scholarly journals Quotation of works and using artistic techniques of representatives of the artistic direction of pop art in clothing design of the late XX - early XXI century

2021 ◽  
pp. 10-15
Author(s):  
Kateryna Kyselova
Keyword(s):  
Twentieth Century ◽  
Art History ◽  
Pop Art ◽  
Alcoholic Beverages ◽  
The Internet ◽  
Tobacco Products ◽  
Visual Material ◽  
Clothing Design ◽  
Different Types ◽  
History Of

The purpose of the article is to develop the issues of quoting the art direction of pop art and the use of artistic techniques of its representatives in the design of clothing of the late XX - early XXI centuries. Visual material covering the history of fashion of the end of the XX - beginning of the XXI century taken from printed publications and the Internet. Methodology. Methods of literary, socio-cultural, art history, aesthetic, and structural-compositional analyzes were used. The scientific novelty of the work lies in identifying the main stages and specifics of quoting pop art in clothing design of the late XX - early XXI century. Brands and designers who turned to the motives of this art direction from 1960 to 2010 were considered. Conclusions. It is determined that the iconography of pop art in clothing design includes the following: portraits of celebrities; reproductions of famous paintings, banners and posters; covers and pages of newspapers and magazines, comics; images of letters, words, slogans and logos; different types of packaging; home appliances; plumbing; electrical appliances; means of transport; food; tobacco products and alcoholic beverages. It was found that the techniques typical of pop art, such as a combination of illusory and real, hyperbolization of objects or their individual properties, duplication of images, mixing bright contrasting colors and multi-context images, introducing quotes, and using collages of photographs were fully adapted to clothing design in the twentieth century. Since the eighties of the twentieth century. The parody approach to creativity characteristic of pop art is spreading. In the XXI century. designers focused on "combining the incompatible." Pop-art ideas for decorating things with a simple cut with various slogans and of everyday and commonly available motifs, as well as imitation materials, have become the most widespread for ready-made clothes.

Rewriting or Reaffirming the Canon? Critical Readings of Exhibition History – Editorial

2015 ◽  
Vol 1 ◽  
Author(s):  
Linda Boersma ◽  
Patrick van Rossem
Keyword(s):  
Twentieth Century ◽  
Art History ◽  
Public Realm ◽  
The Public ◽  
Artistic Production ◽  
Exhibition History ◽  
History Of Art ◽  
History Of

In 2010, Afterall Publishers launched a series of exhibition histories wholly devoted to the study of landmark exhibitions.[1] The aim was to examine art in the context of its presentation in the public realm. In this way, research into art history shifted from the artistic production of one individual artist to the context of the presentation, and to the position, views, and convictions of the curator. In the introduction to the book, published in 2007 with its contextually pertinent title, Harald Szeemann: Individual Methodology, Florence Derieux stated: “It is now widely accepted that the art history of the second half of the twentieth century is no longer a history of artworks, but a history of exhibitions.”[2] Not everyone agrees with this, however. For example, art historian Julian Myers justifiably criticized this statement when he wrote that the history of art and exhibitions are inextricably linked.

‘Nashīd’ Between Islamic Chanting And Jihadi Hymns: Continuities and Transformations

2020 ◽  
pp. 249-272
Author(s):  
Ines Weinrich
Keyword(s):  
Twentieth Century ◽  
The Internet ◽  
Traditional Practices ◽  
Technical Term ◽  
Musical Practice ◽  
Early Twentieth Century ◽  
Different Types ◽  
Musical Characteristics ◽  
English Spelling

Nashīd in its English spelling nasheed and mediatised on the internet is a relatively new phenomenon. Nashīd as a musical practice, by contrast, is old. This chapter analyses nashīd as both a technical term and as a vocal genre. Today, the term nashīd may denote quite different sonic manifestations, ranging from traditional praise songs to the prophet Muḥammad and prayers to religious pop songs and military marches. The chapter focuses on the developments since the early twentieth century and examines the musical roots and styles of the different types of nashīd that are known today. It offers a brief glimpse into traditional practices of nashīd (i.e. inshād) and suggests a categorisation for the different manifestations of modern nashīd, based on musical characteristics and functions. These are (1) political hymns, (2) traditional inshād, (3) popularised nasheed and, finally, (4) the Jihadi anāshīd (sg. nashīd), which musically draw from all three preceding categories.

