scholarly journals Historical background of the public debt in Colombia: the role of the internal public debt under alternative macroeconomic scenarios during World War II

2004 ◽  
Author(s):  
Mauricio Avella
Keyword(s):  
World War Ii ◽  
Public Debt ◽  
Historical Background ◽  
World War ◽  
The Public

scholarly journals Who Reads Shashi? The Case of the Hiroshima Regional Newspaper

2012 ◽  
Vol 1 (1) ◽  
Author(s):  
Ann Sherif
Keyword(s):  
World War Ii ◽  
World War ◽  
International Media ◽  
The Public ◽  
Nuclear Age ◽  
History Of ◽  
Key Events ◽  
Regional Newspaper ◽  
Self Presentations

The company history of a newspaper company raises new questions about the genre of company histories. Who reads them? What features should readers and researchers be aware of when using them as a source? This article examines the shashi of the Chûgoku Shinbun, the Hiroshima regional newspaper. The atomic bombings of Hiroshima and Nagasaki in August 1945 were significant because of their perceived role in bringing World War II to an end and in signaling the start of the nuclear age. Most research to date has emphasized the role of national newspapers and the international media in informing the public about the extent of the damage and generating a framework within which to understand. I compare the representation of three key events in the Chûgoku Shinbun company history (shashi) to those in two national newspapers (Asahi and Yomiuri), as well as the ways that the Hiroshima company’s 100th and 120th year self-presentations reveal important concerns of the region and the nation, and motivations in going public with its shashi. These comparisons will reveal some of the merits and limits of using shashi in research. This article is part of a larger study on the work of the influence of regional press and publishers on literature in twentieth-century Japan.   

scholarly journals Human in the world of culture: the great patriotic war in the historical and cultural heritage of northeast of Russia (on the example of Yakutia)

2019 ◽  
Vol 72 ◽  
pp. 03009
Author(s):  
Saassylana Sivtseva ◽  
Olga Parfenova
Keyword(s):  
World War Ii ◽  
Cultural Heritage ◽  
World War ◽  
Public Places ◽  
The Public ◽  
The World ◽  
Great Patriotic War ◽  
Architectural Structures ◽  
Human Losses

The historical and cultural heritage, expressed in monuments, architectural structures, dedicated to the Great Patriotic War, today is significant. The purpose of the article is to determine the role of society in perpetuating the memory of the Great Patriotic War. The authors conclude that the events of World War II find a lively response from the public. At the same time, new tendencies in commemorative practices are traced - tragic pages of history that until recently were “uncomfortable” (and in Soviet times banned for research), such as human losses, extremely high mortality of the civilian population from hunger, forcibly transferred to special settlements, - began to be reflected in the construction of monuments, memorable places. The location of these monuments is specific - they were erected at a certain distance from public places, at the territories of churches (victims of famine, victims of political repressions), which is associated with the predicted ambiguity of their perception.

Community Services: Contrasts Between Resident and Nonresident Landowners in the Adirondack Region of New York

1975 ◽  
Vol 4 (2) ◽  
pp. 132-142
Author(s):  
Robert G. Craig ◽  
Harry P. Mapp
Keyword(s):  
United States ◽  
New York ◽  
World War Ii ◽  
The United States ◽  
Community Services ◽  
World War ◽  
Revolutionary Change ◽  
Role Of Government ◽  
The Public

“There is more than enough evidence to show that the states and localities, far from being weak sisters, have actually been carrying the brunt of domestic governmental progress in the United States ever since the end of World War II … Moreover, they have been largely responsible for undertaking the truly revolutionary change in the role of government in the United States that has occurred over the past decade.”–Daniel J. Elazar, The Public Interest

scholarly journals J. K. Rowling’s Harry Potter and the Order of the Phoenix

2019 ◽  
pp. 59-68
Author(s):  
Sabah Atallah Khalifa Ali ◽  
Zaid Ibrahim Ismael
Keyword(s):  
World War Ii ◽  
Harry Potter ◽  
World Politics ◽  
The Novel ◽  
World War ◽  
Lord Of The Rings ◽  
The Public ◽  
The Phoenix ◽  
Invasion Of Iraq

