scholarly journals Frontline Drawings of Ukrainian Artists of the Second World War Period

2021 ◽  
Author(s):  
Yuliya Maystrenko-Vakulenko
Keyword(s):  
World War Ii ◽  
Line Drawing ◽  
Human Perception ◽  
Second World War ◽  
World War ◽  
Front Line ◽  
Red Army ◽  
The Difference ◽  
The Individual ◽  
Second World

Purpose of the article. During World War II, hundreds of Ukrainian artists were at the front. The drawings they created were a powerful source of propaganda for the Soviet regime. At the same time, in the general unity of the full-scale front-line drawing the individual features of artists of great artistic skill are clearly traced. The aim of the article is to determine the circle of leading Ukrainian artists who during the Second World War were in the troops of the Workers 'and Peasants' Red Army (RSCA) and worked in the field of drawing; to study the genre, artistic and stylistic structure, as well as materials and techniques of frontal drawings; identify the features of the reproduction of space-time in the front-line drawing of Ukrainian artists. Methodology. The study is based on the principle of historicism, a combination of historical and cultural, contextual methods, art history image and stylistic and system-comparative analysis. Scientific novelty. Peculiarities of human psychology of perception were clearly manifested in the drawing of frontline artists. The compression of the time field in the drawings of frontline artists is due not only to the doctrine of socialist realism, which was based on spatial three-dimensionality, but also to the peculiarities of human perception of time and space in stressful conditions. This also explains the difference of time display in the drawings created by the artists in the conditions of the front and evacuation. Artists, whose period of study coincided with the years of the avant-garde, the introduction of formal foundations of art in educational institutions, have achieved a much deeper and broader interpretation in the drawing of temporal and spatial categories. Conclusions. Frontline sketches were pictorial diaries: notes, sketches that were intended to be triggers for memories, for further writing of pictorial "memoirs" - paintings on the theme of war. This theme of Soviet propaganda will become a pass for future decades in all artistic spheres, both artistic and literary, musical, film and theater, etc., ensuring the favor of party leaders and the respect of the average Soviet man. Drawings of Serhiy Hryhoriev, Zinovy ​​Tolkachov, Vasyl Ovchynnikov, Anatol Petrytsky, Georgy Melikhov, Anton Komashko and other prominent Ukrainian artists are distinguished by the ability to give the passage of events the meaning of epic generalization, elevation above the simplified goal of capturing the moment. Keywords: drawing, Ukrainian drawing, frontline drawing, sketch, the Second World War, portrait, landscape.

scholarly journals ON THE MAJOR TURNAROUND IN THE EAST FRONT OF WORLD WAR II (according to memoirs of German and Soviet military commanders)

2020 ◽  
pp. 68-76
Author(s):  
Andrei M. Belov
Keyword(s):  
World War Ii ◽  
Large Mass ◽  
Second World War ◽  
Left Bank ◽  
World War ◽  
Combat Experience ◽  
Initial Stage ◽  
Military Commanders ◽  
Red Army ◽  
Second World

The author refers in the article to such an important aspect of the major turnaround in the East Front of the Second World War as mastering the combat experience of contemporary warfare, based on the memoirs of German and Soviet military commanders. The author concludes that if, at the initial stage, Germany’s sudden attack on the USSR and the use of a large mass of tanks and aircraft in combat led the Wehrmacht to success, by the end of 1941, the Red Army’s victory near Moscow had defi ned a turnaround in the war. The Red Army endured the worst challenges of the initial stage and began to master the methods of conducting contemporary war by Soviet military commanders. Of those commanders who advanced in the future, there were those military commanders who asserted themselves in the battles of Moscow and Stalingrad. Contemporary war required them to master the experience of guiding a large mass of equipment – tanks, aircraft – in accordance with the potential embedded in them. The formation of tank, aviation divisions, corps, armies laid the material foundation for the major turnaround in the war. The ability to anticipate the actions of the enemy and make decisions unexpected to it had become an essential component of the commanders’ experience. The experience of coordinating the actions of different fronts and branches of troops, the formation of armies possessing the latest ammunition, the proper provision with arms and other materials became the guarantee of victory around Stalingrad and Kursk, the liberation of the Ukraine on the left bank of the Dnieper and of Donbass, that is, the victories considered to be the major turnaround in the Second World War.

