scholarly journals The Influence Of Political Correctness On Stand Up Comedy

2021 ◽  
Author(s):  
Martina Buehler
Keyword(s):  
Gender Stereotypes ◽  
Political Correctness ◽  
Political Identity ◽  
The Public ◽  
Political Ideologies ◽  
Stand Up Comedy ◽  
Political Debates ◽  
East Asian Culture ◽  
Youtube Videos ◽  
Negative Concept

Over the past 20 years, stand-up comedy has been part of the public debate within a prevailing ideology of non-discrimination and inclusiveness – most notably in relation to political correctness. In this context, a trend seems to be emerging, in which a person’s taste in humour is defined by their political identity (Healy, 2016). In other words, a joke is not funny unless it meets a person’s taste conventions prescribed by a political paradigm (Healy, 2016). While the current humour and comedy research aided the analysis of this paper, they present dichotomous views that either allow or disallow joking about certain topics. This dichotomy suggests that the current humour and comedy research does not do justice to the complexity of the topic and that there is a need for further research. This major research paper examined stand-up comedy in an age of political correctness and argued that an ideology of political correctness, non-discrimination and inclusiveness influences the content of stand-up comedy performances and the audience’s responses to them. I analyzed YouTube videos containing race-based and rape jokes as well as jokes about gender stereotypes. Moreover, I examined YouTube users’ comments to the three different joke-tokens. Examining both the jokes and YouTube users’ comments gave me insight into how these joketokens are understood and perceived by YouTube users. None of the jokes can be considered politically correct. This implies that these jokes can ignite political debates, which was observable in YouTube comments about feminism, liberals, gender stereotypes, sexism, misogyny, racism, East Asian culture, rape myths and misandry. The YouTube commenters’ perception seems to be that political correctness has been attempting to influence the stand-up comedy environment with the aim to dictate the content of stand-up comedy performances. However, the YouTube users see political correctness as a “killer” of stand-up comedy and as a negative concept mainly promoted by liberals, the leftist society and feminists. The most dominant theme across all YouTube comments seemed to be the aversion to feminism. Regardless of the joke, feminism was the concept that commenters blamed for the existence of political correctness, the censorship of stand-up comedy performances, for a joke’s lack of funniness, and for the lack of awareness and importance of male rape in research and society. In stand-up comedy, it is an art and talent to convey the literal meaning of a joke so that the subtext is clearly derivable – and even then, the audience’s interpretation depends on experiences, emotions, values, beliefs and political ideologies.

scholarly journals The Influence Of Political Correctness On Stand Up Comedy

2021 ◽  
Author(s):  
Martina Buehler
Keyword(s):  
Gender Stereotypes ◽  
Political Correctness ◽  
Political Identity ◽  
The Public ◽  
Political Ideologies ◽  
Stand Up Comedy ◽  
Political Debates ◽  
East Asian Culture ◽  
Youtube Videos ◽  
Negative Concept

Over the past 20 years, stand-up comedy has been part of the public debate within a prevailing ideology of non-discrimination and inclusiveness – most notably in relation to political correctness. In this context, a trend seems to be emerging, in which a person’s taste in humour is defined by their political identity (Healy, 2016). In other words, a joke is not funny unless it meets a person’s taste conventions prescribed by a political paradigm (Healy, 2016). While the current humour and comedy research aided the analysis of this paper, they present dichotomous views that either allow or disallow joking about certain topics. This dichotomy suggests that the current humour and comedy research does not do justice to the complexity of the topic and that there is a need for further research. This major research paper examined stand-up comedy in an age of political correctness and argued that an ideology of political correctness, non-discrimination and inclusiveness influences the content of stand-up comedy performances and the audience’s responses to them. I analyzed YouTube videos containing race-based and rape jokes as well as jokes about gender stereotypes. Moreover, I examined YouTube users’ comments to the three different joke-tokens. Examining both the jokes and YouTube users’ comments gave me insight into how these joketokens are understood and perceived by YouTube users. None of the jokes can be considered politically correct. This implies that these jokes can ignite political debates, which was observable in YouTube comments about feminism, liberals, gender stereotypes, sexism, misogyny, racism, East Asian culture, rape myths and misandry. The YouTube commenters’ perception seems to be that political correctness has been attempting to influence the stand-up comedy environment with the aim to dictate the content of stand-up comedy performances. However, the YouTube users see political correctness as a “killer” of stand-up comedy and as a negative concept mainly promoted by liberals, the leftist society and feminists. The most dominant theme across all YouTube comments seemed to be the aversion to feminism. Regardless of the joke, feminism was the concept that commenters blamed for the existence of political correctness, the censorship of stand-up comedy performances, for a joke’s lack of funniness, and for the lack of awareness and importance of male rape in research and society. In stand-up comedy, it is an art and talent to convey the literal meaning of a joke so that the subtext is clearly derivable – and even then, the audience’s interpretation depends on experiences, emotions, values, beliefs and political ideologies.