Like J. J. Tolkien’s Lord of the Rings and many other fantasies, Rowling’s Harry Potter is rich with allegorical implications that reflect the political anxiety of the era in which it was written. The critics and readers found connections between the events of the early parts of the novel and the historical havoc in world politics, like Hitler and World War II, a thing which Rowling attested in many of her interviews. Still, the texts are still open for other readings. It is possible to draw political parallels with contemporary issues. For instance, the American and British readers have been unable to resist identification with the events which mirror the international campaign on terrorism. This study is a political reading of Rowling’s Harry Potter and the Order of the Phoenix. It sheds light on the role of the Ministry of Magic in the novel and its relation to the governments’ policies to misguide the public about the terrorist threats to world powers, prior to the 2003 invasion of Iraq.

scholarly journals Keynes, inflation and the public debt: How to Pay for the War as a policy prescription for financial repression?

2020 ◽  
Vol 27 (2) ◽  
pp. 187-209
Author(s):  
Sebastian Teupe
Keyword(s):  
World War Ii ◽  
Interest Rates ◽  
Public Debt ◽  
Historical Record ◽  
World War ◽  
Financial Repression ◽  
The Public ◽  
The United Kingdom ◽  
Money Illusion ◽  
Policy Prescription

Recent contributions on ‘financial repression’ and ‘money illusion’ have referred to Maynard Keynes's How to Pay for the War as a supporting document. This article discusses whether Keynes prescribed policies of ‘financial repression’ that were implemented in the United Kingdom, and other countries, following World War II. It seems reasonable that Keynes's writings were instrumental in translating British monetary experiences of the 1920s and 1930s into expectations of policymakers during and after World War II, including a belief in ‘money illusion’ that suggested the use of inflation for driving down real interest rates of public bonds. If this was the case, How to Pay for the War could indeed provide an important explanation for the why and when of ‘financial repression’. This article argues that How to Pay for the War only partly provided support for a policy of ‘financial repression’, and none for using inflation as a ‘tax gatherer’ to the detriment of domestic savers in general. Crediting Keynes as a source for widespread ‘money illusion’ is also out of line with the historical record.

scholarly journals The ‘Poitrot Report’, 1945: the first public document on Nazi euthanasia

2019 ◽  
Vol 30 (3) ◽  
pp. 314-324 ◽  
Author(s):  
Thomas Müller ◽  
Bernd Reichelt
Keyword(s):  
World War Ii ◽  
National Socialism ◽  
Military Government ◽  
World War ◽  
The Public ◽  
Mental Hospitals ◽  
French Military ◽  
Nazi Euthanasia ◽  
Shed Light

The aim of this paper is to shed light on the so-called ‘Poitrot Report’, submitted to the French Military Government in Baden-Baden, Germany, in December 1945 and published in a reduced German version in 1946. Its author was the French-Moroccan psychiatrist Robert Poitrot, who had been put in charge of the public mental asylums in Südwürttemberg after World War II. Poitrot took responsibility for restoring psychiatric care during the occupation, and was also eager to document Nazi ‘euthanasia’ and to start investigating the role of staff in mental hospitals during National Socialism. Focusing on the ‘Poitrot Report’, this paper also reflects on life in Württemberg mental hospitals and the interaction between French representatives such as Poitrot and regional German medical staff.

scholarly journals Zbrodnia i kara jako rytuał. Gdański proces stutthofskich zbrodniarzy

2015 ◽  
pp. 49-87
Author(s):  
Sylwia Bykowska
Keyword(s):  
World War Ii ◽  
Criminal Court ◽  
Concentration Camp ◽  
World War ◽  
The Public ◽  
Public Execution ◽  
The City

This article attempts to analyse the trials held against the guards of the Stutthof concentration camp and the public execution of eleven criminals sentenced to death. The proceedings were held before the Special Criminal Court in Gdansk from 25 April to 31 May 1946. The sentence was carried out on a hill called Biskupia Górka (Stolzenberg) on 4 July of that year, in the presence of a crowd numbering in the tens of thousands of people. These events are shown as a ritual, which did not only punish Nazi perpetrators, but also fulfilled important social and political functions. Attention is also paid to the role of the city of Gdansk, which was undergoing another transformation in its history after the end of World War II, in the process of the settlement of the Nazi crimes.