scholarly journals A videóinterjús tanórák hatásai a II. világháború középiskolai történelemoktatásában

2020 ◽  
Vol 32 (4) ◽  
pp. 81-99
Author(s):  
Benjámin Dávid
Keyword(s):  
World War Ii ◽  
20Th Century ◽  
Significant Loss ◽  
Second World War ◽  
World War ◽  
History Of ◽  
Classroom Education ◽  
The Individual ◽  
The Military ◽  
Second World

The societies of the countries underwent many difficulties during the history of the 20th century. During World War II, in addition to the military loss of the country, there was a significant loss of civilian population. Due to the changed political circumstances after the war, the processing of these events at the individual, community, and social levels didn’t take place. The research of the MTA–SZTE Oral History and History Education Research Team (2016– 2020) focuses on how to include video interview details with people who have experienced the turning points in the Hungarian history of the 20th century and how to include them in classroom education. Concerning these the classes supplemented with a video details undergoes appropriate (subject-pedagogical) methodological preparation. In my study I examine that Hungary’s participation in the Second World War working group working within a research group how well the classes compiled, supplemented by life-course interviews, attracted the attention of the students, helped them understand the curriculum and its contexts, and what conveyed values to the students.

HOUSES OF MERCY IN THE TERRITORIES OF UZBEKISTAN(IN THE YEARS OF THE SECOND WORLD WAR)

2021 ◽  
Vol 4 (6) ◽  
pp. 47-55
Author(s):  
Saodat Sh. Pirimkulova ◽  
Keyword(s):  
World History ◽  
Second World War ◽  
Main Issue ◽  
World War ◽  
Front Line ◽  
Historical Process ◽  
Archival Documents ◽  
Red Army ◽  
Second World

One of the most important issues in world history is the study of the fate of children during the Second World War, who were forced to leave their homes, cities and countries. This article, based on archival documents, highlights the historical process associated with the evacuation of orphanages from the front-line regions during the Second World War. The article also discusses the main issue of the resettlement of children in orphanages, in empty premises, as well as in families in Uzbekistan.Index Terms: Uzbekistan is a country of love, evacuation, orphanages,evacuation point, Red Army.

Norway and the United Kingdom/Scotland after the Second World War

2015 ◽  
Author(s):  
Tore T. Petersen
Keyword(s):  
United Kingdom ◽  
World War Ii ◽  
Real Life ◽  
Second World War ◽  
World War ◽  
Alliance Politics ◽  
Bilateral Relations ◽  
The United Kingdom ◽  
The Difference ◽  
Second World

This chapter examines events following, the Second World War, and argues that Norway and the United Kingdom have not had as close a relationship as the official rhetoric suggests. Although the countries do share common interests, Petersen argues that they lack “real-life alliance politics and relations”, using as material the details of state visit by Norwegian Prime Minister Einar Gerhardsen and his wife Werna to Britain in 1956. The major issues discussed in the press at the time dealt largely with simple matters of protocol, and the visit did not even include discussion of the imminent Suez conflict, in which many Norwegian owned cargo ships were involved. Like Scotland, Norway was a small client state and although World War II presented the countries with a common enemy, and Norway’s king governed in exile from London during the Nazi occupation of his country, Petersen argues that the difference in size, power and influence between the British Empire and Norway overshadowed bilateral relations between Britain and Norway, as well as those between Scotland and Norway.

scholarly journals PRODUCTION ACTIVITY JEWELLERY ARTELS OF THE UPPER VOLGA REGION DURING THE SECOND WORLD WAR

2020 ◽  
pp. 120-125
Author(s):  
Galina A. Kamygina
Keyword(s):  
World War Ii ◽  
Second World War ◽  
Volga Region ◽  
World War ◽  
Upper Volga ◽  
Production Activity ◽  
Red Army ◽  
Second World ◽  
Soviet Historiography ◽  
The Upper Volga Region