I Think We’re Alone Now

2020 ◽  
Vol 6 (4) ◽  
pp. 183-210
Author(s):  
Erin Nunoda
Keyword(s):  
Public Sphere ◽  
Digital Images ◽  
Empty Space ◽  
The Public ◽  
Youtube Videos ◽  
The Public Sphere

This article examines YouTube videos (primarily distributed by a user named Cecil Robert) that document so-called dead malls: unpopulated, unproductive, but not necessarily demolished consumerist sites that have proliferated in the wake of the 2008 recession. These works link digital images of mall interiors with pop-song remixes so as to re-create the experience of hearing a track while standing within the empty space; manipulating the songs’ audio frequencies heightens echo effects and fosters an impression of ghostly dislocation. This article argues that these videos locate a potentiality in abandoned mall spaces for the exploration of queer (non)relations. It suggests that the videos’ emphasis on lonely, unconsummated intimacies questions circuitous visions of the public sphere, participatory dynamics online, and the presumably conservative biopolitics (both at its height and in its memorialization) of mall architecture.

TURN TAKING STRATEGIES IN POLITICAL DEBATES

2020 ◽  
Vol 2 (2) ◽  
pp. 56-63
Author(s):  
Desi Dwi Natalia ◽  
Fajar Subekti ◽  
Ni Ketut Mirahayuni
Keyword(s):  
Dominant Strategy ◽  
Political Debates ◽  
Communication Mechanism ◽  
Turn Taking ◽  
Youtube Videos ◽  
Presidential Debate ◽  
Descriptive Qualitative

This article reports on two separate studies—Natalia (2019) and Subekti (2019)—on  communication mechanism in political debates. Specifically these studies focus on turn taking strategies adopted in political debates by political figures during their campaign for presidency or in dealing with specific issues. Both studies adopted Stenstrom’s (1994) classification of turn taking strategies which include three main strategies: taking the turn, holding the turn, and yielding the turn, each of which was further specified into more specific strategies. The data were two Youtube videos: first, Trump and Clinton First Presidential Debate 2016 (36 minutes 22 seconds [Natalia, 2019]) and second, BBC World Debate “Why Poverty”November 30,2012 (47 minutes 16 seconds, [Subekti, 2019]). Employing descriptive qualitative, with the aim of analyzing turn taking strategies adopted in the debates, both studies found interesting points: first, Stenstrom’s three strategies appeared in the debates; second, taking the turn strategy was the dominant strategy, followed by holding the turn strategy and the least used one was yielding to turn; and third, interruption which was a specific type of taking the turn strategy seems to be most often used in the debater’s attempt to maintain the turn and present their points and thus dominate the debate.

Evaluating the quality of YouTube videos on fibromyalgia (Preprint)

2020 ◽  
Author(s):  
Takumi Kawashita ◽  
Sara Shu ◽  
Teevit Dunnsiri ◽  
Andrew Fung ◽  
Brian Bui ◽  
...  
Keyword(s):  
Medical Education ◽  
Physical Therapists ◽  
H Index ◽  
Academic Affiliation ◽  
The Public ◽  
Video Sharing ◽  
Academic Publications ◽  
Youtube Videos ◽  
Default Setting

