scholarly journals FORMAL EXPRESSION OF SACRED SPACE IN THE WORKS OF CARL MOSER

2021 ◽  
pp. 32-41
Author(s):  
Liliia Gnatiuk
Keyword(s):  
Sacred Space ◽  
General Situation ◽  
Historical Knowledge ◽  
Social Situations ◽  
Sacred Architecture ◽  
Collective Beliefs ◽  
Modernist Architecture ◽  
Complete Rejection ◽  
Human Thinking ◽  
The Relationship

The article analyzes the imitation of traditional historical forms in the formation of sacred space. The main examples of world architecture are presented, which partially or completely copy the historical forms. The development of the sacred architecture of the modernist epoch in its imitation is represented. The phenomenon of perception in certain visible figures of objects is an expression of a more general situation, an expression of a certain type of views or collective beliefs. The using of traditional forms in modernist architecture is considered, which at the same time is not a complete rejection of modernist preferences, but also an attempt to reinterpret the geometry of traditional historical forms. The combination of national landscape and local specifics and European established traditional forms of sacred space is presented. Contradictions in the perception of sacred space and reading the symbolism of its content are considered. An attempt is also made to adapt the principles of modernism to the needs of the formation of sacred space, in which, after the suspension of historical knowledge, the essence of the phenomenon under study is sought, which is understood as its invariable feature. Religion, art, science and language are presented as forms of human thinking about reality with forms of epistemologically understandable symbol. The need to take into account the relationship between certain forms and messages that are transmitted through them in the formation of sacred space. Symbols pointing out not certain sacred reality, but certain intellectual tendencies, social situations or expressions of culture are singled out.

scholarly journals INHERITANCE OF TRADITIONAL HISTORICAL FORMS IN THE FORMATION OF SACRED SPACE

2021 ◽  
pp. 36-45
Author(s):  
Liliia Gnatiuk
Keyword(s):  
Sacred Space ◽  
General Situation ◽  
Historical Knowledge ◽  
Social Situations ◽  
Sacred Architecture ◽  
Collective Beliefs ◽  
Modernist Architecture ◽  
Complete Rejection ◽  
Human Thinking ◽  
The Relationship

The article analyzes the imitation of traditional historical forms in the formation of sacred space. The main examples of world architecture are presented, which partially or completely copy the historical forms. The development of the sacred architecture of the modernist epoch in its imitation is represented. The phenomenon of perception in certain visible figures of objects is an expression of a more general situation, an expression of a certain type of views or collective beliefs. The using of traditional forms in modernist architecture is considered, which at the same time is not a complete rejection of modernist preferences, but also an attempt to reinterpret the geometry of traditional historical forms. The combination of national landscape and local specifics and European established traditional forms of sacred space is presented. Contradictions in the perception of sacred space and reading the symbolism of its content are considered. An attempt is also made to adapt the principles of modernism to the needs of the formation of sacred space, in which, after the suspension of historical knowledge, the essence of the phenomenon under study is sought, which is understood as its invariable feature. Religion, art, science and language are presented as forms of human thinking about reality with forms of epistemologically understandable symbol. The need to take into account the relationship between certain forms and messages that are transmitted through them in the formation of sacred space. Symbols pointing out not certain sacred reality, but certain intellectual tendencies, social situations or expressions of culture are singled out.

scholarly journals CREATION OF A SPIRITUAL ATMOSPHERE OF A SACRED SPACE

2021 ◽  
pp. 16-27
Author(s):  
Liliia Gnatiuk
Keyword(s):  
Historical Development ◽  
Sacred Space ◽  
General Situation ◽  
Social Situations ◽  
History Of ◽  
Constant Feature ◽  
Human Thinking ◽  
The Aesthetic ◽  
Art And Architecture

The article analyzes the history of changes in the role of art and the meaning of the symbol in the formation of the sacred space of architecture, which is presented through the consideration of the symbolic understanding of material forms and objects in the traditional and modernist representation. The historical development of the concept of symbol and its representation in art and architecture is presented. The development of the aesthetic category of "beauty" in historical development is represented. Three theories of understanding the concepts of the symbol are considered: "traditional", "hegelian" and "cashier", which in the twentieth century had almost the same influence. The source of origin and interpretation of the content of the symbol in the sacred space is presented. The role of a person (artist and recipient) is analyzed, which is to read the revealed symbols and write them in language, myths or art in a way accessible to human resources. The phenomenon of perception in certain visible figures of objects is an expression of a more general situation, an expression of a certain type of views or collective beliefs. Symbols pointing out not to the sacred reality, but to certain intellectual tendencies, social situations or expressions of culture are singled out. Contradictions in the perception of sacred space and reading the symbolism of its content are considered. Religion, art, science, language are presented as forms of human thinking about reality with forms of epistemologically understandable symbol. The need to take into account the relationship between certain forms and messages that are transmitted through them in the formation of sacred space. There is also an attempt to adapt the principles of modernism to the needs of the formation of sacred space based on the concept of "seven plans" by Rudolf Schwartz, in which after the suspension of historical knowledge seeks the essence of the phenomenon, understood as its constant feature.