The History of Markets and the Theory of Market Design

2017 ◽  
Author(s):  
Philip Mirowski ◽  
Edward Nik-Khah
Keyword(s):  
Twentieth Century ◽  
Market Design ◽  
Information Space ◽  
Neoclassical Economics ◽  
Different Types ◽  
History Of ◽  
Late Twentieth ◽  
Late Twentieth Century

Curiously, early neoclassical economics was a theory of agents, not markets as such. But changes in markets in the late twentieth century began to highlight this lacuna. How information was incorporated into the theory began to suggest that economists could not just describe The Market, but could also design boutique markets for clients. We trace the resulting narrative trajectory of this epoch-making departure using an abstract Information Space graphic showing combinations of types of agent epistemology, with different types of models of information.

scholarly journals Publishing and Information

2019 ◽  
pp. 112-126
Author(s):  
Martin Paul Eve
Keyword(s):  
Twentieth Century ◽  
World Wide ◽  
The Internet ◽  
Replication Studies ◽  
Digital World ◽  
Non Fiction ◽  
History Of ◽  
Digital Reproduction ◽  
Data Objects ◽  
Information Publishing

This chapter addresses some of the conceptual challenges with speaking about publishing and ‘information’ that range from the underlying philosophical distinctions between the various terms through to practical mutations in the non-fiction/scholarly publishing spaces and the growing demands to publish new types of data objects and software. The chapter argues that the true challenges for publishing and information in the era of the Internet and World Wide Web pertain to frames of cultural authority and truth but also to labour scarcity in publishing in a digital world that presents itself as infinitely abundant. This argument is structured across a first section on what we mean by ‘information’, a second on the history of digital reproduction as it emerged in the twentieth century, a third on the challenges for labour and authority in information publishing, and finally a set of case studies and practical observations on preprints, replication studies, and data.

scholarly journals Artistic and stylistic features of men's costumes of the 1970s in R. Balayan's film "Flights in Dreams and Realities" (Polyoty vo sne i nayavu)

2021 ◽  
pp. 132-138
Author(s):  
Iryna Chubotina
Keyword(s):  
Art History ◽  
Cultural Context ◽  
Semantic Content ◽  
Clothing Design ◽  
Cultural Paradigm ◽  
Starting Point ◽  
History Of ◽  
World Cultural Heritage ◽  
Analytical Research

The purpose of the article is to reveal the artistic and stylistic features of men's costumes in R. Balayan film "Flights in Dreams and Reality" (Polyoty vo sne i nayavu) as significant for Ukrainian cinema and design of the 1970s-1980s. The proposed research contributes to the history of costume in cinema, considering it as an object of design in the context of the 1970s-1980s fashion, world and domestic cultural paradigm. Methodology. Work on the chosen topic involves the following theoretical methods: an analytical research method for generalization and delineation of issues; comparative analysis to identify the features of men's costume in cinema in the context of domestic and world cultural heritage; the art history method will serve to understand the contribution of the visual series in the film to modern design and culture in general. The scientific novelty of the study is to explain the correlation of men's costume in cinema and the fashion mainstream of the late 1970s - early 1980s on the example of the film "Flights in Dreams and Reality". It should be noted that previously the analysis of R. Balayan's work was primarily directed to find the origins of visual imagery and its semantic content; the place and role of costumes in his films, the socio-cultural context in which they were created were not previously considered in detail. Despite the numerous bibliography of materials devoted to the work of R. Balayan and especially "Flights…" (Может нужно было полное название "Flights in Dreams and Reality") which covered the most various artistic aspects, still such as an important component of R. Balayan's films as the costume has been practically ignored. Conclusions. Understanding of the role of costumes in domestic cinema on the example of the film "Flights in Dreams and Reality", which reflects not only the visual part of the film but also the cultural and artistic context of the film, gives a new starting point for studying the history of men's costume and its contribution to modern fashion. The laconism and harmony of figurative solutions of the 1970s experience their last years of popularity in the early 1980s, right before their disappearance, giving us an example of the perfect combination of simple form and deep filling, which can serve as an example to follow in modern men's clothing design.

The Techno-Pedagogical Context of Distance Learning

2010 ◽  
pp. 27-46
Author(s):  
Timothy F. Duruz
Keyword(s):  
Twentieth Century ◽  
Distance Learning ◽  
Information Sharing ◽  
Virtual Environments ◽  
History Of Technology ◽  
The Internet ◽  
Pedagogical Issues ◽  
Collaborative Communication ◽  
Communication Tools ◽  
History Of

The incredible array of collaborative communication tools that have been incorporated into modern day education rely primarily on the internet as a delivery mechanism. Our zeal to employ the latest and greatest technologies towards instruction often ignores both the genesis and best practices for use of these innovations, which can be traced to collaborative scientific and educational efforts and experimentation in the latter half of the twentieth century. Knowledge of these advances and tools can help us to understand newer emerging technologies, which have profound potential for learning applications, such as Multi-User Virtual Environments. A brief discussion on the history of technology and information sharing follows the section on pedagogical issues.

