scholarly journals From the Instinctual to the Cosmic: Jung’s Exploration of the Colour in The Red Book, 1915-1929/30

2020 ◽  
pp. 25-75
Author(s):  
Diane Finiello Zervas
Keyword(s):  
Key Words ◽  
Crucial Role ◽  
The Self ◽  
Active Imagination ◽  
Experimental Medium

Jung wrote extensively about colour symbolism in his patients’ dreams, paintings, and active imagination, beginning with his first mandala study in 1929, and continuing during the 1930s as he learned more about alchemy and Eastern esoteric texts. Students of Jung and Jungian analysts are already well acquainted with this material. The publication of The Red Book (2009), and Jung’s visual works in The Art of C.G. Jung (2019), present new opportunities to study how Jung explored colour between 1915 and 1929. This paper will trace Jung’s colour journey, concentrating on imagery that illustrates the instinctual and cosmic energies of the new god, the self and individuation. Jung’s evolving colour symbolism demonstrates The Red Book’s crucial role as an experimental medium, and confirms that Jung had developed a well-established colour hermeneutic by the 1920s. KEY WORDS colour, instinct, cosmos, new god, self, individuation, mandala, Goethe.

scholarly journals From the Instinctual to the Cosmic: Jung’s Exploration of the Colour in The Red Book, 1915-1929/30

2020 ◽  
pp. 25-75
Author(s):  
Diane Finiello Zervas
Keyword(s):  
Key Words ◽  
Crucial Role ◽  
The Self ◽  
Active Imagination ◽  
Experimental Medium

Jung wrote extensively about colour symbolism in his patients’ dreams, paintings, and active imagination, beginning with his first mandala study in 1929, and continuing during the 1930s as he learned more about alchemy and Eastern esoteric texts. Students of Jung and Jungian analysts are already well acquainted with this material. The publication of The Red Book (2009), and Jung’s visual works in The Art of C.G. Jung (2019), present new opportunities to study how Jung explored colour between 1915 and 1929. This paper will trace Jung’s colour journey, concentrating on imagery that illustrates the instinctual and cosmic energies of the new god, the self and individuation. Jung’s evolving colour symbolism demonstrates The Red Book’s crucial role as an experimental medium, and confirms that Jung had developed a well-established colour hermeneutic by the 1920s. KEY WORDS colour, instinct, cosmos, new god, self, individuation, mandala, Goethe.

Analysing the Self-Efficacy Levels of Coaches of Different Branches

2021 ◽  
Vol 15 (7) ◽  
pp. 2206-2209
Author(s):  
Nahit Özdayi
Keyword(s):  
Normal Distribution ◽  
Key Words ◽  
Self Efficacy ◽  
The Self ◽  
The Other ◽  
Professional Experience ◽  
Age Group ◽  
Other Hand

Aim: This paper aims to analyse the self-efficacies of coaches of different branches. Methods: This study, which was conducted by using coach self-efficacy scale, reached totally 192 volunteering coaches who lived in Çanakkale and Balıkesir. The data collected were then analysed on the SPSS programme. The kurtosis and skewness values were examined so as to check the distribution of the data, and consequently, the data were found to have normal distribution. Results: As a result, statistically significant differences were found between the coaches aged 28-32 and coaches aged 33-37 in their levels of self-efficacy in general and in the sub-factor of efficacy in impersonating. Accordingly, the coaches who were in 28-32 age group had higher self-efficacy and efficacy in impersonating than the ones who were in 33-37 age group. On the other hand, there were no statistically significant differences between the participants’ levels of self-efficacy according to gender, branch and professional experience. Conclusion: The coaches in the 28-32 age group were found to have higher self-efficacy and efficacy in impersonating than the coaches in the 33-37 age group on examining the results obtained. No differences were found between the participants in the other factors. Key Words: Self-efficacy, coaches, sport

Vídeo experimental e autorretrato

2021 ◽  
Author(s):  
Filomena Antunes Sobral ◽  
Daniela Morgado Oliveira
Keyword(s):  
Crucial Role ◽  
Point Of View ◽  
The Self ◽  
Self Awareness ◽  
Cindy Sherman ◽  
Artistic Creation ◽  
Multiple Variable ◽  
The Relationship ◽  
Theoretical Foundations ◽  
Creative Production