scholarly journals THE ROLE OF ART AND THE MEANING OF THE SYMBOL IN THE FORMATION OF SACRED SPACE

2020 ◽  
pp. 32-47
Author(s):  
Liliia Gnatiuk
Keyword(s):  
Historical Development ◽  
Sacred Space ◽  
General Situation ◽  
Social Situations ◽  
History Of ◽  
Constant Feature ◽  
Human Thinking ◽  
The Aesthetic ◽  
Art And Architecture

The article analyzes the history of changes in the role of art and the meaning of the symbol in the formation of the sacred space of architecture, which is presented through the consideration of the symbolic understanding of material forms and objects in the traditional and modernist representation. The historical development of the concept of symbol and its representation in art and architecture is presented. The development of the aesthetic category of "beauty" in historical development is represented. Three theories of understanding the concepts of the symbol are considered: "traditional", "hegelian" and "cashier", which in the twentieth century had almost the same influence. The source of origin and interpretation of the content of the symbol in the sacred space is presented. The role of a person (artist and recipient) is analyzed, which is to read the revealed symbols and write them in language, myths or art in a way accessible to human resources. The phenomenon of perception in certain visible figures of objects is an expression of a more general situation, an expression of a certain type of views or collective beliefs. Symbols pointing out not to the sacred reality, but to certain intellectual tendencies, social situations or expressions of culture are singled out. Contradictions in the perception of sacred space and reading the symbolism of its content are considered. Religion, art, science, language are presented as forms of human thinking about reality with forms of epistemologically understandable symbol. The need to take into account the relationship between certain forms and messages that are transmitted through them in the formation of sacred space. There is also an attempt to adapt the principles of modernism to the needs of the formation of sacred space based on the concept of "seven plans" by Rudolf Schwartz, in which after the suspension of historical knowledge seeks the essence of the phenomenon, understood as its constant feature.

DE REDACTEUR EN HET BUITENLAND

2019 ◽  
Vol 3 (1) ◽  
pp. 2-27
Author(s):  
Wouter Egelmeers ◽  
Joris Vandendriessche
Keyword(s):  
Creative Process ◽  
General Circulation ◽  
International Level ◽  
Historical Knowledge ◽  
Historical Texts ◽  
Disciplinary Field ◽  
Dutch History ◽  
The Relationship ◽  
Selection Of

IMPORTING TEXTS FROM ABROAD Editors’ reuse of foreign historical texts in Dutch periodicals, 1780-1860 This article explores the ways in which the editors of five Dutch history journals and three magazines for general circulation copied historical texts from abroad, between 1780 and 1860. By comparing original texts with reprinted versions, we show that the editors’ work involved not only ‘passive’ duplication (reprinting in full), but also more active forms of intervention, from the selection of text fragments to their translation, modification or critical review. These varied editorial practices point to a broader creative process through which historical knowledge was tailored to an emerging and nationally-oriented academic audience. Editors here assumed the role of mediators, gatekeepers even in the sense that their judgment determined the very choice of texts. At a time when the study of history was evolving at both the national and international level, and when the relationship between actors making up the disciplinary field was also in flux, editors thus became influential figures.

Architecture against time – longevity vs temporariness

BUILDER ◽  
2021 ◽  
Vol 288 (7) ◽  
pp. 86-88
Author(s):  
Jan Rabiej
Keyword(s):  
Research Synthesis ◽  
Sacred Architecture ◽  
The Subject ◽  
The Relationship ◽  
The Church

The subject of this article is the problem of the antinomy of longevity and temporality in architecture. Excluding the so-called temporary structures, man designs and creates buildings with the assumption of their longevity. This presupposition is not undermined by architectural concepts, exposing functional and spatial solutions, opened to potential flexibility – variability. Also, ultra-modern designs of "self-adapting" architecture to the changing conditions of the context assume, indeed, the extension of its "vitality" – longevity. The aim of the research synthesis presented in the article is to specify the criteria which in shaping architecture make it possible to overcome the tension inherent in the antinomy of longevity and temporality. These analyzes, summarized with conclusions, were carried out in two complementary approaches: theoretical: based on the characteristics of the relationship between architecture and time, with particular emphasis on their exposure in the Christian sacred architecture; practical: based on the case study of the sequence of transformations of the church of St. Joseph Worker in Bytom over a period of approximately 100 years.

scholarly journals The Influence of Communicative Relations on Facial Responses to Pain: Does It Matter Who Is Watching?