John Cranko's Antigone (1959): A Ballet Lost and Found

2015 ◽  
Vol 33 (1) ◽  
pp. 1-15
Author(s):  
Henrietta Bannerman
Keyword(s):  
World War Ii ◽  
Jean Racine ◽  
World War ◽  
Martha Graham ◽  
Detailed Consideration ◽  
Lost And Found ◽  
The Many ◽  
Tragic Drama ◽  
The Relationship

John Cranko's dramatic and theatrically powerful Antigone (1959) disappeared from the ballet repertory in 1966 and this essay calls for a reappraisal and restaging of the work for 21st century audiences. Created in a post-World War II environment, and in the wake of appearances in London by the Martha Graham Company and Jerome Robbins’ Ballets USA, I point to American influences in Cranko's choreography. However, the discussion of the Greek-themed Antigone involves detailed consideration of the relationship between the ballet and the ancient dramas which inspired it, especially as the programme notes accompanying performances emphasised its Sophoclean source but failed to recognise that Cranko mainly based his ballet on an early play by Jean Racine. As Antigone derives from tragic drama, the essay investigates catharsis, one of the many principles that Aristotle delineated in the Poetics. This well-known effect is produced by Greek tragedies but the critics of the era complained about its lack in Cranko's ballet – views which I challenge. There is also an investigation of the role of Antigone, both in the play and in the ballet, and since Cranko created the role for Svetlana Beriosova, I reflect on memories of Beriosova's interpretation supported by more recent viewings of Edmée Wood's 1959 film.

The Suffering of the Perpetrators: The Ethics of Traumatic German Historicity in Karen Bass's Young Adult World War II Novels

2014 ◽  
Vol 7 (1) ◽  
pp. 64-77
Author(s):  
Doris Wolf
Keyword(s):  
World War Ii ◽  
Young Adult ◽  
Public Sphere ◽  
Childhood Studies ◽  
Historical Narratives ◽  
World War ◽  
The Public ◽  
The Past ◽  
Adult World ◽  
The Public Sphere

This paper examines two young adult novels, Run Like Jäger (2008) and Summer of Fire (2009), by Canadian writer Karen Bass, which centre on the experiences of so-called ordinary German teenagers in World War II. Although guilt and perpetration are themes addressed in these books, their focus is primarily on the ways in which Germans suffered at the hands of the Allied forces. These books thus participate in the increasingly widespread but still controversial subject of the suffering of the perpetrators. Bringing work in childhood studies to bear on contemporary representations of German wartime suffering in the public sphere, I explore how Bass's novels, through the liminal figure of the adolescent, participate in a culture of self-victimisation that downplays guilt rather than more ethically contextualises suffering within guilt. These historical narratives are framed by contemporary narratives which centre on troubled teen protagonists who need the stories of the past for their own individualisation in the present. In their evacuation of crucial historical contexts, both Run Like Jäger and Summer of Fire support optimistic and gendered narratives of individualism that ultimately refuse complicated understandings of adolescent agency in the past or present.

Painted Memories

2007 ◽  
Vol 7 (4) ◽  
pp. 26-29
Author(s):  
mayer kirshenblatt ◽  
barbara kirshenblatt-gimblett
Keyword(s):  
World War Ii ◽  
World War ◽  
Daily Diet ◽  
The Holocaust ◽  
Yom Kippur ◽  
Root Vegetables

Mayer Kirshenblatt remembers in words and paintings the daily diet of Jews in Poland before the Holocaust. Born in 1916 in Opatóów (Apt in Yiddish), a small Polish city, this self-taught artist describes and paints how women bought chickens from the peasants and brought them to the shoykhet (ritual slaughterer), where they plucked the feathers; the custom of shlogn kapores (transferring one's sins to a chicken) before Yom Kippur; and the role of herring and root vegetables in the diet, especially during the winter. Mayer describes how his family planted and harvested potatoes on leased land, stored them in a root cellar, and the variety of dishes prepared from this important staple, as well as how to make a kratsborsht or scratch borsht from the milt (semen sack) of a herring. In the course of a forty-year conversation with his daughter, Barbara Kirshenblatt-Gimblett, who also interviewed Mayer's mother, a picture emerges of the daily, weekly, seasonal, and holiday cuisine of Jews who lived in southeastern Poland before World War II.

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