scholarly journals THE CREATION OF AUTHORITATIVE FILE NAMED THE «COLLECTIVE AUTHOR» ON THE BASE OF ABIS «IRBIS» FOR THE ELECTRONIC CATALOGUE OF V. SUKHOMLYNSKY STATE PEDAGOGICAL SCIENCE LIBRARY OF UKRAINE

1970 ◽  
Vol 10 (2) ◽  
Author(s):  
Svitlana H. Kovalenko ◽  
Raisa P. Havryliuk

In the period of creation of electronic catalogue in V. Sukhomlynsky state pedagogical science library of Ukraine the question of conducting of authoritative file of titles of collective author is actual. The given article is devoted to the history of sources of authoritative control, technology of creation of authoritative file «Collective author» and also to the problems which arise up during the creation and conducting of the file.

Author(s):  
V. M. Shevchuk

The article studies the creation and development of the criminalistic category of a «tactical operation». The genesis of tactical operations is investigated along two avenues: theoretical (as a scientific category within criminalistics) and practical (as a means ofpractical functioning of investigation bodies). The article provides its analysis of tactical operations with regard to determining factors that influenced the creation and development of this criminalistic category. It investigates into the problems of determining stages in the tactical operations development history and their formation as a scientific criminalistic category as well as a comprehensive tactical tool of practical application in criminal proceedings. The emergence, formation and introduction of arrays of investigation actions, operation and search measures, tactical operations in the forensic and investigation practices are closely connected with the establishment of criminalistics as an independent area of knowledge. Research into the history of emergence and formation as well as the present state and perspectives for the development of tactical operations is necessary to form the concepts of this criminalistic category, determine its nature, essence, theoretical significance and practical application. The article concludes with suggesting perspective areas for further scientific research into the given problems.


Author(s):  
S. B. Savchuk ◽  
T. A. Shiltsova ◽  
V. A. Khinko

The article deals with the question of the creation and popularization of kriptovaljuty from a mathematical point of view. In particular it is a question of bitcoin, which is the most known kind of cryptocurrency today. This theme is important enough at present as in a society there is a demand for the decentralised alternative instrument of payment which irrespective of the state and on sense reminds system of the gold standard with the limited offer of currency. In the presented work the basic accent is made not only on occurrence history of bitcoin, but also on an action mathematical apparatus of cryptosystem. The elliptic curves are considered as the main tool of cryptography which is base at working out bitcoin. One of the basic properties of the given curves, and also a principle of their application are resulted at creation cryptocurrency. Mathematical formulas of calculation of a public key from a private key, process mining of bitcoins and their exchange for the goods and services are specified. The purposes of creation of specialised electronic stock exchanges on which bitcoins began to be on sale for the basic world currencies are described. The main reasons of use of the elliptic curves taken as a principle of work cryptosystem are allocated.


2020 ◽  
Vol 27 (1) ◽  
pp. 130-145
Author(s):  
Irina A. Kiseleva ◽  
Ksenia A. Potashova

<p>The article focuses on the analysis of the poetic genesis of Lermontov&rsquo;s poem &ldquo;The Dream&rdquo; (1841) that manifests itself in the author&rsquo;s corrections in the rough copy and in the clean one. There was carried out a reconstruction of the poet&rsquo;s creative process, of his work on the contexture and the creation of a completed artistic image. The article presents the transcription of the poem&rsquo;s rough and clean copies including alterations and symbols of the manuscript. It has been proved that while the first versions in the main text identify three dreams, the final version keeps only two of them. In the course of his work on the text the poet chooses not to introduce the image of a dream into the first poem, but makes it clear that everything is happening in the dream only by means of the title. This technique increases the reality of the given image. In the analysis of the poem&rsquo;s dynamic poetics a special emphasis is made on the registration of the landscape details changes due to which the poet conveys his perception of the natural world and his place in it as a&nbsp;body and soul creature. The narrator&rsquo;s feelings of desolation and abandonment in the natural world get worse from the rough copy to the clean one, and at the same time grows his anxiety for the unanimity with his mistress who, as the hero himself, has a spiritual sight. The capacity of the characters for empathy and the experience of bodily death assert the poet&rsquo;s faith in the immortality of the soul.</p>


2018 ◽  
Vol 7 (3) ◽  
pp. 1-23
Author(s):  
M.A. Stepanova

The article is dedicated to the 110th anniversary of one of the first Russian medical and educational institutions for children with developmental disorders - Sanatorium-school for retarded abnormal children, opened in Moscow by V.P. Kashchenko in 1908. Published during the life of V.P. Kashchenko methodical, scientific and practical work, as well as memories of his daughter A.V. Kashchenko allow us to trace the history of the Sanatorium for two decades before the removal V.P. Kashchenko from the institution in 1926. A detailed description of Sanatorium children, the management of their life, instruction and upbringing is given in the book. Special attention is paid to the research work of V.P. Kashchenko, and in particular, to the creation of a unique Museum of Pedology and Pedagogy of exceptional childhood. On the basis of generalization of the experience of medical and pedagogical activity V.P. Kashchenko formulated the principles of correctional pedagogics called bases of practical work with the defective (exclusive) child. In conclusion, an attempt is made to identify the contribution of V.P. Kashchenko to the development of psychological and pedagogical science and practice of instruction and upbringing of children with developmental disorders.