2014 ◽  
Vol 19 (1) ◽  
pp. 15-22 ◽  
Author(s):  
Anna J Karmann ◽  
Stefan Lautenbacher ◽  
Florian Bauer ◽  
Miriam Kunz
Keyword(s):  
Facial Pain ◽  
Pain Catastrophizing ◽  
Video Recording ◽  
Heat Pain ◽  
Social Situations ◽  
Situational Demands ◽  
Facial Expressiveness ◽  
The Impact ◽  
The Relationship ◽  
Healthy Participants

BACKGROUND: Facial responses to pain are believed to be an act of communication and, as such, are likely to be affected by the relationship between sender and receiver.OBJECTIVES: To investigate this effect by examining the impact that variations in communicative relations (from being alone to being with an intimate other) have on the elements of the facial language used to communicate pain (types of facial responses), and on the degree of facial expressiveness.METHODS: Facial responses of 126 healthy participants to phasic heat pain were assessed in three different social situations: alone, but aware of video recording; in the presence of an experimenter; and in the presence of an intimate other. Furthermore, pain catastrophizing and sex (of participant and experimenter) were considered as additional influences.RESULTS: Whereas similar types of facial responses were elicited independent of the relationship between sender and observer, the degree of facial expressiveness varied significantly, with increased expressiveness occurring in the presence of the partner. Interestingly, being with an experimenter decreased facial expressiveness only in women. Pain catastrophizing and the sex of the experimenter exhibited no substantial influence on facial responses.CONCLUSION: Variations in communicative relations had no effect on the elements of the facial pain language. The degree of facial expressiveness, however, was adapted to the relationship between sender and observer. Individuals suppressed their facial communication of pain toward unfamiliar persons, whereas they overtly displayed it in the presence of an intimate other. Furthermore, when confronted with an unfamiliar person, different situational demands appeared to apply for both sexes.

scholarly journals Layout design of new production shop based on SLP

2021 ◽  
Vol 251 ◽  
pp. 03097
Author(s):  
Lijie Zhao
Keyword(s):  
Material Handling ◽  
Field Investigation ◽  
Production Costs ◽  
General Situation ◽  
New Production ◽  
Systematic Layout Planning ◽  
Operation Unit ◽  
Work Units ◽  
The Cost ◽  
The Relationship

It has become the main way for heavy industry enterprises to decrease the cost to excavate “logistics resources” according to the Systematic Layout Planning (SLP). Taking the new tool shaft machining workshop of Luoyang yituo zhongcheng machinery co., LTD. as an example, through the method of field investigation and visit, we get the data of the process flow, material handling, the relationship between each process and the general situation of the new workshop. The SLP method is used to divide the work units in the workshop, analyze the relationship between logistics and non-logistics among each work unit, determine the comprehensive relationship between each operation unit, and make the position correlation diagram. Besides, we also combine the current situation of the workshop to sort out the layout scheme to reduce the production costs of the workshop.

scholarly journals La historia de las personas: reflexiones desde la historiografía y de la didáctica de las ciencias sociales durante los últimos 25 años

Panta Rei ◽  
2020 ◽  
Vol 14 (2) ◽  
pp. 167-196
Author(s):  
Mariona Massip Sabater ◽  
Jordi Castellví Mata ◽  
Joan Pagès Blanch
Keyword(s):  
Great Majority ◽  
School Curriculum ◽  
Historical Science ◽  
Historical Knowledge ◽  
Political Processes ◽  
Knowledge Based ◽  
School History ◽  
Future Challenges ◽  
The Impact ◽  
The Relationship