In the development of the relationship between the artist and his artistic creation, the deconstruction of concepts and ideas within the scope of artistic praxis leads to the reflection of the crucial role that the artist has in the conception and meaning of the work. His creative production, in turn, appropriates not only the expressive force of the author to assert itself as an artistic creation, but can also assume to be the reflection of the self, its identity and materializes in the form of self-portrait. The self-portrait expands the artist’s interiority, externalizing concerns and questions, and conveys a subjective point of view about himself and his view of art. But how does self-portrait contribute to self-awareness? And how does the artist reveal himself and communicate beyond his appearance?Based on these questions, the objective of this paper is to provide a reflection on self-portrait presenting the results of an artistic installation project that involved photographic language in the form of self-portrait and experimental video to represent feelings of disquiet. Influences such as Cindy Sherman, Lais Pontes or Francesca Woodman, whose creations approach the self-portrait in a not only original, but critical style, stand out.It is a project of academic and artistic nature supported by theoretical foundations. The results allow us to conclude that the artistic installation, which began by presenting a self-portraying self-seeking identity, frees itself from its creator to enhance multiple variable interpretations depending on the observer’s attention.

There is an I in nature: The crucial role of the self in nature conservation

2014 ◽  
Vol 39 ◽  
pp. 121-126 ◽  
Author(s):  
Anne Marike Lokhorst ◽  
Céline Hoon ◽  
Rob le Rutte ◽  
Geert de Snoo
Keyword(s):  
Nature Conservation ◽  
Crucial Role ◽  
The Self

scholarly journals An Analysis of The Motivation Reflected By The Main Characters In The Movie “42” And Its Personality Influence

DEIKSIS ◽  
2017 ◽  
Vol 9 (01) ◽  
pp. 13
Author(s):  
Dewi Mutiara Indah Ayu
Keyword(s):  
Key Words ◽  
Self Esteem ◽  
The Self ◽  
Human Needs ◽  
Descriptive Research ◽  
Self Actualization ◽  
Human Need ◽  
Qualitative Descriptive

<p>The aim of the research is to find out how motivation is reflected by the main characters in the movie “42”, the effort that Jackie and Rickey make in order to fulfill the needs and to analyze the influence of personality on motivation of the main characters. The writer uses qualitative descriptive research in observing the motivation of the main characters of the Movie “42”. The writer limited the data which are classified them into different level needs based on Maslow’s Hierarchy of Human Need theory. However, the writer sees that the main characters had different level of needs structure as their salient. Such as : As for Jackie, the writer found that from 5 level of Maslow’s Hierarchy of Human Needs, there were 2 salient needs; the belongingness and love needs, and the self-esteem need. As for Rickey, there was just 1 need he had to fulfill; the self-actualization need. The writer also noticed the process to fulfill the needs from one level needs to the higher one was not always in a hundred percent to be fulfilled, otherwise the lower need could partly fulfilled so we could go to the higher one as motivation.  <br /> <br />Key words: Motivation, Personality, Racism, Hierarchy of Human Needs</p>

On synchronizing time and eternity

2016 ◽  
Vol 8 (1) ◽  
pp. 1-14
Author(s):  
Murray Stein
Keyword(s):  
Clinical Work ◽  
The Self ◽  
Active Imagination ◽  
Nature Of Time ◽  
Piano Lesson

ABSTRACTIn this paper I attempt to show how Jung conceived of the interface of time and eternity in the self. To do this, I use his commentary of Wolfgang Pauli's ‘world clock’ vision, and to that I add my commentary on Pauli's active imagination, dedicated to M.-L. von Franz, titled ‘The Piano Lesson’. This article is a meditation on the nature of time, of eternity, and of their psychological interaction in the process of individuation. This has relevance to clinical work as well.