1970 ◽  
Vol 7 (1) ◽  
pp. 208-215
Author(s):  
Александр Бреусенко-Кузнецов

Статья посвящена проблеме восстановления искусственно прерванной метафизической традиции в отечественной персонологии. Данная проблема принадлежит областям истории психологии и психологии личности, но имеет выходы и в предметные области многих других психологических наук, в частности – клинической психологии. Указана важность соотнесения персонологических концептуализаций учёных-метафизиков с клинической практикой в процессе их опытной верификации. Проведена реконструкция и анализ взглядов на психопатологию и психотерапию представителей метафизической традиции в отечественной психологии личности. Согласно данным взглядам, суть патологии личности – в её уклонении от своего назначения, от подлинного бытия ради неподлинных, онтологически неоправданных форм жизнедеятельности. The article is devoted to the problem of restoration of artificialy interrupted metaphysical tradition in domestic personology. The given problem belongs to the areas of history of psychology and psychology of personality, but provides outcomes in subject matter of many other psychological sciences, in clinical psychology in particular. Importance of correlation between personological conceptualizations of scientists-metaphysicists and clinical practice in the process of their skilled verification is pointed out. The reconstruction and analysis of views at psychopathology and psychotherapy by representatives of metaphysical tradition in domestic psychology of personality have been made. According to the mentioned views, the essence of pathology of personality is in its evasion from the purpose, from original life for the sake of not original, ontologically unjustified forms of ability to live.


2020 ◽  
Vol 9 (1) ◽  
pp. 396-411
Author(s):  
Petrônio José Domingues

This article investigates the trajectory of the Grêmio Dramático, Recreativo e Literário Elite da Liberdade (the Liberdade Elite Guild of Drama, Recreation, and Literature), a black club active in São Paulo, Brazil, from 1919 to 1927. The aim is to reconstruct aspects of the club’s history in light of its educational discourse on civility, which was used as a strategy to promote modern virtues in the black milieu. By appropriating the precepts of civility, Elite da Liberdade helped construct a positive black identity, enabled the creation of bonds of solidarity among its members, and made itself a place of resistance and struggle for social inclusion, recognition, and citizens’ rights.


2019 ◽  
Vol 17 (2) ◽  
pp. 75-84
Author(s):  
Ilyas Shakirov ◽  

In the article considered events between 1945-1965 years in Singapore. On the ground of historical sources author of the given article learned the history of gaining independence by Singapore, as well, difficulties country carried out over 20 years


2020 ◽  
Vol 54 (1-3) ◽  
pp. 72-98
Author(s):  
Nikolaos Chrissidis

Abstract The article first surveys Greek interpretations of the creation of the Russian Holy Synod by Peter the Great. It provides a critical assessment of the historiographical paradigm offered by N.F. Kapterev for the analysis of Greek-Russian relations in the early modern period. Finally, it proposes that scholars should focus on a Greek history of Greek-Russian relations as a complement and possibly corrective to the Kapterev paradigm.


2019 ◽  
Vol 2019 (09) ◽  
pp. 108-113
Author(s):  
Alexander Begichev ◽  
Alexander Galushkin ◽  
Andrey Zvonaryev ◽  
Victor Shestak

2020 ◽  
Vol 2020 (11-1) ◽  
pp. 132-147
Author(s):  
Dmitry Rakovsky

The main purpose of this article is to study the role of the Russian Museum in the formation of the historical consciousness of Russian society. In this context, the author examines the history of the creation of the Russian Museum of Emperor Alexander III and its pre-revolutionary collections that became the basis of this famous museum collection (in particular, the composition of the museum’s expositions for 1898 and 1915). Within the framework of the methodology proposed by the author, the works of art presented in the museum’s halls were selected and distributed according to the historical eras that they reflect, and a comparative analysis of changes in the composition of the expositions was also carried out. This approach made it possible to identify the most frequently encountered historical heroes, to consider the representation of their images in the museum’s expositions, and also to provide a systemic reconstruction of historical representations broadcast in its halls.


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