scholarly journals Those Who Left and Those Who Arrived

2021 ◽  
Vol 3 (3) ◽  
pp. 107-129
Author(s):  
Francesca Rolandi
Keyword(s):  
Second World War ◽  
Living Standards ◽  
World War ◽  
Population Movements ◽  
Final Destination ◽  
Good Living ◽  
The City ◽  
Second World ◽  
Insight Into

In the years after the Second World War, the city of Rijeka found itself caught in the middle of various migratory trajectories. The departure of locals who self-identified as Italians and opted for Italian citizenship occurred simultaneously with other population movements that drained the city of inhabitants and brought in newcomers. Many locals defected and traveled to Italy, which was either their final destination or a country they transited through before being resettled elsewhere. Furthermore, after the war ended, workers from other Yugoslav areas started arriving in the city. A flourishing economy proved capable of attracting migrants with promises of good living standards; however, political reasons also motivated many to move to this Adriatic city. The latter was the case for former economic emigrants who decided to return to join the new socialist homeland and for Italian workers who symbolically sided with the socialist Yugoslavia. Rijeka was not simply a destination for many migrants—it was also a springboard for individuals from all over the Yugoslav Federation to reach the Western Bloc. This article argues that examining these intertwining patterns together rather than separately offers new insight into the challenges the city experienced during its postwar transition.

Jozef Duysans gevecht met den engel. Schermutselingen rond het graf van Paul Van Ostaijen

2012 ◽  
Vol 71 (4) ◽  
pp. 299-328
Author(s):  
Armand Van Nimmen
Keyword(s):  
Crucial Role ◽  
Second World War ◽  
World War ◽  
Nineteen Thirties ◽  
Public Monuments ◽  
Deep Waters ◽  
Original Idea ◽  
The City ◽  
Second World

Deze bijdrage handelt over de perikelen in de jaren dertig rond het plan om het lichamelijk overschot van de Vlaamse dichter Paul Van Ostaijen over te brengen uit het klein Waals dorp waar hij in vergetelheid begraven lag onder een houten kruis naar zijn geboortestad Antwerpen. Daar zou hij herbegraven worden op de stedelijke begraafplaats Schoonselhof onder een gepaste denksteen. Zoals meermaals het geval is bij het oprichten van publieke monumenten, verliepen – wegens onderling gekibbel en gebrek aan financiële middelen – meer dan zes jaren vooraleer de oorspronkelijke idee kon verwezenlijkt worden.Aandacht in dit artikel gaat naar Jozef Duysan, bewonderaar van de dichter en uitgesproken flamingant, die een cruciale rol speelde in de conceptie en uitvoering van het initiatief. Ten slotte beschrijft het artikel hoe deze nu bijna totaal vergeten man tijdens de Tweede Wereldoorlog in het vaarwater geraakte van de collaboratie, fungeerde als directeur van het Arbeidsamt in Antwerpen, na de oorlog veroordeeld werd en jaren lang ondergedoken leefde in die stad.________Jozef Duysan’s battle with the angel: Skirmishes around the tomb of Paul Van OstaijenThis contribution reports the vicissitudes concerning the plan dating from the nineteen thirties to transfer the mortal remains of the Flemish poet Paul Van Ostaijen from the small Walloon village where he was buried in oblivion under a wooden cross to Antwerp, the city of his birth. He was to be reburied there on the municipal cemetery Schoonselhof under a fitting memorial headstone. As frequently happens on the occasion of creating public monuments, more than six years passed before the original idea could be carried out – because of internal bickering and lack of financial means. This article focuses on Jozef Duysan, an admirer of the poet and an explicit Flemish militant, who played a crucial role in the concept and realisation of the initiative. In conclusion the article recounts how this man who has been practically completely forgotten now,  ventured into the deep waters of the collaboration during the Second World War, how he acted as director of the Arbeidsamt in Antwerp and how he was convicted after the war and lived for many years in hiding in that city.

scholarly journals Metonyms of destruction: Death, ruination, and the bombing of Rotterdam in the Second World War

2021 ◽  
pp. 135918352110164
Author(s):  
Antonius CGM Robben
Keyword(s):  
Built Environment ◽  
Joint Destruction ◽  
Second World War ◽  
City Centre ◽  
Post Mortem ◽  
Port City ◽  
World War ◽  
The Dead ◽  
Second World ◽  
Insight Into

