art and artists, exhibitions and social events, it addressed a broader, more fashionable bourgeois readership, particularly women. This step marks an interesting turn in periodical history and throws up unforeseen issues, examined on the basis of unpublished documents from the magazine’s archives. The study sheds light on the importance of financial factors in the creation of literature and art periodicals, and links changes in form and content with concrete commercial strategies. La Plume represents an interesting case study of business transformation. Not only did it succeed, it also guaranteed a sustainable and expandable economic model rooted in communication strategies.

scholarly journals Trends in Contemporary Art Discourse: Using Topic Models to Analyze 25 years of Professional Art Criticism

2018 ◽  
Vol 12 (3) ◽  
pp. 303-324 ◽  
Author(s):  
Henk Roose ◽  
Willem Roose ◽  
Stijn Daenekindt
Keyword(s):  
Contemporary Art ◽  
Topic Modeling ◽  
Art Criticism ◽  
Computational Technique ◽  
Social Forms ◽  
The Social ◽  
Art Magazine ◽  
Heuristic Device ◽  
Art And Society ◽  
The Relationship

In this article, we use topic modeling to systematically explore topics discussed in contemporary art criticism. Analyzing 6965 articles published between 1991 and 2015 in Frieze, a leading art magazine, we find a plurality of topics characterizing professional discourse on contemporary art. Not surprisingly, media- or genre-specific topics such as film/cinema, photography, sculpture/installations, etc. emerge. Interestingly, extra-artistic topics also characterize contemporary art criticism: there is room for articles on new digital technology and on art and philosophy; there is also growing interest in the relationship between art and society. Our analysis shows that despite evolutions in the field of contemporary art – such as the ‘social turn’, in which contemporary art starts paying more attention to social forms and content – the prevalence of certain topics in contemporary art criticism has barely changed over the past 25 years. With this article, we demonstrate the unique value of topic modeling for cultural sociology: it is both a powerful computational technique to generate a bird’s-eye view of a huge text corpus and a heuristic device that locates key texts for further close reading.

«Altyn art» magazine – a means to explore the culture, arts, and music education of Kazakhstan

2021 ◽  
Vol 46 (1) ◽  
pp. 212-219
Author(s):  
A. Imayo ◽  
Keyword(s):  
Data Collection ◽  
Music Education ◽  
Conceptual Basis ◽  
Modern Culture ◽  
Data Collection And Analysis ◽  
The Social ◽  
Art Magazine ◽  
Clear Idea ◽  
Creative Artists ◽  
Further Development

The article presents the conceptual basis of the ALTYN ART magazine, ways of the magazine development and implementation. Finally, it is proposed to consider the concept of further development of the publication to give information, possibly, useful for other publications of a similar thematic area. Art magazines are an effective way to conduct a dialogue between creative artists, i.e. painters, musicians, designers, etc. The author aims to improve the theoretical and practical understanding of the key elements and factors that contribute to the arrangement of the social and cultural creative environment in Kazakhstan and the development of its print media. The data collection and analysis was based on the experience of creation and publication of own cultural and informational periodical, the search for new ways to develop and promote the achievements of culture, art and professional music education. The materials of the journal give a clear idea of modern culture of Kazakhstan. The focus on articles written by experts of the field of Kazakhstan’s art may get interest students in further research in this area.

scholarly journals The Senses Pointing Toward a New Transformation

ARTMargins ◽  
2018 ◽  
Vol 7 (2) ◽  
pp. 129-135
Author(s):  
Hélio Oiticica
Keyword(s):  
Everyday Life ◽  
Behavioral Patterns ◽  
Art Making ◽  
Avant Garde ◽  
British Art ◽  
Art Magazine ◽  
The Senses

Hélio Oiticica's “The Senses Pointing Towards a New Transformation” was written between June 18 and June 25, 1969, in London and submitted to the British art magazine Studio International, but never appeared in print. The essay negotiates art after objecthood and contextualises Oiticica's project to effect a definitive radicalization of anti-art, one that the artist held to be necessary in light of the impasse reached by the longstanding conflict between formalist art and its various neo-avant-garde negations (both within the Brazilian and the international neo-avant-gardes). For Oiticica, after both Neoconcretism and Minimalism, it was now the process of art making itself that had to be rethought. Oiticica did so by developing what he called “crebehavior,” a practice that revealed the routinized character of everyday life and proposed an immanent transformation of the same via a change in everyday behavioral patterns. Such a transformation opened up the possibility of bringing about “creleisure,” a condition that Oiticica understood to involve both the realization and the dissolution of art.