BACKGROUND YouTube is a popular American video-sharing platform that has been accessible to the public since 2005. Previous studies have shown that YouTube is potentially beneficial to medical education, but the quality of videos still need to be determined. OBJECTIVE The goal of this study is to understand the quality of the YouTube videos by evaluating the characteristics of physicians and the total number of views on videos regarding fibromyalgia. METHODS The term “fibromyalgia” was searched on the YouTube search engine by relevance, the default setting. Information from the first 100 videos were analyzed. A search was performed on Scopus to determine the h-index and fibromyalgia-related publication for any physician who was featured in the videos. RESULTS Of the top 100 videos, there were 64 academic videos, 18 vlogs, 5 interview videos, and 13 miscellaneous videos. Out of the 64 academic videos, 30 physicians, 7 Doctors of Philosophy (Ph.D.), 5 physical therapists, and 5 chiropractors were identified. The majority physicians have an adequate academic affiliation such as h-index and academic publications. CONCLUSIONS Residents and medical students will encounter a large number of academic videos on fibromyalgia on YouTube. This study suggests that many videos were posted for academic purposes and that the quality of the videos can be ensured to some degree. However, developing a better systemic evaluation of the quality of YouTube content is still necessary.

testimonial injustice ‘out here in the projects’ – misrecognising victimhood in the bed intruder meme

2021 ◽  
Vol 5 (2) ◽  
Author(s):  
M’Balia Thomas
Keyword(s):  
Social Support ◽  
Thematic Analysis ◽  
Stylistic Analysis ◽  
Moral Concern ◽  
Broadcast News ◽  
Potential Threat ◽  
The Public ◽  
The Social ◽  
Youtube Videos ◽  
Testimonial Injustice

In the wake of ‘Black Lives Matter’, this paper examines the concept of testimonial injustice and the prejudicial stances held towards victims that diminishes the credibility of their claims and the social support they receive from the public. To explore this concept, the following work revisits the widely parodied U.S. originating broadcast news report, The Bed Intruder. In the broadcast, victims of a home invasion and attempted rape deliver a public call that outlines the conditions of their victimhood and the potential threat to the community. A rhetorical stylistic analysis of the victims’ testimonial discourse and a thematic analysis of a sample of YouTube videos that reappropriate and parody their discourse are conducted. The analyses highlight the memetic elements of the video parodies that acknowledge the victimisation and yet strategically misconstrue events in ways that 1) render the victims and their claims less credible and 2) fail to provide them with the moral concern such an acknowledgement deserves.

scholarly journals Running as a Woman (or Man): A Review of Research on Political Communicators and Gender Stereotypes

2019 ◽  
Vol 7 ◽  
pp. 109-138
Author(s):  
Kelly L. Winfrey ◽  
James M. Schnoebelen
Keyword(s):  
Political Communication ◽  
Gender Stereotypes ◽  
Communication Research ◽  
Scholarly Journals ◽  
The Public ◽  
And Gender ◽  
The Right ◽  
Year Of The Woman ◽  
Quantitative And Qualitative Methods

Women gained the right to vote nearly 100 years ago, but it was not until 1980 that political scholars and practitioners began paying much attention to the role of women in elections and it was the so-called “Year of the Woman” in 1992 that sparked increased scholarly attention on women as political communicators. A record number of women, 117, ran for the U.S. Congress in 1992, but the number of women running and serving has been slow to increases since that time. One reason may be the unique challenges gender poses for female political communicators. Over three decades of research has proven gender stereotypes and expectations play a key role in how women (and men) communicate with voters. This review of research summarizes major findings and changes in gender and political communication research over the past three decades. Our focus is on communication by candidates and how gender shapes that communication. In all, 119 scholarly sources were reviewed; these sources included scholarly journals from related disciplines as well as books. Gender stereotypes in political communication have also been studied using a variety of methodologies, and to reflect that the research reviewed in this essay include both quantitative and qualitative methods. This summary of existing research includes a discussion of the gender stereotypes faced by candidates and how candidates present themselves to the public in light of these stereotypes.

scholarly journals WHO’S LAUGHING NOW? SURVIVORS OF SEXUAL VIOLENCE JOKE ABOUT RAPE

2021 ◽  
Author(s):  
Anna Lise Frey
Keyword(s):  
Public Sphere ◽  
Sexual Violence ◽  
Sexual Trauma ◽  
Traumatic Events ◽  
Interview Data ◽  
The Public ◽  
Stand Up Comedy ◽  
The Public Sphere ◽  
Cultural Responses ◽  
Feminist Work