The German and Allied bombing of Rotterdam in the Second World War caused thousands of dead and hundreds of missing, and severely damaged the Dutch port city. The joint destruction of people and their built environment made the ruins and rubble stand metonymically for the dead when they could not be mentioned in the censored press. The contiguity of ruins, rubble, corpses and human remains was not only semantic but also material because of the intermingling and even amalgamation of organic and inorganic remains into anthropomineral debris. The hybrid matter was dumped in rivers and canals to create broad avenues and a modern city centre. This article argues that Rotterdam’s semantic and material metonyms of destruction were generated by the contiguity, entanglement, and post-mortem and post-ruination agencies of the dead and the destroyed city centre. This analysis provides insight into the interaction and co-constitution of human and material remains in war.

Urban commemoration and literature in post-Soviet L'viv: a comparative analysis with the Polish experience

2014 ◽  
Vol 42 (4) ◽  
pp. 637-654 ◽  
Author(s):  
Uilleam Blacker
Keyword(s):  
Comparative Analysis ◽  
Second World War ◽  
World War ◽  
Diverse Range ◽  
Memory Culture ◽  
Polish Experience ◽  
The City ◽  
Second World

This article analyzes how the Poles and Jews who disappeared from the western Ukrainian city of L'viv as a result of the Second World War are remembered in the city today. It examines a range of commemorative practices, from monuments and museums to themed cafes and literature, and analyzes how these practices interact to produce competing mnemonic narratives. In this respect, the article argues for an understanding of the city as a complex text consisting of a diverse range of mutually interdependent mnemonic media produced by a range of actors. The article focuses in particular on the ways in which Ukrainian nationalist narratives interact with the memory of the city's “lost others.” The article also seeks to understand L'viv‘s memory culture through comparison with a range of Polish cities that have faced similar problems with commemorating vanished communities, but have witnessed a deeper recognition of these communities than has been the case in L'viv. The article proposes reasons for the divergences between the memory cultures of L'viv and that found in Polish cities, and attempts to outline the gradual processes by which L'viv‘s Polish and Jewish pasts might become more widely integrated into the city's memory culture.

Roman Inscriptions in the City of Birmingham Museum and Art Gallery

1976 ◽  
Vol 44 ◽  
pp. 28-43
Author(s):  
J. J. Wilkes
Keyword(s):  
United Kingdom ◽  
Second World War ◽  
World War ◽  
Art Gallery ◽  
The United Kingdom ◽  
Small Collection ◽  
The City ◽  
Second World

The nineteen stones described below form a small collection of Latin inscriptions now housed in the City of Birmingham Museum and Art Gallery. They have been acquired since the Second World War from older collections assembled at various places in the United Kingdom. With the exception of two, all are recorded as found in Rome and sixteen have been published in volume VI of the Corpus Inscriptionum Latinarum (CIL). The findspot of one (no. 6) is not recorded, while that of another (no. 13), although not attested, was almost certainly Rome. The publications in CIL were based in most cases on manuscript copies made between the fifteenth and ninetenth centuries; in the case of eight stones this republication (nos. 2, 3, 5, 9, 11, 12, 17 and 18) provides corrections or amendments to the relevant entries in CIL. All measurements are metric.

Bar-Dancing, Palm Wine, and Letters

2019 ◽  
Vol 3 (2) ◽  
pp. 123-154
Author(s):  
Danielle Porter Sanchez
Keyword(s):  
Alcohol Consumption ◽  
Social Life ◽  
Second World War ◽  
Sense Of Control ◽  
World War ◽  
Palm Wine ◽  
History Of ◽  
The Will ◽  
The City ◽  
Second World

Abstract This article focuses on the militarization of social life and leisure in Brazzaville during the Second World War and argues that efforts to instill a sense of control over the city could only suppress life so much, as many Congolese people were unwilling to completely succumb to the will of the administration in a war that seemed to offer very little to their communities or their city as a whole. Furthermore, drinking and dancing served as opportunities to engage with issues of class and race in the wartime capital of Afrique Française Libre. The history of alcohol consumption in Brazzaville is not simply the story of choosing whether or not to drink (or allow others to drink); rather, it is one of many stories of colonial control, exploitation, and racism that plagued Europe’s colonies in Africa during the Second World War.