La fruizione dei beni culturali come contributo del turismo allo sviluppo delle cittŕ d'arte

2009 ◽  
pp. 59-72
Author(s):  
Marco Martinelli
Keyword(s):  
Cultural Heritage ◽  
Key Words ◽  
Research Work ◽  
Cultural Development ◽  
The Self ◽  
Modern City

- The author examines the ways in which cultural heritage is used in the art cities. The evidence from research work on the characteristics of visitors of four museums of Rome are shown. Two types emerge: the mass tourist "with a collective look" and the self-directed "romantic" tourist. Tourism in art cities enhances the cultural development of cities.Key words: tourism, art city, post modern, city.

scholarly journals Crucial role of HMGA1 in the self-renewal and drug resistance of ovarian cancer stem cells

2016 ◽  
Vol 48 (8) ◽  
pp. e255-e255 ◽  
Author(s):  
Dae Kyoung Kim ◽  
Eun Jin Seo ◽  
Eun J Choi ◽  
Su In Lee ◽  
Yang Woo Kwon ◽  
...  
Keyword(s):  
Ovarian Cancer ◽  
Stem Cells ◽  
Drug Resistance ◽  
Cancer Stem Cells ◽  
Crucial Role ◽  
The Self ◽  
Ovarian Cancer Stem Cells ◽  
Self Renewal

Independence of geostatic stress from overconsolidation in some Beaufort Sea clays

1987 ◽  
Vol 24 (3) ◽  
pp. 342-356 ◽  
Author(s):  
M. G. Jefferies ◽  
J. H. A. Crooks ◽  
D. E. Becker ◽  
P. R. Hill
Keyword(s):  
Key Words ◽  
Stress Ratio ◽  
Beaufort Sea ◽  
The Self ◽  
Geologic History ◽  
Overconsolidation Ratio ◽  
Site Investigations

Since 1982, extensive use has been made of the self-bored pressuremeter in Arctic offshore site investigations. One finding of this work is that the in situ geostatic stress ratio K0 of Beaufort Sea clays is apparently unrelated to the overconsolidation ratio (OCR). The procedures and data to support this finding are documented and the finding is discussed in light of the present geological understanding for the area. It is concluded that the independence of K0 from OCR may be quite widespread, a finding that contradicts the widely held tenet regarding the existence of a single-valued function relating K0, [Formula: see text], and OCR. If K0 is regarded as important, then it should be measured in situ. Key words: self-bored pressuremeter, geostatic stress ratio (K0), Beaufort Shelf, geologic history, overconsolidation ratio.

scholarly journals Kritik Atas Modernitas Dalam Novel Bilangan Fu Karya Ayu Utami

ATAVISME ◽  
2015 ◽  
Vol 18 (1) ◽  
pp. 1-14
Author(s):  
Bramantio Bramantio
Keyword(s):  
Key Words ◽  
Point Of View ◽  
The Self ◽  
The Other ◽  
Human Being ◽  
Tzvetan Todorov ◽  
The Universe

Artikel ini bertujuan untuk mengungkap kritik atas modernitas dalam novel Bilangan Fu karya Ayu Utami. Dengan memanfaatkan naratologi Tzvetan Todorov, dapat dipahami aspek verbal Bilangan Fu, yaitu sudut pandang, pencerita, dan tuturannya. Berdasarkan penceritaannya, novel ini merupakan novel polifonik, karnivalistik, sekaligus metafiksi. Berdasarkan kontennya, novel ini menghadirkan sejumlah kritik atas modernitas, khususnya berkaitan dengan semangat modernitas yang cenderung melihat segala sesuatu secara monodimensional, hanya ada satu kebenaran, dan liyan diabaikan. Bilangan Fu merupakan novel yang merefleksikan zamannya. Novel ini berhasil menyegarkan cara pandang masyarakat Indonesia, atau setidaknya menghadirkan sesuatu untuk dipikirkan dan dipertimbangkan kembali, berkaitan dengan diri, lingkungan, dan semesta raya. Novel ini mengembalikan manusia ke hakikatnya, yaitu kemanusiaan. Abstract: This article aims to reveal criticism on modernity in Ayu Utami’s novel Bilangan Fu. Tzvetan Todorov’s theory of narrative provided a framework to understand the novel’s verbal aspects, which are point of view, narrator, dan its voice. Based on its narrative, this novel is polyphonic, carnivalistic, and metafictional. Based on its content, it presents criticism on modernity, particularly on spirit of modernity that tends to see everything in monodimensional; there is only one truth, and the other is ignored. Bilangan Fu is a novel that reflects its time. It successfully refreshes the perspective of Indonesian society, or at least brings something to think about, related to the self, environment, and the universe. In the end, it brings back human being to their core, their humanity. Key Words: novel; point of view; narrator; criticism; modernity

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