The activity of jewellery and art artels during the War is almost not covered in Soviet historiography because of the specifi cs of this industry. The proposed article analyses the change in the composition of jewellery artels of the Upper Volga region in the period of 1941-1945. The contribution of cooperatives to the supply of clothing to the Red Army is examined. Particular attention is paid to providing civilians with such specifi c goods as jewellery and art products. To study this issue, little-studied archival sources were used; some of them were declassifi ed only recently. In general, the products of jewellery cooperatives of the Upper Volga region during World War II can be divided into several groups: 1. Items that continued the tradition of local art crafts: jewellery and art products (earrings, brooches, cigarette cases, decoration buttons, etc.) 2. Metal haberdashery: metal dishes, metal pads on bags and briefcases, etc. 3. Military products: insignia and buttons for military uniforms, parts for gas masks and parachutes, medical equipment.

scholarly journals Deviations of the Politics of Memory in Eastern Europe and in the Post-Soviet Space

2021 ◽  
Vol 9 (3) ◽  
Author(s):  
Julia Kantor
Keyword(s):  
World War Ii ◽  
Eastern Europe ◽  
Second World War ◽  
Alternative View ◽  
World War ◽  
Politics Of Memory ◽  
National Memory ◽  
Ideological Influence ◽  
The Difference ◽  
Second World

The narratives of the Second World War, which may undoubtedly be referred to as “complex issues of history”, have not been entirely reflected upon yet and therefore are full of phobias and myths. While analysing the set of tools of the politics of memory, the author of this article points outs the following: the politicization of history (following political conjuncture), the manipulation of facts, the glorification of history and its actors, demonisation, i. e., the construction of the image of an internal and external enemy, the ideological censoring of controversial assessments, and the actualisation of sociopolitical nostalgia. The use of this arsenal of ideological influence on mass consciousness can be seen in high-profile sociopolitical incidents of recent times. The difference in historical assessments is a reality that is pointless to obscure. Overcoming historical traumas, i. e., the “combination of history and memory”, is an indispensable condition for normalising and objectifying reflection on the past. The subject of the author’s attention is foreign policy invectives that have become hotbeds of diplomatic tension (more particularly, the Declaration of the European Parliament on the Outbreak of World War II adopted in 2019), the activities of governmental organisations “responsible” for the politics of memory (the Ukrainian Institute of National Memory), expositions of museums in Eastern Europe (the Museum of the Second World War in Gdansk, the Museum of the Occupation in Riga), school history textbooks, the fate of the monuments dedicated to the Second World War (in particular, the Bronze Soldier in Tallinn), public historical and political actions that “overturn” historical reality (for example, Legionnaire Day marches in Riga), and the censorship of publications with an alternative view of the traumatic events of the war.

scholarly journals National culture as a strategy for self-preservation of personality: Yuri Shevelov and the World War II

2021 ◽  
Vol 27 (1) ◽  
pp. 22-31
Author(s):  
Tetiana Shestopalova
Keyword(s):  
World War Ii ◽  
National Culture ◽  
Modern Society ◽  
Second World War ◽  
World War ◽  
Personal Resource ◽  
The World ◽  
History Of ◽  
The Individual ◽  
Second World

