‘What is Past is Prologue’: Hollywood’s History of the OSS and the Establishment of the CIA

Author(s):  
Simon Willmetts

At the end of the Second World War, the OSS were swiftly disbanded. In response, OSS chief William “Wild Bill” Donovan launched a massive public relations campaign to celebrate the wartime activities of his agency and to advocate for the establishment of a permanent central intelligence agency. Hollywood, perhaps unsurprisingly given the extensive links between American filmmakers and the OSS, played an important part in mythologizing the OSS in the immediate aftermath of the Second World War and in so doing helped make the case for the creation of the CIA.

2010 ◽  
Vol 69 (3) ◽  
pp. 406-429 ◽  
Author(s):  
Andrew M. Shanken

Breaking the Taboo: Architects and Advertising in Depression and War chronicles the fall of a professional interdiction in architecture, precipitated by the Second World War. For much of the history of their profession in the United States, architects——unlike builders and engineers, their main competition——faced censure from the American Institute of Architects if they advertised their services. Architects established models of professional behavior intended to hold them apart from the commercial realm. Andrew M. Shanken explores how the Great Depression and the Second World War strained this outdated model of practice, placing architects within consumer culture in more conspicuous ways, redefining the architect's role in society and making public relations an essential part of presenting the profession to the public. Only with the unification of the AIA after the war would architects conduct a modern public relations campaign, but the taboo had begun to erode in the 1930s and early 1940s, setting the stage for the emergence of the modern profession.


Slovenica ◽  
2018 ◽  
pp. 138-153
Author(s):  
Neža Zajc

The article describes the history of the creation, formation and perception of the idea of Slavdom in Russia (from A.S. Pushkin and F.I. Tyutchev and further on). The analysis was made on the basis of the biographical information (“Memoirs of the Kornilov’s Soldier”) of the Slovenian A.R. Trushnovich, who during the First World War (as a soldier of the Austro-Hungarian army) moved to the side of Russia, into the army of Kornilov. This act affected on his personal destiny (he became Orthodox, married a Russian, etc.) and on his worldview. However, after the Second World War, his attitude towards the fate of Russia changed. However, Trushnovich retained his fi rm faith and the most spiritually creative sources of the Orthodox thought, which was N. Berdyaev.


Author(s):  
О. А. Mironova ◽  
A. E. Maksimov

The relevance of the problem is that at the present stage of development of public relations between Western countries and Russia, attempts are being made to revise the history of the Second world war and such attempts are becoming more distinct over time. The paper proposes to consider the reasons for such actions and analyze the legal acts that are adopted by countries in some countries in the direction of reviewing the prerequisites, causes and results of the great Patriotic War. The methods used in this work are comparative descriptions of normative legal acts aimed at prohibiting Communist symbols and placing them on a par with Nazi symbols. It is also proposed to understand the reasons for the preparation and publication of such acts on the territory of some countries, using the example of the Baltic States and Ukraine. In the final part of the work, we can draw a conclusion about the similarity of legal acts adopted by these States, their uniform policy in the framework of consideration of historical and legal assessments of the Second world war. The results of the work are recommendations that are proposed to be considered and discussed on these proposals, which are aimed at popularizing Patriotic tourism, preserving historical justice and preventing the reformatting of the prerequisites, causes and results of the great Patriotic War. The value of the work is to collect information from official sources, to structure it and to be able to use it in practice. This work allows us to give our own assessment of the formation of rule-making in some post-Soviet countries in the field of discussing the history of the Second world war. The paper provides recommendations for preserving historical memory and achieving the principles of openness and fairness in the interpretation of the results of the Second world war.