Survivors of sexual violence in Canada face a culture that is largely hostile to their voices and experiences. Despite this, some survivors turn to the public sphere to work through their trauma. This thesis presents interview data from seven survivors who have performed stand-up comedy about their own experiences with sexual violence. It weaves together critical and clinical trauma theories, feminist work on sexual violence, and communications theories about humour and joking to offer new insights into how cultural responses to sexual trauma can work to challenge dominant attitudes about rape. This thesis ultimately argues that the cognitive, linguistic, and affective strategies that joking encourages can guide survivors towards reconceptualising the traumatic events they’ve experienced and facilitate the integration of those traumas into their lives. By focusing on a novel aspect of survivors’ affective expressions – their fun – this analysis works to make better sense of peoples’ complex responses to trauma.

scholarly journals Connective Effervescence and Streaming Chat During Political Debates

2021 ◽  
Vol 1 ◽  
Author(s):  
Tiago Ventura ◽  
Kevin Munger ◽  
Katherine McCabe ◽  
Keng-Chi Chang
Keyword(s):  
Presidential Debates ◽  
The Public ◽  
Fox News ◽  
Political Debates ◽  
Political Events ◽  
Facebook Pages ◽  
Online Streaming ◽  
And Behavior ◽  
Attitudes And Behavior

Recent advancements in online streaming technologies have re-centered the audience as an important part of live broadcasts, including live political events. In fall 2020, each of the U.S. presidential and vice presidential debates were streamed on a number of online platforms that provided an integrated streaming chat where the public could comment in real-time alongside the live debate video. Viewers could simultaneously tune into what the candidates were saying and see what a sample of their peers thought about the candidates. This study examines large samples of comments made in social chat feeds during the livestreamed debates on the ABC News, NBC News, and Fox News Facebook pages to quantify key features associated with the quality of political discussion on these platforms. The results reveal that consistent with the quasi-anonymous, constrained nature of dynamic chat, the comments made are generally short, include a substantial degree of toxicity and insults, and differ significantly in their content across platforms. These findings underscore the importance of further study of online streaming chat as a new source of potential influence on political attitudes and behavior.

scholarly journals THE CHALLENGES FOR THE IMPLEMENTATION OF A GENDER-ORIENTED APPROACH TO BUDGETING IN UKRAINE: WHAT CAN BE IMPROVED?

2021 ◽  
Vol 7 (2) ◽  
pp. 101-109
Author(s):  
Anna Karpych ◽  
Nataliia Miedviedkova
Keyword(s):  
Gender Equality ◽  
Gender Stereotypes ◽  
Financial Management ◽  
Public Management ◽  
Primary Data ◽  
The Public ◽  
Secondary Sources ◽  
Public Financial Management ◽  
The Relationship ◽  
Oriented Approach

The purpose of this article is to identify the obstacles which emerge on the way of the implementation of a gender-oriented approach to budgeting in Ukraine and hinder the promotion of this approach within the public financial system as well as to give recommendations on the possible ways to eliminate them from Ukrainian public financial management. Methodology. The article is based on a review of existing academic literature and on the analysis of secondary sources (mainly, government and non-government reports and publications). The results of the research show that the main barriers for the application of a gender-oriented approach to budgeting in Ukraine are, among others, dominance of gender stereotypes, the lack of funds for gender initiatives, insufficient understanding of the relationship between gender equality and public policy, the low level of awareness of civil servants and officials regarding the policy of gender equality. The overview of the best international practices in the integration of gender aspects in budgeting helped authors identify prior tasks for ensuring effectiveness of a gender-oriented approach to budgeting in modern conditions. Based on the obtained findings, the recommendations were provided; they include the measures to reduce gender gaps and suggested methods for modification of a gender-oriented approach to budgeting. Research limitations/implications. The authors did not study the underlying reasons for the emerging problems for the application of a gender-oriented approach to budgeting. Also, the research was based only on the review and analysis of secondary sources, thus, primary data collection techniques were omitted. Practical implications. The findings are likely to be useful for researchers and public sector practitioners both in Ukraine and abroad to gain knowledge on the implementation of a gender-oriented approach to budgeting. The developing countries may investigate the case of Ukraine and prepare for the similar challenges and problems adjusting the practice of implementation of a gender-oriented approach to budgeting according to their conditions and model of public management system. Value/originality. The article contributes to the discussion about the challenges for the effective implementation of a gender-oriented approach to budgeting in order to strengthen the public financial management in modern Ukraine.

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