From Kubrick’s Political Icon to Television Sex Symbol

This chapter starts from the iconic 1960 Stanley Kubrick film version of Spartacus and it compares it with the other version to demonstrate how in the Kubrick version the political and ideological nature of the Spartacus figure re-emerges in the twenty-first century, reinvented and far more sexualized than its predecessor. STARZ Spartacus, the chapter argues, has an altogether different set of objectives, placing special emphasis on the glorified and eroticized image of mostly male—but also female—bodies. This chapter concludes that Kubrick's Spartacus is transformed from a political icon, representing freedom, equality, and independence, into a new Spartacus who also becomes the image of a hypersexualized masculinity.

2021 ◽  
Vol 21 (1) ◽  
pp. 1-20
Author(s):  
Macarena García-Avello

This article examines the evolution of the borderlands as an organizing trope by focusing on how the transcendence beyond cultural nationalist perspectives traces the shift from Chicano/a to Latinx discourses. In order to address this issue, I will analyse two twenty-first-century Latinx texts that delve into the intricate ways in which transnational forces collide with economic, cultural and political processes that persistently revolve around the framework of the nation-state: Alicia Gaspar de Alba´s Desert Blood: The Juarez Murders (2005) and Maya Chinchilla´s The Cha Cha Files: A Chapina Poética (2014). The corpus of works selected will focus on the political readings derived from textual negotiation with a changing political, social and economic reality. This results in constant tensions between globalising processes, worldwide interconnectedness and transnational interactions, on the one hand, and the regulatory power of the state, on the other.


2008 ◽  
Vol 10 ◽  
pp. 449-460
Author(s):  
Jack Straw

If you read certain newspapers you might be forgiven for thinking that human rights were an alien imposition foisted upon us by ‘the other’. It is a misconception that has regrettably taken root. A central theme of my lecture this evening is to explode this myth, and to demonstrate how far from being some ‘European’ imposition, Britain has been at the forefront of the political and legal development of human rights across Europe and across the world.


Author(s):  
Jack Santino

Since the nineteenth century, attention in folklore and folklife studies has shifted from viewing certain customary symbolic actions such as “calendar customs” and rituals of the life course to a more inclusive performance-oriented perspective on holidays and customs. Folklorists recognize the multiplicity of events that people may consider ritual and festival, and the porous nature of these categories. The concept of the “sacred” has expanded to include realms other than the strictly religious, so as to include the political and other domains, both official and unofficial. A comprehensive study of ritual and festival incorporates a close study of folk and popular actions as well as institutional ceremony. In the twenty-first century, approaching events as both carnivalesque and ritualesque allows folklorists to describe purpose and intention in public events, and to account for political, commemorative, celebratory, and festive elements in any particular event.


Inner Asia ◽  
2012 ◽  
Vol 14 (1) ◽  
pp. 131-171
Author(s):  
Hildegard Diemberger

AbstractIn this paper I follow the social life of the Tibetan books belonging to the Younghusband-Waddell collection. I show how books as literary artefacts can transform from ritual objects into loot, into commodities and into academic treasures and how books can have agency over people, creating networks and shaping identities. Exploring connections between books and people, I look at colonial collecting, Orientalist scholarship and imperial visions from an unusual perspective in which the social life and cultural biography of people and things intertwine and mutually define each other. By following the trajectory of these literary artefacts, I show how their traces left in letters, minutes and acquisition documents give insight into the functioning of academic institutions and their relationship to imperial governing structures and individual aspirations. In particular, I outline the lives of a group of scholars who were involved with this collection in different capacities and whose deeds are unevenly known. This adds a new perspective to the study of this period, which has so far been largely focused on the deeds of key individuals and the political and military setting in which they operated. Finally, I show how the books of this collection have continued to exercise their attraction and moral pressure on twenty-first-century scholars, both Tibetan and international, linking them through digital technology and cyberspace.


2018 ◽  
Vol 1 (1) ◽  
pp. 91-116
Author(s):  
Jude Lal Fernando

The aim of this article is to identify the glimpses of prophetic imagination amongst the Christian communities in Asia, particularly in Korea and Japan, who are engaged in resisting the new round of militarization in the twenty-first century. This resistance denounces the globalist security complex in the region and announces a nonmilitaristic alternative forming a praxis that is necessary for a new theology of peace in East Asia and in Asia broadly. The political reality of the new round of military empire-building will be discussed with a personal narrative and a political analysis after which the theological meaning of prophetic imagination as opposed to imperial consciousness will be analyzed, correlating the personal and political with the theological. The ways in which the resistance to militarization resonates with the prophetic imagination of an alternative consciousness and community will be examined through an analysis of memories and renunciation of war by the churches. Broad implications of these resonances for a peace theology in Asia will be identified.


1970 ◽  
Vol 41 (116) ◽  
pp. 33-48
Author(s):  
Dennis Meyhoff Brink

DANTE’S LITERARY ATMOSPHEROLOGY | The article argues that recent theories on affect and atmosphere by, for instance, Teresa Brennan, Lauren Berlant, and Peter Sloterdijk, can enter into an extraordinarily fruitful interchange with Dante’s Divine Comedy. On the one hand, these theories can direct our attention to the hitherto overlooked atmospheric phenomena that occur ubiquitously in Dante’s Comedy and provide us with concepts that render them legible as products of human emissions. On the other hand, the numerous descriptions of different atmospheres in Dante’s Comedy can contribute to overcoming the lack of linguistic specifications and distinctions which – according to theorists such as Brian Massumi and Peter Sloterdijk – characterizes today’s Western understanding of affective atmospheres and impedes its ongoing theorization. Based on readings of a selected number of atmospheres in Dante’s Comedy, the article argues that the Comedy not only anticipated insights that were not articulated theoretically until the twentieth and twenty-first century, butalso makes up an exceptional encyclopedia of affective atmospheres that have not yet been examined, neither by Dante researchers, nor by theorists of affects and atmospheres. Therefore, both camps have much to learn from Dante’s literary atmospherology, which the article aims to make explicit.


Author(s):  
Mark Juergensmeyer

The case of the 2015 attack on the offices of the Charlie Hebdo satirical magazine in Paris illustrates the imagined war between secularism and religion that is in the background of many incidents of violence at the turn of the twenty-first century. The Enlightenment idea that there are two different worldviews—two distinctly different spheres of understanding about reality, one of them secular and the other religious—is inherently problematic. This dichotomy creates an arena of discord that is easily exploited by people who feel isolated and marginalized for whatever reason and look for someone to blame and some battle to join. It is a false conflict that extremists on both sides, religious and secular, have exacerbated.


Author(s):  
Jeffrey Insko

The book’s final chapter turns to the twenty-first-century historical present to examine the resurgence of pious warnings about the dangers of presentism in current debates over historical monuments and other forms of historical commemoration. After linking, by way of Afrofuturism, the recent political slogan #StayWoke to the political disposition identified in the book’s previous chapters, I turn to debates about the renaming of college buildings in order to challenge the ideas about history promoted by antipresentists, whose claims are themselves often ahistorical. The historiographical injunction against presentism, I claim, has unwittingly sustained white supremacy in the United States. I feel strongly that we’re not yet done with history—but not done precisely because of, not despite, the history that we inhabit.


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