scholarly journals “Making Nonsense of the Little Categories”: Slaughterhouse-Five and The Memoirs of a Survivor as autobiographical science fiction

2021 ◽  
Author(s):  
◽  
Georgia Hight
Keyword(s):  
Science Fiction ◽  
Second World War ◽  
Living Room ◽  
World War ◽  
Time And Space ◽  
Traumatic Memories ◽  
Non Fiction ◽  
Southern Rhodesia ◽  
The City ◽  
Second World

<p>Kurt Vonnegut’s Slaughterhouse-Five (1969) and Doris Lessing’s The Memoirs of a Survivor (1974) are both novels that blend autobiography with science fiction. In a review of Vonnegut’s Mother Night, Lessing writes that he “makes nonsense of the little categories”. The same applies to Lessing. These two novels live in the porous borders between genre—between fiction and non-fiction.  Vonnegut writes that he can’t remember much of his experiences in the firebombing of Dresden in the Second World War. The war novel he writes about them has a protagonist who is “unstuck in time”. I frame my discussion of Slaughterhouse around problems of temporal and narrative ordering. Through use of fractured time, repetitions, and the chronotope, Vonnegut finds a way to express his missing and traumatic memories of the war.  Lessing’s memories are of her early childhood in Persia and Southern Rhodesia. These memories are warped, claustrophobic, and difficult to articulate. Like Slaughterhouse, Memoirs fractures time and space. I organise my discussion of Lessing’s novel around the latter, focusing on a literalised porous border: her dissolving living room wall. Borders and portals between spaces in Memoirs blend the dystopian, science-fiction world of the city with the world of Lessing’s memories; dreams with reality; and the static with the dynamic.  I pose several answers to the question of why science fiction and autobiography. A shared occupation of the two authors was a concern for the madness and dissolution of society, and science fiction engages in a tradition of expressing these concerns. Additionally, Vonnegut and Lessing use the tools of a genre in which it is acceptable for time and space to be warped or fractured. These tools not only allow for the expression of memories that are fragmented, difficult, and half forgotten, but produce worlds that mirror the form of these personal memories.</p>

scholarly journals Pedagogic Alternatives in Italy after the Second World War: the Experience of the Movimento di Cooperazione Educativa and Bruno Ciari’s New School in Bologna

2020 ◽  
Vol 7 (1) ◽  
pp. 69-87 ◽  
Author(s):  
Mirella D’Ascenzo
Keyword(s):  
Educational Innovation ◽  
Teaching Profession ◽  
Second World War ◽  
World War ◽  
New School ◽  
School Renewal ◽  
The Social ◽  
The City ◽  
Second World ◽  
And Training

This contribution explores the historical and educational context in Italy after the Second World War, focusing on the pedagogical and educational innovation of the Movimento di Cooperazione Educativa (Educational Cooperation Movement, MCE), founded to promote the techniques of Freinet, and in particular Bruno Ciari, teacher, politician and driving force behind national school renewal in Italy. Using printed sources and archives from the period, the paper looks at the social and pedagogical experiment developed by Bruno Ciari between 1966 and 1970 and promoted in the city of Bologna through «Pedagogic Februaries»; these involved a series of events, conferences and training initiatives, organised with the cooperation of key universities, targeting teachers and families in order to develop an innovative, shared school culture. From the egodocuments of a preschool teacher who worked with Bruno Ciari in the city of Bologna, we enter the heart of the renewal of teaching practices, highlighting the tormented process of change in the teaching profession, in favour of a school that would be a true alternative to the traditional model and open to the democratic demands of all society. 

scholarly journals Changes in the national composition and symbols of Zhovkva’s urban space as a result of the Second World War

2019 ◽  
Vol 12 ◽  
pp. 77-87
Author(s):  
Vasylyna PASTERNAK
Keyword(s):  
Urban Space ◽  
Second World War ◽  
Ethnic Composition ◽  
World War ◽  
Interethnic Relations ◽  
Symbolic Space ◽  
Original Culture ◽  
New City ◽  
The City ◽  
Second World