En este artículo se revisa la evolución de la ciencia histórica y de la historia escolar a lo largo de los últimos 25 años. Esta revisión se centra en los avances en la investigación y la enseñanza de la historia de las personas; es decir, aquella que atiende a la totalidad de agentes sociales e históricos, que se articula a partir de la proyección global de la humanidad y que atiende a los problemas de las experiencias humanas. En primer lugar, se concreta el concepto de historia escolar y se explica la relación que se establece entre la historia escolar y la historiografía. En segundo lugar, se analiza la evolución de ambas a lo largo de estos 25 años. Finalmente, se plantean retos de futuro. Existe un desequilibrio entre la evolución del conocimiento histórico y el impacto que ha tenido en el currículo escolar. La historia escolar sigue centrada, de manera mayoritaria, en los procesos políticos nacionales, y reproduciendo saberes androcéntricos y eurocéntricos en los que se excluyen la gran mayoría de protagonistas. In this article the evolution of historical science and school history over the past 25 years is reviewed. This review focuses on advances in people's history; that is, a history in which all social and historical agents are recognised, and which is articulated from the global consideration of humanity and human experiences. In the first place, the meaning of school history is specified, along with the relationship between school history and historiography. Secondly, the evolution of both over these 25 years is analysed. Finally, we pose future challenges. There is an imbalance between the evolution of historical knowledge and the impact it has had on the school curriculum and educational practices. School history continues to reproduce androcentric and Eurocentric knowledge based on political processes in which the great majority of protagonists are excluded.

Sacred and profane: Pastoral care in the parish church

2018 ◽  
Author(s):  
Laura Varnam
Keyword(s):  
Pastoral Care ◽  
Sacred Space ◽  
Symbiotic Relationship ◽  
Wall Paintings ◽  
Sacred Spaces ◽  
Parish Church ◽  
Sacred And Profane ◽  
Church Art ◽  
The Relationship ◽  
The Church

This chapter argues that the profane challenge posed by lay misbehaviour and sacrilege in the church paradoxically strengthens sacred space. Sermon exempla from the literature of pastoral care (e.g. Mirk’s Festial, Mannyng’s Handlyng Synne) show how devils and demons assist in the cleansing of the church from profane contamination and the chapter argues for the integral relationship between violence and the sacred, focusing on the punishment of sinners and on the sacrificial blood of Christ, depicted in lyrics and wall paintings. The chapter reassesses the relationship between church art and sermon exempla and argues for a symbiotic relationship that presents the material church and its devotional objects as living, breathing actors in the drama of salvation. The performance of narrative exempla animates the visual depictions of angels, devils, and saints in the church who come to life to protect and fight for their sacred spaces.

scholarly journals A preliminary study on the Unhelpful Thoughts and Beliefs about Stuttering (UTBAS) questionnaire in Croatia

2018 ◽  
Vol 54 (1) ◽  
pp. 37-51
Author(s):  
Ena Klarin ◽  
Ana Leko Krhen ◽  
Suzana Jelčić Jakšić
Keyword(s):  
Therapy Outcome ◽  
Attitudes And Beliefs ◽  
Social Situations ◽  
Socially Anxious ◽  
Significant Difference ◽  
Negative Thoughts ◽  
The Subject ◽  
Preliminary Study ◽  
Adults Who Stutter ◽  
The Relationship

Along with disrupted speech fluency, people who stutter often develop a fear of speaking or fear of social situations that may lead to the emergence of social anxiety disorder. This has been the subject of numerous studies during recent decades, and specific questionnaires have been developed to assess relationships between stuttering and anxiety. The Unhelpful Thoughts and Beliefs About Stuttering (UTBAS) Questionnaire (St Clare et al. 2009) was developed recently and has been applied to evaluate the frequency and belief in thoughts about stuttering and the degree of anxiety induced by such thoughts. The aim of our preliminary study was to test the Croatian translation of the UTBAS (UTBAS-C) on people who stutter and those who do not stutter and to determine whether there is a statistically significant difference between these two groups, i.e. whether people who stutter are more socially anxious than people who do not stutter. Participants were 16 adults who stutter and 16 controls with normal fluence, aged 18-40 years. Because the results were not distributed normally, all data were analyzed with a non-parametric statistical method. The results showed a statistically significant difference between adults who stutter and those who do not. People who stutter had higher total scores on the Questionnaire, i.e. they are more socially anxious or have more negative thoughts and beliefs regarding speech-related situations than fluent adults. The results of our preliminary study are not unexpected and are consistent with most previous studies on the relationship between stuttering and anxiety. However, as there is a lack of specific instruments in the Croatian language that can be used in diagnosing adults who stutter, especially their attitudes and emotions, our translation of and further research on the UTBAS should help to fill that absence. This study should also alert clinicians working with adults who stutter of the importance and influence of attitudes and beliefs on therapy outcome.

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