Art Critics, Journalists, and Reporters

1976 ◽  
Vol 1 (2) ◽  
pp. 22-31 ◽  
Author(s):  
Jasia Reichardt
Keyword(s):  
Contemporary Art ◽  
International Conference ◽  
The Future ◽  
Art Magazine ◽  
The University ◽  
Source Of Information ◽  
Art Critics

The role, as a source of information and as a vehicle of art itself, the writing, and the future, of the contemporary art magazine. A paper presented to the ARLIS International Conference on art periodicals at the University of Sussex on April 9th.

scholarly journals The Evolution of Symbolist Ideas in the Zolotoe Runo Magazine

2020 ◽  
Vol 4 (3) ◽  
pp. 158-167
Author(s):  
V. D. Ryabchenko
Keyword(s):  
Aesthetic Movement ◽  
Public Recognition ◽  
Art Historians ◽  
Art Magazine ◽  
History Of

The article treats the role art magazine Zolotoe runo played in history of symbolist’s theoretical ideas. By 1906, symbolism as a philosophical and aesthetic movement enters a crisis stage (and, then, a renaissance) — the pioneering movement has become utterly formal, tendentious, and has even acquired public recognition, which contradicts the modernist spirit. Zolotoe runo turns into a platform for the adversaries of outdated, decadent or individual symbolism, changing the symbolist nature and landscape. V. F. Khodasevich suggests that not only hasn’t symbolism been yet studied, but it also doesn`t seem to have been even read. This phenomenon and its notion deserve proper research. The scientific community’s interest in this movement is growing, as the importance of symbolism comes to light, and it becomes more evident that it was not only a milestone in history, but it also predetermined many trends in the development of culture and art up to the present day. Apart from that, the extreme heterogeneity within the symbolist movement and its paradoxical and unexpected metamorphoses are rarely understood. Nonetheless, through the analysis of such magazines as Zolotoe runo, and by drawing upon the research of cultural scientists, art historians and literary critics, we can clarify the features of symbolism, contradictory and holistic at the same time.

Decentering Durham

2019 ◽  
Vol 43 (4) ◽  
pp. 25-28
Author(s):  
Nancy Marie Mithlo
Keyword(s):  
Native American ◽  
American Art ◽  
Cultural Institutions ◽  
Cherokee Nation ◽  
Special Issue ◽  
Academic Literature ◽  
Cultural Sovereignty ◽  
The World ◽  
Community Belonging ◽  
Art Magazine

This section of the AICRJ special issue on fraud looks back to a 2017 group conversation (first published in First American Art Magazine no. 19 (Fall 2017): 84–89) as four Native American scholars and artists respond to the then-traveling retrospective exhibit Jimmie Durham: At the Center of the World in light of Durham’s long-standing claims to Cherokee identity. In “Decentering Durham,” Chiricahua Apache scholar Nancy Marie Mithlo argues that, “Cultural institutions continue to accept his platform, and, in doing so … deny Indigenous cultural sovereignty to name our own members and leaders.” Roy Boney Jr., a Cherokee artist, discusses Durham’s appropriation of the writings of historic statesman Zeke Proctor in “Not Jimmie Durham’s Cherokee.” In a “Walk-through at the Hammer,” Luiseño-Diegueño performance and installation artist James Luna (1950–2018) muses on the aesthetics of Durham’s work and the value of community belonging. Summarizing the 2017 perspective in “A Chapter Closed?,” artist and editor America Meredith (Cherokee Nation) hopes that, “after a multigenerational, multi-tribal effort … art historians and curators will cease … positioning [Durham] as our representative in academic literature.”

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