The urgency of the topic is due to the increased interest of modern society to the existence of a particular individual in the dehumanizing geopolitical and hybrid conflicts. Culture is an existential source of restoration of a human personal resource. The methods developed in it to protect against various threats to the world are specified in the practices and discourses of national cultures. The latter give their bearers hope for the preservation of life in the circumstances of cardinal socio-historical changes that threaten the collapse of the individual and the whole national community. The subject of study in the article is the phenomenon of the personality of the intellectual-humanitarian in the circumstances of World War II. According to S. Krymsky, personality is seen as the result of moral efforts that raise a person above the individual physical threshold to the level of responsible existence and harmony with the spirit. The objective of the study is to outline the importance of the national cultural environment in the crystallization of the personality of the Ukrainian writer and cultural agent, American and Ukrainian academic philologist Yuri Shevelov (1908–2002) in Ukraine during the Second World War. The first book of his memoirs «I — myself — to me… (and all around)» — «In Ukraine» provided material for reflection. This text has several reprints and is well known to interested readers. However, his leitmotif — national culture as the daily salvation of the intellectual in historical and geopolitical cataclysms — still remains uncomprehend. This is the novelty of the proposed work. Its theoretical and methodological basis is the phenomenology of culture of S. Krymsky. On the other hand, the history of survival and preservation of Yuri Shevelov as an intellectual personality is inseparable from the history of his everyday life. This explains the appeal to the studies of everyday history. As a result of the research caused by the interest in the life of Yu. Shevelov during the Second World War, the main factors of his personal project in the dynamics of the Ukrainian national and cultural discourse were characterized. The issue of modern Ukrainian culture as one of the key criteria for understanding non-national cultural phenomena needs further coverage. The article is presented in two issues. This part deals with the family factors of Yuri Shevelov’s personality and his cultural activity as a survival strategy in Kharkiv during the World War II.

Metamorphoses of memory of the the Russian-Serbian Brotherhood of War in Modern Serbia

2020 ◽  
Vol 13 (4) ◽  
pp. 142-156
Author(s):  
A. Yu. Timofeev
Keyword(s):  
World War Ii ◽  
Civil War ◽  
Party System ◽  
Historical Memory ◽  
Civil Conflict ◽  
Second World War ◽  
World War ◽  
Post War ◽  
The Stability ◽  
Second World

The article considers the perception of World War II in modern Serbian society. Despite the stability of Serbian-Russian shared historical memory, the attitudes of both countries towards World wars differ. There is a huge contrast in the perception of the First and Second World War in Russian and Serbian societies. For the Serbs the events of World War II are obscured by the memories of the Civil War, which broke out in the country immediately after the occupation in 1941 and continued several years after 1945. Over 70% of Yugoslavs killed during the Second World War were slaughtered by the citizens of former Kingdom of Yugoslavia. The terror unleashed by Tito in the first postwar decade in 1944-1954 was proportionally bloodier than Stalin repressions in the postwar USSR. The number of emigrants from Yugoslavia after the establishment of the Tito's dictatorship was proportionally equal to the number of refugees from Russia after the Civil War (1,5-2% of prewar population). In the post-war years, open manipulations with the obvious facts of World War II took place in Tito's Yugoslavia. In the 1990s the memories repressed during the communist years were set free and publicly debated. After the fall of the one-party system the memory of World War II was devalued. The memory of the Russian-Serbian military fraternity forged during the World War II began to revive in Serbia due to the foreign policy changes in 2008. In October 2008 the President of Russia paid a visit to Serbia which began the process of (re) construction of World War II in Serbian historical memory. According to the public opinion surveys, a positive attitude towards Russia and Russians in Serbia strengthens the memories on general resistance to Nazism with memories of fratricide during the civil conflict events of 1941-1945 still dominating in Serbian society.

ABCs of the Revolution

2020 ◽  
Vol 17 (3) ◽  
pp. 278-291
Author(s):  
Egor A. Yesyunin
Keyword(s):  
Civil War ◽  
Second World War ◽  
World War ◽  
Special Significance ◽  
Development History ◽  
The People ◽  
Red Army ◽  
History Of ◽  
Second World ◽  
The Revolution

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.

THE CONTRIBUTION OF THE PEOPLE OF UZBEKISTAN IN THE VICTORY OF OVER FASCISM IN THE SECOND WORLD WAR

2020 ◽  
Vol 2 (3) ◽  
pp. 4-11
Author(s):  
Dilorom Bobojonova ◽  
Keyword(s):  
World War Ii ◽  
Second World War ◽  
World War ◽  
Additional Material ◽  
Historical Aspect ◽  
The People ◽  
Second World

In this article, the author highlights the worthy contribution of the people of Uzbekistan, along with other peoples, to the victory over fascism in World War II in a historical aspect. This approach to this issue will serve as additional material to previously published works in international scientific circles

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