Before the war, urban symbolic space of Zhovkva was divided between several national groups – Ukrainians, Poles and Jews, who created the culture and history of the city. The foundations for such cohabitation were laid during the construction of the city by the Field Crown Hetman Stanisław Żółkiewski, and survived until the start of the war, as evidenced by the memories of its inhabitants. Therefore, the article explains how the ethnic composition of the city’s population has changed and its further influence on the symbolism of the urban space. Subsequently of the dramatic events of the Second World War and the processes of resettlement of the population, two of the national groups disappeared from the urban space. The Jewish community was physically destroyed during the war, and the Poles were evicted from Zhovkva to Poland in 1944–1946. The destruction of the Jews meant the death of the whole subethnos with original culture and history. The resettlement of Poles from Zhovkva, from their homes, was extremely difficult psychologically, because they were saying goodbye to their hometown, where they lived for several generations, were deprived of their homes, property that belonged to the ancestors, they were allowed to take out only 2 tons of items social household consumption. Soviet soldiers and functionaries, peasants from the surrounding villages, who got used to living together and rebuilding Zhovkva, became “new” city dwellers. The “new” residents of the city, in cooperation with the Soviet authorities, changed the symbolic space of the city, starting with the change of name from Zhovkva to Nesterov, in honor of the Russian pilot Peter Nesterov, who died near the city in 1914. The city was built on the socialist urban model, which destroyed the historical and architectural environment of Zhovkva, founded in the XVI century. Architectural sights that testified to the multinational of Zhovkvа were destroyed or completely changed their purpose. Polish churches and monasteries were turned into warehouses or barracks for soldiers, and icons, paintings, statues, religious things were destroyed or exported abroad. Keywords Zhovkva, Stanisław Żółkiewski, Jan ІІІ Sobieski, socio-demographic processes, Poles, Jews, interethnic relations, symbolic space.

Restoring the Memory of the Forgotten Dutch Embroidery Designer Nellie van Rijsoort

Costume ◽  
2021 ◽  
Vol 55 (1) ◽  
pp. 74-96
Author(s):  
Marta Kargól
Keyword(s):  
Middle Class ◽  
The Netherlands ◽  
Second World War ◽  
World War ◽  
History Of ◽  
And Function ◽  
Second World ◽  
Insight Into

In 1932, Nellie van Rijsoort (1910–1996), the Dutch embroidery maker and designer, opened her atelier in Rotterdam. Among her clients were prestigious fashion stores in the Netherlands as well as wealthy middle-class customers. After the Second World War, van Rijsoort left Rotterdam and continued her career in Melbourne in the rapidly developing fashion network of Australia. Today, samples of embroidered fabrics and fashion drawings by Nellie van Rijsoort are part of the collections of the Museum Rotterdam and the National Trust of Australia in Melbourne. These collections provide insight into half a century of history of embroidered fabrics. This article illustrates the largely forgotten career of the embroidery designer. The first part of the article outlines the position and meaning of van Rijsoort's atelier in the fashion networks of the Netherlands and Australia, while the second part provides an analysis of embroidery samples and drawings, which reveal the place and function of embroideries as dress decorations.

‘If you strike a King you must kill him’: Sir Archibald Salvidge and the Revolt of Liverpool’s Conservative MPs, 1927-1928

2020 ◽  
Vol 169 (1) ◽  
pp. 87-106
Author(s):  
Paul A. Nuttall
Keyword(s):  
Prime Minister ◽  
Conservative Party ◽  
Second World War ◽  
News Story ◽  
World War ◽  
Post War ◽  
The Moment ◽  
The City ◽  
Second World ◽  
Local Party

In the spring of 1927, Liverpool’s Conservative MPs concluded that the local party was not equipped to counter the rise of Socialism in the city. They therefore demanded significant changes were made to the structure of the Liverpool Conservative Party. At the head of the local party was Sir Archibald Salvidge, a ruthless political operator who was determined not to give up the powers he had accrued over decades of service. What began as an internal row between Salvidge and seven rebel MPs became a national news story, and the Prime Minister, the Chancellor of the Exchequer and the Conservative Party Chairman became entangled. In many ways, the row represented the moment when Liverpool’s pre-war rowdy Unionism clashed with Stanley Baldwin’s post-war consensual conservatism; and the outcome of the dispute determined the character of Liverpool’s politics until the outbreak of the Second World War.

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