Author(s):  
Wendolyn del Carmen Martí­nez Garcí­a

ResumenEl propósito de este trabajo es analizar cómo el último golpe de Estado en Argentina, perpetrado en 1976, fuea poyado por los Estados Unidos de América. Después de la Segunda Guerra Mundial, por medio de la Doctrina de Seguridad Nacional, la CIA (Central Intelligence Agency) adoctrinó a los ejércitos latinoamericanos contra el comunismo y la subversión. La revisión de ”La secta de la picana” y ”Carta abierta de un escritor a la Junta Militar” de Rodolfo Walsh me permitirán demostrar que la dictadura cumplió con la DSN; sin embargo, la violencia, por parte del Estado, se presentó desde tiempo atrás con los grupos parapoliciales y la Triple A en contra de ese enemigo tan difuso: el llamado comunista o subversivo.Palabras clave: Subversivo, Triple A, parapolicial,Doctrina de Seguridad Nacional. AbstractThe purpose of this work is to analyze how the Argentina’s state coup, occurred in 1976, it was supported by the United States of America. After the Second World War, through the National Security Doctrine, the CIA (Central Intelligence Agency) indoctrinated the Latin American armies against communism and the subversion. The review of texts ”La secta de la picana” y ”Carta abierta de un escritor a la Junta Militar” of Rodolfo Walsh will allow me to demonstrate that the dictatorship carried fulfilled the NSD; however, the State’s violence it arose long ago parapolicial groups and the Triple A against that diffuse enemy, called communist or subversive.Keywords: Subversive, Triple A, Parapolice, National Security Doctrine.  [1] Licenciada en Letras Hispánicaspor la Universidad Autónoma Metropolitana-Iztapalapa.


2010 ◽  
Vol 1 (1) ◽  
pp. 75-93
Author(s):  
Jessica Moberg

Immediately after the Second World War Sweden was struck by a wave of sightings of strange flying objects. In some cases these mass sightings resulted in panic, particularly after authorities failed to identify them. Decades later, these phenomena were interpreted by two members of the Swedish UFO movement, Erland Sandqvist and Gösta Rehn, as alien spaceships, or UFOs. Rehn argued that ‘[t]here is nothing so dramatic in the Swedish history of UFOs as this invasion of alien fly-things’ (Rehn 1969: 50). In this article the interpretation of such sightings proposed by these authors, namely that we are visited by extraterrestrials from outer space, is approached from the perspective of myth theory. According to this mythical theme, not only are we are not alone in the universe, but also the history of humankind has been shaped by encounters with more highly-evolved alien beings. In their modern day form, these kinds of ideas about aliens and UFOs originated in the United States. The reasoning of Sandqvist and Rehn exemplifies the localization process that took place as members of the Swedish UFO movement began to produce their own narratives about aliens and UFOs. The question I will address is: in what ways do these stories change in new contexts? Texts produced by the Swedish UFO movement are analyzed as a case study of this process.


2020 ◽  
Vol 17 (3) ◽  
pp. 278-291
Author(s):  
Egor A. Yesyunin

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.


1992 ◽  
Vol 13 (2) ◽  
pp. 101-126
Author(s):  
Hans Levy

The focus of this paper is on the oldest international Jewish organization founded in 1843, B’nai B’rith. The paper presents a chronicle of B’nai B’rith in Continental Europe after the Second World War and the history of the organization in Scandinavia. In the 1970's the Order of B'nai B'rith became B'nai B'rith international. B'nai B'rith worked for Jewish unity and was supportive of the state of Israel.


Author(s):  
David Hardiman

Much of the recent surge in writing about the practice of nonviolent forms of resistance has focused on movements that occurred after the end of the Second World War, many of which have been extremely successful. Although the fact that such a method of civil resistance was developed in its modern form by Indians is acknowledged in this writing, there has not until now been an authoritative history of the role of Indians in the evolution of the phenomenon.The book argues that while nonviolence is associated above all with the towering figure of Mahatma Gandhi, 'passive resistance' was already being practiced as a form of civil protest by nationalists in British-ruled India, though there was no principled commitment to nonviolence as such. The emphasis was on efficacy, rather than the ethics of such protest. It was Gandhi, first in South Africa and then in India, who evolved a technique that he called 'satyagraha'. He envisaged this as primarily a moral stance, though it had a highly practical impact. From 1915 onwards, he sought to root his practice in terms of the concept of ahimsa, a Sanskrit term that he translated as ‘nonviolence’. His endeavors saw 'nonviolence' forged as both a new word in the English language, and as a new political concept. This book conveys in vivid detail exactly what such nonviolence entailed, and the formidable difficulties that the pioneers of such resistance encountered in the years 1905-19.


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