Broadway to Main Street

2018 ◽  
Author(s):  
Laurence Maslon
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
Popular Music ◽  
Cultural Discourse ◽  
The Internet ◽  
Sheet Music ◽  
Main Street ◽  
History Of ◽  
American Popular Music ◽  
Frank Sinatra

The crossroads where the music of Broadway met popular culture was an expansive and pervasive juncture throughout most of the twentieth century and continues to influence the cultural discourse of today. Broadway to Main Street: How Show Music Enchanted America details how Americans heard the music from Broadway on every Main Street across the country over the last 125 years, from sheet music, radio, and recordings to television and the Internet. The original Broadway cast album—from the 78 rpm recording of Oklahoma! to the digital download of Hamilton—is one of the most successful, yet undervalued, genres in the history of popular recording. The phenomenon of how show tunes penetrated the American consciousness came not only from the original cast albums but from interpreters such as Frank Sinatra and Barbra Streisand, impresarios such as Rudy Vallee and Ed Sullivan, and record producers such as Johnny Mercer and Goddard Lieberson. The history of Broadway music is also the history of American popular music; the technological, commercial, and marketing forces of communications and media over the last century were inextricably bound up in the enterprise of bringing the musical gems of New York’s Theater District to millions of listeners from Trenton to Tacoma, and from Tallahassee to Toronto.

I’ll Be Your Mixtape

2019 ◽  
Vol 36 (4) ◽  
pp. 401-436
Author(s):  
Judith A. Peraino
Keyword(s):  
Twentieth Century ◽  
Popular Music ◽  
Pop Art ◽  
The Self ◽  
Andy Warhol ◽  
Archival Research ◽  
Cassette Tape ◽  
Intended Audience ◽  
History Of ◽  
Museum Archives

This article tells the story of a cassette tape housed in the Andy Warhol Museum Archives, a set of never-released (and rarely heard) songs by Lou Reed, and the tape’s intended audience: Andy Warhol. Warhol and Reed are giant figures in the history of twentieth-century Pop Art and popular music, and their collaboration from 1966 to 1967 resulted in the acclaimed album The Velvet Underground and Nico. Based on extensive archival research and interviews, I discuss how this tape reflects Warhol’s and Reed’s failed attempt to collaborate on a stage version of Reed’s album Berlin (1973); Reed’s reaction to Warhol’s book, THE Philosophy of Andy Warhol (From A to B and Back Again) (1975); and how elements of Warhol’s own audio aesthetics and taping practices find their way into Reed’s recordings around 1975. I also place this cassette in the context of the emerging common practice of creating and gifting homemade mixtapes of curated music, and demonstrate how such mixtapes function as a type of “closet media” (to quote theater scholar Nick Salvato) marked by private audience, disappearance, and inaccessibility. Drawing on William S. Burroughs’s conceptual spliced-tape experiments and their challenge to unified subjectivity, I explore the epistemological and ontological ramifications of sonically entangling the self with another person, and the queer intimacies of doing so on cassette tape.

From Buddhist Icons to National Antiquities: Cultural Nationalism and Colonial Knowledge in the Making of Thailand's History of Art

2013 ◽  
Vol 47 (5) ◽  
pp. 1520-1548 ◽  
Author(s):  
MAURIZIO PELEGGI
Keyword(s):  
Twentieth Century ◽  
Southeast Asia ◽  
Art History ◽  
Cultural Nationalism ◽  
Close Linkage ◽  
History Of Art ◽  
History Of ◽  
Ideological Context ◽  
Canonical Status

AbstractIn the mid 1920s Prince Damrong Rajanubhab and George Coedès jointly formulated the stylistic classification of Thailand's antiquities that was employed to reorganize the collection of the Bangkok Museum and has since acquired canonical status. The reorganization of the Bangkok Museum as a ‘national’ institution in the final years of royal absolutism responded to increasing international interest in the history and ancient art of Southeast Asia, but represented also the culmination of several decades of local antiquarian pursuits. This paper traces the origins of the art history of Thailand to the intellectual and ideological context of the turn of the twentieth century and examines its parallelism to colonial projects of knowledge that postulated a close linkage between race, ancestral territory and nationhood.

Exhibition History and the Institution as a Medium

2015 ◽  
Vol 1 ◽  
Author(s):  
Stefano Collicelli Cagol
Keyword(s):  
Twentieth Century ◽  
Art History ◽  
Historical Narratives ◽  
The Past ◽  
Exhibition History ◽  
The Future ◽  
History Of ◽  
Recent Debate ◽  
The Relationship

The recent debate on the relationship between histories of exhibition and art history tends to consider the former as supplementary to the latter. While it is certainly not the case that art history of the second half of the twentieth century should be reduced to a history of exhibitions—given the variety of contexts in which artists have operated—exhibition histories should likewise not be addressed only to enrich art historical narratives, or be selected according to their relationship to an art historical canon. In fact, exhibition histories provide critical tools to approach history in itself: by revealing cultural debates of the past, they help retracing histories of ideas; their expanded field highlights the connections between art and other realms, such as commerce, and they reveal politics and policies of an institution, stressing the latter in order to create a narrative to understand the present and imagine the future.

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